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MUSIC9 - Q1 - W1-2 - Music of The Medieval, Rennaisance & Baroque Periods.v3

This document is a module for Music 9 focusing on the Medieval, Renaissance, and Baroque periods. It includes multiple-choice questions, listening activities, and information about the characteristics, composers, and musical forms of each period. The module is designed for educational purposes under the K-12 Curriculum in the Philippines.

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0% found this document useful (0 votes)
26 views24 pages

MUSIC9 - Q1 - W1-2 - Music of The Medieval, Rennaisance & Baroque Periods.v3

This document is a module for Music 9 focusing on the Medieval, Renaissance, and Baroque periods. It includes multiple-choice questions, listening activities, and information about the characteristics, composers, and musical forms of each period. The module is designed for educational purposes under the K-12 Curriculum in the Philippines.

Uploaded by

ivee9630
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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MUSIC OF MEDIEVAL, RENAISSANCE AND

BAROQUE PERIOD
MODULE IN MUSIC 9
QUARTER 1
Week 1

JEROME D. BALIW-AN
Developer

Department of Education. Cordillera Administrative Region

i
Republic of the Philippines
DEPARTMENT OF EDUCATION
Cordillera Administrative Region
SCHOOLS DIVISION OF MOUNTAIN PROVINCE

Published by the
Learning Resource Management and Development System
Department of Education Cordillera
Administrative Region Schools
Division of Mountain Province

COPYRIGHT NOTICE

Section 9 of Presidential Decree No. 49 provides:

“No copyright shall subsist in any work of the Government of the Philippines.
However, prior approval of the government agency of the office wherein the
work is created shall be necessary for exploitation of such work for profit.”

This material has been developed for the implementation of K-12 Curriculum through
the Curriculum Implementation Division (CID) - Learning Resource Management and
Development System (LRMDS). It can be produced for educational purposes and the
source must be acknowledged. Derivatives of the work including creating and edited
version, an enhancement of supplementary work are permitted provided all original
work is acknowledged and copyright is attributed. No work maybe derived from this
material for commercial purposes and profit.

ii
Now, let us see how far is your knowledge about Music of Medieval,
What I know Renaissance and Baroque Periods.

I. Multiple Choice
Direction: Select the letter of your answer and write it in your
activity notebook.

1. What is the correct order of the following time periods?


A. Baroque, Renaissance, Medieval
B. Medieval, Renaissance, Baroque
C. Renaissance, Medieval, Baroque
D. Renaissance, Baroque, Medieval
2. Which among the following is a prominent composer of medieval period?
A. Adam le Bossu
B. Antonio Vivaldi
C. Frederick Chopin
D. Thomas Morley
3. Which of the following composition did Thomas Morley compose?
A. Pope Marcellus Mass
B. the four Season
C. Fire, Fire, My Heart
D. the Magic Flute
4. What is one characteristic of Gregorian chant?
A. monophonic
B. polyphonic
C. written in a letter names
D. through-compose
5. What year did the baroque period take place?
A. 100-700
B. 700-1400
C. 1400-1600
D. 1600-1700
6. The period when the Christian church highly influenced culture and political affair in
Europe was the:
A. Medieval Period
B. Renaissance Period
C. Baroque Period
D. Romantic Period
7. There were five main sections of Mass. Which of the following sections of Mass
is the Lamb of God?
A. Kyrie
B. Gloria
C. Credo
D. Agnus Dei
1
8. What was the word renaissance means?
A. dark ages
B. revival
C. irregular
D. reason
9. Which of the following is not a vocal music of renaissance period?
A. Mass
B. Madrigal
C. Troubadour
D. Fugue
10. A musical composition that resembles a harmonized version of hymnal tunes of
the protestant church during Baroque period.
A. Oratorio
B. Chorale
C. Madrigal
C. Concerto
11. Which of the following is not a new form of Baroque music?
A. binary
B. ternary
C. fugue
D. polyphonic
12. Among the music genre of baroque Music, which of these is a form of orchestral
music that employs a solo instrument accompanied by an orchestra?
A. Concerto
B. Concerto Grosso
C. Fugue
D. Chorale
13. A baroque composer who composed Cantata 208 and 211?
A. Thomas Morley
B. Johann Sebastian Bach
C. Antonio Vivaldi
D. George Friedrich Handel
14. Baroque music is known for its grandiose and elaborate ornamentation. Which of
the Baroque music forms was developed through imitative counterpoint?
A. concerto
B. concerto grosso
C. Fugue
D. Chorale
15. A Baroque composer who lost his eyesight.
A. Thomas Morley
B. Johann Sebastian Bach
C. Antonio Vivaldi
D. George Friedrich Handel

