Directed by
Nick Vallelonga |
Writing Credits (in alphabetical order)
Loren Comitor | ||
Brenton Goulding | ||
Richard Goulding | ||
Ronald Kirk Goulding |
Cast (in credits order)
Produced by
Oliver Coltress | ... | associate producer |
Loren Comitor | ... | executive producer |
Patricia Goulding | ... | executive producer |
Richard Goulding | ... | executive producer |
Stuart Miller | ... | executive producer |
James Quattrochi | ... | producer |
Norm Swain | ... | line producer |
Nick Vallelonga | ... | producer |
Charles Wesley | ... | co-producer |
Music by
Harry Manfredini |
Cinematography by
Jeff Baustert |
Editing by
Tony Wise |
Casting By
Jean Scoccimarro |
Production Design by
Alicia Haverland |
Art Direction by
Alicia Haverland |
Costume Design by
Jennifer L. Soulages |
Makeup Department
Ayla Dew | ... | makeup artist |
Mary Esposito | ... | makeup artist |
Elizabeth Fox | ... | assistant hair stylist |
Amy Mills | ... | key hair stylist (as Amy Kasunic) |
Galaxy San Juan | ... | makeup artist |
Debra Schrey | ... | makeup department head |
Production Management
Scott Fort | ... | production supervisor |
Richard H. Prince | ... | unit production manager |
Second Unit Director or Assistant Director
Stephen Dudycha | ... | second second assistant director |
Bill Hardy | ... | second second assistant director |
Ellen Rosentreter | ... | additional second assistant director |
Ryan Tighe | ... | second second assistant director |
Darrell Woodard | ... | first assistant director |
Art Department
Adam Clancy | ... | assistant property master |
Stacy L. Henning | ... | on-set dresser |
Carl Weyant | ... | property master (as Carlucci Weyant) |
Kyle Whisner | ... | assistant property master |
Sound Department
David Ball | ... | foley artist / sound effects editor |
Charles Dayton | ... | re-recording mixer / sound supervisor |
Sara Glaser | ... | sound mixer |
Speed Ratliff | ... | boom operator (as Dwayne Ratliff) |
Randolph Saucedo | ... | sound assist |
John Taylor | ... | prime sound mixer |
Visual Effects by
Spencer Armajo | ... | roto and paint artist |
Steven Ilous | ... | visual effects supervisor |
Ian Vertovec | ... | digital colorist / visual effects artist |
Stunts
Peewee Piemonte | ... | stunt coordinator |
Harry Wowchuk | ... | stunts |
Camera and Electrical Department
Louis Chernovsky | ... | assistant camera |
Matthew Fabian | ... | grip |
Bryan Fletchall | ... | "b" camera operator / steadicam operator |
Corey Giann Antonio | ... | rigging grip |
Randy Hodges | ... | best boy grip |
Leo Ibanez | ... | grip |
Keith Morgan | ... | gaffer |
Kelly Porterfield | ... | key grip |
Neil Wittman | ... | electrician |
Casting Department
Christie Pesicka | ... | casting associate |
Costume and Wardrobe Department
Lauren Blair | ... | costume supervisor |
Sarah Lee-Taylor | ... | costumer |
Editorial Department
Megan Alter | ... | post-production assistant (as Megan Strulowitz) |
Michael Cioni | ... | digital intermediate supervisor |
Location Management
Trent Dempsey | ... | assistant location manager |
Laura Irvine | ... | location manager |
Kyle Whisner | ... | location scout |
David Williams | ... | assistant location manager |
Music Department
Mason Cooper | ... | music supervisor |
Jerry Lambert | ... | music recording mixer |
Script and Continuity Department
Jillian Giacomini | ... | script supervisor |
Additional Crew
Otto Arsenault | ... | title designer |
William Fix | ... | stand-in |
Paul Geffre | ... | publicist |
Rena Hanover | ... | production assistant |
Kelsey Miller | ... | production assistant |
Warren Ostergard | ... | publicist |
Michelle Rae Cannon | ... | set production assistant |
Lalida Sujjavasin | ... | set production assistant |
Natalia Vera | ... | production coordinator |
Donald 'Chip' Williams | ... | production assistant |
Scott Yeats | ... | set production assistant |
Thanks
James Tracy | ... | acknowledgment |