advertising

Selfe, M. (2020) "Use the SONGS to sell your SHOW!": Sam Goldwyn, the Eddie Cantor musicals and the development of product-centred marketability. Historical Journal of Film, Radio and Television, 40(4), pp. 649-682. (doi: 10.1080/01439685.2020.1730551)

audiences

Selfe, M. (2012) Circles, columns and screenings: mapping the institutional, discursive, physical and gendered spaces of film criticism in 1940s London. Journal of British Cinema and Television, 9(4), pp. 588-611. (doi: 10.3366/jbctv.2012.0107)

BBC

Selfe, M. (2025) The mid-century critic as cultural celebrity and cinephile role model. In: Hall, S. and Shail, R. (eds.) Film Critics and British Film Culture: New Shots in the Dark. Edinburgh University Press: Edinburgh. (In Press)

British film culture

Selfe, M. (2025) The mid-century critic as cultural celebrity and cinephile role model. In: Hall, S. and Shail, R. (eds.) Film Critics and British Film Culture: New Shots in the Dark. Edinburgh University Press: Edinburgh. (In Press)

Busby Berkeley

Selfe, M. (2020) "Use the SONGS to sell your SHOW!": Sam Goldwyn, the Eddie Cantor musicals and the development of product-centred marketability. Historical Journal of Film, Radio and Television, 40(4), pp. 649-682. (doi: 10.1080/01439685.2020.1730551)

celebrity

Selfe, M. (2025) The mid-century critic as cultural celebrity and cinephile role model. In: Hall, S. and Shail, R. (eds.) Film Critics and British Film Culture: New Shots in the Dark. Edinburgh University Press: Edinburgh. (In Press)

cinephilia

Selfe, M. (2025) The mid-century critic as cultural celebrity and cinephile role model. In: Hall, S. and Shail, R. (eds.) Film Critics and British Film Culture: New Shots in the Dark. Edinburgh University Press: Edinburgh. (In Press)

Criticism

Selfe, M. (2012) Circles, columns and screenings: mapping the institutional, discursive, physical and gendered spaces of film criticism in 1940s London. Journal of British Cinema and Television, 9(4), pp. 588-611. (doi: 10.3366/jbctv.2012.0107)

Dilys Powell

Selfe, M. (2012) Circles, columns and screenings: mapping the institutional, discursive, physical and gendered spaces of film criticism in 1940s London. Journal of British Cinema and Television, 9(4), pp. 588-611. (doi: 10.3366/jbctv.2012.0107)

Eddie Cantor

Selfe, M. (2020) "Use the SONGS to sell your SHOW!": Sam Goldwyn, the Eddie Cantor musicals and the development of product-centred marketability. Historical Journal of Film, Radio and Television, 40(4), pp. 649-682. (doi: 10.1080/01439685.2020.1730551)

Film criticism

Selfe, M. (2025) The mid-century critic as cultural celebrity and cinephile role model. In: Hall, S. and Shail, R. (eds.) Film Critics and British Film Culture: New Shots in the Dark. Edinburgh University Press: Edinburgh. (In Press)

Selfe, M. (2013) Reading the geographies of post-war British film culture through the reception of French film. New Review of Film and Television Studies, 11(4), pp. 455-476. (doi: 10.1080/17400309.2013.809564)

film marketing

Selfe, M. (2020) "Use the SONGS to sell your SHOW!": Sam Goldwyn, the Eddie Cantor musicals and the development of product-centred marketability. Historical Journal of Film, Radio and Television, 40(4), pp. 649-682. (doi: 10.1080/01439685.2020.1730551)

film societies

Selfe, M. (2025) The mid-century critic as cultural celebrity and cinephile role model. In: Hall, S. and Shail, R. (eds.) Film Critics and British Film Culture: New Shots in the Dark. Edinburgh University Press: Edinburgh. (In Press)

film society movement

Selfe, M. (2013) Reading the geographies of post-war British film culture through the reception of French film. New Review of Film and Television Studies, 11(4), pp. 455-476. (doi: 10.1080/17400309.2013.809564)

French cinema

Selfe, M. (2013) Reading the geographies of post-war British film culture through the reception of French film. New Review of Film and Television Studies, 11(4), pp. 455-476. (doi: 10.1080/17400309.2013.809564)

gender

Selfe, M. (2012) Circles, columns and screenings: mapping the institutional, discursive, physical and gendered spaces of film criticism in 1940s London. Journal of British Cinema and Television, 9(4), pp. 588-611. (doi: 10.3366/jbctv.2012.0107)

Hollywood

Selfe, M. (2020) "Use the SONGS to sell your SHOW!": Sam Goldwyn, the Eddie Cantor musicals and the development of product-centred marketability. Historical Journal of Film, Radio and Television, 40(4), pp. 649-682. (doi: 10.1080/01439685.2020.1730551)

