Kate Chopin's short story "The Story of an Hour" describes a woman, Louise Mallard, who is told of her husband's death in a railroad accident. She is initially overcome with grief but then feels a sense of freedom and possibility for her future without him. However, when her husband unexpectedly returns home, the shock causes Louise to have a heart attack and die. The story explores the complex emotions a woman may feel at gaining or losing independence through marriage.
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Kate Chopin's short story "The Story of an Hour" describes a woman, Louise Mallard, who is told of her husband's death in a railroad accident. She is initially overcome with grief but then feels a sense of freedom and possibility for her future without him. However, when her husband unexpectedly returns home, the shock causes Louise to have a heart attack and die. The story explores the complex emotions a woman may feel at gaining or losing independence through marriage.
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The Story of An Hour
By Kate Chopin
Kate Chopin: The Story of an Hour
Knowing
that Mrs. Mallard was afflicted
with a heart trouble, great care was taken to break to her as gently as possible the news of her husband's death.
Kate Chopin: The Story of an Hour
It
was her sister Josephine who told her, in
broken sentences; veiled hints that revealed in half concealing. Her husband's friend Richards was there, too, near her. It was he who had been in the newspaper office when intelligence of the railroad disaster was received, with Brently Mallard's name leading the list of "killed." He had only taken the time to assure himself of its truth by a second telegram, and had hastened to forestall any less careful, less tender friend in bearing the sad message.
Kate Chopin: The Story of an Hour
She
did not hear the story as many
women have heard the same, with a paralyzed inability to accept its significance. She wept at once, with sudden, wild abandonment, in her sister's arms. When the storm of grief had spent itself she went away to her room alone. She would have no one follow her.
Kate Chopin: The Story of an Hour
There
stood, facing the open window,
a comfortable, roomy armchair. Into this she sank, pressed down by a physical exhaustion that haunted her body and seemed to reach into her soul.
Kate Chopin: The Story of an Hour
She
could see in the open square before
her house the tops of trees that were all aquiver with the new spring life. The delicious breath of rain was in the air. In the street below a peddler was crying his wares. The notes of a distant song which some one was singing reached her faintly, and countless sparrows were twittering in the eaves.
Kate Chopin: The Story of an Hour
There
were patches of blue sky showing
here and there through the clouds that had met and piled one above the other in the west facing her window. She sat with her head thrown back upon the cushion of the chair, quite motionless, except when a sob came up into her throat and shook her, as a child who has cried itself to sleep continues to sob in its dreams.
Kate Chopin: The Story of an Hour
She
was young, with a fair, calm face,
whose lines bespoke repression and even a certain strength. But now there was a dull stare in her eyes, whose gaze was fixed away off yonder on one of those patches of blue sky. It was not a glance of reflection, but rather indicated a suspension of intelligent thought.
Kate Chopin: The Story of an Hour
There
was something coming to her
and she was waiting for it, fearfully. What was it? She did not know; it was too subtle and elusive to name. But she felt it, creeping out of the sky, reaching toward her through the sounds, the scents, the color that filled the air.
Kate Chopin: The Story of an Hour
Now
her bosom rose and fell
tumultuously. She was beginning to recognize this thing that was approaching to possess her, and she was striving to beat it back with her will--as powerless as her two white slender hands would have been.
Kate Chopin: The Story of an Hour
When
she abandoned herself a little
whispered word escaped her slightly parted lips. She said it over and over under her breath: "free, free, free!" The vacant stare and the look of terror that had followed it went from her eyes. They stayed keen and bright. Her pulses beat fast, and the coursing blood warmed and relaxed every inch of her body.
Kate Chopin: The Story of an Hour
She
did not stop to ask if it were or
were not a monstrous joy that held her. A clear and exalted perception enabled her to dismiss the suggestion as trivial.
Kate Chopin: The Story of an Hour
She
knew that she would weep again
when she saw the kind, tender hands folded in death; the face that had never looked save with love upon her, fixed and gray and dead. But she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely. And she opened and spread her arms out to them in welcome.
Kate Chopin: The Story of an Hour
There
would be no one to live for during
those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature. A kind intention or a cruel intention made the act seem no less a crime as she looked upon it in that brief moment of illumination.
Kate Chopin: The Story of an Hour
And
yet she had loved him--sometimes.
Often she had not. What did it matter! What could love, the unsolved mystery, count for in face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being! "Free! Body and soul free!" she kept whispering.
Kate Chopin: The Story of an Hour
Josephine
was kneeling before the
closed door with her lips to the keyhole, imploring for admission. "Louise, open the door! I beg, open the door--you will make yourself ill. What are you doing Louise? For heaven's sake open the door." "Go away. I am not making myself ill." No; she was drinking in a very elixir of life through that open window.
Kate Chopin: The Story of an Hour
Her
fancy was running riot along those
days ahead of her. Spring days, and summer days, and all sorts of days that would be her own. She breathed a quick prayer that life might be long. It was only yesterday she had thought with a shudder that life might be long.
Kate Chopin: The Story of an Hour
She
arose at length and opened the
door to her sister's importunities. There was a feverish triumph in her eyes, and she carried herself unwittingly like a goddess of Victory. She clasped her sister's waist, and together they descended the stairs. Richards stood waiting for them at the bottom.
Kate Chopin: The Story of an Hour
Some
one was opening the front door with
a latchkey. It was Brently Mallard who entered, a little travel-stained, composedly carrying his grip-sack and umbrella. He had been far from the scene of accident, and did not even know there had been one. He stood amazed at Josephine's piercing cry; at Richards' quick motion to screen him from the view of his wife.
Kate Chopin: The Story of an Hour
But
Richards was too late.
When
the doctors came they said she
had died of heart disease-- of joy that kills.
Kate Chopin: Biographical Notes
Kate
Chopin was a forgotten American
voice until her literary reputation was resuscitated by critics in the 1950s. Today her novel The Awakening (1899) the story of a sensual, determined woman who insists on her independence, is widely read and highly honored, a feminist work which was decidedly ahead of its time.
Kate Chopin: Biographical Notes
Born
Katherine O'FIaherty into an uppermiddle-class family in St. Louis, she married
Oscar Chopin when she was twenty and moved to her husband's home in Louisiana. In the ten years that she resided in Louisiana she was aware of and receptive to Creole, Cajun, black, and Indian cultures, and when she later came to write fiction, she would incorporate people from these cultures in her work, especially her short stories.
Kate Chopin: Biographical Notes
When her husband died as a young man,
Kate Chopin returned to St. Louis with her six children. Financially secure, she began writing fiction as best she could while rearing her children. She is a good example of an American realist, someone trying to represent life the way it actually is lived, and she acknowledged her debt to the contemporary French naturalists Emile Zola and Guy de Maupassant.
Follow Up Question Does
the psychological ambivalence
dramatized in "The Story of an Hour" ring true or uncomfortably real when we consider honestly our own feelings?
Source: Reading About the World, Volume 2, edited
by Paul Brians, Mary Gallwey, Douglas Hughes, Michael Myers, Michael Neville, Roger Schlesinger, Alice Spitzer, and Susan Swan and published by American Heritage Custom Books.