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Ave María 4

The document contains the musical score for 'Ave María' by W. Gómez, featuring parts for soprano, violin, and organ. It includes various musical notations and instructions for performance. The piece is structured with a slow tempo and emphasizes the traditional themes of reverence and devotion.

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bachiano1976
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We take content rights seriously. If you suspect this is your content, claim it here.
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0% found this document useful (0 votes)
5 views3 pages

Ave María 4

The document contains the musical score for 'Ave María' by W. Gómez, featuring parts for soprano, violin, and organ. It includes various musical notations and instructions for performance. The piece is structured with a slow tempo and emphasizes the traditional themes of reverence and devotion.

Uploaded by

bachiano1976
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 3

AVE MARÍA


W. Gómez

   
   
Lento

 
3

Soprano

   
A ve, A ve ma

  



Violín

 3  
    
    
 
  
            
3 33 3
3 3 33 3 3 3


          
Órgano

  

         
      
4 3

S.
3

    
3

 
rí a, lle na lle na e res de gra cia, ben

  



Vln.

                   3  3  3  3
       
            
3 3 3 3 3 3
3 3

         
    

Org.


                    
  
7

S.
3 3 3 3
3 3

 
   
di tae res tú en tre to das las mu je res y ben di toes el fru to de tu vien tre Je

      


Vln.

     
                              
  
3 3 3 3 3 3

   
3 3 3
3 3 3

          
   
Org.

 
[email protected]
  3 
      
2

      
10

S.
3 3

  
sús. A ve A ve ma rí a lle na lle na e res de

 
          


3


Vln.

    3   3  3  3  3                
       
          
3 3 3 3 3 3 3


3


3 3 3

    
            


Org.

 

3 

                  
  
14

S.

3 3 3


gra cia, ben di tae res tú en tre to das las mu je res y ben

          


Vln.


                          
    
3 3

  
3 3 3 3 3
3 33 3 3

             
 
Org.

  


            
  
17

S.


3 3 3


di toes el fru to de tu vien tre Je sús. San ta San ta Ma

   
    
3


Vln.
3


                                    
  
3


3 3 3 3 3
3


3 3


3 3

   
           
  
Org. 3
         
3

 
20

S.
3

 
rí a, San ta Ma rí a Ma dre de Dios

    
      
3


Vln.

                    
3 3 3 3 3

            
3

       
3

 
3 3 3 3 3
3 3 3 3
3

  
     
 
Org.

 
                   
          
23

S.
3 3

     
rue por no so tros pe ca do res a ho ra yen la ho ra de nues tra muer te A


ga

  
   3 


Vln.


3 3

 
                                    

3 3


3 3 3 3
3 3 3 3

 
3 3

   
   
   
  
Org.

       
 
rall.


26

S.

  
A 3


mén mén, A mén.

        


Vln.
3

      
3

         
       
3


3

   
      
3


3


3


Org. 3

 

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