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Module 2: Poetry
Creative Nonfiction – 12 Stanza
• Group of lines in a poem.
• Comes from the Italian word for a room or a stopping place. • The lines in a poem are called verse. • The term verse comes from the Latin word versus which means the same thing as a furrow. Versification
• The practice of breaking down a group of text into lines.
• Czeslaw Milosz – “Prose is made to be written, a poem is made to be read” • Poem must have a pattern of musicality or rhythm, regardless if it ha rhyme or meter or is written in free verse. Rhythmic patterns in poetry 1. Lyrical Poem – follows a metrical pattern derived from the lyre, the musical instrument used for reciting and singing poems in ancient times. E.. John Donne’s “Song: Go and Catch a Falling Star” 2. Breathing Pattern – Cirilo Bautista noted that “the originators of free verse believed that the language of the poem should be as close as possible to common speech—in rhythm diction and tempo.” “the matter of how long or short a line should depend on the natural system of breathing.” Breathing pattern in poetry follows the beating of the heart. It sets the tone of the poem. Song: Go and catch a falling star BY JOHN DONNE Go and catch a falling star, Get with child a mandrake root, Tell me where all past years are, Or who cleft the devil's foot, Teach me to hear mermaids singing, Or to keep off envy's stinging, And find What wind Serves to advance an honest mind. If thou be'st born to strange sights, Things invisible to see, Ride ten thousand days and nights, Till age snow white hairs on thee, Thou, when thou return'st, wilt tell me, All strange wonders that befell thee, And swear, No where Lives a woman true, and fair. If thou find'st one, let me know, Such a pilgrimage were sweet; Yet do not, I would not go, Though at next door we might meet; Though she were true, when you met her, And last, till you write your letter, Yet she Will be False, ere I come, to two, or three. Basic Elements of Poetry 1. Rhythm - can be described as the beat and pace of a poem. The rhythmic beat is created by the pattern of stressed. and unstressed. syllables in a line or verse. In modern poetry, line breaks, repetition and even spaces for silence can help to create rhythm. 2. Persona - the speaker of the poem. Does not have to be the main character or one of the characters. Your poem can mention who or what the persona is. The Fly by William Blake Little fly, Thy summer’s play If thought is life My thoughtless hand And strength and Has brushed away. breath, And the want Am not I A fly like thee? Of thought is death, Or art not thou Then am I A man like me? A happy fly, For I dance If I live, And drink and sing, Or if I die Till some blind hand Shall brush my wing. Forms of Poetry 1. Epic poem – a long poem which narrates the journey of a hero or nation. E.g. “Iliad and Odyssey” 2. Sonnet – has 14 line with 10 syllables each line and a rhyme scheme. A rhyme scheme is the structure of a rhyming pattern. • Shakespearean Sonnet – abab/cdcd/efef/gg • Petrarchan Sonnet – abba/abba/cde/cde/ or abba abba cdc dcd • Spenserian Sonnet – abab bcbc cdcd ee 3. Ballad - a poem with a musical quality. It is sometimes set to music. A ballad is narrative in nature; this means that it tells a story. Most ballads are written in an ABAB rhyme scheme which means that lines one and three rhyme, and lines two and four rhyme. 4. Limerick - a short, five-line poem with just one stanza. Limericks have an AABBA rhyme scheme and a bouncy rhythm. The subject matter of a limerick is often whimsical and funny 5. Sestina - The sestina is a complex, thirty-nine- line poem featuring the intricate repetition of end-words in six stanzas and an envoi 6. Pantoum - consists of a series of quatrains rhyming abab in which the second and fourth lines of a quatrain recur as the first and third lines in the succeeding quatrain; each quatrain introduces a new second rhyme (as bcbc, cdcd). 7. Haiku - consists of three lines, with five syllables in the first line, seven in the second, and five in the third. 8. Villanelle - a poem of nineteen lines, and which follows a strict form that consists of five tercets (three-line stanzas) followed by one quatrain (four-line stanza). 9. Tanaga – have four lines with seven syllables each and has aaaa rhyme scheme. Free Verse • It is not entirely free because it also needs to observe a body of rules that dictates its shape and sound. • It originated from Paris where the poetic form Alejandrine a rhyme-and-meter poem with 12 syllables each line was practiced. • Caesura – how you cut each line equally. • Enjambment – you cut the line for effect. • A caesura is a pause that occurs within a line of poetry, usually marked by some form of punctuation such as a period, comma, ellipsis, or dash. A caesura doesn't have to be placed in the exact middle of a line of poetry. It can be placed anywhere after the first word and before the last word of a line. In the following line from the prologue of Romeo and Juliet, the comma after "Verona" marks a caesura: "In fair Verona, where we lay our scene." Enjambment occurs when a line is cut off before its natural stopping point. It is a transition/continuation between lines. E.g. "I went out and / lost my way," where the "/" is a line break. This literary device encourages a reader down to the next following line of a poem, and then the next, quickly. Prose Poetry a type of writing that combines lyrical and metric elements of traditional poetry with idiomatic elements of prose, such as standard punctuation and the lack of line breaks. Upon first glance, a prose poem may appear to be a wholly unremarkable paragraph of standard prose, but a reader who chooses to dig in will note poetic overtones within its meter, repetition, and choice of language. • Concrete Poem – a text of a poem about a tree can look like a tree. • Erasure Poem – you can erase texts • Collage – collect pictures and texts. • Visual poem – digital image
Sinister Aesthetics: The Appeal of Evil in Early Modern English Literature 1st Edition Joel Elliot Slotkin (Auth.) - The ebook with all chapters is available with just one click
Sinister Aesthetics: The Appeal of Evil in Early Modern English Literature 1st Edition Joel Elliot Slotkin (Auth.) - The ebook with all chapters is available with just one click