J.R.R.

Tolkien, The History of Middle-Earth

HarperCollins, London, 12 volumes

Reviewed by Franco Manni

Christopher Tolkien didn't stop after The Silmarillion! After Unfinished Tales, other volumes

written by the father and deciphered, arranged and annotated with great precision by the son have been
published. At present they number twelve and are collectively entitled The History of Middle-Earth.
The first is The Book of Lost Tales – Part One. Most of the work consists of expanded and
modified versions of events narrated in the Silmarillion; for example, it deals with the music of the
Ainur, the construction of Valinor, the chaining of Melko, the Noldor’s flight from Valinor, and so on.
A tale entitled The Cottage of Lost Play, though, is original; it dates to the winter of 1916-17 and the
author, orphan and separated from his young wife, the friends who had provided companionship during
his youth dead in the trenches, was himself serving in a front line battalion in which all were either
killed or taken prisoner.
The story describes an Elf dwelling where human children who have reached it by means of the
"Path of Dreams" live. After the blockage of the path, some of the children decide to remain and are
allowed to return to the Land of Men in the guise of angels.
What do these child-angels do? With 'evident contradiction' (as the editor justly notes), in the
space of several lines JRRT writes first that "all those we allow to leave do not return", but remain in
the Land of Men because “there are delightful places and lovable kingdoms full of attractions” and then
that the majority (of the children) return here, and tell us many stories and melancholy tales of their
travels.
This piece contains the idea, which echoes the Never-Never Land in Barrie’s Peter Pan, that
children can make contact with a higher reality, the Elf world, but then return to the Land of Men –
they grow up – and the reason for growing up is altruistic love (to console those who cry). They return
no more to the world of the Elves, since growth is irreversible, and the reason for this irreversibility is
the desire for experience (the delightful places full of attractions). And yet, there is also the notion (in
contradiction with the previous idea) that the return to the Land of Men – growing up – is disappointing
and so the children go back to the Elf world; in other words, growing up is only a change in external
appearance and the heart – the most genuine aspect of the personality – remains a child which lives in
some other world whilst the superficial parts of the personality seem to conduct an adult life amongst
other adults.
Is adulthood a positive or negative condition, then? Does growing up mean to come into
contact with reality or the opposite? To this choice between alternatives in which 'there is no third option.'
JRRT is only able to offer a contradiction by way of reply. But as has been clear from the time of
Aristotle, a contradiction – to affirm and deny at the same time – is the same as saying nothing. In fact,
as Tom Shippey has observed, JRRT "immediately let drop this Peter Pan dilemma, and subsequently
had no time for it”. Shell-shock kept him in hospital for a long period and saved him from the massacre

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of his battalion. He was able to return to his wife and later John, his first son, was born; the possibility
of a university career in the field he loved became concrete. The “Land of Men” thus appeared
attractive enough to JRRT.

***

The second volume is The Book of Lost Tales – Part Two. Here, too, most of the chapters are
expanded versions of parts of the Silmarillion: the tales of Lúthien Tinúviel, Túrin Turambar and
Eärendel, and the story of the necklace forged by the Dwarves to restrain one of the Silmarils,
Nauglafring, who caused the spillage of blood between Elves and Dwarves.
One of these expansions is noteworthy, both quantitatively (in the Silmarillion the same event
takes up a few lines; here, 58 pages) and qualitatively: it represents one of the peaks of a particular
style of Tolkien, the 'epic-sublime'. It is called 'The Fall of Gondolin'; first the Secret Kingdom of
the Elf king Turgon is described in all its fabulous beauty, then when it is discovered (due to a betrayal)
by Melkor, Gondolin is laid siege by the Dragons, the Balrogs and the legions of the Orcs.
resistance of the various Elf companies – each described with its heraldic colours, its duke and its
distinctive fighting style – against the opponents’ overwhelming strength, is inspiring and moving and
reaches final tragedy with the death of Turgon and Gondolin in flames. The epilogue is weighed down
with grief, but touched by hope due to the flight (through an underground passageway) of Tuor, Idril
and their infant Eärendel, he who was to appeal to the Gods for help for the exhausted Middle-earth.

***

The third volume is The Lays of Beleriand, which contains two long poems.
The Lay of the Children of Húrin which recounts the story of Túrin and The Lay of Leithian,
the tale of Beren and Lúthien. For those who like the archaic and high-flown style of Tolkien’s poetry
(and are able to appreciate it in English!), these works are a sort of Pantagruelian banquet.
In addition, there is a commentary by Tolkien's great friend C.S. Lewis. Lewis pretends to have
found an ancient manuscript, makes reference to numerous (supposed) textual variants and quotes
imaginary eighteenth philologists with absurd names. Despite the humorous presentation, the
The evaluation of the content is entirely serious and was taken as such by Tolkien.

