Water and Ice Confronting Global Warming 1st Edition Noah Berlatsky PDF Download
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Earth Water Ice And Fire Two Hundred Years Of Geological Research In
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R Oldroyd
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Michael E. Mann
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GC89.W38 2010
551.45'8--dc22 2010011348
Chapter 7: Conclusion 99
Water Affects Climate 99
Sea Levels, Rain, and Drought 101
Energy from Water 102
The Future of Water and Climate 103
Glossary 104
For Further Research 107
Index 112
About the Author 120
Preface
1
Water and Ice
2
Foreword
3
Water and Ice
4
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the flour slid off to the ground. And Brave Horatius and I went to
prayers in the cathedral, and so went Thomas Chatterton Jupiter
Zeus and Menander Euripides Theocritus Thucydides. And Mathilde
Plantagenet did wait waits at the pasture-bars.
CHAPTER XXXVI
To-day was taking-egg day. Taking-egg day comes mostly one time
a week. It is the day the mamma does send me straight to take eggs
to the folks here about and yonder. First she does send me to take
them yonder, before she does send me to take them hereabout. This
she does because she knows if she sends me first to take them to
the folks that live hereabout, I do stay so long with the folks that live
in the nursery and hospital that there is n’t time enough left to take
eggs unto the people that live yonder.
As quick as I did eat my breakfast, the mamma did set out the
lard-pail on the wash-bench with a dozen eggs in it. As quick as she
did so, I put on my sun-bonnet. It is blue and has a ruffle on it.
Sometimes I wear it on my head, but most times it hangs back over
my shoulders. And often I carry it over my arm with things in it—
earthworms for baby birds, bandages for the folks that get hurt, and
mentholatum in quinine boxes. Then too on exploration trips my
chums ride in it. Sometimes it’s a mouse and sometimes it’s a beetle.
Very often it is toads and caterpillars—only they don’t ride in the
sun-bonnet at the same time, because I have learned toads like to
eat caterpillars for breakfast. Sometimes Thomas Chatterton Jupiter
Zeus, that most dear velvety wood-rat, snuggles up in my sun-
bonnet. He most fills it up. A sun-bonnet is a very useful garment.
After I did tie my bonnet-strings under my chin in the proper way
the mamma thinks they ought to be tied, I walked over to the wash-
bench in hippity-hops to get that bucket of eggs. Before I took up
the bucket, I did look long looks at those eggs. They were so plump
and so white, and they did have so nice a feel. I think being a hen
must be a very interesting life. How thrilling it must be to cackle
after one lays an egg. And then it must be a big amount of
satisfaction to have a large number of children hatch out at the
same time and follow one about. I think I would like to be a hen in
the daytime, but I would n’t like to roost in the chicken-house at
night.
When the mamma saw me looking long looks at those eggs, she
gave to me a shoulder-shake and told me to get a hurry on me and
take those eggs straight to Mrs. Limberger yonder. That
Mrs. Limberger is the quite plump wife of that quite big man that
lives in a quite big house that is nice but is n’t as nice as his lane. I
thought I’d go straight to Mrs. Limberger’s in along that lane from
out along the field; but first I did go by to get Felix Mendelssohn.
When I got to where he was, it was very near unto the altar of
Good King Edward I. And being as this was the day of his crowning
in 1274, I thought I would just go a little farther, to see if the crown
I planted in little plants there on the altar were growing in a nice
way. They were. When I planted them there from the woods in
spring days, I did hope they would burst into bloom on this his
crowning day and make a crown of flowers on his altar. But the dear
little things got in a hurry, and did bloom more than a month ago.
But they were saying to-day beautiful things with their leaves. I
heard them as I did kneel to pray to thank God for Good
King Edward I.
After I did pray quite a long time and Felix Mendelssohn got a little
fidgety, I started on to take the eleven eggs that were left straight to
Mrs. Limberger. The other egg I could not take because when I did
kneel to pray, in some way it did roll out of the bucket, and before I
was through my prayers a little gray rock by my hand just rolled off
the altar and met the egg. There are a lot of little gray rocks on the
altar. It is mostly made up of little rocks and some big ones. While I
was making that altar, the man that works at the mill and wears gray
neckties and is kind to mice came along. And the big rocks that were
too big he did lift and place on the altar there. And then he did help
me to plant mosses in between some of the rocks. That made me
happy. Men are such a blessing to have about.
