1.
Widescreen Western
A rugged cowboy riding through a vast, sun-scorched desert at golden hour,
captured in wide cinematic framing inspired by neo-noir films. The scene combines
classic Western elements (dust trails, cracked earth, worn-out leather gear) with
moody, high-contrast lighting and dramatic deep shadows reminiscent of a noir
thriller. A long shadow stretches across the sand, the cowboy’s silhouette framed
against a hazy orange sky. Dust particles glow in the low-angle sunlight. Shot with
anamorphic lens effect, shallow depth of field, high dynamic range, grain texture,
giving the image a modern gritty realism.
Versi lain
A surreal cowboy riding a translucent horse through a shimmering desert made of
fractured glass and floating dunes under a violet twilight sky. The cowboy's shadow
stretches in multiple directions, defying physics, with fragments of time and space
swirling in the air like dream particles. Elements from Western lore blend with
dreamlike sci-fi, the cowboy’s hat emits a soft glow, and the cacti are bioluminescent
and shaped like ancient runes. The scene is composed in wide cinematic framing,
with soft ambient lighting and ethereal glow. Stylized color palette mixing deep
purples, cyan highlights, and golden reflections. Inspired by Salvador Dalí meets
Blade Runner, a futuristic western dream, suspended in stillness yet full of
movement. Shot in ultra-high resolution, dreamlike rendering.
2. Close-up Intensity
An extreme close-up of a human eye, hyperrealistic detail, wet lashes, textured skin,
and pores visible. A single teardrop clings to the lower lid, capturing a vivid reflection
of fire, like a burning city or an explosion, distorted by the curvature of the tear. Low-
key cinematic lighting, with harsh side light and deep shadows, adds emotional
weight and tension. The iris glows faintly, tinted with red-orange reflections from the
flame. Background completely out of focus, with anamorphic lens flares subtly
bleeding into the frame. Moody and high contrast, evoking themes of loss, rage, and
inner destruction. Shot on a virtual lens equivalent to 100mm, f/1.8, ISO 50.
3. Top Shot Market
A surreal bird's-eye view of a futuristic market street floating in mid-air, blending
Salvador Dalí-inspired dreamlike distortions with cyberpunk minimalism. The street
appears suspended over a void of soft glowing fog, with geometric stalls arranged in
impossible Escher-like formations. Neon emits, soft ambient light, and vendors wear
minimalist visors and robes that ripple like holographic fabric. People walk in looping
patterns on shifting ground tiles, defying gravity in parts of the frame. The scene is lit
with an unnatural turquoise-pink light gradient, and long shadows bend unnaturally
around corners. The overall composition feels like a sci-fi oil painting rendered with
photorealistic texture, captured in ultra-wide cinematic format. Visual tone combines
elements of Blade Runner and surreal digital art exhibitions.
4. Extreme Long Shot
A surreal lone traveler walks through an impossibly symmetric snowy valley that
reflects like glass, the snow sparkles with glitch-like crystalline patterns. The sky
above swirls into a surreal vortex: half celestial nebula, half mechanical clockwork,
blending cosmic fantasy with futuristic motifs. The traveler casts an elongated
shadow shaped like a tree, symbolizing growth and solitude. Floating geometric
shapes (like fractured orbs and translucent monoliths) drift quietly in the sky. The
color palette is a fusion of icy pastels and iridescent chromes. Framed like a dream
sequence in a cinematic VR world, blending painterly surrealism with AI sci-fi
aesthetics. Ultra-high-resolution, soft brush textures with procedural light diffusion.
5. Rule of Thirds Drama
A surreal AI-generated digital artwork blending cinematic composition with dreamlike
fantasy: a woman staring out of a large, arched window floating midair in a vast,
cloud-filled sky. Her silhouette is placed in the left third of the frame, with her face
softly illuminated by a cosmic light source outside, a glowing planet or orbiting moon.