***

The fourth work, The Shaping of Middle-Earth, contains Ambarkanta, a detailed account of the
physical structure of Arda: Valinor, the Western Sea, Middle-earth, the Eastern Sea, the Eastern Lands
and everything surrounding the Encircling Ocean, Vaiya. Above, Vista (the air of weather) and Ilmen
(the air of light). All enclosed by Ilurambar, the Wall of the World, made of ice, glass and steel.
Beyond, the Empty Timeless Night.
There follow two versions of The Silmarillion which differ from that previously published.
The presence of the Second Prophecy of Mandos in these is interesting: when the world becomes old and

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the Powers weakened, Morgoth will come back from the External Vacuum through the Door of the
Night. He will destroy the Sun and the Moon, but Eärendel will be on to him straight away, like a
white-hot flame, and bring him to the ground. Then the Great Battle (Dagor Dagorath) will take place
on the fields of Valinor. Tulkas will face Melko, with Finwë on his right and Túrin Turambar to his left.
left. The black sword of Túrin will finally kill Melko, and thus the sons of Húrin and all the Men will
be avenged. Then the Silmarils will be pulled from the air, the water and the earth; Fëanor will seize
them and take them as an offering to Yavanna Palurien. She will break them and with their fire
regenerate the Two Trees and immediately a great Light will shine out. And the mountains of Valinor
will be levelled so that the Light reaches every region of the world. In this Light the Gods will become
young once more and all the dead Elves will be resurrected and the plan of the watching Ilúvatar will
reach fulfilment. But the prophecy makes no mention of the Men, apart from Túrin, who is included
among the Gods.
The book ends with a coloured map of Middle-earth in the First Age, drawn by Tolkien.

***

The fifth volume is entitled The Lost Road and Other Writings. This lengthy work contains
many pieces: various versions of The Fall of Númenor, Ainulindalë, The Annals of Valinor, The
Annals of Beleriand and Quenta Silmarillion. There are additionally two 'scientific' tracts on the Elvish.
languages which will amaze enthusiasts of these by their completeness and by the quantity of new
material they contain (The Lhammas and The Etymologies).
The most important part is The Lost Road, an unfinished novel based on a conversation between
JRRT and his friend C.S. Lewis. Since neither could find stories they liked, they decided to write their own.
own; Lewis produced a tale of space travel (Out of the Silent Planet) and JRRT an account of travel
through time. JRRT starts from the present and goes backwards, following the adventures of pairs of
fathers and sons (which includes autobiographical material, testified to by Christopher Tolkien, the
curator); the mothers are dead. The first such couple is composed of the contemporary English Albain
and adolescent Audoin who are on holiday alone in a cottage on the Cornish coast, preoccupied by
strange visions of the “Eagles of the Lord of the West Flying Over Númenor” whilst they try to
construct an abstract “time machine”, until Elendil himself appears to Albain and offers a pact which
would enable them to return forwards in time.
The chapters regarding the father-and-son pairs from the Anglo-Saxon 10 thcentury, the
Lombard 6thcentury and glacial prehistory were only sketched out. Two chapters from the final part of
the voyage through time were written in full, the story of Elendil the father and his son Herendil in
Númenor while Sauron is steadily gaining power on the island and persecuting the Faithful
spurring on the king to act against the Valar. The description of Elendil’s villa by the sea is enchanting:
JRRT wishes to recreate a distant world, perhaps a piece of the Roman Empire where pagan decadence
and the first thrilled, untamed Christians meet and struggle grimly. The son does not understand his
father’s ideas and wavers between his affection for him and the corrupt seductiveness of Sauron.
The work was written in 1937 and the horrifying totalitarian state of Númenor under Ar-
Pharazon, who is about to bring war to Tol Eressea (and the rest), drew on contemporary events:
Third Reich and the imminent war in Europe.

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 ***

In volume six, The Return of the Shadow, Christopher Tolkien has arranged and annotated with
customary precision his father’s unpublished papers. Here we find a first collection of Lord of the
Ringsvariants, from the opening words up to Moria. The complexity of JRRT’s work of composition
and rewriting in these first chapters of LOTR is enormous. Having sat down to write a sequel to The
Hobbit for the publisher Unwin, JRRT found himself possessed by fresh inspiration.
Certain scenes never change, such as when Bilbo disappears with a flash and a bang or Sam
overhears Gandalf’s tale from the garden. The general impression, as Tom Shippey has observed, is
that the inspiration for some key scenes was primordial, whereas the invention of the plot came
afterwards and was the result of many uncertainties and many changes of mind. It is all excellent
material for the study of LOTR and for a deepened understanding of many points.
Eight versions of “A Long-expected Party” were produced before it reached its final form. In
one, Bilbo holds the party to announce his wedding, leaves Hobbiton, gets married, has numerous
children and the next story will be about one of these; Bilbo is thought of worse (with respect to LOTR)
because of his strangeness and when he announces his departure the Hobbits make many malicious
comments, wondering (for example) whether he will really marry afterwards. In another, Bilbo is
married and disappears from Hobbiton together with his wife; Frodo (here known as Bingo) is his son
and does not go into mourning because he believes his parents to be still alive, he lives alone but is
rarely at home and knows only several Tooks (related to his paternal grandmother) and a few
Brandibucks (his mother’s relatives). Frodo gives the party before leaving. In yet another version Bilbo
and Frodo's uncle disappears mysteriously from Hobbiton, Frodo does not mourn and it is he that
throws the party. In some versions Gandalf does not attend the party, or argues with Bilbo on the hill
outside the house but does not have a row with him because of the ring that Bilbo has left in a casket
for Frodo. The ring (a present from Bilbo to his son) does not appear until the third version and only in
the fourth is considered to be the motive for the departure of the party-holder (Bilbo or
Frodo); there are other reasons: the search for a wife, tiredness of life amongst the Hobbits, a desire for
adventure or a need for money.
There are other interesting variations of events in the story: in the countryside of the Shire, the
Hobbits hide in bushes at the sound of hooves and a horse comes to a halt nearby; the rider, covered by
a cloak and hood, sniffs the air. Who is it? Gandalf! (not the Black Rider!). At Tumulilande, when
Frodo becomes separated from his companions and calls them, they have not been taken by the spectre.
and it all turns out just to have been a fearful imagining on the part of Frodo. The old Maggot is much
more aggressive, remembering that Frodo Baggins had killed one of his dogs and still hating him
profoundly for it; Frodo annoys him by using the ring to become invisible and frightens him by tripping
him up. At Bree, the Hobbits meet Strider (here called Trotter), but who is he? A Hobbit – Peregrine
Took – a childhood friend of Bilbo whose parents had forbidden him to continue seeing him, who then left.
the County and traveled as far as Mordor where he was tortured and now must walk with wooden
clogs (!) because of the sores. Tolkien decided to make Strider a Man only after Bilbo asked his help at
Rivendell to compose a song about ancient times. Gandalf is old and short and the reasons for his
lateness in reaching the fleeing Hobbits are narrated in detail. Glorfindel reveals that he is the
reincarnation of the Glorfindel who died in the First Age fighting the Balrogs after the fall of Gondolin.
After having developed considerably the story with Bingo/Frodo as protagonist, in August 1939
(during the last few days before the Second World War broke out, a period which depressed him greatly, as
he confessed in a letter), Tolkien suffered a crisis of pessimism and reverted to the original idea of

