CRP102_SAGALASSOS_Final_Projects_2025.pdf
- 1. design: duygu c. ribeiro Spring 24I25 Middle East Technical University FoA CRP102 Basic Design and Planning Studio course summary & final projects
- 2. “We travelled to the mountains and kept climbing until I thought no city could ever be built this high. At noon I suddenly saw a beautiful theatre that was still half-covered with snow… I spent three wonderful hours at the end of which I understood why the Pisidians had built their city so high in the mountains.” – Gertrude Bell, 1907
- 8. SAGALASSOS INSIGHTS AND INSPIRATIONS FROM THE SITE VISIT fieldwork
- 9. Our route in Sagalassos In 15.03.2025
- 10. PART AND WHOLE: A NEVER ENDING RELATIONSHIP https://doi.org/10.18814/epiiugs/2020/020089 Copyright © International Union of Geological Sciences. Evaluation of formation mechanism of lakes in terms of morphometric aspect; lakes region and their vicinity, SW of Turkey Cem Küçük, Gülcan Sarp, 2021
- 11. A NAVIGATION BETWEEN HEIGHTS: VERTICALITY vs. HORIZONTALITY
- 12. A NAVIGATION BETWEEN HEIGHTS: LOWER AND UPPER CITY
- 13. AN AGREEMENT BETWEEN HEIGHTS: SECTIONS & PUBLIC SPACES Hadrian Fountain Agora Gate Heroon Heroon Antonine Fountain Upper Agora Lower Agora
- 20. CRP102 – End of the Final Jury
- 22. “Sagalassos stands as a silent witness to history today, its stones whispering stories of those who once called it home. Yet, what if life were to return? What if a new community, inspired by the past but shaped by the present, were to settle among the ruins? Your task is imagining this new Sagalassos—a place where new life intertwines with ancient ruins. Will you build within the ruins, carefully weaving new structures into the old? Will you create a settlement beside them, ensuring their preservation while fostering a new way of living? Or will you design an entirely new form of cohabitation, where past and future exist in harmony? Your challenge is to craft a proposal that breathes life back into Sagalassos. Through your spatial designs for a living environment, you will explore the social and economic potential of this revived city, considering how people will live, work, and interact with the land. Your vision will shape a future where history is not merely preserved but lived once more. Your proposal will create an urban system considering the relationship (between forms and part & whole), flow of (pedestrians) people, open spaces (public-private hierarchy) all built upon your site-analysis, unit-cluster study and thematic vision to support a novel socio-spatial identity.” 1:1000 – Model for Living Environment (70 cmx100 cm) 1:1000 - Site Design Plan (70 cm x100 cm)
- 23. RESILIENT CITY Alper Akın Berfin Aydın Sadık Polat Karabal Sıla Nur Durna
- 25. BaharYağmurYıldız Beyzanur Sesli Duru Başıbüyük Lara NejlaYalçın
