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002 - Pario La Luna Score - Flute 2

The document is a musical score for the piece 'Parió La Luna' composed by Alfonso Córdoba Mosquera and arranged by Andrey Ramos Herrera. It includes detailed notations and instructions for performance, indicating the tempo and various musical expressions. The score is intended for flute players and spans multiple pages with specific measures and sections outlined.

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liber asmed perdomo collo
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9 views2 pages

002 - Pario La Luna Score - Flute 2

The document is a musical score for the piece 'Parió La Luna' composed by Alfonso Córdoba Mosquera and arranged by Andrey Ramos Herrera. It includes detailed notations and instructions for performance, indicating the tempo and various musical expressions. The score is intended for flute players and spans multiple pages with specific measures and sections outlined.

Uploaded by

liber asmed perdomo collo
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Flute 2

PARIÓ LA LUNA
Agua Bajo Composer: Alfonso Córdoba Mosquera

Aguabajo  = 144
                 
Arranged: Andrey Ramos Herrera

   
    

3 3 3

         
           

8


                     
   
         
26

 3

               

   
32

    
3 3

    

     
 
  
     

      
68



3 3

           
         

      

   
74

3 3

         
        
cresc.


      
    
82


   
                    

 

           
95

           
         
   
      
100

©[email protected]
                   
2 PARIÓ LA LUNA

             
 
105

                  

          
113

                 
        
 
       
120


                           1.     
 
     
133

  
2.                  


 


 
     
138 D.S. al Coda


   
3 3

     

  

      
 

     
144

3 3

              
      
    
rit.


a tempo


152


3 3 3

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