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writing a sequel to the Hobbit. He wrote: "New plot. Bilbo is the hero all through. Merry and Frodo his"
companions. This helps with Gollum (though Gollum probably gets new ring in Mordor).

***

The seventh and eighth books are entitled The Treason of Isengard and The War of the Ring.
The composition of the later chapters of LOTR, recounted in these two further volumes edited by
Christopher Tolkien was much less complex. The first work, after a rewriting of the chapters from
Hobbiton to Rivendell, takes us from the Council of Elrond to the debate with Theoden at Meduseld
and contains a concise appendix dealing with the Elvish and runic alphabets. The second book goes
from Helm’s Deep to the Last Debate of the Captains of Gondor before the desperate march of their
army towards the Gates of Mordor. Both volumes contain maps and drawings by the hand of JRRT.
There follow several examples of the numerous variants. Gandalf and the Balrogs at Moria:

The Balrog rushed to the Bridge-foot. Legolas raised his bow and an arrow pierced his shoulder.
The bow fell useless. Gandalf stood in the midst of the bridge. In his hand Glamdring gleamed. In his left
he held up his staff. The Balrog advanced and stood gazing at him.
Suddenly with a spout of flame it sprang on the Bridge, but Gandalf stood firm. 'You cannot
pass', he said, 'Go back into the fiery depths. It is forbidden for any Balrog to come beneath the sky since
Fionwë son of Manwë overthrew Thangorodrim. I am the master of the White Fire. The red flame cannot
come this way’. The creature made no reply, but standing up tall so that it loomed above the wizard it
strode forward and struck him. A sheet of white flame sprang before him like a shield, and the Balrog fell
backward, its sword shattered into molten pieces and flew, but Gandalf’s staff snapped and fell from his
hand. With a gasping hiss the Balrog sprang up; it seemed to be half blind but it came on and grasped at the
wizard. Glamdring chopped off its empty right hand, but in that instant as he delivered the stroke the Balrog
struck with its whip. The thongs lashed round the wizard's knees and he staggered.
Seizing Legolas' bow, Gimli shot, but the arrow fell. Trotter [Strider] sprang back along the bridge.
with his sword. But at that moment a great troll came up from the other side and leaped on the bridge.
There was a terrible crack and the bridge broke. All the western end fell. With a terrible cry the troll fell.
after it, and the Balrog tumbled sideways with a yell and fell into the chasm. Before Trotter could reach the
The bridge broke before his feet, and with a great cry Gandalf fell into the darkness.

At Minas Tirith, the child Bergil is much more aggressive, cannot be calmed by Pippin and is
about to start fighting him when stopped by the arrival of a Man from Gondor.
Gandalf reveals to Denethor that the Wizard King, leader of the Nazguls, is a disowned ex-
member of Gandalf’s order, the Istari, who comes from Númenor.
Denethor is more gentle with Faramir, and when the latter tells of his meeting with Frodo
Ithilien replies that although he wished that Boromir could have been there instead, adding - with a
slap on the shoulder to his son –but only if Boromir had had a stouter heart and more trustworthy
character; if, that is, he had brought him the ring without using it. Tolkien changed his mind because,
as he wrote, only if Denethor were harder on Faramir could we see why he went crazy when his son
returned on the point of death. It should be added that Denethor uses the Palantír for the first and last
time only when he thinks his son is about to die; he scrutinizes the stone to see if help might come, but
Sauron only grants him the strength of Mordor, and Denethor, in despair, goes mad.

