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Shape & Form: Shape Form Transformation of Form Organization of Form

The document discusses different aspects of shape and form including definitions, primary shapes and solids, and transformations of form. Primary shapes include circles, triangles, and squares. Primary solids extended from these shapes include spheres, cylinders, cones, pyramids, and cubes. Forms can be transformed through dimensional, subtractive, and additive means. Organization of additive forms include centralized, linear, radial, clustered, and grid configurations.

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Bereket Kassahun
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50 views

Shape & Form: Shape Form Transformation of Form Organization of Form

The document discusses different aspects of shape and form including definitions, primary shapes and solids, and transformations of form. Primary shapes include circles, triangles, and squares. Primary solids extended from these shapes include spheres, cylinders, cones, pyramids, and cubes. Forms can be transformed through dimensional, subtractive, and additive means. Organization of additive forms include centralized, linear, radial, clustered, and grid configurations.

Uploaded by

Bereket Kassahun
Copyright
© © All Rights Reserved
Available Formats
Download as PPTX, PDF, TXT or read online on Scribd
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Shape

SHAPE & FORM Form


Transformation of Form
Organization of form
SHAPE
A shape is a visually perceived
area created either by an
enclosing line or by color or
value changes defining the outer
edge.
Shape is two-dimensional and
has height and width, but no
depth.
SHAPE
Shape refers to the characteristic outline of a
plane figure or the surface configuration of a
volumetric form.
It is the primary means by which we
recognize, identify, and categorize particular
figures and forms.
Our perception of shape depends on the
degree of visual contrast that exists along the
contour separating a figure from its ground
or between a form and its field.
PRIMARY SHAPES
Gestalt psychology affirms that the mind will simplify the visual environment in
order to understand it.
primary shapes: the circle, the triangle, and the square
PRIMARY SHAPES
Circle
A plane curve every point of which is equidistant
from a fixed point within the curve

Triangle
A plane figure bounded by three sides and having three
angles

Square
A plane figure having four equal sides and four right
angles
CIRCLE
The circle is a centralized, introverted figure that is normally
stable and self-centering in its environment.
TRIANGLE
The triangle signifies stability.
SQUARE
The square represents the pure and the rational
FORM
Form: Visible aspect of an
object or figure.
Form as an element of design
is more than a shape that is
seen; it is a shape with definite
size, color and texture.
It is therefore the equivalent of
the summation of the
components that we call visual
element.
PRIMARY SOLIDS
Primary shapes
extended or rotated to
generate volumetric
forms or solids that are
distinct, regular, and
easily recognizable.
PRIMARY SOLIDS
SPHERE
A solid generated by
the revolution of a
semicircle about its
diameter, whose
surface is at all points
equidistant from the
center
PRIMARY SOLIDS
CYLINDER
A solid generated by
the revolution of a
rectangle about one of
its sides.
PRIMARY SOLIDS
CONE
A solid generated by
the revolution of a
triangle about its
center.
PRIMARY SOLIDS
PYRAMID
A polyhedron having
a polygonal base and
triangular faces
meeting at a common
point or vertex.
PRIMARY SOLIDS
CUBE
A prismatic solid
bounded by six equal
square sides, the angle
between any two
adjacent faces being a
right angle.
REGULAR AND IRREGULAR
FORM
Regular forms refer
to those whose
parts are related to
one another in a
consistent and
orderly manner
Forms can retain
their regularity
even when
transformed
REGULAR AND IRREGULAR
FORM
Irregular forms are those whose parts
are dissimilar in nature and related to
one another in an inconsistent manner.
Since we deal with both solid masses
and spatial voids in architecture,
regular forms can be contained within
irregular forms. In a similar manner,
irregular forms can be enclosed by
regular forms.
REGULAR AND IRREGULAR FORMS

A Regular Composition of Regular Forms:


Coonley Playhouse, Riverside, Illinois, 1912, Frank Lloyd Wright

Irregular Forms:
Philharmonic Hall, Berlin, 1956-63, Hans Scharoun

Irregular Forms within a Regular Field:


Philharmonic Hall, Berlin, 1956-63, Hans Scharoun

An Irregular Composition of Regular Forms: Regular Forms within an Irregular Composition:


Katsura Palace, Kyoto, Japan, 17th century Masjed of Sultan Hasan, Cairo, Egypt, 1356-63
18
projects of architect Frank Gehry, using
the concept design of the irregular
forms .