- 26. North-West Heeron Antonin’s Fountain Upper Agora Odeon Lower Agora (Continuity between sites) There is continuity between the sites in the city, as it can be seen above. The city is very steep, which creates the connections through streets with changing heights. Livable Continuity Greenery Accesibility Flow Parks Socialising People Communal Areas Pathways Connections Connecting reference lines Most important spaces Hellenistic Fountain Vista point Primary predicted human flow Secondary predicted human flow Main connection flow Secondary conenction flow Commercial Residential COLLECTIVE FORM Communal 1/500 1/500 1/500 1/1000 1/1000 1/1000 Vista Point Roman Bath Church Odeon Upper Agora Theatre Vista Point Lower Agora Hadrian Temple Neon Library City Mansion Vista Point Forest Forest LEGEND Primary Paths Paths Secondary Paths Neighbourhood Paths Areas Ruins Centres Residential Vegetation/Parks Macellum Collonaded Street THEMATIC EXPLORATION Strengths: continuous supply of water, central to trade from neighbouring cities eakness: not easily accessible, limited space for construction W pportunities: away from busy city life, unique landscape O hreats: earthquakes, lack of diverse water supply T PRE-SITE ANALYSIS Topography Sagalassos is a city located at an altitude of 1,45 - 1,70 km, which provided a natural defence for the city. The steep slopes caused roads and buildings to be built on certain planes and a terracing system. To get more sunlight, the city is settled on the south end. Due to its slopes and close geographical location to the Mediterranean Sea, the rain water is collected under the mountain and on the flatter topography with its limestone geology. Climate The wind is directed from the West and from the South, which affected the placement of the settlements such as the Potter’s Quarter. The buildings mostly broke the wind. The access to sun from the South makes an advantage for agriculture. Vegetation There are juniper, oak ad cedar forests around Maquis and low shrubs are common. Remains of olive and fruit trees dating back to the Roman period have been found. SITE ANALYSIS TOWARDS SPATIAL DESIGN Connection and the Properties of the City Design of the City MIDDLE EAST TECHNICAL UNIVERSITY FACULTY OF ARCHITECTURE | CITY AND REGIONAL PLANNING SPRING 2024-2025 | CRP102 - BASIC DESIGN AND PLANNING STUDIO Asst.Prof.Dr. Duygu Cihanger Ribeiro (coordinator), Prof.Dr.Müge Akkar Ercan, Assoc.Dr. Ender Peker, Res.Asst. İrem Duygu Tiryaki, Res.Asst. Furkan Erdem Sözeri, Res.Asst. Şeyma Erken, Res.Asst.Fatma Yağmur Özgür. Res.Asst. Erva Dilara Toprak, Burak Özdöver (PT) Lara Nejla YALÇIN Duru BAŞIBÜYÜK Beyzanur SESLİ Bahar Yağmur YILDIZ LIVEABLE CONNECTIVITY Tree Groups Edge The city connects through central and residential green areas that show continuity through the city. “The Central Park” around the Odeon is, literally, a central park in the middle of the city. The paths inside the city connect through the Odeon. Point The terrace house view is to the city and to the Ağlasun Village. The different perspectives of Sagalassos give different feelings and understandings of the city, which was used in the design process with vista points and terrace houses. The point tree was used to make points of entrances clear for the residential areas. The edge trees were used to show the orientation of movement with the platforms. Greenery Flow
- 27. City View Garden South Entrance Centre Ağlasun Entrance Roman Bath Lower Agora Church City Mansion Odeon Macellum Upper Agora Theatre Neon Library Hellenistic Fountain Collonaded Street Theatre Commercial Centre Ağlasun View Garden Library Garden Hadrian Fountain Antonin Fountain Severus Fountain 1:1000
- 29. URBAN CANVAS Ece Çalışkan Piraye Tosun Sude Yılmaz Zeynep Yıldırım