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 Theoden narrates the meeting between his ancestor Baldor and a talking stone statue at the
entrance to the Pathway of the Dead. And when Aragorn sees the skeleton in armour and recognises it
as Baldor, he has a tomb built in such a way that no one may reach the mysterious closed door. At
Pelargir the army of the Dead hesitates to attack the fleet of Umbar and Aragorn is compelled to
harangue the Dead until they find the courage at last to make war on Sauron.
Aragorn is acclaimed by the people of Lebennin as 'Lord of the Rings' and Tolkien wonders if
this happens so that Sauron should believe himself in possession of the Only and stop worrying
about Frodo, or because Galadriel had handed Nenya over to him.
Here is a variant from the chapter The Last Debate:
'But if we should find the Ring and wield it, how would it give us victory?', asked Imrahil.
'It would not happen all in a day,' answered Gandalf. 'But if it were to come into the hands of someone
of power or royalty, as say the Lord Aragorn, or the Steward of this City, or Elrond of Imladrist, or even to
me, then he being the Ringlord would wax ever in power and the desire of power; and all minds he would
cow or dominate so that they would blindly do his will. And he could not be slain. More: the deepest
Secrets of the mind and heart of Sauron would become plain to him, so that the Dark Lord could do nothing.
unforeseen. The Ringlord would suck the very power and thought from him, so that all would forsake his
allegiance and follow the Ringlord, and they would serve him and worship him as a God. And so Sauron
would be overthrown utterly and fade into oblivion; but behold, there would be Sauron still....but upon the
other side, a tyrant brooking no freedom, shrinking from no deed of evil to hold his sway and to widen it.
'And worse,' said Aragorn. 'For all that is left of the ancient power and wisdom of the West he
would also have broken and corrupted.
‘Then what is the use of this Ring ?’, said Imrahil.
'Victory,' said Hurin Warden of the Keys. 'At least we should have won the war, and not this foul.
lord of Mordor.
‘So might many a brave knight of the Mark or the Realm speak,’ said Imrahil. ‘But surely more
wisdom is required of lords in council. Victory in itself is worthless. Unless Gondor stands for some good,
then let it not stand at all; and if Mordor does not stand for some evil that we will not tolerate in Mordor or
out of it, then let it triumph.

What follows is equally fascinating.

***

The ninth volume is called Sauron Defeated. The first section of this sizeable tome contains
Variants of the final part of The Lord of the Rings, from Sam and Frodo at Mordor to The Grey Havens.
I have selected some interesting points. Frodo does not want to throw the Ring into the Abyss of Fate.
because he hears a deep, slow, but persuasive voice which offers him life, peace, honour, a rich reward,
a lordship and finally a share of the Great Power, if only he will wait and return to Baradur with a Slave
of the Ring. This terrorizes Frodo and he remains immobilized by the choice between resistance and
surrender, in torment, for a period that seems to him incredibly long and unmarked by the passage of
time. Then he is disturbed by a fresh thought, not from outside, but a thought from within his being: he
should keep the ring himself and gain control of everything. Frodo, King of Kings. The Hobbits
(naturally, he would not have forgotten his friends) would be in command and he would command the
Hobbits. He would write great poems and compose great songs and all the earth would bloom and
everyone would be invited to his parties. And so Frodo takes the Ring !

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 Variants of the final catastrophe are that Sam pushes Gollum and the Ring into the abyss, or
Gollum, overcome by remorse and the terror of being forever deprived of the Ring by the advancing
Nazguls, commits suicide.
At Edoras during the banquet which follows Theoden’s funeral, Gandalf, during a toast, refers
to Frodo and Sam by Elvish names which translate, respectively, as Resistance-Beyond-Hope and
Inextinguishable Hope.
When they return to the County, Ted Sandy makes this prophecy:

You are out of date, Mr. Samwise, with your elves and your dragons. If I were you I'd go and
catch one of their ships that are always sailing, according to your tale. Go back to Babyland and rock your
cradle, and do not bother us. We are going to make a big town here with twenty mills. A hundred new
houses next year. Big stuff coming up from the South. Chaps who can work metals. And make big holes in
the ground. There will be forges humming and steam whistles and wheels going round. Elves can't do
things like that.

A small difference is that Sharkey is not a Saruman, but a Man-Orc. More noteworthy, that
Frodo eliminates various enemies in the County and is an energetic and determined leader, strong in war.
and resolute in his decisions, who comes to be honoured by all the Hobbits with such devotion that 'not
even Sam could complain.” Fortunately Tolkien changed his mind in the definitive version and gave us
In Frodo, a great icon of humanity and not the hero of a TV series!
A comment by Tolkien refers to The Grey Havens as an 'Arthurian' finale for Bilbo and Frodo.
in which of course he does not explain whether he intends an allegory of death or a means of healing
and restoration as prelude to a return.
There follow two versions of the Epilogue which does not appear in LOTR. Sam is surrounded
by numerous children of both sexes to whom he recounts stories of long ago. He speaks to the eldest,
Elanor, of the Elfin beauty which is disappearing, but has not yet gone and which she may therefore see
too. Lastly, he announces that King Elessar will be passing near the border of the County and would
like to see his old friends. Here are the last lines of the Epilogue: after having sent the children to bed,
Master Samwise stood at the door and looked away eastward. He drew Mistress Rose to him, and
set his arm about her.
'March the twenty-fifth!', he said. 'This day seventeen years ago, Rose wife, I didn’t think I
should ever see you again. But I kept on hoping.
'I never hoped at all, Sam', she said. 'Not until that very day; and then suddenly I did. About
It was noon, and I felt so glad that I began singing. And mother said: 'Quiet, lass! There are ruffians about.'
And I said: “Let them come ! Their time will soon be over. Sam’s coming back.” And you came.
'I did,' said Sam. 'To the most beloved place in all the world. To my Rose and my garden.'
They went in, and Sam shut the door. But even as he did so, he heard suddenly, deep and
unstilled, the sigh and murmur of the Sea upon the shores of Middle-earth.