2
Do you still remember your lesson about Asian music in your grade 8
What’s In music competencies? You have learned that Asian music comes in
variety of forms and has many functions as related to culture and
traditions and is composed of vocal and instrumental music. You have
also sung sample of Southeast Asian song during your performance
which you enjoyed most like the “Arirang” of Korea, “Burung Kakatua”
of Indonesia, “Rasa Sayang” of Malaysia, “Loi Loi Gratong of Thailand, “Chan Mali
Chan” of Singapore and many more which are generally based in pentatonic scale, in
which five notes create an octave. That’s different than the western scale, which uses
seven notes.
Likewise, in this module you will be learning the first part of history of Western
music. We will be discussing the characteristics of each period, composer, historical
and cultural background.

What’s New
What’s New

Listening Activity
Listen to the local day-eng on the link https://youtube.be/F5Rhf-xCMJQ, and try to
observe the following elements of music being used with the following musical
elements. Please use your activity notebook as your answer sheet.

Rhythm
Dynamics
Melody
Texture

The first three periods of Western Music History are classified as Medieval,
Renaissance and Baroque. Each period has its unique characteristic, historical and
cultural backgrounds.
A type of music from medieval era is the Gregorian chant which has mainly
used in the early Christian Church.
Music during Renaissance period became an important leisure activity.
Members of the upper class were expected to have received musical training.
Baroque period is characterized by grand and elaborate ornamentation of
sculptures, theatres, arts and music. The music genres which flourished during the
Baroque period were the concerto, the fugue, the oratorio and the chorale. Music
evolved alongside with man’s constant quest for growth and development.

3
Activity 1: Music of the Medieval Period

What’s More If you have observed the characteristics of the music of


medieval period, it was both sacred and secular. This was
because the medieval period (also known as the Middle Ages
or “Dark Ages”) was the time when the Roman Empire in 700-1400 century started to
fall. During this time, the Christian church influenced Europe’s culture and political
affairs.

If you have noticed, it was during this time when Pope Gregory I made the
monophonic plainchant (later known as Gregorian chant) popular and approved as the
music of the Catholic Church. Although it was transmitted orally, group of scholars
agreed to put in notation text to assist the chants dissemination all over Europe.

At present, the characteristics of the monophonic plainchants or Gregorian


chants are monophonic, free meter, modal, usually based on Latin Liturgy and uses
Neume notation.
During the latter part of the Medieval Period, secular music which was not
bound by the Catholic traditions emerged. Most of these songs were performed across
Europe by groups of musicians called Troubadours. The Troubadour’s music is
usually monophonic, sometimes with improvised accompaniment that talks about
chivalry and courtly love, originated in France and were written in the French language.
Furthermore, you have to be aware of the famous composer of the Medieval Period.

Adam de la Halle
A French composer, one of the later trouveres. Son of
Henri de la Halle who is a well-known citizen of Arras.
Adam was educated at the Cistercian Abbey of Vauc elles
and intended for the priesthood, but fall in love and
insisted on marrying (the marriage did not last). His
patrons were Robert II, Count of Artois, and Charles of
Anjou, brother of Louis IX. From 1262 he studied at the
University of Paris, and in 1271 was in the service of
Robert II of Artois, whom he accompanied to Naples,
possibly in 1282; some of his most important works were
performed at the Naples court. He died there a few years
later. While in Naples he created his famous Jeu de Robin
et Marion, performed at Naples in 1275 or 1285. This play
https://www.google.com/search?q=adam+d
e+la+halle+brief+and+important+about+him with songs and dialogue pieces is sometimes called ‘the
&source=lnms&tbm=isch&sa=X&ved=2ahUK
EwjgzsXOoNPqAhVTHaYKHTvAAt0Q_AUoAX
first comic opera’. It is known whether the melodies are
oECBEQAw&biw=1366&bih=657#imgrc=tFB folksongs or the composer’s own (though he certainly
hdF6vLMmmQM
wrote the texts) or whether the melodies are folksong or