MGM

Selfe, M. (2012) Circles, columns and screenings: mapping the institutional, discursive, physical and gendered spaces of film criticism in 1940s London. Journal of British Cinema and Television, 9(4), pp. 588-611. (doi: 10.3366/jbctv.2012.0107)

musicals

Selfe, M. (2020) "Use the SONGS to sell your SHOW!": Sam Goldwyn, the Eddie Cantor musicals and the development of product-centred marketability. Historical Journal of Film, Radio and Television, 40(4), pp. 649-682. (doi: 10.1080/01439685.2020.1730551)

Nottingham

Selfe, M. (2013) Reading the geographies of post-war British film culture through the reception of French film. New Review of Film and Television Studies, 11(4), pp. 455-476. (doi: 10.1080/17400309.2013.809564)

post-war

Selfe, M. (2013) Reading the geographies of post-war British film culture through the reception of French film. New Review of Film and Television Studies, 11(4), pp. 455-476. (doi: 10.1080/17400309.2013.809564)

press screenings

Selfe, M. (2012) Circles, columns and screenings: mapping the institutional, discursive, physical and gendered spaces of film criticism in 1940s London. Journal of British Cinema and Television, 9(4), pp. 588-611. (doi: 10.3366/jbctv.2012.0107)

Product placement

Selfe, M. (2020) "Use the SONGS to sell your SHOW!": Sam Goldwyn, the Eddie Cantor musicals and the development of product-centred marketability. Historical Journal of Film, Radio and Television, 40(4), pp. 649-682. (doi: 10.1080/01439685.2020.1730551)

professionalism

Selfe, M. (2012) Circles, columns and screenings: mapping the institutional, discursive, physical and gendered spaces of film criticism in 1940s London. Journal of British Cinema and Television, 9(4), pp. 588-611. (doi: 10.3366/jbctv.2012.0107)

publicity

Selfe, M. (2012) Circles, columns and screenings: mapping the institutional, discursive, physical and gendered spaces of film criticism in 1940s London. Journal of British Cinema and Television, 9(4), pp. 588-611. (doi: 10.3366/jbctv.2012.0107)

radio

Selfe, M. (2025) The mid-century critic as cultural celebrity and cinephile role model. In: Hall, S. and Shail, R. (eds.) Film Critics and British Film Culture: New Shots in the Dark. Edinburgh University Press: Edinburgh. (In Press)

reception studies

Selfe, M. (2013) Reading the geographies of post-war British film culture through the reception of French film. New Review of Film and Television Studies, 11(4), pp. 455-476. (doi: 10.1080/17400309.2013.809564)

Samuel Goldwyn

Selfe, M. (2020) "Use the SONGS to sell your SHOW!": Sam Goldwyn, the Eddie Cantor musicals and the development of product-centred marketability. Historical Journal of Film, Radio and Television, 40(4), pp. 649-682. (doi: 10.1080/01439685.2020.1730551)

space

Selfe, M. (2012) Circles, columns and screenings: mapping the institutional, discursive, physical and gendered spaces of film criticism in 1940s London. Journal of British Cinema and Television, 9(4), pp. 588-611. (doi: 10.3366/jbctv.2012.0107)

specialist cinema

Selfe, M. (2013) Reading the geographies of post-war British film culture through the reception of French film. New Review of Film and Television Studies, 11(4), pp. 455-476. (doi: 10.1080/17400309.2013.809564)

The 1948 Royal Commission on the Press

Selfe, M. (2012) Circles, columns and screenings: mapping the institutional, discursive, physical and gendered spaces of film criticism in 1940s London. Journal of British Cinema and Television, 9(4), pp. 588-611. (doi: 10.3366/jbctv.2012.0107)

The Critics’ Circle

Selfe, M. (2012) Circles, columns and screenings: mapping the institutional, discursive, physical and gendered spaces of film criticism in 1940s London. Journal of British Cinema and Television, 9(4), pp. 588-611. (doi: 10.3366/jbctv.2012.0107)

tie-ups

Selfe, M. (2020) "Use the SONGS to sell your SHOW!": Sam Goldwyn, the Eddie Cantor musicals and the development of product-centred marketability. Historical Journal of Film, Radio and Television, 40(4), pp. 649-682. (doi: 10.1080/01439685.2020.1730551)

United Artists

Selfe, M. (2020) "Use the SONGS to sell your SHOW!": Sam Goldwyn, the Eddie Cantor musicals and the development of product-centred marketability. Historical Journal of Film, Radio and Television, 40(4), pp. 649-682. (doi: 10.1080/01439685.2020.1730551)