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Design Process & Strategic Thinking in Architecture: March 2016

This document discusses strategic thinking and design processes in architecture. It analyzes different design methodology approaches used in the 20th century, including the logical rational model, creative intuitive model, and participatory collective model. The paper aims to provide an overview of traditional and integrative design processes in the information age and how they are applied in architectural design studios. It raises questions about which methods architects use, whether some are better than others, and how to effectively filter and use knowledge sources for creative architecture.

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Jubayer Ahmad
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117 views

Design Process & Strategic Thinking in Architecture: March 2016

This document discusses strategic thinking and design processes in architecture. It analyzes different design methodology approaches used in the 20th century, including the logical rational model, creative intuitive model, and participatory collective model. The paper aims to provide an overview of traditional and integrative design processes in the information age and how they are applied in architectural design studios. It raises questions about which methods architects use, whether some are better than others, and how to effectively filter and use knowledge sources for creative architecture.

Uploaded by

Jubayer Ahmad
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Design Process & Strategic Thinking in


Architecture

Conference Paper · March 2016

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ISBN 978-xx-844xx-xx-x
Proceedings of 2016 International Conference on Architecture & Civil Engineering
(ICASCE 2016)
London, March 26-27, 2016, pp. xxx-xxx

Design Process & Strategic Thinking in Architecture


Dr. Eman Sabry Abdellatif Abo Wardah1, Dr. Manal Osama Khalil2
Associate Professor- Architecture department- College of Engineering-Tanta University – Egypt
1

Architecture department - College of Engineering -Prince Sultan University - Riyadh- Saudi Arabia
2
Assistant Professor-Architecture department - College of Engineering -Prince Sultan University - Riyadh- Saudi
Arabia

Abstract: Design can be viewed as a strategy of problem solving in which creative ability utilizes arts & science to
generate solutions to problem situations. Designers solve problems in many different ways; however, they go through a
pattern or sequence of steps that they have previously found effective for achieving their designs from conception to
completion. The design process may be a conscious or subconscious effort the designers use on almost every project. Design
process and methodology play a key role in the development of innovative design solutions for many architects. Many
studies have been written on design methodologies, these studies critically analyze, evaluate, compare, and propose
alternative methods for creative problem solving to help designers understand their own style and to offer new alternatives
for achieving solutions. Further, the motivation for the research stems from the observation that each architect uses his own
conceptual frameworks that can assist in setting boundaries and framing reasonable objectives, they can also enhance
communication among an extended network of collaborators. This paper aims to focus on reframing the strategic thinking
and the design process during the 20th century in Architecture, by analyzing the different methods & strategies of design
process, then present a comparison between these different methods, to give a hole vision for the different views, to
differentiate between the traditional design process and the integrative one during the information age, and it’s implement in
Architectural design studio.

Key words: Design nature, Design methodologies, Traditional design process, Integrative process in the information age.

1. Introduction
The methodology of Design process and Strategic thinking play a key role in the development of innovative
design solutions for many architects. Design methodology emerged in the 1960s as an independent scientific
discipline. Design methodologists have been moving away from ‘drawings and patterns’ in the notion of design,
although it is perhaps still a common action of designers of all kinds. Since the literature on design methods
began to appear, design methodology has become an independent discipline. Many studies have been written on
design methodologies, these studies critically analyze, evaluate and propose alternative methods for creative
problem solving to help designers understand their own style and to offer new alternatives for achieving
solutions. Many designers, when probed for reasons to explain their actions, are unable to provide explanations
that give the right descriptions of their actions. Under this model the design process assumes as a “Mystical”
phenomenal. Therefore, the act of designing in architecture is a complex process. Further, the motivation for the
research stems from the observation that each architect uses his own conceptual frameworks that can assist in
setting boundaries and framing reasonable objectives.
1. Research problem
Summarized in the existence of an expanding phenomenon within Architects and we cannot ignore it, which
is the “Inspiration from existing buildings as a method”, the problem is that some of architects are experiencing
difficulty getting inspired from existing buildings. Thus, sometimes the result of this process looks more like
“Copy-paste”rather than conscious inspiration.
1.2. Research Questions
1. What methods are used by designers?
2. Does one method better than another, constitute ‘right’ and ‘wrong’ ways to design?
3. Do different Methods lead to different qualities of results?
4. Do we know How to filter out relevant knowledge with abundance of information?
5. Do we know how to choose and use the right “Inspirational Sources” in a way that enhances our buildings as
the “Planning Process Generator to design high quality creative architecture?

1.3. Research Objective


This paper aims to focus on reframing and de-mystifying the strategic thinking and the design process
during the 20th century in Architecture, through a close scrutiny of existing literature about different design
methodology and strategic thinking. To give a hole vision for the different views, and differentiate between the
traditional design process and the integrative one during the information age.

2. Nature of Design Process


In his book (Design Methods: Seeds of Human Future) 1980 Jones, J. Christopher cited that the design
process does not represent the process of creating, but based on the principle of derivation of the final structure
of elementary introductions, and the relevance of these introductions and the final structure depends on three
primary operations:
• First, gathering information: to include the collection of information along with how to organize, analyze and
make sure they relate to the design position, and that such information be integrated in the image.
• Second, testing: include the design decisions through the process of representing the intellectual capabilities
and intuitive, and personal experience of the designer.
• Third, evaluation process: include judgment on the appropriateness of these decisions to the problem of
design.
And he described also the Design process as a very complex process which contains two types of intellectual
activities:
 Unconscious intellectual activities: which related to the designer’s intellectual and creative abilities
 Conscious intellectual activities: This related to the designer’s rationality and logical abilities.

1. Intellectual Ideological approaches for design process


It means the intellectual method that is used by the designer in dealing with any design problem, and the
intellectual approaches for the design process can be divided into three ideological approaches are (Jones, J.
Christopher, 1980):
 The Logical Rational Model: This approach is based on the fact that the design process is a
logical process and can be explained which Christopher Jones called Glass Box (Alexander,
Cristopher,1976), it depends on analyzing all the design problems and attitudes to a group of minor
problems and initial molecules that are easily analyzed to basic components and solving each part
separately, and then assemble These molecules once again well to create the best solutions.
 The Creative Intuitive Model: represents the development of the patterns language penned by
Christopher Alexander , so that they become more flexible and tailored creative thought of the
designer, which he described as Black Box, where the more creative ideas inside the mind of the
designer, involuntary way inside the dark box containing the stock of knowledge and previous
experience of the designer.
 The Participation collective Model: This approach represents the development for the two
previous approaches, where can activate the user role or group designer in the design process, and it
highlight that the participation of the user in the design process and decision making also is a must,
and it has been used in different ways and a variety of methods such as questionnaires that contribute
to the explanation of the design positions to the users (Jencks, Charles,1991).
From studying these three approaches we can conclude an important fact that the Architectural Design
Process is located on a linear scale between two opposites, Scientific and Artistic Processes, one of them

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