4
the composer’s own (though he certainly wrote the texts) or whether
instruments were used to accompany the voices. It is a naïve dramatic
pastoral with many short songs sung by the leading actors. It went down in
the history of French literature as the secular Singspiel, or song-play. His
gracefully turned melodies typify the charm of the art of the troubadours.
Adam was one of the oldest secular composers whose literary and musical
works include chansons and poetic debates. He was a trouvere, poet, and
musician, whose literary and musical works include chansons and jeux-
partis (poetic debates) in the style of the trouverse, polyphonic rondel, and
motets in the style of early liturgical polyphony.
His works includes:
1. Le Jeu de Robin et de Marion (a musical play that was considered the
earliest surviving secular French play with music.)
2. La Chanson du roi de Sicile
That’s all for the Music of Medieval period. Are you catching up? You may
continue with your next journey.

Assessment 1: Watch, Listen and Observe


Watch, listen and observe to the song below that features the Gregorian chant of the
medieval period and use the chart below to guide you in analyzing the song.
https://www.youtube.com/watch?v=kK5AohCMX0U
The following elements and descriptions were given. All you have to do is to encircle
your answer in the description chart below that best describe the element of the song.
Write your answer on your activity notebook.
Elements Description
Language Latin Greek English
Form Vocal Instrumental
Text-Setting Syllabic Neumatic Melismatic
Texture Monophonic Homophonic Polyphonic

Good job! You figured it out. To know more about the music of the medieval
period, you may browse your internet at home at this site:
https://courses.lumenlearning.com/musicappreciationwiththeory/chapter/overview-of-
medieval-music/

Activity 2: Music of the Renaissance Period


The term Renaissance comes from the word renaitre which means rebirth,
revival, and rediscovery. The renaissance period is a period of looking back to the
Golden Age of Greece and Rome.
It is important for you to know the instruments used in this era. The Renaissance
changed the perception of music forever. Previously, people had thought of
instruments as accompaniments to aid vocalists as they sing. However, the
5
Renaissance composers felt that instruments could be the focus of their compositions.
The most common instrument among those who championed this type of music was
the lute. Viols were also widely popular among these musicians. The most popular viol
was the viola-da-gamba.
In addition, eras that are closely associated with renaissance music, art, and
science flourished during the Renaissance period. It was also a time of social, cultural,
and religious revolution. For example, the Church and the nobility had dominated
music and its development throughout the Medieval Period. Societal changes during
the Renaissance (1450 to 1600) encouraged deviations in how people composed
music. Instrumental music became popular as did dance music. Secular music also
started flourishing alongside religious music.
Here are the main characteristics of Renaissance period.
1. Mostly polyphonic;
2. Imitation among voices is common;
3. Use of word painting in text is common;
4. Melodic lines move in a flowing manner;
5. Melodies are easier to perform because these move along a scale with a few
large leaps;
6. Music still based on modes, but gradually more accidentals creep in;
7. Richer texture in four or more parts. Bass part is added below the tenor;
8. Blending rather than contrasting strands in the musical texture;
9. Harmony. Greater concern with the flow and progression of chords;
10. Church music. Some pieces were intended for 'a cappella' performance.
Mainly contrapuntal. Lots of imitation. Some church music was accompanied
by instruments - for example polychoral pieces in antiphonal style (Antiphonal
- Questions and Answers, Stereo Effect);
11. Secular music (none-religious music. Sacred music is to do with the church)
There was lots of vocal pieces and dances, and lots of instrumental pieces
(However a lot of the instrumentals were in a vocal style, but sonic were
suited to instruments. Vocal music was by far the more important.);
12. The characteristic timbres of Renaissance musical instruments - many
forming families.

Are you aware of the different vocal music of the different periods? Here’s the
vocal music of renaissance period.

1. Mass- a form of sacred musical composition that sets text of the Eucharistic
liturgy into music.

Characteristics of Mass:
a. Polyphonic
b. May be sung acapella or with orchestral accompaniment
c. Text maybe syllabic (one note set to each syllable), neumatic (a few
notes set to one syllable), or melismatic (many notes to one syllable)
6
Five main sections of Mass:
1. Kyrie “Lord Have Mercy”
2. Gloria “Glory to God in the Highest”
3. Credo “Apostle’s Creed” or “Nicene Creed”
4. Sanctus and Benedictus “Holy, holy,” and “Blessed is He”
5. Agnus Dei “Lamb of God”
2. Madrigal- a secular vocal polyphonic music composition which originated
from Italy. It was written and expressed in a poetic text and sung during the
Renaissance period.
Characteristics of Madrigal:
a. Polyphonic
b. Sung a capella
c. Through-composed
d. Frequently in 3 to 6 voices
Are you familiar with the prominent composers of Renaissance Period? I want
you to look and be familiarized with the following prominent composers.