19
projects of architect Frank Gehry, using
the concept design of the irregular forms .

20
TRANSFORMATION OF
FORM
TRANSFORMATION OF FORM
All other forms can be understood to be transformations of the platonic solids,
variations that are generated by
a. Dimensional transformation
b. Subtractive transformation
c. Additive transformation
DIMENSIONAL
TRANSFORMATION
by altering one or more of its dimensions.
SUBTRACTIVE
TRANSFORMATION
by subtracting a portion of its volume.
the form can retain its‘ identity, or be
transformed into a form, of another family.
ADDITIVE TRANSFORMATION

by the addition of element to its volume.


The basic possibilities for grouping two or more forms are by:
Spatial Tension
Edge-to-edge Contact
Face-to-face Contact
Interlocking Volumes
SPATIAL
TENSION Edge-to-edge Contact
the close proximity of the forms or their
sharing of a common visual trait, such as
• the forms share a common
shape, color, or material. edge and can pivot about
that edge.
FACE-TO-FACE
CONTACT Interlocking Volumes
forms have corresponding planar surfaces
which are parallel to each other.
• the forms interpenetrate
each other’s space. The
forms need not share any
visual traits.
Organization of Additive Form

Forms can be categorized based on the existing


relationships between component forms, as well as the
resulting overall configuration.
Centralized form
Linear form
Radial form
Clustered form
Grid form
CENTRALIZED FORM
•A number of secondary forms clustered about a dominant, central parent
form
• Requires the visual dominance of a geometrically regular and centrally located form
• Because of their inherent centrality , primary solids share the self centering properties
of the point and circle if they located centrally.
CENTRALIZED
FORM
LINEAR FORM

•result from a proportional change in a form’s dimensions or the arrangement of a series of discrete
forms along a line.
• the series of forms may be either repetitive or dissimilar in nature and organized by a separate and distinct element
such as a wall or path.
LINEAR FORM
•can be segmented or curvilinear
•can front on or define an edge of an
exterior space, or define a plane of entry
into the spaces behind it.
•can be manipulated to enclose a portion of
space.
•can be oriented vertically as a tower
element to establish or denote a point in
space.
•can serve as an organizing element to
which a variety of secondary forms are
attached
RADIAL FORMS
•A composition of a linear forms extending outwards from a
central form in a radial manner
• The central element can be visually dominant form , or it can merge
with and become a subservient to the radiating arm .
• The radiating arms ( which have a similar properties to those of linear )
give a radial organization extroverted nature .
CLUSTERED FORM
•a clustered organization groups its forms according
to functional requirements of size, shape, or
proximity.
• Can be attached as appendages to a large parent form
• Can be related by proximity
• Can interlock their volumes and merge in to a single form
having a variety of faces
CLUSTERED
FORM

Habitat Montreal, 1967, Moshe Safdie


GRID FORM
•A set of modular forms related and regulated by a three dimensional grid
•The organizing power of a grid results from the regularity and continuity of
its pattern .
•Since a 3D grid consists of repetitive , modular units ,it can be subtracted
from ,added to, or layered , and still maintaining its identity as a grid
FORMAL COLLISIONS OF
GEOMETRY
When two forms differing in geometry or orientation collide and interpenetrate each
other’s boundaries, each will fight for visual supremacy and dominance.
can subvert their individual identities and
merge to create a new composite form.

One of the two forms can receive the other


totally within its volume.

can retain their individual identities and


share the interlocking portion of their
volumes.

can separate and be linked by a third


element that recalls the geometry of one of
the original forms
THANK YOU!!

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