GE6-Module-1
GE6-Module-1
APPRECIATION
GE6
ART APPRECIATION
MODULE 1: THE STUDY OF HUMANITIES AND THE ASSUMPTIONS AND NATURE
OF ARTS: CREATIVITY, IMAGINATION
Learning Outcomes
✓ Give the meaning of humanities, art, art appreciation, and art history
CHAPTER 1: THE STUDY OF HUMANITIES & THE ASSUMPTIONS AND NATURE OF ARTS: CREATIVITY, IMAGINATION 1
Hereunder are some of the definitions of art given by various authors and writers:
1. Art is derived from the Latin word "ars," meaning ability or skill - J.V. Estolas
2. Art is taken from the Italian word "artis," which means craftmanship, skill, mastery of
form, inventiveness, and the associations that exists between form and ideas, between
material and technique. - A. Tan
3. Art is a product of man's need to express himself - F. Zulueta
4. Art is concerned itself with the communication of certain ideas and feelings by means
of sensuous medium, color, sound, bronze, marble, words and film • C. Sanchez
5. Art is that which brings life in harmony with the world. – Plato
6. Art is an attitude of spirit, a state of mind. – John Dewey
From the above definitions of art, it can be concluded that there are several ways of
defining art as there are many people, authors, and writers in the universe. Each definition is
influenced by the unique perspective of the above authors and well as their own personality and
character. Nevertheless, a glimpse of the above definitions brings us four (4) common essentials
of art.
Art is man-made, not God-made
Art is creative, not imitative
Art benefits and satisfies man - when he uses art in practical life through artistic
principles, taste, and skill
Art is expressed through a certain medium or material by which the artist
communicates himself to his fellows.
Art appreciation is important to our lives. However, people differ in their appreciation of
art. Their appreciation of art depends on personal preference on: (1) the aesthetics and form of
art; (2) elements and principles of design; and (3) social and cultural acceptance. Thus,
appreciation of art can be subjective.
CHAPTER 1: THE STUDY OF HUMANITIES & THE ASSUMPTIONS AND NATURE OF ARTS: CREATIVITY, IMAGINATION 2
❖ Students develop self-confidence
❖ Students develop sense of well-being
2. Through intense involvement in artistic activities --
❖ Students experience a sense of wonder and joy when learning through the arts
❖ Students can be motivated to participate more fully in cultural life
❖ Students are able to gain educational opportunities which they can use later in their
career life.
Art History
Art History refers to the historical development and stylistic context of the objects of arts
that includes the major and minor arts. The major arts include painting, sculpture, and architecture
as well as the minor arts like ceramics, furniture, and other decorative arts.
As a term, art history or history of art encompasses the different methods of studying visual
art.
As a discipline, art history is not similar to art criticism. Art criticism determines the relative
artistic values of an individual work in comparison with others of comparable style.
Art historians based their studies by scrutinizing objects of arts by answering historically
such questions as the key features of the art style, what does the art convey and how does it
function visually. It also asks questions as to how the artists meet their goal as well as the symbols
that were involved.
CHAPTER 1: THE STUDY OF HUMANITIES & THE ASSUMPTIONS AND NATURE OF ARTS: CREATIVITY, IMAGINATION 3
this approach is called representational art. But if the artist creates an art in a realistic manner
(not imitation) rely on symbolism or striving to capture nature's essence, the art is non-
representational which is also called abstract art.
Impressionism as an example of representation style is produced when the artwork was
not directly imitative but an impression of nature.
In expressionism, the work of art is not representational but the expression of the artist's
feelings, longings, aspirations, and ideals of beauty and form.
3. Art historians also use critical theory in analyzing objects of arts when dealing with
more recent objects. Art historians often borrowed from literary scholars when it involves
the application of a non-artistic analytical framework to the study of art objects.
4. Another method in art history is the application of media and digital technology. This is
the recent method in analyzing art history.
CHAPTER 1: THE STUDY OF HUMANITIES & THE ASSUMPTIONS AND NATURE OF ARTS: CREATIVITY, IMAGINATION 4
THE ASSUMPTIONS AND NATURE OF ARTS: CREATIVITY, IMAGINATION
Art is something that is perennially around us. Some people may deny having to do with
the arts but it is indisputable that life presents us with many forms of and opportunities for
communion with the arts.
Despite the seemingly overflowing instances of arts around people, one still finds the need
to see more and experience more, whether consciously or unconsciously. Plato had the sharpest
foresight when he discussed in the Symposium that beauty, the object of any love, truly
progresses. As one moves through life, one locates better, more beautiful objects of desire (Scott,
2000). One can never be totally content with what is just before him. Human beings are drawn
toward what is good and ultimately, beautiful.
The word “art” comes from the ancient Latin, ars which means a “craft or specialized form
of skill, like carpentry or smithying or surgency” (Collingwood, 1938). Art then suggested the
capacity to produce an intended result from carefully planned steps or method. The Ancient World
did not have any conceived notion of art in the same way that we do now. To them, art only meant
using the bare hands to produce something that will be useful to one’s day-to-day life.