1. Giovanni Palestrina (1525, Rome Italy – February 2, 1594)


Many people consider Palestrina as the greatest
Renaissance composer. In fact, his fellow contemporaries
bench-marked their music against his. Moreover, most of
them followed his rules of composition strictly. It is
important to note that Palestrina focused on sacred music.
He was committed to sacred music and has a keen interest
in in satisfying the desires of church leaders in the
sixteenth century. More specifically, he was influential in
the development of music within the Roman Catholic
Church.
His works
includes:
https://www.google.com/search?q=Giov
anni+Palestrina+picture&rlz=1C1GCEA_ -Pope Marcellus’ Mass-“Kyrie”
enPH854PH854&tbm=isch&source=iu&ic
tx=1&fir=hph6tp_OrUjPqM%252CbSKCK -“Missa Ad coenam Agni”
wvzcTSUzM%252C_&vet=1&usg=AI4_-
-“Missa ad fugam”
-“Missa Aeterna Christi munera”

7
2. William Byrd (1543– 1623)

Unlike Palestrina, who was an Italian composer, Byrd was


an Englishman. He is perhaps the most famous English
composer of his time. Byrd wrote various kinds of music
including consort, keyboard, and polyphony music. At first,
he wrote sacred compositions for Anglican audiences. Then,
he started writing sacred music for Catholics as soon as he
converted to Catholicism.

His works includes:


https://www.google.com/search?q=William+Byrd+
picture&rlz=1C1GCEA_enPH854PH854&tbm=isc Songs of Sadnes and Pietie (1588); Songs of Sundrie
h&source=iu&ictx=1&fir=gJryqS1qsPburM%252C
tUtOvWVgh2YY8M%252C_&vet=1&usg=AI4_kS
dEaJ1KHe0kRfgsTIIGTUuC2aPVA&sa=X&ved=2 Natures (1589); Cantiones Sacrae (1589 and 1591)
ahUKEwiP2OHds9PqAhVRyIsBHfxqDXoQ9QEw
AHoECAoQEQ&cshid=1594958592604271&biw=
1366&bih=608#imgrc=gJryqS1qsPburM

3. Thomas Morley (1557, Norwich, England – October, 1602)

The most famous composer of his time and was believed to


have studied music William Byrd. He received his Bachelor’s
degree in Oxford and became an organist at St. Cathedral in
London. He tried imitating Byrd in his early works but veered
toward composing madrigals that show a variety of color,
form and technique. Most of his madrigals are light and easy
to sing with some aspects of Italian style. Shortly after, he
began publishing his own collections of madrigals and made
significant contribution to the history of music.
His works includes:
https://www.google.com/search?q=Thomas+Morl
ey++picture&tbm=isch&ved=2ahUKEwivys31s9P
qAhWLA6YKHdqJBSgQ2cCegQIABAA&oq=Tho
-“Fire, Fire, My Heart”
mas+Morley++picture&gs_lcp=CgNpbWcQAzIEC
AAQQzIHCAAQsQMQQzIFCAAQsQMyAggAMg
-“Sing and Chant it”
UIABCxAzIFCAAQsQMyBQgAELEDMgIIADIFCA
AQsQMyAggAOggIABAIEAcQHlCakX9Yl8N_YO -“Fantasie”
vLf2gAcAB4AIAB4AiIAaMYkgELMC4xLjQuNi0xLj
GYAQCgAQGqAQtnd3Mtd2l6LWltZ8ABAQ&sclie
nt=img&ei=KCMRX6WCYuHmAXak5bAAg&bih=
-“April is in My Mistress’ face”
608&biw=1366&rlz=1C1GCEA_enPH854PH854
- “It was a Lover and his Lass”

8
Assessment 2:
A. Crossword Puzzle

Hello Learner! Let us try to assess how far you understood about the music of
Renaissance period Use the cues below to fill in the crossword puzzle with the correct
word regarding music of Renaissance Period. Please write your answers on your
activity notebook.