The Epilogue, which indeed is in some passages a little sugary and simpering, was eliminated.
by Tolkien on the basis of the many criticisms he received: 'it has been so universally condemned...'
But he remained unsatisfied because he felt 'the picture to be incomplete...'

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 The second part of the book is dedicated to the unfinished novel The Notion Club Papers, which
is very similar to The Lost Road (also unfinished), telling of a group of professors, friends who during
their discussions at the Club find themselves - without understanding why - wandering through and
space, ending up in the 10thcentury when the Danes were attacking the Anglo-Saxons and, still further
back, in a time shortly before the Fall of Númenor. Tolkien enthusiasts will be interested in three versions
of the poem Imram (the death of St Brendan). We find Tolkien caught in a typical position between a
Hindu-Orphic-Pythagorean and Christian point of view:
The theory is that the sight and memory goes on with descendants of Elendil and Voronwë [his
companion], but not reincarnation; they are different people even if they still resemble one another in
some ways even after a lapse of many generations

The third section contains four versions of the Fall of Númenor and finishes with a linguistic
treatise on Adunaic, the tongue of the Númenoreans.

***

It seems to me that the tenth volume, The Morgoth's Ring, is one among the 12 of HoME.
which contains the most new material and which is of greater philosophical depth.
A piece entitled Laws and Customs among the Eldar recounts how the bodies of Elves grew
more slowly than those of Men, but their minds more quickly; they learned to talk before they were one
year old and at the same time to walk and dance. During infancy it was difficult to distinguish between the
children of Elves and those of Men. The latter, however, seemed happier because they still enjoyed the
world, the fire of their own spirits had not yet consumed them and the weight of memory was still light
upon them. At the end of the third year, human children continued to grow while Elfin children did not;
A man reached his full stature at an age when an elf was only the height of a human seven-year-old.
Fifty years (and for some, a hundred) were needed for an Elf to reach full size.
Elves married only once in their lives, even during the most obscure periods in the history of
Arda, and the occurrence of lewd behaviour amongst them was rare. The Noldor observed the custom
that the bride’s mother gave the son-in-law a jewel suspended from a chain, and likewise the groom’s
father to his daughter-in-law. These ceremonies were not considered necessary for the marriage, but
were merely courtesies by which the parents demonstrated their love and recognition that the union
bonded the families as well as the couple. The essential wedding rite was carnal union, after which a
a typical unbreakable marriage bond came into existence. In times of peace and prosperity it was
considered discourteous not to hold a public ceremony, but Elvish law always held that marriage
required only the free consent of the couple without the need for witnesses and thus it often was in
times of difficulty.
Conception and pregnancy took a larger amount of physical and spiritual energy from Elf
women than human ones. For this reason Elves had few offspring whilst they were young, usually not
long after getting married. With respect to Elfin sexuality, fertility and sexual desire could not easily be
distinguished; they would undoubtedly have kept their sexual potency for a long time if their desire
remained unsatisfied, but when generative power was effectively exercised, sexual desire disappeared
rapidly and the mind occupied itself with other things. Sexual union certainly gave them great joy and
the “child days” – as they called them – remained in the memory as the most joyful in their lives. But
they had many other potentialities of the mind and body which their nature urged them to fulfil.

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 When Míriel died, weakened by her pregnancy with Fëanor, her husband Finwë, who was still
young and wished for more children, asked Manwe to be allowed to remarry. Manwe asked Míriel,
who was in the halls of Mandos, if she wanted to be reincarnated and she replied that she did not (she
could no longer find in herself any desire for life, at least within the borders of Arda). Manwe thus gave
permission to Finwë to marry again and he did so with Ingwë’s sister, Vanyar Indis. The Valar debated
much over the case of Míriel and Finwë, because it was unusual for someone to die at Valinor. Some
Valar, although agreeing with the decision, thought that instead of solving the problem it would have
perpetuated it. Manwe replied:

Neither must you forget that in Arda Marred Justice is not Healing. Healing comes only by
suffering and patience, and makes no demand, not even for Justice. Justice works only within the bonds
of things as they are, accepting the marring of Arda, and therefore though Justice is itself good and desires
no further evil, it came only to perpetuate the evil that was, and does not prevent it from bearing fruit in
sorrow. Thus the Statute was just, but it accepted Death and the severance of Finwë and Miriel, a thing
unnatural in Arda Unmarred, and therefore with reference to Arda Unmarred it was unnatural and fraught
with Death. The liberty that it gave was a lower road that, if it led not still downwards, could not again
ascend. But Healing must retain ever the thought of Arda Unmarred, and if it cannot ascend, must abide in
patience. This is Hope which, I deem, is before all else the virtue most fair in the Children of Eru, but
cannot be commanded to come when needed: patience must often long await it.