To-day I did go from the altar to the field. Along the way I
stopped to talk to the trees and to watch the birds and to get berries
for the nursery. I put them in the bucket with the eggs. I most lost
my bonnet climbing over the fence, and I did lose three more of
those eggs and some of the berries for the nursery. I picked up the
berries and put them back in the lard-pail, but the eggs I could not
pick up. I did n’t put my sun-bonnet back on my head again, but I
did give the strings a little tie in front so it would n’t come off. Very
soon after I saw a little snake. He was crawling along. When I see
snakes, I like to stop and watch them. The dresses they wear fit
them tight. They can’t fluff out their clothes like birds can, but
snakes are quick people. They move in such a pretty way. Their eyes
are bright and their tongues are slim.
When that snake crawled away where I could n’t see him any
more, I walked over to talk to a flower. After we did have
conversation for some time, I happened to think the mamma did say
to hurry; so I said good-bye, and when I did, I put my nose to the
flower to smell it. It had a pleasant odor. I went on. Pretty soon I
felt something on my nose. I wiped it off. It was pollen from that
flower. I put it on an egg in the lard-pail. That gave that egg a
flowery look. I showed it to an ear of corn, and then, as I did go
along, I stopped to take the clods away from the roots of some of
the corn-plants so the toes of their roots could have some fresh air.
They quivered appreciations, and some did bow down most to the
ground to thank me after I was done.
I proceeded. The day was most warm. When I did cross the creek
I looked down it and up it. There were fairy demoiselles near unto
the water. Their wings did shimmer in the sunlight. All along its
edges the willows were dabbling their toes. Some had waded in a
little bit—about enough to get their ankles wet. I looked long looks
at them. I knew just how they did feel inside while they were
dabbling their toes in the water. It is such a nice feel to have.
I started on. I looked back. I started on. I turned and came back a
little ways—just to take a good-bye look. The willows waved their
hands to me. They called to me, “Petite Françoise, petite Françoise.”
I hurried on with the eggs. I had got twice as far as I did get before.
Then I started back to the creek. I ran all the way. When I arrived I
took off my shoes. I hung my stockings on a willow branch. Then I
sat on the edge of the bank and dabbled my toes. One drinks in so
much inspiration while one is dabbling one’s toes in a willow creek.
And one does hear the talkings of plants that dwell near unto the
water.
While I was dabbling my toes, my legs did have longings to go in
wading, but I went not in. Something might have happened to what
was left of that dozen eggs the mamma was sending straight to
Mrs. Limberger, and that was why I did not go. And I did not take
Felix Mendelssohn out of the pocket he was riding in, that he might
dabble his toes. I took him not out, for he has no longings to dabble
his toes in a brook. He has prefers to dabble his toes in cheese.
Though I do feel most certain one does n’t get near so much
inspirations when one dabbles one’s toes in cheese as one gets
when one dabbles one’s toes in waters that sing. After I did take in a
goodly amount of inspirations, I drew my toes away from the water
and let the sun dry my feet so I could put my stockings on. While I
was lacing my shoes up, I looked looks around to see what was near
about. A little way distant was a haystack.
When I did have my shoes most laced up to the top, I gave the
strings a tuck in and started on. I saw a bourdon. He was plump in
body and he did give a plump buzz. I did halt to screwtineyes him
and to listen to more of those plump buzzings of his. They were cool
sounds. What ones I did hear were so. He was a bourdon in a hurry,
and he went on in a quick way. And I went on in a slow way. The
sun was so hot. It made me squint my eyes, so I put my bonnet on.
That made things better. Pretty soon I met Elizabeth Barrett
Browning. Then we went walking across the field. I took off my sun-
bonnet and tied it on Elizabeth Barrett Browning so the sun would
n’t bother her eyes. And she did go her way and I did go mine. We
shall meet again at the pasture-bars when comes even-time.
When I did say good-bye to Elizabeth Barrett Browning, I went the
way that leads to this haystack. And here I have stopped. A haystack
is such an interesting place. It’s a nice place to explore. I think so.