Art knows no limit. It transcends culture, races, and civilizations. It reaches the farthest
and the most isolated spots in the universe. As long as human beings exist, art is feasible alive
and dynamic.
ASSUMPTIONS OF ART
Art is Universal
Literature has provided key works of art. Among the most popular ones being taught in
school are the two Greek epics, the Iliad and the Odyssey. The Sanskrit pieces Mahabharata and
Ramayana are also staples in this field. These works, purportedly written before the beginning of
recorded history, are believed to be a man’s attempt at recording stories and tales that have been
passed on, known, and sung throughout the years. Art has always been timeless and universal,
spanning generations and continents through and through.
In every country and in every generation, there is always art. Oftentimes, people feel that
what is considered artistic are only those which have been made long time ago. This is a
misconception. Age is not a factor in determining art. An “…art is not good because it is old, but
old because it is good” (Dudley et al., 1960).
The first assumption then about the humanities is that art has been crafted by all people
regardless of origin, time, place, and that it stayed on because it is liked and enjoyed by people
continuously. A great piece of work will never be obsolete. Some people say that art is art for its
intrinsic worth. In John Stuart Mill’s Utilitarianism (1879), enjoyment in the arts belongs to a higher
good, one that lies at the opposite end of base pleasures. Art will always be present because
CHAPTER 1: THE STUDY OF HUMANITIES & THE ASSUMPTIONS AND NATURE OF ARTS: CREATIVITY, IMAGINATION 5
human beings will always express themselves and delight in these expressions. Men will continue
to use art while art persists and never gets depleted.
One important characteristics of art is that it is not nature. Art is man’s expression of his
reception of nature. Art is man’s way of interpreting nature. Art is not nature. Art is made by man,
whereas nature is a given around us. It is in this juncture that they can be considered opposites.
What we find in nature should not be expected to be present in art too. Movies are not meant to
be direct representation of reality. They may, according to the moviemaker’s perception of reality,
be a reinterpretation or even distortion of nature.
Getting this far without a satisfactory definition of art can be quite weird for some. For most
people, art does not require a full definition. Art is just experience. By experience, we mean the
“actual doing of something” (Dudley et al., 1960). When one says that he has an experience of
something, he often means that he knows what that something is about. When one claims that
he has experienced falling in love, getting hurt, and bouncing back, he in effect claims that he
knows the (sometimes) endless cycle of loving. Knowing a thing is different from hearing from
others what the said thing is. A radio DJ dispensing advice on love when he himself has not
experienced it does not really know what he is talking about.
Art is always an experience. Unlike fields of knowledge that involve data, art is known by
experiencing. A painter cannot claim to know how to paint if he has not tried holding a brush. A
sculptor cannot produce a work of art if a chisel is foreign to him. Dudley et al, (1960) affirmed
that “[a]ll art depends on experience, and if one is to know art, he must know it not as fact or
information but as experience.
Creativity requires thinking outside the box. It is often used to solve problems that have
never occurred before, conflate function and style, and simply make life a more unique and
enjoyable experience. In art, creativity is what sets apart one artwork from another. We say
something is done creatively when we have not yet seen anything like it or when it is out of the
ordinary. A creative artist does not simply copy or imitate another artist’s work. He does not imitate
the lines, flaws, colors, and patterns in recreating nature. He embraces originality, puts his own
flavor into his work, and calls it his own creative piece.
CHAPTER 1: THE STUDY OF HUMANITIES & THE ASSUMPTIONS AND NATURE OF ARTS: CREATIVITY, IMAGINATION 6
German physicist Albert Einstein who had made significant and major contributions in
science and humanity demonstrated that knowledge is actually derived from imagination. He
emphasized this idea through his words:
Imagination is not constrained by the walls of the norms, but goes beyond that.
ACTIVITIES
ACTIVITY 1.1 - TRUE OR FALSE Choose TRUE if the statement is true and FALSE if
otherwise. (10 points)
1. Art is an object under humanities.
2. Humanities are academic disciplines that deal on the various aspects of society
and the noble in man.
3. Art is God-made, not man-made.
4. The first assumption then about the humanities is that art has been crafted by
all people regardless of origin, time, and place, and that it stayed on because it
is liked and enjoyed by people continuously.
5. One important characteristics of art is that is it not nature.
6. Students experience a sense of wonder and joy when learning through the
years.
7. The word “art” comes from the ancient Latin, arcs which means a “craft or
specialized form of skill.
8. The term “humanities” originated from the Renaissance Latin expression studia
humanitatis or study of humanities which refers to “culture, refinement,
education.”
9. As a discipline, art history is similar to art criticism.
10. Despite the seemingly overflowing instances of arts around people, one still
finds the need to see less and experience less, whether consciously or
unconsciously.
Reference:
Ariola, M.M. (2018). Art Appreciation. (Manila: Unlimited Books Inc.)
CHAPTER 1: THE STUDY OF HUMANITIES & THE ASSUMPTIONS AND NATURE OF ARTS: CREATIVITY, IMAGINATION 7