- 31. BaharYılmaz Ece Kutoğlu Fikri Berk Özel Havva Şahin PRODUCTION
- 32. GARDEN CITY Çınar Aşçıoğlu Meriç Güney Özge Ece Çevik Sidar Şahin
- 33. WATER BASED CONNECTIVITY Hakan Şahin Kaan Barış Ülker Yunus Demir Yıldırım
- 34. Duygu Doğu Edanaz Çeber Nadile Nur Koç NisanYılmaz
- 38. Ayça Ortakcı Doğa Kılıç Yağmur Akdeniz
- 39. Nazrin Samadzade Alia Tomieva Erbol Zholdubaev Makar Besplokhotnyi
- 43. Begüm Sude Ergenoğlu Kumsal Abayhan Nuse Doğa Öztürk Onur Devrim Özgen
- 46. İsmail İnce Zeynepnaz Bağ Zeynep Ersoy Yağmur Zeynep Özdemir
- 47. Ege Tufan Dalkılıç Günel Yetkin
- 48. Alin Barış İrem Öztürk Mehmet Gürkan Çolak Selin Şahin
- 49. MIDDLE EAST TECHNICAL UNIVERSITY FACULTY OF ARCHITECTURE | CITY AND REGIONAL PLANNING SPRING 2024-2025 | CRP102 - BASIC DESIGN AND PLANNING STUDIO Asst.Prof.Dr. Duygu Cihanger Ribeiro (coordinator), Prof.Dr.Müge Akkar Ercan, Assoc.Dr. Ender Peker, Res.Asst. İrem Duygu Tiryaki, Res.Asst. Furkan Erdem Sözeri, Res.Asst. Şeyma Erken, Res.Asst.Fatma Yağmur Özgür. Res.Asst. Erva Dilara Toprak, Burak Özdöver (PT) BELONGING M. GURKAN COLAK ALIN BARIS STUDENT PHOTO IREM OZTURK STUDENT PHOTO SELIN SAHIN STUDENT PHOTO 1/500 1/1000 UNIT UNIT ABSTRACT COLLECTIVE FORM Commercial Area Residential Area Ruins New Center New Center 1 7 3 2 4 9 6 5 8 11 10 16 18 23 24 25 19 21 22 20 13 14 15 17 AGLASUN 2 3 4 14 15 17 16 18 19 20 21 23 24 25 22 5 6 7 8 9 11 13 10 12 1 12 POTENTIAL DESIGN AREA POTENTIAL DESIGN AREA POTENTIAL DESIGN AREA POTENTIAL DESIGN AREA SPATIAL ELEMENTS Nodes Nodes Connections Between Nodes Connections N Ruin Ruins Ruins Ruins Ruins Ruins The New Centers are designed to reflect the idea of the Agora, both in how the space is used and how people interact within it. Like the Agora, they combine public gathering, exchange, and community in one place The theme is mostly based on ruins and how people used to live, combining the past with the new city since it is about belonging. UNIT UNIT SPATIAL ANALYSIS SPATIAL ANALYSIS TOWARDS DESIGN COLLECTIVE FORMS CONCEPTUAL DIAGRAMS 1 2 3 4 5 6 7 8 9 10 12 14 16 18 20 22 24 11 13 15 17 19 21 23 25 N c. d. e. f. g. h. 1 7 3 2 4 9 6 5 8 11 10 12 16 18 23 24 25 19 21 22 20 13 14 15 17 AGLASUN Cultural Continuity Continuity Of Use Continuity Of Use Collective Memory Collective Memory Territory Collective Memory
- 50. LE EAST TECHNICAL UNIVERSITY LTY OF ARCHITECTURE | CITY AND REGIONAL PLANNING NG 2024-2025 | CRP102 - BASIC DESIGN AND PLANNING STUDIO Dr. Duygu Cihanger Ribeiro (coordinator), Prof.Dr.Müge Akkar Ercan, Assoc.Dr. Ender Peker, Res.Asst. İrem Duygu Tiryaki, Furkan Erdem Sözeri, Res.Asst. Şeyma Erken, Res.Asst.Fatma Yağmur Özgür. Res.Asst. Erva Dilara Toprak, Burak Özdöver (PT) BELONGING M. GURKAN COLAK ALIN BARIS STUDENT PHOTO IREM OZTURK STUDENT PHOTO SELIN SAHIN STUDENT PHOTO N 1/1000
- 51. Elif Göral Eylül Ezgi Gülen Irmak Çetin Nursima Akdoğan
- 53. Doğa Çınara Süzer Emine Dilan Kardeş Nil Özkan Öykü Korkmaz
- 54. Berke Aydın Nur Izzatul Fariha Dalya GhassanTayyeh Al Nuami
- 57. Elifsu Göktaş İpek Morgül Sıla Alperen Ülkem Nehir Apaydın
- 60. Asude Hafsa K.Çoban Öykü Kaya
- 61. Başak Erdoğan Mehmet Erkam Savaş Mislina Sepetçi Recep Orak
- 65. JURY
- 67. Document prepared by: Duygu C. Ribeiro E-mail: [email protected]