SOURCES FOR UPSC TELUGU
SUBJECT
Paper 1 Part-A Chapter-4. Influence of other languages and its impact on Telug
Paper 1 Part-A Chapter-4. Influence of other languages and its impact on Telug
Paper 1 Part-A Chapter-4. Influence of other languages and its impact on Telug
Paper 1 Part-A Chapter-4. Influence of other languages and its impact on Telug
Paper 1 Part-A Chapter-4. Influence of other languages and its impact on Telug
Paper 1 Part-A Chapter-5 Modernization of Telugu language.
Paper 1 Part-A Chapter-5 Modernization of Telugu language.
Paper 1 Part-A Chapter-5 Modernization of Telugu language.
Paper 1 Part-A Chapter-5 Modernization of Telugu language.
Paper 1 Part-A Chapter-5 Modernization of Telugu language.
Paper 1 Part-A Chapter-6 Dialects of Telugu-Regional and social variations and
problems of standardization
Paper 1 Part-A Chapter-6 Dialects of Telugu-Regional and social variations and
problems of standardization
Paper 1 Part-A Chapter-6 Dialects of Telugu-Regional and social variations and
problems of standardization
Paper 1 Part-A Chapter-6 Dialects of Telugu-Regional and social variations and
problems of standardization
Paper 1 Part-A Chapter-6 Dialects of Telugu-Regional and social variations and
problems of standardization
Paper 1 Part -A Chapter -8 Translation-Problems of translation, cultural, social an
idiomatic-Methods of translation-Approaches to translation-Literary and other ki
translation-various uses of translation
Paper 1 Part -A Chapter -8 Translation-Problems of translation, cultural, social an
idiomatic-Methods of translation-Approaches to translation-Literary and other ki
translation-various uses of translation
Paper 1 Part -A Chapter -8 Translation-Problems of translation, cultural, social an
idiomatic-Methods of translation-Approaches to translation-Literary and other ki
translation-various uses of translation
Paper 1 Part -A Chapter -8 Translation-Problems of translation, cultural, social an
idiomatic-Methods of translation-Approaches to translation-Literary and other ki
translation-various uses of translation
Paper 1 Part -A Chapter -8 Translation-Problems of translation, cultural, social an
idiomatic-Methods of translation-Approaches to translation-Literary and other ki
translation-various uses of translation
REVISION OF 4,5,6 AND 8 CHAPTERS( AS YOU ARE NEW IT MIGHT TAKE TIME AN
ARE SCORING TOPICS
REVISION OF 4,5,6 AND 8 CHAPTERS
REVISION OF 4,5,6 AND 8 CHAPTERS
REVISION OF 4,5,6 AND 8 CHAPTERS
Literature in Pre-Nannaya Period-Marga and Desi poetry.
Literature in Pre-Nannaya Period-Marga and Desi poetry.
Nannaya Period-Historical and literary background of Andhra Mahabharata.
Nannaya Period-Historical and literary background of Andhra Mahabharata.
Nannaya Period-Historical and literary background of Andhra Mahabharata.
Nannaya-Dushyanta Charitra (Adiparva 4th Canto verses 5-109)
Nannaya-Dushyanta Charitra (Adiparva 4th Canto verses 5-109)
Nannaya-Dushyanta Charitra (Adiparva 4th Canto verses 5-109)
Nannaya-Dushyanta Charitra (Adiparva 4th Canto verses 5-109)
Nannaya-Dushyanta Charitra (Adiparva 4th Canto verses 5-109)
Saiva poets and their contribution-Dwipada, Sataka, Ragada, Udaharana.
Saiva poets and their contribution-Dwipada, Sataka, Ragada, Udaharana.
Saiva poets and their contribution-Dwipada, Sataka, Ragada, Udaharana.
Saiva poets and their contribution-Dwipada, Sataka, Ragada, Udaharana.
Errana and his literary works-Nachana Somana and his new approach to poetry
Errana and his literary works-Nachana Somana and his new approach to poetry
Errana and his literary works-Nachana Somana and his new approach to poetry
Tikkana and his place in Telugu literature.
Tikkana and his place in Telugu literature.
Tikkana and his place in Telugu literature.
