Fernanda Torres’ powerhouse performance guides 'I'm Still Here', the entire film basically hinging on her. The story of Eunice Paiva’s tenacity is inspiring, but Torres really sells it with tragic emotional impact.
'You’re Cordially Invited' could have benefitted from tightening up the script and raising the absurd stakes of the premise, but Ferrell and Witherspoon are both firing on all cylinders to provide plenty of laughs.
'Emelia Pérez' is the definition of "out of touch." To make some sort of kitschy musical out of current real-world issues screams of misguided self-importance.
'Nosferatu' is another knockout from Robert Eggers, who finally got to live out his Gothic horror fantasies and remake one of the most iconic films of all time.
People often like to keep their eyes averted from reality, so they don’t have to confront the harsh truths in life. 'Nickel Boys' doesn’t allow the audience to do that here.
'Sonic the Hedgehog 3' is basically on the same level as the first two installments, providing a similar amount of heart, humor, and fun, but now with way more action and fan service.
Kids and fans of the 2019 'Lion King' remake will definitely find plenty to enjoy about Mufasa’s origin, but just like the film that inspired it, 'Mufasa: The Lion King' simply feels pointless.
'The Wild Robot' isn’t just the best animated film I’ve seen all year and one of the best animated films I’ve ever seen, it’s one of the best films I’ve ever seen period.
'Kraven the Hunter' is really just more of the same poor quality you come to expect from these movies: haphazard writing, lackluster visual effects and action scenes, quality actors stuck doing thankless roles, and an overall lack of distinct artistry or vision.
For a project that exists out of pure legal obligation to retain some movie rights, I was surprised the movie had some passion behind it, at least on the directorial front.
You expect a movie with the premise and title of 'Nightbitch' to either be hilariously amazing or downright terrible, so the fact that it’s so blandly middle of the road is both surprising and disappointing.
'Y2K' probably would have been much better if it had just been an SNL sketch because it feels like a bit that has been stretched too thin. The idea and first act are great, but unfortunately, it peters out as it gets near the end.
Even if it feels like a slight step down from the first, the filmmakers’ hearts are in the right place, and like its predecessor, 'Moana 2' works best when it explores its themes on cultural heritage and identity.
'Anora' is definitely one of those, “Yeah, I get it,” types of movies. I get the story Sean Baker was trying to tell. I get the themes and subtext he’s weaving throughout that story. I get that the performances are fantastic, and I get that it’s technically well made. It’s just… I didn’t really care at the end of it all.
With its top-notch technical presentation and incredible performances from Cynthia Erivo and Ariana Grande, 'Wicked' is a delight from beginning to end.
'Red One' is the equivalent of your least favorite relative buying you socks for Christmas when you were 9 years old: a simple obligation with no thought, care, or even love put into it.
'The Best Christmas Pageant Ever' certainly isn’t the most original film out there, but for families who want a fun Christmas outing at the movies, it more than does its job
'We Live in Time' could have easily ended up sappy in the wrong hands. Lucky for us, the filmmakers wisely sidestep any pitfalls by giving us a film that’s examines the highs and lows of a relationship with stunning authenticity.
Led by two magnetic performances from Sebastian Stan and Adam Pearson, 'A Different Man' is a hilariously dark and absurd tale about what it means to be truly “you”.
'The Substance' is easily one of the most extreme and excessive movies I’ve ever seen in my life. For 140 minutes, Coralie Fargeat gives you a body horror masterpiece the likes of which you’ve never experienced. It's the best film I’ve seen all year, and I don’t foresee it being topped.
Thanks to Clooney and Pitt, I was mildly entertained while watching 'Wolfs', but there was this overall feeling of emptiness inside of me. “This sequence should be more thrilling, or this bit should be much funnier,” were thoughts that kept entering my mind.
'Never Let Go' definitely isn’t Alexandre Aja’s finest effort, but it’s a decent watch. You’ll definitely get some solid performances and cool ideas, but its parts never really come together to form a satisfying whole.
'My Old Ass' is a charming coming of age film that creatively examines age and maturity from many aspects. It’s heartfelt and introspective, but also deeply funny and amusing.
'The Front Room' is still a modestly entertaining effort if you can dial into its specific tone. The subject matter and how it’s all executed may either be too disturbing or unsatisfactory for some, but there’s some cheesy fun to be had here. It’s just the fun all coalesces into a big ball of, “Huh?"
'Borderlands' doesn’t offer any entertainment value whatsoever. It’s not just a poor adaptation of the video game, but simply a terrible film all around.
As far as its examination of one’s faith, 'Between the Temples' is a tragic and hilarious look into the life of a Jewish man struggling with his faith, all led by a terrific turn from Jason Schwartzman.