Mice think so. Sometimes—quite often—when I am crawling back in
a haystack, I do meet a mouse, which is very nice, for mice are nice
folks to know. And now to-day, when I did crawl back away under
the straw I did find something. What I did find made me feel
gratitudes from my curls to my toes. It was a nest full of eggs and
nobody had used an egg from it. There are—there were just fifteen
eggs under the hay. They are not near so white as are those eight
eggs the mamma is sending straight to Mrs. Limberger, but they do
have more smooth feels. Oh, such satin feels! They are so slick they
came most slipping right out of my hands, but they did n’t.
Four and two I have took. I have put them here in the pail. I do
know Mrs. Limberger does so like to have things with satin feels
about her. I have heard her expressions so when I was taking eggs
to her before. Now I think she will beam delights all over her
plumpness when she does see the satin feel eggs in this pail. I have
placed them on top so she will see them first of all. Too, I think her
eyes will kink when she finds she has got a dozen eggs and two. I
wonder what she will be doing with those two extra eggs. Now I’ll
just get a hurry on me and take them straight to her. And I will hide
these printings of to-day in a little box here in the haystack until
comes eventime. And I will come back again for them when I come
to meet Elizabeth Barrett Browning at the pasture-bars.
I’m back again. I did go straight from this haystack with the two
and dozen eggs to the door of the house of Mrs. Limberger. When I
did get there she was talking with a woman. The woman was the
beautiful Sadie McKibben, and she wore upon her a new dress like
the blossoms of avalon growing in the marshes, and there were
freckles on it like the freckles on her face, and both were beautiful.
Also did Mrs. Limberger wear a new dress. It was black and had a
yellow stripe in it like unto one of those yellow stripes the garter-
snake wears on his back.
When I did walk soft upon the porch they were so busy talking
they heard me not. I reached out the eggs. Yet they were so busy
talking they saw them not. Then I did edge over to Sadie McKibben.
I gave her sleeve a little pull. She looked down at me and smiled.
She went on talking. She gave each one of my curls a smooth-out
while she talked on. When she did get most done with her part of
the conversation, Mrs. Limberger did happen to see the eggs I was
holding out to her. She reached and took them. I was glad, but my
arm was the most glad part of me because it did have a tired feeling
from holding the bucket out so long.
She did n’t even notice those satin eggs on top. She did begin to
talk about the many ribbons and the many ruffles the new woman
wears that lives up the corduroy road. She talked on and on, and I
did wait on for the lard-pail the eggs were in. And I did get fidgety,
for she was n’t holding the bucket straight by the middle of its loop
as a bucket ought to be held. I had a little fear she would drop that
bucket. That would make a dent in it. And I knew what a spanking I
would get if I took that pail home with a dent in it. I did stick my
finger in my mouth to keep from speaking to her about it.
Just when I had feels how that spanking was going to feel, she did
take a firm hold on the handle. But she did n’t take it in the middle.
That did make the bucket to tip. She went on talking. She took a big
breath and two of those satin-feel eggs did roll out. They bounced.
They broke. Mrs. Limberger kinked her nose quick. She put her new
black dress to it. Sadie McKibben too did put her new dress to her
nose in a quick way. And my apron so did I put to my nose. Now this
I know for there I learned, an egg with a satin feel may feel proper,
but inside it is not so, and if it gets a fall, it is only a queer odor that
one does have longings to run away from.
But Mrs. Limberger made me stay right there and carry water
from the pump and scrub all the bad odors off her back porch. I
think some of them odors was n’t from the two eggs with satin feels.
When I confided my feelings about the matter to Felix Mendelssohn,
Mrs. Limberger did tell me to go on scrubbing. She said whatever
smells might have been there you could n’t get a whiff of, on
account of the multiplications of smells that came from the two
eggs. Sadie McKibben did help me to scrub. She did ask
Mrs. Limberger not to mention the matter to the mamma. Also she
said she was going by that way to-morrow and would bring the four
eggs to make up the dozen.
When I started home Sadie McKibben did give to me a good-bye
kiss on each cheek. She knew how I do long for kisses, and how the
mamma has n’t time to give me any. When I walked by
Mrs. Limberger I did look the other way. As I passed she gave me a
pat, and when she did, Felix Mendelssohn squeaked. When she gave
me the pat, it went through my dress onto the back of the head of
Felix Mendelssohn in a pocket in my underskirt. And he being a
mouse of a musical tendency does object to being patted on the
back of the head. He prefers to have pats on his throat. And he
won’t let anybody give them but me.
