Directed by
Gernot Roll | ||
Tom Gerhardt | ... | (co-director) |
Writing Credits (in alphabetical order)
Tom Gerhardt |
Cast (in credits order) complete, awaiting verification
Produced by
Bernd Eichinger | ... | producer |
Reinhard Klooss | ... | co-producer |
Martin Moszkowicz | ... | producer |
Christine Rothe | ... | executive producer |
Herman Weigel | ... | producer |
Music by
Jörg Evers |
Cinematography by
Gernot Roll |
Editing by
Norbert Herzner |
Casting By
Rita Serra-Roll |
Production Design by
Myriande Heller |
Costume Design by
Gudrun Binger |
Makeup Department
Nancy Geisler | ... | makeup artist |
Julia Hauser | ... | makeup artist: Team NRW |
Nicole Peláez | ... | makeup artist |
Production Management
Sabine Eichinger | ... | production manager |
Heike Günther | ... | executive in charge of production: Nordrhein-Westfalen |
Grete Holmgren | ... | pre-production manager (as Greta Holmgren) |
Ola Holmgren | ... | pre-production manager |
Christine Jahn | ... | post-production supervisor |
Hanna Kahtz | ... | executive in charge of production |
Francisco Rojo Villada | ... | unit production manager |
Ursula Schlieper | ... | executive in charge of production |
Bernhard Thür | ... | production manager: Nordrhein-Westfalen |
Second Unit Director or Assistant Director
Eva Kadankova | ... | assistant director |
Roland Kanamüller | ... | second assistant director |
Art Department
Birgit Beckmann-Olczyk | ... | stand-by propman |
Wolfgang Ennenbach | ... | assistant production designer: Nordrhein-Westfalen |
Guido Konijn | ... | prop buyer |
Frank Polosek | ... | production designer: Nordrhein-Westfalen |
Frank Sanler | ... | assistant production designer: Nordrhein-Westfalen |
Maarten van der Meijden | ... | assistant production designer |
Sound Department
André Bendocchi-Alves | ... | sound editor |
Solweig Bores | ... | foley editor |
Claudia Enzmann | ... | dialogue editor (as Claudia Schmitt-Enzmann) |
Hubert Henle | ... | stereo sound consultant: Dolby |
Mel Kutbay | ... | foley artist |
Hubertus Rath | ... | re-recording mixer |
Nina Roll | ... | dialogue supervisor |
Alois Unger | ... | assistant sound |
Roland Winke | ... | sound |
Max Bauer | ... | foley artist (uncredited) |
Michael Keinath | ... | foley recordist (uncredited) |
Heinrich Kunkel | ... | sound editor (uncredited) |
Special Effects by
Wolfgang Jäger | ... | special effects: team nrw |
Franziska Loeding | ... | special effects |
Michael Luppino | ... | special effects technician (uncredited) |
Uli Nefzer | ... | special effects supervisor (uncredited) |
Visual Effects by
Manfred Büttner | ... | visual effects production manager |
Nastuh Abootalebi | ... | digital artist (uncredited) |
Alex Lemke | ... | digital compositor (uncredited) |
Stunts
Roland Ballner | ... | waterski stunts |
Gernot Loidl | ... | waterski stunts |
Otto Lorenz | ... | jet ski stunts |
Clemans Vogler | ... | waterski stunts |
Camera and Electrical Department
Mike Bartlett | ... | camera operator |
Rodolfo Bustos | ... | generator operator |
Joe Fesser | ... | rigging grip: Nordrhein-Westfalen (as Joachim Fesser) |
Juan Manuel Gomez | ... | lighting technician |
Jürgen Hahn | ... | dolly grip |
Hans Hansen | ... | video operator |
Benjamin Hasenclever | ... | key grip |
Harald Hauschildt | ... | gaffer |
Oliver Lechner | ... | assistant camera: second unit |
Andres Marder | ... | lighting: Nordrhein-Westfalen |
Sven Ortel | ... | lighting: Nordrhein-Westfalen |
Michael Praun | ... | assistant camera |
Sebastian Rosell | ... | key grip: second unit |
Florian Schlecht | ... | lighting technician |
Michael Schlegel | ... | rigging grip |
Kerstin Stelter | ... | still photographer |
Richard van de Merwe | ... | lighting technician |
Uwe von Bergen | ... | second dolly grip: Mallorca |
Jutta von Stieglitz | ... | camera operator: second unit |
Casting Department
Sergio Domenich | ... | casting: Spain |
Costume and Wardrobe Department
Ilona Fröhlich | ... | costume trainee: Nordrhein-Westfalen |
Claudia Hermbusche | ... | wardrober: Nordrhein-Westfalen |
Chandra Liebetanz | ... | costume trainee |
Anna Isabell Logen | ... | assistant costume designer |
Marta Ortega Gonzalez | ... | wardrober |
Editorial Department
Babette Fürbringer | ... | assistant editor |
Ingrid Lingenberg | ... | color timer |
Christine Zech | ... | assistant editor |
Alexander Berner | ... | consulting editor (uncredited) |
Location Management
Pablo Azorin | ... | location manager |
Francisco Rojo Villada | ... | second location manager |
Ralf Ruland | ... | location manager: Nordrhein-Westfalen |
Hans-Jörg Sturm | ... | first location manager |
Music Department
Erik Dumsch | ... | music producer / music recordist |
Georg Naschke | ... | music coordinator (as George Naschke) |
Script and Continuity Department
Catherine Allinson | ... | continuity |
Transportation Department
Ralph Hundt | ... | production driver: Nordrhein-Westfalen |
Christian Körfgen | ... | production driver: Nordrhein-Westfalen |
Tove Lindgren | ... | production driver |
Ruth Marx | ... | production driver: Nordrhein-Westfalen |
Nofre Moya | ... | production driver |
Mario Verdu | ... | production driver |
Additional Crew
Natascha Bradt | ... | extras carer |
Susanne Bähre | ... | extras carer |
Christa Diebitz | ... | assistant: M. Moszkowicz |
Bernd Eichinger | ... | presenter |
Raimund Fink | ... | second location manager: Nordrhein Westfalen |
Thomas Peter Friedl | ... | marketing coordinator (as Thomas Friedl) |
Ilona Hüttersen | ... | production press |
Isabella Kaltschmid | ... | production secretary: Munich |
Ana Muñoz Bonet | ... | caterer |
Roswitha Polosek | ... | production coordinator |
Josef Reidinger | ... | laboratory person |
Jens Reuscher | ... | zweite drehbühne: Nordrhein-Westfalen |
Mathias Schwarz | ... | legal consultant |
Ilse Schwarzwald | ... | assistant: B. Eichinger |
Eva Schweinberger | ... | assistant: C. Rothe |
Uwe Spindler | ... | production assistant |
Alexander R. Stigler | ... | production assistant |
Riccarda Söhnlein | ... | production assistant: mallorca |
Maria Wurlitzer | ... | assistant executive in charge of production |