100% found this document useful (3 votes)
21 views58 pages

剑桥艺术史 19世纪艺术 苏珊 伍德福德 等 download

The document discusses various ebooks available for download, including titles like 'Orgia dos loucos' and 'Be Her Defender.' It also includes a narrative about a character named Gonji, who grapples with family dynamics and the emotional weight of parenthood. The story culminates in a poignant moment involving a cicada, symbolizing a message from a deceased character, Ohano.

Uploaded by

kupukxmk6005
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
100% found this document useful (3 votes)
21 views58 pages

剑桥艺术史 19世纪艺术 苏珊 伍德福德 等 download

The document discusses various ebooks available for download, including titles like 'Orgia dos loucos' and 'Be Her Defender.' It also includes a narrative about a character named Gonji, who grapples with family dynamics and the emotional weight of parenthood. The story culminates in a poignant moment involving a cicada, symbolizing a message from a deceased character, Ohano.

Uploaded by

kupukxmk6005
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 58

剑桥艺术史 19世纪艺术 苏珊 伍德福德 等

https://ebookstep.com/download/ebook-36371550/

Download more ebook from https://ebookstep.com


We believe these products will be a great fit for you. Click
the link to download now, or visit ebookstep.com
to discover even more!

Orgia dos loucos 1st Edition Ungulani Ba Ka Khosa

http://ebookstep.com/product/orgia-dos-loucos-1st-edition-
ungulani-ba-ka-khosa/

Power Negara Syarifurohmat Pratama Santoso S Ip


Christine Anggi Sidjabat Ba Ir M Han

http://ebookstep.com/product/power-negara-syarifurohmat-pratama-
santoso-s-ip-christine-anggi-sidjabat-ba-ir-m-han/

Be Her Defender Lizuka Myori

http://ebookstep.com/product/be-her-defender-lizuka-myori/

I ll Be Your Wife Jho Hyo-Eun

http://ebookstep.com/product/i-ll-be-your-wife-jho-hyo-eun/
Marry Me or Be My Wife Ally Jane

http://ebookstep.com/product/marry-me-or-be-my-wife-ally-jane/

Giáo trình Be Internet Awesome 1st Edition Google

http://ebookstep.com/product/giao-trinh-be-internet-awesome-1st-
edition-google/

The Way I Used to Be 1st Edition Amber Smith

http://ebookstep.com/product/the-way-i-used-to-be-1st-edition-
amber-smith/

Osez être trois Dare to be Three Dare Ménage 3 1st


Edition Jeanne St James

http://ebookstep.com/product/osez-etre-trois-dare-to-be-three-
dare-menage-3-1st-edition-jeanne-st-james/