Down:
1.

Across:
2.
3.
4.
5.

9
B. Choose and Group!

The following are characteristics of Mass and Madrigal. In the Venn diagram below
you are going to write the differences and similarities of the two. Write your answer in
your activity notebook.

For the learners who have an internet at home you may listen to the following
links to better identify the difference of the two.

Mass https://www.youtube.com/watch?v=VXeT2HWpwc4
Madrigal https://www.youtube.com/watch?v=95DJ7oqTWK8

a. Sung a capella
b. Maybe sung with orchestral accompaniment
c. Text maybe syllabic, neumatic or melismatic
d. Polyphonic
e. Through-composed
f. Frequently in 3 to 6 voices
g. Secular
h. sacred

Mass Similarities Madrigal

10
Activity 3: Music of the Baroque Period
After reading the music of renaissance period, you were able to identify the
characteristics of the music, the composers and many more. There are two vocal forms
of music of the renaissance which are the Mass and the Madrigal. The five main
sections of Mass are: kyrie, Gloria, Credo, Sanctus and Benedictus and Agnus Die.
Under the Music of Baroque Period, you are going to find out the style of music
during this time. What are the characteristics of baroque music? Who are the
prominent composers? What are the genres of music? These questions will be
answered as you go through the reading activities.
You are probably wondering when or where the Baroque takes in. Baroque
takes in 1685-1750 where arts were highlighted with grandiosity and elaboration of
ornamentation. These was clearly evident in musical compositions created by the
Baroque composers.
Baroque was derived from Portuguese word barroco, meaning “pearl of
irregular shape”. During this time, changes in musical notation was developed and
there was new development in instrumental techniques. To see some of these, here
are the characteristics of the Baroque music:
• Melodies are elaborate and ornamental
• Melodies are not easy to sing or remember
• Primarily contrapuntal textures with some homophony
• Dynamic contrast-alternation between loud and soft
• Music genres- operas, oratorio, suites, toccatas, concerto grosso, fugue
• Orchestra consists of strings and continuo
• Harpsichord and organ are the keyboard instruments that are commonly used
• New forms: binary (AB); ternary (ABC); ground bass; fugue

It is important for you to determine the difference of the music genre during this
period.
1. Concerto- this was a form of orchestral music that employs a solo instrument
which is accompanied by an orchestra.
2. Concerto Grosso- an orchestral music wherein the music is between a small
group of solo instruments called concertino and the whole is called tutti during
Baroque period.
3. Fugue- a contrapuntal piece, developed mainly by imitative counterpoint. This
was usually written in 3 to 4 parts with a main theme called “subject”. The entire
piece grows mainly from a single brief tune of strong musical character.
4. Oratorio- a large scale musical composition for orchestra and voices that
incorporates narratives on religious themes. Unlike usual theatrical works, this
is usually performed without the use of costumes, scenery, or action. It is
usually written in the native language for the intended audience.
5. Chorale- this is a musical composition that resemble a harmonized version of
hymnal tunes of the protestant church during the baroque era.

11
Lastly, you also need to know the prominent composers who made significant
changes in the music of the baroque period.
1. Johann Sebastian Bach
Born: Germany, March 21, 1685; Died: July 28, 1750
He came from a family of musician and son of the town musician in
Eisanach. He entered school at age 7 where he was taught religion
and other subjects. He became orphaned at age ten. His brother, a
church organist, provided for him. Bach’s beautiful soprano singing
voice helped him to be accepted at a school in Luneburg. A few years
later, his voice changed and Bach focused on playing the violin and
harpsichord.
Bach was a religious man. His personal and deep faith is shown in his sacred
music. He was known for his compositions for organ, orchestra and oratorio. His most
important and long-term position was a cantor at St. Thomas church. His works
include:
1. Concerto Grosso- e.g., Brandenburg Concertos
2. Masses- e.g., Mass in B minor
3. Cantatas- e.g., Cantata 208 and 211
4. Fugues- e.g., Fugue in G minor
5. Works for clavichord and harpsichord- Well-Tempered Clavier