Tikkana-Sri Krishna Rayabaramu (Udyoga parva -3rd Canto verses 1-144)
Tikkana-Sri Krishna Rayabaramu (Udyoga parva -3rd Canto verses 1-144)
Tikkana-Sri Krishna Rayabaramu (Udyoga parva -3rd Canto verses 1-144)
Tikkana-Sri Krishna Rayabaramu (Udyoga parva -3rd Canto verses 1-144)
Tikkana-Sri Krishna Rayabaramu (Udyoga parva -3rd Canto verses 1-144)
Atreya-N.G.O.
Atreya-N.G.O.
Atreya-N.G.O.
Racha konda Visswanatha Sastry-Alpajaeevi.
Racha konda Visswanatha Sastry-Alpajaeevi.
Gurajada Appa Rao-Animutyalu (Short stories)
Gurajada Appa Rao-Animutyalu (Short stories)
Gurajada Appa Rao-Animutyalu (Short stories)
Kanuparti Varalakshmamma-Sarada lekhalu (Part I)
Kanuparti Varalakshmamma-Sarada lekhalu (Part I)
Modern Telugu Literature and literary forms-Novel, Short Story, Drama, Playle
poetic forms.
Modern Telugu Literature and literary forms-Novel, Short Story, Drama, Playle
poetic forms.
Modern Telugu Literature and literary forms-Novel, Short Story, Drama, Playle
poetic forms.
Modern Telugu Literature and literary forms-Novel, Short Story, Drama, Playle
poetic forms.
Modern Telugu Literature and literary forms-Novel, Short Story, Drama, Playle
poetic forms.
Literary Movements: Reformation, Nationalism
Literary Movements: Reformation, Nationalism
Jashuva-Gabbilam (Part I)
Jashuva-Gabbilam (Part I)
Jashuva-Gabbilam (Part I)
Jashuva-Gabbilam (Part I)
Jashuva-Gabbilam (Part I)
Literary Movements: Neo-classicism, Romanticism
Literary Movements: Neo-classicism, Romanticism
Literary Movements: Neo-classicism, Romanticism
Devulapalli Krishna Sastry-Krishnapaksham (excluding Urvasi and Pravasam)
Devulapalli Krishna Sastry-Krishnapaksham (excluding Urvasi and Pravasam)
Devulapalli Krishna Sastry-Krishnapaksham (excluding Urvasi and Pravasam)
Devulapalli Krishna Sastry-Krishnapaksham (excluding Urvasi and Pravasam)
Devulapalli Krishna Sastry-Krishnapaksham (excluding Urvasi and Pravasam)
Literary Movements: Progressive, Revolutionary movements
Literary Movements: Progressive, Revolutionary movements
Literary Movements: Progressive, Revolutionary movements
Sri Sri-Maha prastanam.
Sri Sri-Maha prastanam.
Sri Sri-Maha prastanam.
Sri Sri-Maha prastanam.
Sri Sri-Maha prastanam.
Literary Movements: Digambarakavulu, Feminist and Dalit Literature.
Literary Movements: Digambarakavulu, Feminist and Dalit Literature.
Literary Movements: Digambarakavulu, Feminist and Dalit Literature.
Literary Movements: Digambarakavulu, Feminist and Dalit Literature.
Main divisions of folk literature-Performing folk arts.
Main divisions of folk literature-Performing folk arts.
Main divisions of folk literature-Performing folk arts.
Main divisions of folk literature-Performing folk arts.
Srinatha and Potana-Their woks and contribution.
Srinatha and Potana-Their woks and contribution.
Srinatha and Potana-Their woks and contribution.
Srinatha-Guna Nidhi Katha (Kasi-khandam, 4th Canto, verses 76-133)
Srinatha-Guna Nidhi Katha (Kasi-khandam, 4th Canto, verses 76-133)
Srinatha-Guna Nidhi Katha (Kasi-khandam, 4th Canto, verses 76-133)
Srinatha-Guna Nidhi Katha (Kasi-khandam, 4th Canto, verses 76-133)
Bhakti poets in Telugu literature-Tallapaka Annamayya, Ramadasu, Tyagayya.
Bhakti poets in Telugu literature-Tallapaka Annamayya, Ramadasu, Tyagayya.
Bhakti poets in Telugu literature-Tallapaka Annamayya, Ramadasu, Tyagayya.
Evolution of prabandhas-Kavya and prabandha.
Evolution of prabandhas-Kavya and prabandha.