长月无 又名 黑月光拿 BE 本 1st Edition 藤 枝

https://ebookstep.com/download/ebook-50797502/
Other documents randomly have
different content
apparently but aroused the further curiosity and anxiety of Gonji. He
persisted, his voice becoming almost peremptory in tone.
“I condescended to ask you regarding the health of my family. You
do not answer me, good Kiyo-sama! Is there sickness, then, within
the shiro?”
“Iya, iya! (No, no!)” hastily protested Kiyo. “All is well. It is good
health within the shiro, praise be to the gods!”
Still his questioner noted something strange about the manner in
which the gateman avoided his glance. He studied old Kiyo curiously,
as though from his own sad reveries, in which he had been absorbed
to the exclusion of all else, he had been reluctantly aroused at the
thought of possible danger to his people. Gonji had hardened his
heart, as he thought, against the ones who were responsible for his
unhappiness—nay, who had deliberately cast forth a pure and
beautiful soul. Nevertheless, he experienced a sense of uneasiness
at the thought that all had not been well with them.
“Come,” he urged. “Do not hesitate to confide in your master,
good Kiyo-sama. Tell me the news, be it good or bad.”
“All is well. All is well,” almost sobbingly chanted the gateman. “I
pray you enter the shiro. There you will see for yourself.”
Gonji turned a bit uneasily toward the house, then halted abruptly.
“I read in your face,” he said, “a tale of some calamity to my
family. Already I know of my father’s glorious sacrifice for Tenshi-
sama”—bowing as he spoke the Mikado’s name—“for I was with my
father at the end. So if it is that—but no, there is something else
troubling you, Kiyo. I know you too well not to read your face. Is it
my mother?”
His voice broke slightly, and for the first time in years he was
conscious of a sense of tenderness toward his mother. She had been
the main source of all his misery; but she loved him. This Gonji
knew, despite all.
Again Kiyo hastened to reassure him, this time eagerly and
proudly.
“Iya, master. Thy mother is in excellent health. Happy, moreover,
as never before, with the honorable Lord Taro, thy son, embraced
within her arms!”
The young man was staring at him now strangely. He seemed
unable to speak or move. A look as of almost troubled awakening
was in the face of Gonji. It was as if a thought, long thrust aside,
had suddenly recurred to him. During all these agonizing months,
when he had wandered about from city to city, he had been
possessed with but one idea—the finding of his wife. Now, suddenly,
the gateman’s words came to him as a very revelation. Strange that
he had not even thought upon this matter since he had left Japan.
He was a father!
“It is—possible!” he gasped. “I have a—”
“Son! Gloriously a son, master!” cried Kiyo, grinning joyously.
The young man continued to stare almost incredulously at the
gateman, but in his face was no reflection of the joy visible in that of
the faithful retainer. He was overwhelmed with the sense of a new
emotion whose very sweetness tore at his heart, and brought
unbidden tears to his eyes.
Suddenly, against his will even, there came vividly before his
mind’s eye a vision of Ohano as he had seen her last, crawling upon
her knees toward him and beating her hands futilely together, as she
besought him piteously to permit her to attend him through the dark
paths that led to the Lotus Land.
How the gods had comforted the unloved wife, was his thought,
and with it came a sense of overwhelming grief and bitterness that
they had not shown a similar charity toward the beloved Moonlight.
He pictured Ohano, cherished, protected, praised, within the
honorable house of Saito, with the long-desired heir of all the
illustrious ancestors upon her bosom. Then his mind reverted to the
wandering outcast, Moonlight, and a lump rose stranglingly in his
throat. As he made his way blindly toward the house, all the pride
and joy of fatherhood, which had uplifted him as on a flood but a
moment since, seemed to drop from him no less suddenly, leaving
him as before, hopeless, uncomforted, and utterly forlorn.
Within the shiro, the Lady Saito Ichigo sat drowsily swaying by the
hibachi, ceaselessly smoking, and muttering incoherent prayers for
the soul of her lord and for Ohano’s. She was very feeble, helpless,
and childish now. Her body had lost much of its vigor, and the
sternness which had once made her so formidable seemed to have
entirely left her.
Moonlight’s dark eyes rested upon her with an expression of both
pity and anxiety. Suddenly she pushed the little Taro along the
smoothly matted floor and whispered coaxing words into the child’s
ear. He crawled along several paces till he came behind his
grandmother. By grasping her obi at the back he was enabled to pull
himself to his feet. Now his chubby, warm little face nestled up
against Lady Saito’s neck. The pipe dropped from her mouth and fell
unheeded upon the hearth. She turned hungrily toward the child and
drew him passionately to her breast.
Outside the screens Gonji had paused, unable either to enter or to
retire. He had resolved, at whatever cost, to resume his forlorn