2. Antonio Vivaldi
Born: Venice, March 4, 1678; Died: Vienna, July 28, 1741
He is an Italian composer, catholic priest and a violinist virtuoso whose
nickname was il Prete Rosso (“The Red Priest”) because of his red
hair. Recognized as one of the greatest baroque composers, his
influence during his lifetime was widespread over Europe. Vivaldi is
known mainly for composing instrumental concertos, especially for the
violin, as well as sacred choral works and over forty operas. He entered the priesthood
and was ordained in 1703. Vivaldi is well known for giving the strings a major role in
his composition.
His most famous piece is The Four Seasons. This composition is a series of
four Violin concerti depicting each of the seasons, “Spring,” “Summer,” “Autumn,” and
“Winter.”
3. George Friedrich Handel
Born: Germany, February 23, 1685; Died: London, April 14, 1759
George secretly taught himself despite his father’s opposition. At age
7, he gained access to a church organ and started to play. A Duke
heard him play and insisted on giving him a formal music education.
Under Zachau, organist of Halle Cathedral, he studied counterpoint,
canon and fugue.
Handel is remembered for his operas and oratorios. He became England’s
favorite composer. He had given English audiences music that in variety and interest
12
rivalled anything they could remember. Handel lost his both of his eyesight in 1753.
When he conducted his oratorio “Samson,” a few in the audience were unaware that
he had lost his eyesight. His works include: “Samson”, “Messiah”, “Hallelujah”.
Assessment 3:
A. Match your Type
Direction: Read each statement in column A then match it to its genre in column B.
Write your answers in your activity notebook.

A B
1. Baroque orchestral music which is between a a. Concerto
small group of solo instruments called concertino and the b. Fugue
whole orchestra called tutti.
2. A c o n t r a p u n t a l p i e c e , d e v e l o p e d c. Oratorio
mainly by d. Chorale
imitative counterpoint. e. Concerto Grosso
3. A harmonized version of hymnal tunes of the
protestant church during the Baroque era.
4. A solo instrument that accompanied by an
orchestra.
5. Incorporates narratives on religious themes
which is a large-scale musical composition for orchestra and
voices.

B. Identification
Identify the composer of each selection. Write your answers on your activity notebook.
_1. Messiah
_2. Mass in B minor
_3. Four Seasons
_4. Fugue in G minor
_5. Samson

You’re great! I recommend you to the next part of activity.

13
What
WhatII Have Learned
Have Learned

Way to go! You are almost done in this module. The following paragraph has
missing word/s in the sentences. Write the appropriate words about the idea that we’ve
learned about Music of Medieval, Renaissance and Baroque music. Write your
answers on your activity notebook.

The music of medieval period is also known as _ _1 that


started with fall of Roman Period. During this time, monophonic plainchant was named
after 2 , who made monophonic plainchants popular. Non-
religious music or 3 _ were sung in a vernacular language and
most of these songs were performed across Europe by groups of musicians called
troubadours while religious music or _4 followed the Latin
language of the church. 5 was one of the oldest secular and
prominent composer during this time and whose literary and musical works include
chansons and poetic debates.

The word Renaissance comes from the word “renaitre” which means
6 . This period started on 1400s up to _7_ _.
There were two main vocal music of renaissance period- the Mass and Madrigal.
8 is a form of sacred musical composition that sets texts of the
Eucharistic liturgy into music while the other one is secular vocal composition which
originated from Italy. Giovani Pierluigi da Palestrina, Thomas Morley and
9 _ are among of the prominent composers during this time. “Fire,
Fire, My Heart” was one of 10 famous composition.

The word Baroque was derived from the 11_ word barrocco
which means “pearl of irregular shape.” There are different music genre of Baroque
music-the Concerto, Concerto Grosso, Fugue, Oratorio and Chorale.
12 is a musical compositions that resemble a harmonized
version of hymnal tunes of the Protestant Church during the Baroque era while
_13 _ is a form of orchestral music that employs a solo instrument
accompanied by an orchestra. _14 is among the prominent
composers who made The Four Seasons piece famous. George Friedrich Handel is
an artist who lost his eyesight and was never been recognized by some of his audience
when he conducted his oratorio _15 . Johann Sebastian Bach
also was a famous composer during this time and he is a religious man where his
personal and deep faith is shown in his sacred music.

That was a job well done!