The debate that follows Manwe's words is most interesting (Aule, Ulmo, Yavanna and
Nienna voice different opinions); it is a rare example (insofar as I am able to judge) of the embodiment
of a profound theological argument in a fictional narrative. The Manwe speaks again:

‘Aulë and Niënna err, I deem; for what each said in different words meaneth this much: that Death
which comes from the Marred may be one thing, and Death as an instrument of Eru may be another thing and
discernible: the one being of malice, and therefore only evil and inevitably grievous; the other, being of
benevolence, intending particular and immediate good, and therefore not evil, and either not grievous or
easily and swiftly to be healed. For the evil and the grief of Death are in mere severance and breach of
nature which is alike in both (or Death is not their name); and both occur only in Arda Marred, and accord
with its processes.
Therefore I deem that Ulmo is to be followed rather, holding that Eru need not and would not
desire as a special instrument of his benevolence a thing that is evil. Wherefore, indeed, should he intrude
Death as a 'new thing' in a world that already suffers it? Nonetheless, Eru is Lord of all, and will use
as an instrument of his final purposes, which are good, whatever any of his creatures, great or small, do or
devise, in his despite or in his service. But we must hold that it is his will that those of the Eldar who serve
he should not be cast down by griefs or evils that they encounter in Arda Marred; but should ascend to a
strength and wisdom that they would not otherwise have achieved: that the Children of Eru should grow to
be daughters and sons.
For Arda Unmarred has two aspects or senses. The first is the Unmarred that they discern in the
Marred, if their eyes are not deemed, and yearn for, as we yearn for the Will of Eru: this is the ground upon
which Hope is built. The second is the Unmarred that shall be: that is, to speak according to Time in which
they have their being, the Arda Healed, which shall be greater and more fair than the first, because of the
Marring: this is the Hope that sustains. It comes not only from the yearning for the Will of Iluvatar the
Begetters (which by itself may lead those within Time to no more than regret), but also from trust in Eru
the Lord everlasting, that he is good, and that his works shall all end in good. This the Marrer hath denied,
and in this denial is the root of evil, and its end is in despair.
Therefore, notwithstanding the words of Vairë, I abide by that which I said first. For though she
speak not without knowledge, she expresses opinion and not certainty. The Valar have not and must not
presume certainty with regard to the wills of the Children. Nor, even were they certain in this one case

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 concerning the soul of Miriel would that unmake the union of love that once was between her and her
spouse, or render void the judgement that constancy to it would in Finwë be a better and fairer course,
more in accord with Arda Unmarred, or with the will of Eru in permitting this thing to befall him. The
Statute opens the liberty of a lower road, and accepting Death, counts Deathenance, and cannot heal it.
If that liberty is used, the evil of the death of Miriel will continue to have power, and will bear fruit in
sorrow.

Lastly, Mandos adds:

Let the Statute stand, for it is just.

It is our part to rule Arda, and to counsel the Children, or to command them in things committed
to our authority. Therefore it is our task to deal with Arda Marred, and to declare what is just within it. We
may indeed in counsel point to the Higher Road, but we cannot compel any free creature to walk upon it.
That leads to tyranny, which disfigures good and makes it seem hateful.
Healing by final Hope, as Manwë has spoken of it, is a law which one can give to oneself only;
of others justice alone can be demanded. A ruler who discerning justice refuses to give it the sanction of law,
Demanding abnegation of rights and self-sacrifice will not drive his subjects to these virtues, virtuous only.
if free, but by unnaturally making justice unlawful, will drive them rather to rebellion against all law.

Another interesting piece of the work is The Controversy Between Finrod and Andreth; the Elf
who was friendly with Men and the wise elderly woman engaged in a philosophical discussion because
Finrod had heard of a tradition amongst Men according to which they considered death not to be a
natural event, but a result of the malice of Melkor. Andreth was aware of the uncertain status of
tradition, both because it had no scientific basis and because there were diverse traditions, such as that
(shared by the Elves) which maintained that the death of Men was natural and unavoidable. Finrod
maintained that Melkor did not create death, but had merely perverted it; previously it had existed and
been considered a good thing. Furthermore, Elves too would one day die, albeit after many eras had
passed, and they did not know what would come after. Thus, after living for thousands of years, their
The condition was no different from that of a young man who does not think of death because it is still far off.
Andreth replied that thinking of death leads to desperation, because the world is controlled by Melkor.
and no valorous Elfin or human action can succeed. Finrod chided her for confounding Melkor with
Eru: he was the real lord of Arda and Manwe his second in command.
Finrod then said that Elves and Men see Arda differently; Men are like guests who stay for a
short while in a new land and all is new and strange to their eyes, whilst the Elves are like people born
in that land and everything seems familiar to them, all that exists, and their own property and therefore
precious. For Finrod, the death of Men, before Melkor covered it with fear and anguish, was a
"returning home" of the spirit which left Arda and the body which is part of Arda and went to some
place of immortality.
Andreth asserted such an opinion to be false and the product of the Enemy’s lies, because it
implied a sinful disregard for the body, whereas in every incarnate creature body and soul love one another
another mutually. Andreth then asked Finrod what hope was, and he distinguished two meanings: the
first, more common, was 'the search for improvement' and is the expectancy of good which, although
uncertain, has some foundation in that which is already known (the Elvish word is Amdir). The second,
more profound, is 'faith' and since it is not derived from experience is not affected by things of this
world, but is based on the belief that, since we are Children of Eru, he will not allow any enemy or us
ourselves to deprive him of what is his (in Elvish, Estel). Andreth replied that Men’s Estel is shaken