Her hair defies gravity slightly, as if underwater or suspended in time. Through the
glass, distorted reflections of stars, nebulae, and faint clockwork machinery swirl,
blending time and space. The interior around her fades into abstract geometry,
Escher-like staircases or rooms folding into themselves. The lighting mimics
cinematic golden-hour tones but with surreal color shifts, pale violets, glowing amber,
hints of teal. This is a hybrid of Studio Ghibli atmosphere and Alex Grey-style
metaphysical detail.
6. Symmetrical Tunnel
A surreal symmetrical subway tunnel morphing into an endless architectural paradox,
inspired by MC Escher's impossible geometry and infused with dramatic baroque
lighting reminiscent of Caravaggio. The lone figure floats slightly above the tunnel
floor, casting multiple shadows in impossible directions. The walls of the tunnel ripple
like fabric, defying gravity, while glowing staircases emerge from the ceiling and
vanish mid-air. Rich chiaroscuro lighting emphasizes high contrast between deep
shadows and focused golden beams of light piercing through arched openings.
Cinematic depth, painterly textures, and dreamlike logic create a haunting,
imaginative tableau, like a digital renaissance of surreal metaphysical space.
7. Back to Camera
A solitary figure standing with their back to the camera, captured as a sharp
silhouette against a blinding shaft of warm golden light breaking through a
warehouse window, dust particles floating in the air. The scene combines the moody
high-contrast of classic film noir with sleek, modern editorial fashion tones, deep
shadows, precise highlights, ambient smoke and soft glints of metallic textures on
clothing. The framing is cinematic and symmetrical, with leading lines pulling toward
the center figure. Shot on a virtual full-frame lens equivalent of 50mm, ISO 200, f/2.8
for shallow depth, emulating a high-budget fashion commercial or moody action film.
Background subtly blurred with shallow DOF, while textures (hair, jacket, smoke)
remain in sharp focus under dynamic lighting.
8. Dual Frame Story
A lone female character framed inside a baroque-style antique mirror, standing in a
dimly lit, neo-noir apartment filled with cigarette smoke and soft shafts of moody light
through venetian blinds. The mirror reflects only her, not the environment behind her,
adding a mysterious contradiction. Her face is calm but eyes are intense, lit from the
side by a cold bluish tone, contrasting the warm gold leaf accents of the ornate mirror
frame. Fine dust particles float mid-air, and the background falls into bokeh. Shot with
a vintage anamorphic lens, shallow depth of field, with rich color grading reminiscent
of Edward Hopper meets Blade Runner. A blend of classic realism and stylized
cinematic surrealism, ideal for digital fine art or concept storytelling.
9. Side Profile Monologue
A cinematic, high-resolution side profile of a person with intense emotion in their
eyes, captured in a dramatic Rembrandt-style lighting setup. The subject's face is
half-lit with a soft, golden side light, creating deep shadows and defined contours,
evoking classical oil paintings. Subtle motion blur in the hair or fabric adds realism,
as if caught in a soft breeze. The background is out of focus, in warm earthy tones,
mimicking vintage 35mm film aesthetics. Skin texture is detailed, pores visible, with a
raw, unfiltered natural look, shallow depth of field, ISO 100, 85mm lens, f/1.8 for
cinematic compression and focus falloff. The fusion of classical portrait composition
and modern cinematic realism creates a timeless yet contemporary image.
10. Blurred Foreground
A realistically lit cinematic portrait of a child peering through softly blurred wildflowers
in the foreground, as if hiding or observing quietly from a field at dusk. The flowers
are out of focus, gently framing the child’s face with pastel tones, while the
background carries a warm, earthy gradient from sunset. The child’s expression is
calm, curious, and introspective, captured in a natural pose as if unaware of the
camera. Shot on 50mm lens, f/1.8, ISO 100, with subtle lens flares and shallow focus
on the child’s eyes. The color grade resembles indie film tones, muted greens, amber
highlights, soft contrast, with minimal grain and natural light to preserve authenticity.
A blend of nature realism and coming-of-age visual storytelling.
