Directed by
Neil McCay | ... | (as Neil Alexander McCay) |
Writing Credits (in alphabetical order)
Neil McCay | ... | (as Neil Alexander McCay) |
Cast (in credits order)
Akasha Villalobos | ... | Ally Larkin | |
Major Dodge | ... | Michael Larkin | |
Peggy Schott | ... | Jan Rollins | |
Jill Young | ... | Samantha Larkin | |
Bjorgvin Arnarson | ... | Boy with the Red Scarf | |
Neil McCay | ... | Doctor Harris | |
Laura Ray | ... | Kate (voice) | |
Jonny Blackburn | ... | Terry / Doll Mask Figure | |
Kerri van Auken | ... | Ally's Boss (voice) | |
Aurora Villalobos | ... | Samantha 4 years old |
Produced by
Jonny Blackburn | ... | co-producer |
Vanessa Borras | ... | associate producer |
Gary Elmore | ... | co-producer |
David Groves | ... | producer |
Debby McCay | ... | executive producer |
Edward McCay | ... | executive producer |
Neil McCay | ... | producer (as Neil Alexander McCay) |
Neil Reilly | ... | associate producer |
Music by
James Thistleton | ... | (original score by) |
Cinematography by
Geoffrey Marschall | ... | director of photography |
Editing by
Neil McCay | ... | (as Neil Alexander McCay) |
Casting By
Jaimie Beebe |
Production Design by
Robbie Dalley |
Art Direction by
Annie Bradford |
Set Decoration by
Antara Dalley | ||
Olivia Dalley |
Makeup Department
Ashley Kae Snyder | ... | hair and makeup (as Ashley Snyder) |
Second Unit Director or Assistant Director
Jonny Blackburn | ... | assistant director |
Ruben Lincoln | ... | second unit director |
Art Department
Annie Bradford | ... | set dresser |
Erlan Vazquez | ... | digital art designer |
Edwin Wise | ... | special props: totem knife and doll mask created by |
Dan Wolff | ... | sketchbook illustrator: Samantha's |
Sound Department
Andy King | ... | boom operator |
Corey McMinn | ... | foley artist / production sound mixer |
Nicole Pfledderer | ... | boom operator (as Nicole Auringer) |
Andy Sanchez | ... | sound design and mixing |
Special Effects by
Sherrl Carpenter | ... | additional special effects |
Ruth Deet | ... | additional special effects |
Edwin Wise | ... | key special effects |
Visual Effects by
Erlan Vazquez | ... | credit sequence |
Stunts
Major Dodge | ... | additional stunts |
Corey McMinn | ... | stunt coordinator |
Laura Ray | ... | body double: Ally's |
Camera and Electrical Department
Emily Grooms | ... | first assistant camera |
David Marschall | ... | gaffer |
Neil Reilly | ... | swing grip/electric |
Hope Wager | ... | second assistant camera |
K. Harrison Walker | ... | swing grip/electric |
Avraham Ben Yehuda | ... | swing grip/electric |
Costume and Wardrobe Department
Ashley Kae Snyder | ... | wardrobe (as Ashley Snyder) |
Editorial Department
Matthew Steele Finley | ... | digital post production: effects |
Laurie Powers Going | ... | digital post production: effects |
David Groves | ... | digital intermediate technician |
Chris Jordan | ... | digital post production: effects |
Shelby Leatherwood | ... | assistant editor |
Geoffrey Marschall | ... | colorist (as Geoff Marschall) |
Additional Crew
Anne Chow | ... | production assistant |
Joe Dain | ... | distribution executive |
Thanks
Hilarion Banks | ... | special thanks |
Tim Brummett | ... | special thanks |
Regina Buono | ... | special thanks |
Christine Chen | ... | special thanks |
Ryan Cunningham | ... | special thanks |
Katya Delaney | ... | special thanks |
Amanda Finks | ... | special thanks |
Bears Rebecca Fonté | ... | special thanks |
Christian LaFargue | ... | special thanks |
James Jackson Leach | ... | special thanks |
Ryan Miller | ... | special thanks |
Rachel Moody | ... | special thanks |
Jamey Olsen | ... | special thanks |
Peter Ostebo | ... | special thanks |
Natalie Phan | ... | special thanks |
Daniel Repp | ... | special thanks (as Dan Repp) |
Tom Suhler | ... | special thanks |
Fred Taulbee | ... | special thanks |
Johnny Vallone | ... | special thanks |
Lindsay Young | ... | special thanks |
Alyce Zawacki | ... | special thanks |
Don Zolidis | ... | special thanks |