Directed by
| Frank Tashlin | ||
Writing Credits
| Erna Lazarus | ... | (written by) |
| Frank Tashlin | ... | (contributing writer) (uncredited) |
Cast (in credits order) verified as complete
Produced by
| Paul Nathan | ... | associate producer |
| Hal B. Wallis | ... | producer |
Music by
| Walter Scharf | ... | (uncredited) |
Cinematography by
| Daniel L. Fapp | ... | director of photography (as Daniel Fapp) |
Editing by
| Howard A. Smith | ... | (as Howard Smith) |
Art Direction by
| Henry Bumstead | ||
| Hal Pereira | ||
Set Decoration by
| Fay Babcock | ... | (as Faye Babcock) |
| Sam Comer | ||
Costume Design by
| Edith Head | ||
Makeup Department
| Wally Westmore | ... | makeup supervisor |
Second Unit Director or Assistant Director
| James A. Rosenberger | ... | assistant director (as James Rosenberger) |
| William Watson | ... | second unit director |
| Charles C. Coleman | ... | assistant director (uncredited) |
| Gary Nelson | ... | second assistant director (uncredited) |
Sound Department
| Gene Garvin | ... | sound recordist |
| Hugo Grenzbach | ... | sound recordist |
Visual Effects by
| Farciot Edouart | ... | process photography |
| John P. Fulton | ... | special photographic effects |
Camera and Electrical Department
| W. Wallace Kelley | ... | photographer: second unit (as Wallace Kelley) |
| Murray Young | ... | key grip (uncredited) |
Costume and Wardrobe Department
| Joan Joseff | ... | costume jeweller (uncredited) |
Editorial Department
| Richard Mueller | ... | color consultant: Technicolor |
Music Department
| Norman Luboff | ... | vocal arranger |
| Charles O'Curran | ... | musical numbers creator and stager |
| Walter Scharf | ... | conductor / music arranger |
Additional Crew
| Rudy Makoul | ... | dialogue coach |
