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The Visual Arts: A Feast For The Eyes: Group 2

This document provides an overview of key elements of painting, including definitions, functions, and media. It discusses what painting is, the role and evolution of painting over time, and common painting media such as acrylic, encaustic, fresco, gouache, oil, pastel, tempera, watercolor, and magna paint. It also outlines fundamental elements of painting like color theory, use of lines, shapes, forms, space, and composition.

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0% found this document useful (0 votes)
119 views19 pages

The Visual Arts: A Feast For The Eyes: Group 2

This document provides an overview of key elements of painting, including definitions, functions, and media. It discusses what painting is, the role and evolution of painting over time, and common painting media such as acrylic, encaustic, fresco, gouache, oil, pastel, tempera, watercolor, and magna paint. It also outlines fundamental elements of painting like color theory, use of lines, shapes, forms, space, and composition.

Uploaded by

rk
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PPTX, PDF, TXT or read online on Scribd
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The Visual

Arts: A
Feast for
the Eyes
Group 2
01
WHAT IS
PAINTING?
Painting is the application of paint, color
or other medium to a surface. It is the art
of creating meaningful effects on a flat
surface by the use of pigments.
FUNCTION OF PAINTING
●The function of painting has
evolved over time. They let us
know the way of living of the

Your early times through their


drawing.

Logo ●Painting bring a different effect


on the atmosphere of the room
where it is decorated. They are
always thought to be elegant
pieces of artwork and this image
of sophistication rebounds to the
room as well.
PAINTING MEDIA
●In painting, media refers to both the
type of paint used and the base or
ground to which it is applied. A
paint’s medium refers to what carries
a paint’s pigments, and us also called
a “vehicle” or a “base”. A painter can
mix a medium with solvent,
pigments, and other substances in
order to make paint and control
consistency. Here are some examples
of common paint media:
PAINTING MEDIA
ACRYLIC PAINT ENCAUSTIC
Encaustic is a medium,
Acrylic paint is a synthetic technique or process of painting
paint, with pigments dispersed with molten wax (mostly
in a synthetic vehicle made beeswax), resin, and pigments
from polymerized acrylic acid that are fused after application
esters, the most important of into a continuous layer and
which is polymathic fixed to a support with head,
methacrylate. and achieves a lustrous enamel
appearance
PAINTING MEDIA
FRESCO ENCAUSTIC
Fresco is a method of Encaustic is a medium,
painting or plaster, either dry technique or process of
(dry fresco or fresco secco) or painting with molten wax
wet (wet or true fresco). In the (mostly beeswax), resin, and
latter method, pigments are pigments that are fused after
applied to thin layers of wet application into a continuous
plaster so that they will be layer and fixed to a support
with head, and achieves a
absorbed and the painting
lustrous enamel appearance
becomes part of the wall.
PAINTING MEDIA
GOUACHE MAGNA PAINT

●Magna is a time of painting


●Gouache is a heavy, opaque
products made by Bocour Artists
watercolor paint, sometimes Colors, 552 West 52nd Street,
called body color, producing a New York, NY 10019. Magna
less wet-appearing and more Plastic Colors are permanent
strongly colored picture than pigments ground in an acrylic
ordinary watercolor. resin with solvents and plasticizer.
PAINTING MEDIA
OIL PAINT PASTEL
●Oil paint is a slow drying ●Pastel is an art medium in the
paint made when pigments are form of a stick, consisting of pure
mixed with an oil, linseed oil powdered pigments and a binder.
being most traditional. The oil The pigments used in pastels are
dries with a hand film, and the the same as those used to produce
brightness of the colors is all colored art media, including oil
protected. Oil paints are paints; the binder is of a neutral
usually opaque and hue and low saturation.
traditionally sued on canvas.
PAINTING MEDIA
TEMPERA WATERCOLOR

●Tempera is a paint and ●Watercolor is any paint that uses


process involving an emulsion water as a solvent. Painting done
of oil and water. It was in use with this medium are known as
before the invention of oil watercolor. What carries the
paints. Traditionally it involves pigments in watercolor (called its
an egg emulsion; thus the term medium, vehicle, or base) is gum
egg tempera. Arabic.
ELEMENTS OF PAINTING
1. DISTANCE
●1. The part of the painting
closet to the viewer is called the
foreground.
●2. The part which is farthest
away is called the background;
and
●3. The middle ground is the part
between the foreground and
background.
2. COLOR

HUE PRO
●Value refers to INTENSI
●Hue is the name of the brightness or TY
any color as found in darkness of a Intensity is
its pure state in the color. Value the brightness
spectrum or rainbow, changes from pure or dullness of
or that aspect of any hues are called a hue or color.
color. shades and tints.
COLOR
COLOR COLOR IT!
IT! IT!
BASIC COLOR THEORY
> Color theories create a
logical structure for color.
For example, if we have an
assortment of fruits and
vegetables,
we can organize them by
color and place them on a
circle that shows the color in
relation to each other.
A. THE COLOR WHEEL

PRIMARY SECONDARY TERTIARY


COLORS COLORS COLORS
In traditional color theory
(used in paint and pigments), These are the color These are the colors
primary colors are the 3 formed by mixing formed by mixing a
pigments colors that cannot be the primary colors. primary and a
mixed or formed by any
combination of other colors
secondary color
B. COLOR HARMONY
a. A COLOR SHEME BASED ON
Analogous colors are any threeCOLORS
ANALAGOUS colors which are side
by side on 12 part colors wheel, such as yellow-green,
and yellow-orange.

b. A COLOR SHEME
BASED ON c. A COLOR SHEME BASED
Complementary colors are any two
COMPLEMENTARY ON NATURE
Nature provided a perfect departure
colors which are directly opposite point for color harmony
each other,COLORS
such as red and green
and red-purple and yellow-green
3. LIGHT
●Painter spend a lot of time

Your studying the way light falls. They


often experiment with light in
their painting simulating natural
Logo light or using hidden spotlights
to focus your attention on what
they want you to notice in the
painting
COLOR HARMONY
b. A COLOR SHEME
BASED ON
a. A COLOR SHEME BASED ON
ANALAGOUS COLORS
COMPLEMENTARY
COLORS
Analogous colors are any three
colors which are side by side Complementary colors
on 12 part colors wheel, such are any two colors which
as yellow-green, and yellow- are directly opposite
orange. Usually, one of the each other, such as red
three colors predominates and green and red-
purple and yellow-green
4. LINES

HORIZONTAL VERTICAL
It conveys relaxation often communicate a
or quiet sense of height

JAGGED OR
DIAGONAL ZIGZAG
line conveys a feeling of like that on a lightning or a carpenter’s
movement. Objects in a saw, connotes harshness, battle, war
diagonal position are unstable or even death.
5. SHAPE AND FORUM
Shape and form define object in space. Shape has
only height and which. It is usually, though not
BUDGET CHANNEL always, defined by line, which can provide its
contour while forms exist in three dimensions, with
$18,000 height, width, and depth.

GEOMETRIC ORGANIC SHAPES AND


SHAPES AND FORMS
FORMS
forms include mathematical., named typically irregular often in nature, but man-
shapes such a squares, rectangles, circle, or asymmetrica made shapes can also
spheres, cubes, spheres, and cones imitate organic shapes.
SPACE COMPOSITION
Real space is three-dimensional. Artists seriously plan how they
Space in a work of art refers to a will arrange elements like color,
feelings of depth of three- line and shapes in their
dimensions. It can also refer to the
paintings. This is called
artist’s use of the area within the
composition.
picture place.

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