I went on in a hurry to home. The mamma came a little ways
from the door to meet me. Behind her was a switch. I saw both
ends sticking out. I did give my skirt a shake so Felix Mendelssohn
would get out and away. It would be awful for him to get hurt by a
whipping. It might hurt his soul. After the mamma did tend to me as
usual, I put some mentholatum on the places where the whip did hit
most hard. Then I did go to take eggs to the folks that live
hereabout. I went in a hurry. After that there were baby clothes to
be washed and wood to be brought in. Then the mamma told me to
go find my sun-bonnet and not to come back until I did find it. I
went again to the altar of Good King Edward I to pray. Then I went
to the nursery and the hospital and came again here where I print.
Now I do see Elizabeth Barrett Browning at the pasture-bars. And
she has got my sun-bonnet on. I knew we would meet again at
eventide at the pasture-bars, for often we do and often on hot days
she wears my sun-bonnet until we meet again. It does so help to
keep the sun from hurting her beautiful eyes.
CHAPTER XXXVII
How Opal Makes Prepares to Move. How she Collects All the
Necessary Things, Bids Good-bye to Dear Love, and Learns that
her Prayer has been Answered.
We are going to move to the mill town. For a whole week, every
morning now after the morning works is done the mamma does
have me to help her make prepares to move; and after I do be helps
to the mamma, then I do work at making prepares for moving my
belongings when we go goes to the mill town.
I have made begins a week ago. I have been carrying my
belongings to inside an old log a little way away from the house we
do live in. Moving is a big amount of problem. But mostly now I do
have my prepares done. I am going to take with me when we go
goes to the mill just my necessary things—the mamma does say
none but my necessary things can go. She said that was my blue
calico apron and my gray calico apron and the clothes that goes
under them and my two pair of stockings and the shoes I have on
and my sun-bonnet and my slate and Cyr’s Reader.
But I have some more necessary things that the mamma has not
knows of. There is my two books that Angel Mother and Angel
Father did write in and I do study in every day, and the pictures of
mother and père and the pictures of grandmère and grandpère and
tante and oncle, and all the others that I do love much every day;
and to-day there was needs to give the dear picture of père a wash
in the brook because last time on yesterday, when I did kiss him, a
little piece of jam from my bread and butter got on his dear face
that does look so like him. And after I did come from the brook I put
them all away in a careful way in the box I do keep them in, and I
said a little prayer.
And I went to bring to the old log the willow whistle the shepherd
did make for me when it was the borning time of the lambs, and the
two flutes he did make of reeds. And now I do have most of my
necessaries in the hollow log. There by it is the lily plant the soul of
Peter Paul Rubens has loves for to be near. And I have planted it in a
little flower-pot Sadie McKibben has given to me. And when we are
moved moves to the mill town I will put the lily plant under the
window of the room I do have sleeps in, so that what the soul of
Peter Paul Rubens does love to be near will be near unto where I
am.
And in the hollow log there is the old logging boot of the husband
of Dear Love, that he has given me to keep some of my rock
collections in. And there is the bath-towel of Thomas Chatterton
Jupiter Zeus that Dear Love has made for him. And there is the color
pencils that the fairies did bring to the moss-box. And there is many
brown papers that Sadie McKibben has given me to print prints on.
And there is the cushion Lola did make for Lucian Horace Ovid Virgil
to sit on in my desk at school. And there is all the patches I do pin
on my underskirt for my animal friends to ride in. And there is the
track of Elizabeth Barrett Browning that I did dig up in the lane. It
has so much of poetry in it. And there is one of the gray neckties of
the man that wears gray neckties and is kind to mice, that he did
give to me for Brave Horatius to wear. And there is the bib of Elsie’s
baby that Elsie did give me for Menander Euripides Theocritus
Thucydides to wear when he was nursing the bottle.
And there is seven of the tail-feathers of Lars Porsena that he did
lose when he did lose his tail. And there is four old horse-shoes of
William Shakespeare that the blacksmith did have allows for me to
have when he was putting new shoes onto William Shakespeare.