wanderings in search of the lost one, ere finally he should take up
the abolition of the Yoshiwara—a task which had seemed to be
assigned to him by the very gods themselves. But before going he
felt it to be his duty to have a last interview with his mother, and
with Ohano, the mother of his child!
Nevertheless he paused outside the screens, feeling unable to
combat the sense of reluctance and repugnance to joining that little
family he knew was within. How long he remained outside the shoji
he could not have told. He debated the advisability of withdrawing
without their knowledge of his presence. Kiyo would keep the secret.
So would Ochika, whose loud outcry at his advent he had quickly
silenced. Gonji felt sure his brief visit might bring merely unrest and
unhappiness. It would be kinder both to Ohano and to his mother to
go. As his resolve became fixed, he was swept with an anguished
longing and desire at least to see, but once, the face of the son the
gods had graciously given him.
With infinite caution, lest the sound might be heard by those
within, he began to scratch with his nail upon the fusuma, till
gradually he had made a small aperture, and to this he applied his
eye.
He remained motionless at the shoji. He saw, within, the toddling
child, as it made its swift way across the room toward its
grandmother; he heard the sob of his mother as she took the child
into her embrace; then he saw the face of Moonlight lifted alertly
and turned toward where her husband’s face was pressed against
the screen. She alone had heard, and, intuitively, had guessed the
truth. She came slowly to her feet, her lips apart, her wide eyes dark
and beautiful with emotion and excitement.
Suddenly the man outside the screens became animated with the
strength almost of a madman. He tore violently at the sliding wall,
crushing it into its groove. Now he was upon the threshold of the
room.
His mother screamed, hoarsely, wildly. But his glance went over
her head and by the little wondering child, who had crawled toward
him. Gonji saw nothing in the world save the face of that one who
had rushed to meet him.
It was much later that they told him of Ohano. At first the girl’s
sacrifice, for his sake and that of the ancestors, brought from him
only an exclamation of pity; he seemed unable to appreciate the
facts of the matter. There was no room for a shadow upon his
happiness now. They were sitting in the sunlight, that came in a
golden stream through the latticed shoji, piercing its way even
through the amado. They said little to each other, but upon their
faces was a radiance as golden as the sunlight.
Suddenly a tiny shape flickered across the outer wall. It seemed
but a moving speck at first upon the water-colored paper; but so
insistently did it beat against the wall that the family perceived it
was an insect of some kind.
Gonji arose and looked at it curiously, where it fluttered against
the outside of the paper wall.
“Why, it is a cicada—and at this time of year!” he said.
Lady Saito laid her pipe upon the hibachi and hobbled across to
her son’s side, and Moonlight and the little Taro pressed against him
on the other. They all watched the moving little shape outside with
absorbed interest and wonder.
“I dreamed of a cicada last night,” said Lady Saito, uneasily. “It
kept flying at my ears, whispering that it could not rest. It is a bad
sign. Open the shoji, my son. We can catch it with the sleeve.”
He pushed the screen partly open, and the cicada crept along the
lacquered latticed wall, beating its little wings and sliding up and
down.
Lady Saito slapped at it with the end of her long sleeve, but it fled
to the top of the wall. She beat at it with a bamboo broom, and
presently it fluttered down and fell upon the floor.
They all hung over the curious little creature, and as they
examined it an oppressive feeling of sadness crept upon them.
“How strange is this little cicada,” murmured Moonlight, troubled.
“See, one of its little wings is much smaller than the other.”
“It is a bad sign,” repeated the mother, gloomily; and she made as
if to step upon the little creature, when Moonlight grasped at her
arm and drew her back.
“Do not kill it! Do not kill it!” she cried, in sudden excitement. “Oh,
do you not see—it is Ohano, poor Ohano! She has returned to us in
this way. There is a message she wishes to bring us.”
Even as she spoke the cicada ceased its fluttering and lay very
still. A silence fell upon the Saito family. They were oppressed with
the sense of being in the presence of one dead.
Said the Lord Saito Gonji, in a very gentle voice:
“What can it be my wife wishes? I would gladly resign my
happiness if I could but make easier the lot of Ohano.”
“She was always anxious about her next birth,” whispered his
mother. “Perhaps she desires a Buddhist service especially for her
spirit!”
Moonlight had tenderly lifted the little body and put it into a small
box.
“Come,” she said, simply. “We must set out at once for the temple.
The good priest will perform the Segati service, and we will bury
Ohano’s little body in the grounds of the temple. There surely it will
rest in peace!”