Pingali Surana-Sugatri Salinulakatha (Kalapurnodayamu 4 Canto verses, 60-14
Pingali Surana-Sugatri Salinulakatha (Kalapurnodayamu 4 Canto verses, 60-14
Pingali Surana-Sugatri Salinulakatha (Kalapurnodayamu 4 Canto verses, 60-14
Pingali Surana-Sugatri Salinulakatha (Kalapurnodayamu 4 Canto verses, 60-14
Southern school of Telugu literature-Raghunatha Nayaka, Chemakura EXTRA P
GIVEN BY ME FROM DAILY ANSWER WRITINGkatakavi and women poets-Literar
like yakshagana, prose and padakavita.
Southern school of Telugu literature-Raghunatha Nayaka, Chemakura EXTRA P
GIVEN BY ME FROM DAILY ANSWER WRITINGkatakavi and women poets-Literar
like yakshagana, prose and padakavita.
Southern school of Telugu literature-Raghunatha Nayaka, Chemakura EXTRA P
GIVEN BY ME FROM DAILY ANSWER WRITINGkatakavi and women poets-Literar
like yakshagana, prose and padakavita.
Place of Telugu among Dravidian languages and its antiquity-Etymological hist
Telugu, Tenugu and Andhra.
Place of Telugu among Dravidian languages and its antiquity-Etymological hist
Telugu, Tenugu and Andhra.
Place of Telugu among Dravidian languages and its antiquity-Etymological hist
Telugu, Tenugu and Andhra.
Major linguistic changes in phonological, morphological, grammatical and synt
levels, from Proto-Dravidian to old Telugu and from old Telugu to Modern Telug
Major linguistic changes in phonological, morphological, grammatical and synt
levels, from Proto-Dravidian to old Telugu and from old Telugu to Modern Telug
Major linguistic changes in phonological, morphological, grammatical and synt
levels, from Proto-Dravidian to old Telugu and from old Telugu to Modern Telug
Major linguistic changes in phonological, morphological, grammatical and synt
levels, from Proto-Dravidian to old Telugu and from old Telugu to Modern Telug
Major linguistic changes in phonological, morphological, grammatical and synt
levels, from Proto-Dravidian to old Telugu and from old Telugu to Modern Telug
Evolution of spoken Telugu when compared to classical Telugu-Formal and fun
view of Telugu language.
Evolution of spoken Telugu when compared to classical Telugu-Formal and fun
view of Telugu language.
Syntax-Major divisions of Telugu sentences-simple, complex and compound
sentences-Noun and verb predications-Processes of nominalization and relativi
Direct and indirect reporting-conversion processes.
Syntax-Major divisions of Telugu sentences-simple, complex and compound
sentences-Noun and verb predications-Processes of nominalization and relativi
Direct and indirect reporting-conversion processes.
Syntax-Major divisions of Telugu sentences-simple, complex and compound
sentences-Noun and verb predications-Processes of nominalization and relativi
Direct and indirect reporting-conversion processes.
Syntax-Major divisions of Telugu sentences-simple, complex and compound
sentences-Noun and verb predications-Processes of nominalization and relativi
Direct and indirect reporting-conversion processes.
C. Narayana Reddy-Karpuravasanta rayalu.
C. Narayana Reddy-Karpuravasanta rayalu.
C. Narayana Reddy-Karpuravasanta rayalu.
C. Narayana Reddy-Karpuravasanta rayalu.
Andhra prasashti
Andhra prasashti
Andhra prasashti
Molla Ramayanam
Molla Ramayanam
Molla Ramayanam
Molla Ramayanam
TERATURE OPTIONAL- ONE STOP SOURCES AND GUIDANCE.
SOURCE BOOKS
PRIMARY SOURCE SECONDARY SOURCE
Bhadriraju Krishna murthy VELAMALA SIMMANA
MY VALUE ADDITION
NOTES(EXTRA POINTS
GIVEN BY ME FROM DAILY
ANSWER WRITING)
Bhadriraju Krishna murthy VELAMALA SIMMANA
EXTRA POINTS GIVEN BY ME FROM DAILY AN
Bhadriraju Krishna murthy VELAMALA SIMMANA
EXTRA POINTS GIVEN BY ME FROM DAILY AN
NO SINGLE SOURCE. SO I WILL VELAMALA SIMMANA
COMPILE EVERYTHING IN EXTRA POINTSEXTRA POINTS GIVEN BY ME FROM DAILY AN
SAME AS ABOVE
REVIEWING THE MISTAKES DONE IN
DAILY PRACTICE
NAGAYYA EXTRA POINTS GIVEN BY ME FROM DAILY AN
please don't read any other
materials. It is a sheer waste
of your time. Read Nagayya
book more than 10 times.
