Özyılmaz, Ö. and Neely, S. (2023) The story of Tell England (1931) in Turkey: transcultural remakes and the early sound era. Historical Journal of Film, Radio and Television, 43(3), pp. 668-684. (doi: 10.1080/01439685.2023.2173381)

Selfe, M. (2020) "Use the SONGS to sell your SHOW!": Sam Goldwyn, the Eddie Cantor musicals and the development of product-centred marketability. Historical Journal of Film, Radio and Television, 40(4), pp. 649-682. (doi: 10.1080/01439685.2020.1730551)

Batori, A. (2017) Screening Soviet Nationalities: Kulturfilms from the Far North to Central Asia. Historical Journal of Film, Radio and Television, 37(4), pp. 748-749. (doi: 10.1080/01439685.2017.1345121)[Book Review]

Velez-Serna, M. A. (2016) Preview screenings and the spaces of an emerging local cinema trade in Scotland. Historical Journal of Film, Radio and Television, 36(3), pp. 285-304. (doi: 10.1080/01439685.2015.1052222)

Harrison, R. (2015) Writing history on the page and screen: mediating conflict through Britain’s First World War ambulance trains. Historical Journal of Film, Radio and Television, 35(4), pp. 559-578. (doi: 10.1080/01439685.2015.1096661)

Selfe, M. (2011) Intolerable flippancy: the Arnot Robertson v. MGM libel case (1946-1950) and the evolution of BBC policy on broadcast film criticism. Historical Journal of Film, Radio and Television, 31(3), pp. 373-398. (doi: 10.1080/01439685.2011.597995)

Shand, R. (2011) Review of: 'Private eyes and the public gaze: the manipulation and valorisation of amateur images' edited by Sonja Kmec and Viviane Thill. Historical Journal of Film, Radio and Television, 31(2), pp. 305-307. (doi: 10.1080/01439685.2011.573991)[Book Review]

Hoskins, A. (2001) New memory: mediating history. Historical Journal of Film, Radio and Television, 21(4), pp. 333-346. (doi: 10.1080/01439680120075473)