CAMERA CAMERA

SL NO. SCENE SHOT STORYBOARD SHOT SIZE CHARACTER SHOT DESCRIPTION DIALOGUES NOTES SOUND NOTES
MOVEMENT ANGLE

1 1 A Close Up Static Subject level Insert of a photo frame on wall.

2 1 B Close up. Static Subject level Insert of Wall clock.

3 1 C Close up Static Subject level Insert of dried flowers

4 1 D Close up Static Top angle Insert of school prop on the table.

(V.O.) Kavita: take your

5 1 E Close Static Subject level Insert of male feet kept on the table.
legs down.

6 1 F Mid Close Static Eye Level Atul Atul playing game on his mobile. Shot size might change.

Track shot from Atul's legs to Kavita

7 1 1 Mid Track Subject level Atul and Kavita
siting at the dining table.

Kavita in foreground, sitting while atul This is not working for

8 1 2 Mid Shot Static Eye level Atul and Kavita
playing game me…

Atul in foreground sitting on sofa, kavita karu shaknaar nahi

9 1 3 Mid shot Static Eye Level Atul and Kavita
in BG. mhanje?
 karu shaknaar… put up
10 1 4 mid shot Static Eye Level Atul and Kavita Kavita in foreground, Atul sitting on sofa. with this nonsense
anymore.

might work as a master as

Wide shot of atul walking towards kavita This is not… trying to find
11 1 5 wide static Eye Level Atul and Kavita well otherwise lesser
and kavita turning. an escape like you.
dilogues.

Jamat mala… husband might change to a mid

12 1 6 mid static Eye Level Atul and Kavita Ots favouring kavita.
sarkha wagla ahes ka tu? closeup.

Escape?... Zopayla one shot might add after the

13 1 7 mid to close slow track Eye Level kavita slow track on kavita through stul's ots.
suddha kilas yete mala. prevs shot.

Track shot starting from Atul's reaction

14 1 8 mid Track Eye Level Atul and Kavita and progressing to revelation of imp shot.
audience.

wide shot of audience looking at them

15 2 1 long shot static Subject level Audience
while talking to each other.

ots favouring kavita, while Atul is still

16 2 2a mid close HH Eye Level Kavita and Atul Atul!... Mala divorce hava.
looking at the audience.

Ots favouring Atul. Same action repeat shot might change frrom ots
17 2 2b mid close HH Eye Level Kavita and Atul Atul!... Mala divorce hava.
as prev shot. to mid close on the person.

Aunties in 2 aunties commenting on them, in BG Hech Rahalela…

18 2 3 Mid long HH Eye Level open to change.
Audience. others are murmering. Ghataspot. Huh.
 HH shot of Atul bursts at kavita about Mala divorce hava…
19 2 4 mid close HH Eye Level Atul and Kavita divorce but controls himself as sson as Kahihi zala ki tond ughdun
he sees audience. bolaycha.

Hach problem ahe

Kavita gets agitated and accuses of not
20 2 5a mid close HH Eye Level Atul and Kavita tuza…Atul we don’t even safety shots to be taken.
having sex with her.
have sex anymore.

Hach problem ahe

21 2 5b mid HH Eye Level Atul and Kavita Same lines but in a 2 shot tuza…Atul we don’t even
have sex anymore.

A mother sitting in the audience covers

child in the
22 2 6 mid HH Eye Level her daughter's ear. Other audience can audience murmer
audience
be heard bein shocked.

On Atul. He is nervous by audience's

Movement maza problem?... Majhya
23 2 7a mid Eye Level Atul and Kavita reaction and asks kavita to sit. A bottle is safety shots to be taken.
HH kalun nahi honar asa.
thrown at them while they are talking.

same actions as the prev

Movement maza problem?... Majhya
24 2 7b mid close Eye Level Atul and Kavita on Kavita, with the same action. shot. Camera will go close
HH kalun nahi honar asa.
to Kavita.
 Movement 2 shot, as they go and sit on the table. A maza problem?... Majhya Same Action as prev shot
25 2 7c mid Eye Level Atul and Kavita
HH bottle comes at them. Mid to close. kalun nahi honar asa. but in 2 shot.

A man is standing a amidst the crowd

26 2 8 wide static Eye Level Audience
who has thrown the bottle.

2 shot (mid) while both of them are sitting tyanna dakhau nko… he
27 3 1a mid Static Eye Level Atul and Kavita on the table holding hand and decide to sagle baghtayet to safety shots to be taken.
smile. paryanta.

tyanna dakhau nko… he

28 3 1b mid close Static Eye Level Atul and Kavita CU on Kavita sagle baghtayet to same as prev with kavita.
paryanta.

tyanna dakhau nko… he

29 3 1c Mid Close Static Eye Level Atul and Kavita CU on Atul sagle baghtayet to same as prev with atul.
paryanta.

Track back from Atul and Kavita as they

He sagle baghtayet to
30 3 2 Track Eye Level Atul and Kavita weep and look in the camera for a
paryanta.
second.

Track goes from right to left as audience

cheers and stands, we can see the
31 3 3 wide Track Eye Level Audience clapping.
couple from a distance through the
audience.