2025

Selfe, M. (2025) The mid-century critic as cultural celebrity and cinephile role model. In: Hall, S. and Shail, R. (eds.) Film Critics and British Film Culture: New Shots in the Dark. Edinburgh University Press: Edinburgh. (In Press)

2020

Selfe, M. (2020) "Use the SONGS to sell your SHOW!": Sam Goldwyn, the Eddie Cantor musicals and the development of product-centred marketability. Historical Journal of Film, Radio and Television, 40(4), pp. 649-682. (doi: 10.1080/01439685.2020.1730551)

2015

Schlesinger, P. , Selfe, M. and Munro, E. (2015) Curators of Cultural Enterprise: A Critical Analysis of a Creative Business Intermediary. Palgrave Macmillan. ISBN 9781137478870

Schlesinger, P. , Selfe, M. and Munro, E. (2015) Researching cultural enterprise office. In: Curators of Cultural Enterprise: A Critical Analysis of a Creative Business Intermediary. Palgrave Macmillan. ISBN 9781137478870

Schlesinger, P. , Selfe, M. and Munro, E. (2015) Inside a cultural agency: team ethnography and knowledge exchange. Journal of Arts Management, Law, and Society, 45(2), pp. 66-83. (doi: 10.1080/10632921.2015.1039741)

2013

Selfe, M. (2013) Reading the geographies of post-war British film culture through the reception of French film. New Review of Film and Television Studies, 11(4), pp. 455-476. (doi: 10.1080/17400309.2013.809564)

2012

Selfe, M. (2012) Circles, columns and screenings: mapping the institutional, discursive, physical and gendered spaces of film criticism in 1940s London. Journal of British Cinema and Television, 9(4), pp. 588-611. (doi: 10.3366/jbctv.2012.0107)

Selfe, M. (2012) The view from outside London. In: Nowell-Smith, G. and Dupin, C. (eds.) The British Film Institute: The Government and Film Culture 1933-2000. Manchester University Press: Manchester, UK. ISBN 9780719079085

2011

Selfe, M. (2011) Intolerable flippancy: the Arnot Robertson v. MGM libel case (1946-1950) and the evolution of BBC policy on broadcast film criticism. Historical Journal of Film, Radio and Television, 31(3), pp. 373-398. (doi: 10.1080/01439685.2011.597995)

2010

Selfe, M. (2010) ‘Incredibly French’?: Nation as an interpretative context for extreme cinema. In: Mazdon, L. and Wheatley, C. (eds.) Je T'aime...Moi Non Plus: Franco-British Cinematic Relation. Berghahn Books: New York, USA. ISBN 9781845457495

2009

Selfe, M. (2009) Putting film on Nottingham’s cultural map: film production and the festival of Britain. In: Craven, I. (ed.) Movies on Home Ground : Explorations in Amateur Cinema. Cambridge Scholars: Newcastle, pp. 130-155. ISBN 9781443813440

2008

Selfe, M. (2008) Inflected accounts and irreversible journeys. Participations, 5(1),

2007

Selfe, M. (2007) 'Doing the work of the NFT in Nottingham' or how to use the BFI to beat the Communist threat in your local film society. Journal of British Cinema and Television, 4(1), pp. 80-101.

Barker, M., Mathijs, E., Sexton, J., Egan, K., Hunter, R. and Selfe, M. (2007) Audiences and Receptions of Sexual Violence in Contemporary Cinema. [Research Reports or Papers]