THE END
Transcriber’s Notes:
Missing or obscured punctuation was silently
corrected.
Typographical errors were silently corrected.
Inconsistent spelling and hyphenation were
made consistent only when a predominant
form was found in this book.
*** END OF THE PROJECT GUTENBERG EBOOK THE HONORABLE
MISS MOONLIGHT ***

Updated editions will replace the previous one—the old editions


will be renamed.

Creating the works from print editions not protected by U.S.


copyright law means that no one owns a United States
copyright in these works, so the Foundation (and you!) can copy
and distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth in the
General Terms of Use part of this license, apply to copying and
distributing Project Gutenberg™ electronic works to protect the
PROJECT GUTENBERG™ concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if
you charge for an eBook, except by following the terms of the
trademark license, including paying royalties for use of the
Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such
as creation of derivative works, reports, performances and
research. Project Gutenberg eBooks may be modified and
printed and given away—you may do practically ANYTHING in
the United States with eBooks not protected by U.S. copyright
law. Redistribution is subject to the trademark license, especially
commercial redistribution.

START: FULL LICENSE


THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the


free distribution of electronic works, by using or distributing this
work (or any other work associated in any way with the phrase
“Project Gutenberg”), you agree to comply with all the terms of
the Full Project Gutenberg™ License available with this file or
online at www.gutenberg.org/license.

Section 1. General Terms of Use and


Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand,
agree to and accept all the terms of this license and intellectual
property (trademark/copyright) agreement. If you do not agree
to abide by all the terms of this agreement, you must cease
using and return or destroy all copies of Project Gutenberg™
electronic works in your possession. If you paid a fee for
obtaining a copy of or access to a Project Gutenberg™
electronic work and you do not agree to be bound by the terms
of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only


be used on or associated in any way with an electronic work by
people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project
Gutenberg™ electronic works even without complying with the
full terms of this agreement. See paragraph 1.C below. There
are a lot of things you can do with Project Gutenberg™
electronic works if you follow the terms of this agreement and
help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright
law in the United States and you are located in the United
States, we do not claim a right to prevent you from copying,
distributing, performing, displaying or creating derivative works
based on the work as long as all references to Project
Gutenberg are removed. Of course, we hope that you will
support the Project Gutenberg™ mission of promoting free
access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for
keeping the Project Gutenberg™ name associated with the
work. You can easily comply with the terms of this agreement
by keeping this work in the same format with its attached full
Project Gutenberg™ License when you share it without charge
with others.

1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside
the United States, check the laws of your country in addition to
the terms of this agreement before downloading, copying,
displaying, performing, distributing or creating derivative works
based on this work or any other Project Gutenberg™ work. The
Foundation makes no representations concerning the copyright
status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project


Gutenberg:

1.E.1. The following sentence, with active links to, or other


immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project
Gutenberg™ work (any work on which the phrase “Project
Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed,
viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United


States and most other parts of the world at no cost and
with almost no restrictions whatsoever. You may copy it,
give it away or re-use it under the terms of the Project
Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United
States, you will have to check the laws of the country
where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is


derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of
the copyright holder), the work can be copied and distributed to
anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the
phrase “Project Gutenberg” associated with or appearing on the
work, you must comply either with the requirements of
paragraphs 1.E.1 through 1.E.7 or obtain permission for the use
of the work and the Project Gutenberg™ trademark as set forth
in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is


posted with the permission of the copyright holder, your use and
distribution must comply with both paragraphs 1.E.1 through
1.E.7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg™
License for all works posted with the permission of the copyright
holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project


Gutenberg™ License terms from this work, or any files
containing a part of this work or any other work associated with
Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute


this electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the
Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if
you provide access to or distribute copies of a Project
Gutenberg™ work in a format other than “Plain Vanilla ASCII” or
other format used in the official version posted on the official
Project Gutenberg™ website (www.gutenberg.org), you must,
at no additional cost, fee or expense to the user, provide a copy,
a means of exporting a copy, or a means of obtaining a copy
upon request, of the work in its original “Plain Vanilla ASCII” or
other form. Any alternate format must include the full Project
Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,


performing, copying or distributing any Project Gutenberg™
works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or


providing access to or distributing Project Gutenberg™
electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive
from the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”

• You provide a full refund of any money paid by a user who


notifies you in writing (or by e-mail) within 30 days of receipt
that s/he does not agree to the terms of the full Project
Gutenberg™ License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of


any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project


Gutenberg™ electronic work or group of works on different
terms than are set forth in this agreement, you must obtain
permission in writing from the Project Gutenberg Literary
Archive Foundation, the manager of the Project Gutenberg™
trademark. Contact the Foundation as set forth in Section 3
below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend


considerable effort to identify, do copyright research on,
transcribe and proofread works not protected by U.S. copyright
law in creating the Project Gutenberg™ collection. Despite these
efforts, Project Gutenberg™ electronic works, and the medium
on which they may be stored, may contain “Defects,” such as,
but not limited to, incomplete, inaccurate or corrupt data,
transcription errors, a copyright or other intellectual property
infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be
read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except