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and that they doubt that Melkor is lord of the world. Finrod’s rejoinder was that even though Estel can
be suffocated, there always remains at least a spark of it in our wishes and dreams.
The most interesting section of the book is, in my opinion, Myths Transformed; in the last years of his
life JRRT modified several ideas which were central to his mythology. The Silmarillion was described
as a human interpretation of Elf history known to the Men of Númenor and then of Middle-earth.
Men added their own primitive and absurd cosmological notions such as the Flat Earth and the Sun and
the Moon as navigators in the sky, each with its own home etc., which were not shared by the High
Elves, who had the same astronomical knowledge as twentieth-century men (considering Arda just a
tiny speck lost amongst the endless regions of Ea). JRRT became convinced, towards the end of his
life, that the Subcreator cannot present his readers with a world whose laws are in contrast with that
which they are familiar. Thus, the Sun and Moon had to be born long before the Trees; the Trees,
Moreover, must have been created by the Valar for selfish motives, to decorate Valinor with which they
became progressively infatuated, forgetting Middle-earth.
As for Melkor, although lord of the infinite regions of Ea, he was jealous of the kingdom of
Manwe on Arda because he knew that the Sons of Eru would be born there and wanted to be their only
lord and master. To this end, he had to make Men and Elves forget of the existence of Eru. But this
could never happen because Eru had given the Vala Varda the power to take a Holy Light to Ea. JRRT
wanted to make Melkor much more powerful than in the previous scheme of things; stronger than all
the Valar put together.
The Valar managed to beat him in the War of Wrath only because, through lust for power, he had
become the tyrant Morgoth, with enslaved Orcs, Balrogs, Dragons, etc. In order to achieve this change,
though, he had had to concede to these creatures the ability to procreate and multiply, thus greatly
diminishing his individual creative power by giving a portion of it to beings which were partly
independent and there potentially beyond his control – otherwise he would have been unable to slake
his thirst for power. When Manwe saw Melkor transformed into Morgoth, he was amazed to see him so
reduced in personal power; without his slaves he was now much weaker than Manwe and could not
meet his stare.
In the Second Age, Sauron was imagined to be 'greater' than Melkor at the end of the First Age.
since, although much smaller in size, he had not yet been reduced to such a weakened state. Morgoth
had exhausted much of his essence by transferring it into the physical constituents of Arda, so much
that creatures born there would be potentially corruptible (he did on a much larger scale the same thing
that Sauron was to do with the Ring; but, although the destruction of the Ring was sufficient to destroy
Sauron's power, to destroy Melkor's it was necessary to eliminate Arda, 'Morgoth's Ring'. Sauron
just inherited the corrupted Arda.
Sauron was moreover wiser than Melkor, because, not having initiated the rebellion, he could
have stayed listening to the Music for longer. Melkor was possessed by a complete nihilism, wishing to
destroy all the Elves and Men, that drove him mad, for he would have certainly eliminated his
Orcs too if he had won the war. The roots of Melkor’s desperation and his final impotence were in the
fact that – whilst Elves and Men continued to love Arda even though it was corrupt, because they could
attempt to cure its wounds – he felt powerless towards it and, if he had had the freedom to act, he
would angrily have sought to recreate the original chaos. And in this case he would have been defeated,
since the world would have existed at some past time, independent from his mind.
Sauron never reached this degree of nihilism, never objected to the world’s existence, as long as
he could do as he wished in it. He still contained the relics of good qualities; his virtue was a love of
order and coordination and he hated confusion and wasted energy (he was attracted to Melkor because