And there is the thimble of Dear Love that she has given me to carry
drinks of water to the folks in the hospital. And there is the little bell
of Peter Paul Rubens that he did use to wear to service in the
cathedral. And there is Elsie’s baby’s little old shoe that got worn out
and she gave it to me for Nannerl Mozart to sleep in. And there is
the lid of Sadie McKibben’s coffee-pot that she did give me when it
came off. She always did sing over that lid when cooking-time was
come. And there is the traveling-case of Minerva that the pensée girl
with the far-away look in her eyes did make for me to carry all the
christening robes of Minerva’s children in, and more pieces of white
cloth and little ribbons the pensée girl did put into Minerva’s traveling
case for christening-time come next year. And there is the egg-shells
Ben Jonson and Sir Francis Bacon and Pius VII and Nicholas Boileau
and Edmund Spenser and Oliver Goldsmith and John Fletcher and
Francis Beaumont and Cardinal Richelieu and Sir Walter Raleigh and
the rest of Minerva’s children hatched out of. I have thinks there is
needs for me to carry those egg-shells in my apron when we go
moves to the mill town, so they will not have breaks. And there is
the little gray shawl Sadie McKibben so made for Nannerl Mozart.
And there is the little cap that Dear Love did make for my Louis II,
le Grand Condé. It has got a feather in it. He did nibble the end off
the feather, and he had mouse-wants to chew the tassel that she did
put on the bag she did make for me to carry him in. And there is the
ribbon bow off Elsie’s garter she did give me for Felix Mendelssohn
to wear. I have heard the women folks at the farmhouse say this
world would be a nice world if there were n’t any mice in it. I think it
would be a most lonesome place. And there is the big handkerchief
of the man of the long step that whistles most all of the time that he
did give to me for Brave Horatius to wear around his neck. And there
is Elsie’s old lace collar that Elizabeth Barrett Browning does wear to
cathedral service. And there is one of the whiskers of Thomas
Chatterton Jupiter Zeus that he did lose.
And there is all the portraits of my friends on poker-chips. And
there is the other white poker-chips that are waiting waits for
pictures to be drawed on them. And there is the blue and the red
poker-chips that is the breakfast and supper plates of the folks in the
nursery and the hospital. And there is Minerva’s white cap that she
does wear to cathedral service with the ruffles on it like are on the
morning cap of Jenny Strong. And there is the long green string I
pulled my tooth with. And there is the split jacket of Padre Martini,
that he did last wear before he was become a grown-up cigale. And
there is the bottle of Menander Euripides Theocritus Thucydides—
the bottle that used to be a brandy bottle. And there is the skins of
the caterpillars they did grow too big for when they were growing
into papillons and phalènes. And there is the two tail-feathers of
Agamemnon Menelaus Dindon. And there is Solomon Grundy’s
christening robe. And there is the little fleur watering-pot the fairies
did bring that I do give my friends shower-baths with. And there is
the cocoon that Charlotte Brontë, the big velvet brown phalène, did
hatch out of; and there is more cocoons that other phalènes did
hatch out of. And there is the ribbon bow Elsie has given me off her
other garter for the pet squirrel Geoffroi Chaucer that the cat did
hurt but is well again. And there is a whole new box of mentholatum
that Sadie McKibben has given me for the little folks I find with hurts
in the mill town. And there is the four vaseline bottles that got
empty after the young husband of Elsie did use all the vaseline in
them to keep his pumpadoor smooth. I have uses for those vaseline
bottles to keep food in for the folks of the nursery.
These things I have now in the log. Others of my necessary things
I will bring this eventime and on to-morrow and the next day and
the day after that.
Some of us go to the mill town, but not all of us so go. Dear
Solomon Grundy is sold to a man that does live at one of the edges
of the mill town. Aphrodite is going to stay stays here, and so is
Mathilde Plantagenet and Elizabeth Barrett Browning and Anthonya
Mundy and the gentle Jersey cow and Savonarola and Agamemnon
Menelaus Dindon; and Plato and Pliny are going to live on in the
barn. Brave Horatius is going goes with Aidan of Iona come from
Lindisfarne, and too Menander Euripides Theocritus Thucydides is
going with the shepherd to the blue hills.