for the “Right of Replacement or Refund” described in
paragraph 1.F.3, the Project Gutenberg Literary Archive
Foundation, the owner of the Project Gutenberg™ trademark,
and any other party distributing a Project Gutenberg™ electronic
work under this agreement, disclaim all liability to you for
damages, costs and expenses, including legal fees. YOU AGREE
THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT
EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE
THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY
DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE
TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL,
PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you


discover a defect in this electronic work within 90 days of
receiving it, you can receive a refund of the money (if any) you
paid for it by sending a written explanation to the person you
received the work from. If you received the work on a physical
medium, you must return the medium with your written
explanation. The person or entity that provided you with the
defective work may elect to provide a replacement copy in lieu
of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund
in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set


forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’,
WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR
IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied


warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this
agreement violates the law of the state applicable to this
agreement, the agreement shall be interpreted to make the
maximum disclaimer or limitation permitted by the applicable
state law. The invalidity or unenforceability of any provision of
this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the


Foundation, the trademark owner, any agent or employee of the
Foundation, anyone providing copies of Project Gutenberg™
electronic works in accordance with this agreement, and any
volunteers associated with the production, promotion and
distribution of Project Gutenberg™ electronic works, harmless
from all liability, costs and expenses, including legal fees, that
arise directly or indirectly from any of the following which you
do or cause to occur: (a) distribution of this or any Project
Gutenberg™ work, (b) alteration, modification, or additions or
deletions to any Project Gutenberg™ work, and (c) any Defect
you cause.

Section 2. Information about the Mission


of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new
computers. It exists because of the efforts of hundreds of
volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the


assistance they need are critical to reaching Project
Gutenberg™’s goals and ensuring that the Project Gutenberg™
collection will remain freely available for generations to come. In
2001, the Project Gutenberg Literary Archive Foundation was
created to provide a secure and permanent future for Project
Gutenberg™ and future generations. To learn more about the
Project Gutenberg Literary Archive Foundation and how your
efforts and donations can help, see Sections 3 and 4 and the
Foundation information page at www.gutenberg.org.

Section 3. Information about the Project


Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-
profit 501(c)(3) educational corporation organized under the
laws of the state of Mississippi and granted tax exempt status
by the Internal Revenue Service. The Foundation’s EIN or
federal tax identification number is 64-6221541. Contributions
to the Project Gutenberg Literary Archive Foundation are tax
deductible to the full extent permitted by U.S. federal laws and
your state’s laws.

The Foundation’s business office is located at 809 North 1500


West, Salt Lake City, UT 84116, (801) 596-1887. Email contact
links and up to date contact information can be found at the
Foundation’s website and official page at
www.gutenberg.org/contact
Section 4. Information about Donations to
the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission
of increasing the number of public domain and licensed works
that can be freely distributed in machine-readable form
accessible by the widest array of equipment including outdated
equipment. Many small donations ($1 to $5,000) are particularly
important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws


regulating charities and charitable donations in all 50 states of
the United States. Compliance requirements are not uniform
and it takes a considerable effort, much paperwork and many
fees to meet and keep up with these requirements. We do not
solicit donations in locations where we have not received written
confirmation of compliance. To SEND DONATIONS or determine
the status of compliance for any particular state visit
www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states


where we have not met the solicitation requirements, we know
of no prohibition against accepting unsolicited donations from
donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot


make any statements concerning tax treatment of donations
received from outside the United States. U.S. laws alone swamp
our small staff.

Please check the Project Gutenberg web pages for current


donation methods and addresses. Donations are accepted in a
number of other ways including checks, online payments and
credit card donations. To donate, please visit:
www.gutenberg.org/donate.

Section 5. General Information About


Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could
be freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose
network of volunteer support.

Project Gutenberg™ eBooks are often created from several


printed editions, all of which are confirmed as not protected by
copyright in the U.S. unless a copyright notice is included. Thus,
we do not necessarily keep eBooks in compliance with any
particular paper edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,


including how to make donations to the Project Gutenberg
Literary Archive Foundation, how to help produce our new
eBooks, and how to subscribe to our email newsletter to hear
about new eBooks.

You might also like