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he thought – erroneously – that the former would be able to achieve his aims authoritatively and
efficiently, in contrast to the wavering and wasteful behaviour of the other Valars.
Sauron was, in fact, very similar to Saruman and for this reason was able to understand his
plans immediately. But, as with all minds of this sort, his love and comprehension of other intelligences
was weak; although the only rational motive for all his order and planning was the good of all the
inhabitants of Arda, his 'plans' and 'ideas' were the products of an isolated and therefore limited and
simplistic mind and could only be implemented in a more complex reality by means of violence.
This distinction between Melkor and Sauron is oversimplified, because Sauron, after beginning
to serve Melkor, became infected by his lust for destruction and hatred of God. But Sauron could not be
a sincere atheist, because he had met Eru. He deceived himself into believing that Eru no longer cared
about the destiny of Ea, or at least of Arda, because of the failure of the Valar, including Melkor. At the
Fall of Númenor, he therefore interpreted as the isolation of Aman as Eru’s punishment of the Valar.
who were deprived of all control over Middle-earth.
When he saw the Istari, he supposed that they had been sent by the Valar in a pathetic attempt to
regain control over Middle-earth in order to colonize it, an imperialistic endeavour lacking the approval
of Eru. Observation of Saruman’s behaviour confirmed his hypothesis and he became convinced. He
could not understand Gandalf, but by now Sauron had become stupid enough to imagine that the
the difference in his behaviour compared to that of Saruman was merely due to an inferior intelligence and
the wish to cause trouble.
Sauron was not a genuine atheist, but preached atheism because he knew it weakened others.
creatures’ resistance to him. Or he proclaimed idolatry of Melkor, as in the case of Ar-Pharazon. Here,
he wanted to destroy the Men of Númenor in revenge for the humiliation inflicted upon Ar-Pharazon,
although in fact (in contrast to Morgoth) Sauron would have been happy that they existed in his service,
and corrupted and exploited for his own ends many of them.
Other subjects are dealt with in this section, such as the origin and behaviour of the Orcs, the
the reason why Manwe did not fight and the cause and modality of the “disappearance” of the Elves after
the Third Age.

***

The eleventh volume is entitled 'The War of the Jewels', considered by Christopher Tolkien
companion to The Morgoth’s Ring; both refer to the First Age, the previous book to the earlier part (in
Aman) and this to the later (in Beleriand). Little completely new material is to be found, though, unlike
in the dazzling tenth volume.
It is said of female Dwarves:

The Naugrim have beards, male and female alike; nor indeed can their womenkind be discerned.
by those of other race, be it in feature or in gait or in voice, nor in any wise save this: that they go not to
war, and seldom save for direst need issue from their deep bowers and halls. It is said, also, that their
Womenkind are few, and that save their kings and chieftains few Dwarves ever wed; wherefore their race
multiplied slowly, and now is dwindling

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 A long section (60 pages) is dedicated to The Wanderings of Húrin, in which the adventures of
Túrin’s father, after his release by Morgoth, are narrated in much greater detail than in the Silmarillion.
orUnfinished Tales. Four pages are devoted to the story of Maeglin, the unfortunate son of Isfin and
Eol and rejected suitor of Idril.
A linguistic passage covers words which refer to Elves and their variety, such as the clan names.
with a rich appendix listing the names used by Elves for Men, Dwarves and Orcs. Another section is
about the Valar language, which explains, for example, that in their tongue the 'Gods' call the
Telperion tree Ibrîniðil pathânezel and the Laurelin tree Tulukhedel gorûs.
This interesting volume concludes with a piece about the Awakening of the very first Elves and
their brides and the invention of spoken language.

***

The twelfth book is called The Peoples of Middle-Earth. This is the last volume of JRRT’s
previously unpublished writings edited by his son Christopher, who observes in the Preface:

It is a long time since I began the work of ordering and elucidating the vast collection of papers in
which my father’s conception of Arda, Aman, and Middle-earth was contained[...] Nearly a quarter of a
A century later, the story, as I have been able to tell it, is finally concluded. This is not to say that I have given
an account of everything that my father wrote, even leaving aside the great body of his work on the
language of Elves

So it doesn’t seem impossible that other books of Tolkien’s unpublished writings might appear
in the future. This twelfth book covers many topics. The first part contains various versions of the
Appendices and Prologue to the Lord of the Rings. There follow several late writings of greater interest.
A brief account of the relations between Dwarves and Men describes the seven Dwarf tribes and where
They awoke, with references to their language and those of men. A passage deals with some details of
the Qenya spoken by Fëanor, the maternal names and names of all the descendants of Finwë and their
meanings. A short piece outlining the problem of the reincarnation of Glorfindel, one of the five
Wizards (and in which the two Blue Wizards have different names than those used in the Unfinished
Tales) is followed by another on Cirdan the Carpenter. There is a piece containing the reply of the Elf
Response to a question posed by the English sailor Ælfwine on the differences between the Elves’
languages, and one concerning lembas.
Lastly, the plots of two interesting tales. The first, The New Shadow, is set in Minas Tirith in the
Fourth Age after Aragorn’s death; it is a sort of thriller in which an old man (younger brother of Bergil,
the child who knew Pippin) finds out about a secret association of youngsters devoted to the cult of the
Shadow and begins to investigate together with an ambiguous friend of his son. The second, Tal-Elmar,
is set on the west coast of Middle-earth during the Second Age, at the time when the settlements of the
Númenoreans had begun to spread, and takes the point of view of the indigenous people. Tal-Elmar is a
youth sent in an advance patrol who finds out that he can understand the strangers’ language.
***
Looking back over these twelve volumes of the History of Middle Earth, then, one must express
gratitude that Christopher Tolkien has made available to scholars such a large and precious collection

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of material. It must be admitted that for the normal Tolkien reader the going is often heavy, since the
work contains many repetitions on the part of the author and much erudite commentary on behalf of the
editor. It would be useful to concentrate the most interesting passages into a single volume, so as to
create a work which could be enjoyed in the same fashion as – and perhaps even more than -
Unfinished Tales.

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