Minerva is going to town with us, and so is Sir Francis Bacon and
Ben Jonson and Pius VII and Nicholas Boileau and Sir Walter Raleigh
and all the rest of her dear children, and Clementine and Napoleon
and Andromeda. And by-and-by Thomas Chatterton Jupiter Zeus is
coming comes to the mill town, and so is Felix Mendelssohn and
Louis II, le Grand Condé, and Nannerl Mozart and some of her
children, and Lucian Horace Ovid Virgil and Geoffroi Chaucer and the
caterpillar folks in the nursery. All are when I do have homes fixed
for them about the house we are going to live in in the mill town.
Until then Thomas Chatterton Jupiter Zeus is going to stay with
Dear Love and her husband, and, too, Dear Love does say Lucian
Horace Ovid Virgil can live under her doorsteps until I do have a
place fixed for him under the doorstep of the house we are going to
live in in the mill town. And Sadie McKibben is going to take care of
Geoffroi Chaucer and bring him in to me at the house we are going
to live in at the mill town. And the man that wears gray neckties and
is kind to mice is going to take care of all my mouse friends in his
bunk-house, and he is going goes to feed the folks in the nursery
and the hospital.
And often it is I am going to come comes back again here to
cathedral service and talks with them I know, and to leave letters for
the fairies in the moss-box. I have thinks about the mill town. Maybe
in the fields over on the other side of the mill town—maybe there
there will be étourneau and ortolan and draine and durbec and loriot
and verdier and rossignol and pinson and pivoine. When I am come
to the mill town, I will go explores to see, and I will build altars for
Saint Louis. Now I go to see Dear Love.
When I was come near unto her little house, I had seeing of Dear
Love. She was sitting on the steps by her door drying her hair in the
sun. It did wave little ripples of light when the wind did go in a
gentle way by. She let me have feels of its touches. And she did give
me a kiss on each cheek and one on the nose when she lifted me
onto her lap. And then Dear Love did tell me a secret. It’s hers and
her husband’s secret that the angels did let them know ahead—they
are going to have a baby soon.
I felt a big amount of satisfaction. It is about time that prayer was
answered. Some prayers you pray a little while and answers come.
Some prayers you pray more times and answers don’t come. I have
not knows of why. But prayers for babies get answered soon—most
always they do. The time is so long I have been praying prayers for
Dear Love to have a baby soon. And now the angels have told her
it’s going to come in about five months. I have thinks that is quite a
time long to wait waits.
And Dear Love has showed me the clothes the angels did tell her
to make ahead for its coming. And there is two little shirts and
bands, and very long underskirts with feather stitches in them, and
there’s a little cream kimona with a blue ribbon bow on it. I looked
looks at it a long time. And Dear Love said she was going to make
one just like it for Thomas Chatterton Jupiter Zeus. I am glad. And
there was more little clothes, and while we was looking at them the
husband of Dear Love did come in the door and he did look adores
at Dear Love. It’s just our secret—just Dear Love’s and her
husband’s and mine. Nobody knows it but just us three, and Thomas
Chatterton Jupiter Zeus and Brave Horatius and Edward I and lovely
Queen Eleanor of Castile and Michael Angelo Sanzio Raphael and
Aphrodite and Lucian Horace Ovid Virgil and Felix Mendelssohn and
Plato and Pliny and Minerva and her chickens and Menander
Euripides Theocritus Thucydides and Louis II, le Grand Condé, and
the willows that grow by Nonette.
Now Brave Horatius and me and Thomas Chatterton Jupiter Zeus
are going to prayers in the cathedral. The great pine tree is saying a
poem, and there is a song in the tree-tops.
POSTSCRIPT
After this I lived in a great many other lumber camps, and there
were new people and new animal friends and new nurseries and
other cathedrals. I studied in the woods and wrote down what I saw
and heard. In the spring of 1918 I went from Oregon to Southern
California, to do more research work in natural science, earning my
way by teaching nature classes. In the winter of 1918 I published
my first nature-book, paying for it by taking orders for it in advance.
In the summer of 1919 I came East, hoping to be able to get
another nature-book published. In my going to see publishers, I
came to the editor of the Atlantic. While I was telling the editor
about this book, he asked me if I never kept a diary, and this is the
answer.
After the seventh year and far on into other years I continued the
diary; but perhaps some other time the story of all these things will
be pieced together and made into another book.
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