14
This is the most challenging and exciting part of the module.
We have learned the different characteristics of music of medieval,
WhatI ICan
What can do
DO renaissance and baroque periods and it is similar to our day-eng.
I want you to perform our local version of the said musical period
through performing day-eng. Now it’s time to shine! Follow the instruction below.
1. Ask your parents, grandparents or any among the member of the family who
knows about day-eng to help you do your day-eng. The theme of your day-eng
may refer to ancestral heroes, customary law, religious beliefs, traditional
practices, and the like.
2. Have your day-eng be recorded in video mode.
3. Send your video to the teacher’s messenger lite @Labs Baleoan or on my gmail
account at [email protected]. If you do not have an internet connection
at home, kindly hand your cell phone used in recording to your parent who will
be submitting your modules in school.
4. Take note of the following rubrics to be used in evaluating your performance:

PERFORMANCE RUBRIC
CRITERIA POINTS
SCALE 10-9 8-7 6-4 3-0
Topic Student Students Students Presentation
provide much provide some require lacked depth,
thematic insights and prompts little
depth and understanding further understanding
understanding in content information of content
of content matter or on the matter or
matter or practice content practice
practice matter or
practice
presentation Well Well A sensible, Weakly
organized, organized, but but organized, no
demonstrates demonstrates demonstrates involvement
much logical only some little to no at any level
use of flow of engagement
performance sequencing or flow of
requirements, structure sequencing
and was well or structure
sequenced
TOTAL
COMMENTS:

To finally complete your journey, you may now proceed to post test.

15
POST ASSESSMENT

I. Direction: Read each question carefully. Write the letter of your answer in your
activity notebook.
1. How were Gregorian chants sung?
A. In the renaissance.
B. In monophonic texture.
C. in the nave of the basilica.
D. In diatonic triads.
2. Who was the Gregorian chant named for?
A. Gregory Peck
B. Guido the Monk
C. Pope Gregory
D. Pope Marcellus
3. What are the two musical innovations that came with the Renaissance period?
A. Polyphonic texture
B. Dancing added to the music in church C.
Electrical instruments in secular songs D.
Printed music, rather than hand-scripted
4. The renaissance form of a cappella secular music, generally about love, is
called_ .
A. Mass
B. Motet
C. Fugue
D. Madrigal
5. What is the texture for chant in the middle ages?
A. Homophonic
B. Monophonic
C. Polyphonic
D. None of the above
6. The mass ordinary consist of ___ sung prayers, which have consistently
inspired composers throughout the centuries.
A. 4
B. 3
C. 8
D. 5
7. The renaissance in music occurred between_ .
A. 450 and 1450
B. 1450 and 1600
C. 1750 and 1820
D. 1600 and 1750

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8. A piece for several solo voices set to a short poem is called .
A. a mass
B. a Madrigal
C. word painting
D. word poems
9. What does secular means?
A. non-religious B. religious
C. unusual D. popular

10. A famous composer who contributed “Fantasie” in music history.


A. Thomas Morley
B. Giovanni Pierluigi da Palestrina
C. Adam de la Halle
D. Johann Sebastian Bach
11. What is a musical play that is based on a biblical story or scripture however, there
are no props, costumes, or scenery used?
A. Concerto
B. Sonata
C. Oratorio
D. Chorale
12. Who is the composer who secretly taught himself because his father did not want
him to take music?
A. Bach
B. Scarlatti
C. Vivaldi
D. Handel
13. Which composer who composed the piece “The Four Seasons”?
A. Bach
B. Scarlatti
C. Vivaldi
D. Handel
14. The word “Baroque” means what?
A. a beautiful but misshapen pearl
B. broken
C. Pretty
D. Ugly
15. The Baroque era ended in 1750. The same year _ died.
A. Monteverdi
B. Handel
C. Vivaldi
D. Bach

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ADDITIONAL ACTIVITIES

Direction: Improvise appropriate accompaniment to music from Renaissance period.


Follow the steps below:
1. Listen and download the Sanctus and Benedictus (Holy, Holy and Blessed Is
He) Section of the Mass at http://youtube.be/WMf_9UjPdaU. For those who
have no internet at home, I will be sending the MP4/MP3 to your cell phone
when your parent will be bringing them in school.
2. Improvise any available accompaniment to the song. E.g. guitar, drum or any
percussion instrument like plastic bottles etc. Play the song while doing the
accompaniment.
3. Record your performance to your cell phone recorder.
4. Submit via messenger lite to my account at labs baleoan or to my Gmail account
at [email protected]. For those who have no internet at home, kindly
hand your cell phone to your parents who will be submitting your answers in
school.
5. Take note of the following rubric to be use in rating your performance.

