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Morphing Techniques in Film & Animation

The document discusses morphing, a special effect used in movies and animation where one image gradually transforms into another through seamless transition. It provides details on early analog techniques using cross-fading on film and more modern computer-based methods using software to mark corresponding points on images and distort one into the other. Morphing is sometimes used to combine adult and child images, though laws have been passed to criminalize morphed child pornography.

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0% found this document useful (0 votes)
58 views2 pages

Morphing Techniques in Film & Animation

The document discusses morphing, a special effect used in movies and animation where one image gradually transforms into another through seamless transition. It provides details on early analog techniques using cross-fading on film and more modern computer-based methods using software to mark corresponding points on images and distort one into the other. Morphing is sometimes used to combine adult and child images, though laws have been passed to criminalize morphed child pornography.

Uploaded by

Menaxii
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as DOC, PDF, TXT or read online on Scribd
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Three frames form a morph from George W.

Bush toArnold Schwarzenegger showing the mid-point between the two extremes

Morphing is a special effect in motion pictures and animations that changes (or morphs) one image into another through a seamless transition. Most often it is used to depict one person turning into another through technological means or as part of a fantasy or surreal sequence. Traditionally such a depiction would be achieved through cross-fading techniques on film. Since the early 1990s, this has been replaced by computer software to create more realistic transitions. Morphing is sometimes used to combine adult pornography and non-pornographic images of children into child pornography. The Child Pornography Prevention Act of 1996 was passed to criminalize these morphed images; its constitutionality is presently being challenged.[1]
Contents
[hide]

1 Early examples of morphing 2 Modern morphing techniques 3 Morphing in the future 4 See also 5 External links 6 Websites that provide a morphing feature 7 References

Modern morphing techniques


In the early 1990s computer techniques that often produced more convincing results began to be widely used. These involved distorting one image at the same time that it faded into another through marking corresponding points and vectors on the "before" and "after" images used in the morph. For example, one would morph one face into another by marking key points on the first face, such as the contour of the nose or location of an eye, and mark where these same points

existed on the second face. The computer would then distort the first face to have the shape of the second face at the same time that it faded the two faces. Later, more sophisticated cross-fading techniques were employed that vignetted different parts of one image to the other gradually instead of transitioning the entire image at once. This style of morphing was perhaps most famously employed in the video that former 10cc members Kevin Godley and Lol Creme (performing as Godley & Creme) produced in 1985 for their song Cry. It comprised a series of black and white close-up shots of faces of many different people that gradually faded from one to the next. In a strict sense, this had little to do with modern-day computer generated morphing effects, since it was merely a dissolve using fully analog equipment.

Dissolve (filmmaking)
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A dissolve transition between two still images

In film editing, a dissolve is a gradual transition from one image to another. In film, this effect is created by controlled double exposure from frame to frame; transitioning from the end of one clip to the beginning of another. In video editing or live video production, the same effect is created by interpolating voltages of the video signal. In non-linear video editing, a dissolve is done in software, by interpolating gradually between the RGB values of each pixel of the image. The audio track optionally cross-fades between the clips. A dissolve effectively overlaps two clips for the duration of the effect. The lengths of the two scenes can be adjusted by trimming, which, if desired, can change the original durations of the scenes before the dissolve was added. The cut and the dissolve are used differently. A camera cut changes the perspective from which a scene is portrayed. It is as if the viewer suddenly and instantly moved to a different place, and could see the scene from another angle. Obvious hard cuts may startle the viewer. For that reason, a dissolve is often used in continuity editing to "soften up" jump cuts or similar cuts.

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