FIRST HAND READING ANY STANDARD MATERIAL
OF TEXTBOOK BUT RESTRICT TO ANY ONE
MATERIAL. DON'T SURF
MORE THAN ONE
MATERIAL.
NAGAYYA EXTRA POINTS GIVEN BY ME FROM DAILY AN
NAGAYYA EXTRA POINTS GIVEN BY ME FROM DAILY AN
FIRST HAND READING ANY STANDARD MATERIAL
OF TEXTBOOK BUT RESTRICT TO ANY ONE
MATERIAL. DON'T SURF
MORE THAN ONE
MATERIAL.
FIRST HAND READING ANY STANDARD MATERIAL
OF TEXTBOOK
FIRST HAND READING ANY STANDARD MATERIAL
OF TEXTBOOK
FIRST HAND READING ANY STANDARD MATERIAL
OF TEXTBOOK
FIRST HAND READING ANY STANDARD MATERIAL
OF TEXTBOOK
NAGAYYA ANY STANDARD MATERIAL
EXTRA POINTS GIVEN BY ME FROM DAILY AN
NAGAYYA ANY STANDARD MATERIAL
EXTRA POINTS GIVEN BY ME FROM DAILY AN
FIRST HAND READING ANY STANDARD MATERIAL
OF TEXTBOOK
NAGAYYA ANY STANDARD MATERIAL
EXTRA POINTS GIVEN BY ME FROM DAILY AN
FIRST HAND READING ANY STANDARD MATERIAL
OF TEXTBOOK
NAGAYYA ANY STANDARD MATERIAL
EXTRA POINTS GIVEN BY ME FROM DAILY AN
FIRST HAND READING ANY STANDARD MATERIAL
OF TEXTBOOK
NAGAYYA ANY STANDARD MATERIAL
EXTRA POINTS GIVEN BY ME FROM DAILY AN
MATERIAL SCATTERED OVER IT WILL SAVE SO MUCH
DIFFERENT SOURCES. SO I WILL OF TIME AND ENERGY.
COMPILE EVERY THING
ALONG WITH EXTRA POINTS GIVEN BY ME FROM DAILY ANSWER WRITING
FIRST HAND READING ANY STANDARD MATERIAL
OF TEXTBOOK
MATERIAL SCATTERED OVER
DIFFERENT SOURCES. SO I WILL
COMPILE EVERY THING
ALONG WITH EXTRA POINTS GIVEN BY ME FROM DAILY ANSWER WRITING
NAGAYYA EXTRA POINTS GIVEN BY ME FROM DAILY AN
FIRST HAND READING ANY STANDARD MATERIAL
OF TEXTBOOK
NAGAYYA EXTRA POINTS GIVEN BY ME FROM DAILY AN
BADRI RAJU KRISHNA MURTHY VELAMALA SIMMANA
(EXTRA POINTS GIVEN BY
ME FROM DAILY ANSWER
WRITING)
PLEASE DON'T READ BADRIRAJU SO PLEASE READ ONLY MY VALUE ADDITION
IT WILL KILL SO MUCH OF TIME. EXTRA POINTS GIVEN BY ME FROM DAILY AN
BADRI RAJU KRISHNA MURTHY VELAMALA SIMMANA
PLEASE DON'T READ CHEKURI
ANY STANDARD MATERIAL
IT WILL KILL YOUR TIME AND ENERGY FROM MARKET
READ ONLY MY EXTRA POINTS GIVEN BY ME FROM DAILY ANSWER WRITING. IT IS EX
FIRST HAND READING OF THE TEXT
BOOK ANY STANDARD MATERIAL
E FROM DAILY ANSWER WRITING
E FROM DAILY ANSWER WRITING
E FROM DAILY ANSWER WRITING
E FROM DAILY ANSWER WRITING
E FROM DAILY ANSWER WRITING
E FROM DAILY ANSWER WRITING
E FROM DAILY ANSWER WRITING
E FROM DAILY ANSWER WRITING
E FROM DAILY ANSWER WRITING
E FROM DAILY ANSWER WRITING
E FROM DAILY ANSWER WRITING
E FROM DAILY ANSWER WRITING
E FROM DAILY ANSWER WRITING
VALUE ADDITION MATERIAL.
E FROM DAILY ANSWER WRITING. IT IS EXHAUSTIVE
WRITING. IT IS EXHAUSTIVE