Rubric
Criteria 5 4 3 2 1
Rhythm Plays with a Plays with Plays with Demonstrate Needs
steady beat steady beat steady beat s little ability improve-
and and is and is to maintain ment
rhythmically rhythmically rhythmically the indicated
correct all of correct most correct some tempo
the time of the time of the time throughout
with frequent the
or repeated performance
errors
Tone Plays with a Generally Has some Demonstrate Needs
Quality full, clear and plays with a basic flaws in s improper improveme
characteristic characteristic tone sound that is nt
tone quality tone quality, production not
but distorts characteristi
occasionally c to the
instrument
Instrumenta Instrumenta- Instrumenta- Instrumenta- Instrumenta- Instrumenta
-tion tion is at tion could be tion is tion is of -tion is not
appropriate better quality. overpower very reduced properly
level. Not too Accompani- making it quality (too levelled.
loud or soft in ment is difficult but loud or soft,
accordance slightly too still possible fuzzy)
with the loud but still to hear.
music. audible.
Total points:

18
Answer Key
ANSWER KEY
Pre-Test
1. B
2. A
3. C
4. A
5. D
6. A
7. D
8. B
9. C
10. B
11. D
12. A
13. B
14. C
15. D

Listening Activity
Possible answer:
Rhythm Free meter; syncopation is applied
Dynamics Accented
Melody Recitative and free melodies
Texture Monophonic

Assessment 1: Music of Medieval Period


Assessment 1: Watch, Listen and Observe
Elements Description
Language Greek English
Latin

Form Instrumental
Vocal

Text-Setting Neumatic Melismatic


Syllabic

Texture Homophonic Polyponic


Monophoni

Activity 2: Music of Renaissance Period


Assessment 2:
A. Crossword Puzzle
1. RENAISSANCE
2. MASS
3. MADRIGAL
4. PALESTRINA
5. MORLEY
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B. Choose and Group

Mass Madrigal

-polyphonic
-sung a
-Sacred
capella
-text maybe
-maybe sung -Secular
syllabic,
with -Through-
neumatic or
instrument composed
mellismatic
- Polyphonic
-frequently in
3-4 voices

Activity 3: Music of Baroque Period


Assessment 3:
A. Match Your Type
1. E
2. B
3. D
4. A
5. C

B. Identification
1. George Friedrich Handel
2. Johann Sebastian Bach
3. Antonio Vivaldi
4. Johann Sebastian Bach
5. George Friedrich Handel

What I have learned


Post Test
1. Middle ages/ Dark Ages
1. B
2. Pope Gregory I
2. C
3. Secular
3. A
4. Sacred
4. D
5. Adam le Bossu/ Adam de la Halle
5. B
6. Rebirth/ revival/ rediscovery
6. D
7. 1600
7. B
8. Mass
8. B
9. William Byrd
9. A
10. Thomas Morley
10. A
11. Portuguese
11. C
12. Chorale
12. D
13. Concerto
13. C
14. Antonio Vivaldi
14. A
15. Samson
15. D

20
References
Books
Music and Arts – grade 9 Learner’s Material, First Edition, 2014. Published by the Department
of Education. Secretary: Br. Armin A. Luistro. Undersecretary: Dina S. Ocampo

Websites
https://courses.lumenlearning.com/musicappreciation_with_theory/chapter/overview-of-
medieval-music/ (Placeholder1)
http://www.hoasm.org/IIC/AdamdelaHalle.html
http://youtube.be/WMf_9UjPdaU.
https://www.rpfuller.com/gcse/music/renaissance.html
https://www.willanacademy.com/a-quick-summary-of-renaissance-music/
https://biography.yourdictionary.com/thomas-morley
https://www.scribd.com/document/285380948/Scoring-Rubric
https://www.biography.com/musician/johann-sebastian-bach
https://www.britannica.com/biography/George-Frideric-Handel
https://www.britannica.com/biography/Antonio-Vivaldi
https://www.pngegg.com/en/search?q=graphic+Facilitation
https://www.123rf.com/photo_97737095_stock-vector-elementary-school-student-writing-at-
school-education-and-knowledge-concept-colorful-cartoon-charact.html

21
For Inquiries or feedback, please call or write:

DepEd-Schools Division of Mountain Povince


Bontoc, Mountain Province
Tapapan National High School, Bauko District I

E-mail Address: [email protected]

CP Number: 09501411708

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