Two Faces of Variation On Continuity in The Phenomenographic Movement
Two Faces of Variation On Continuity in The Phenomenographic Movement
To cite this article: Ming Fai Pang (2003) Two Faces of Variation: On continuity in the
phenomenographic movement, Scandinavian Journal of Educational Research, 47:2, 145-156,
DOI: 10.1080/00313830308612
INTRODUCTION
Phenomenography was developed by a research group in the Department of Edu-
cation at the University of Göteborg in Sweden during the early 1970s. The word
‘phenomenography’ was coined in 1979 and it appeared first in the work of Marton
(1981). Etymologically, it derives from the Greek words ‘phainemenon’ and
‘graphein’, which mean appearance and description, and phenomenography is thus
concerned about the description of things as they appear to us. Fundamental to an
understanding of the phenomenographic approach is to realise that its epistemolog-
ical stance is grounded in the principle of intentionality, which embodies a non-du-
alist view of human cognition insofar as it depicts experience as an internal relation-
ship between human beings and the world. The aim of research is to describe
qualitatively different ways of experiencing various phenomena. Methodologically,
ISSN 0031-3831 print; ISSN 1430-1170 online/03/020145-12 2003 Scandinavian Journal of Educational Research
DOI: 10.1080/0031383032000047466
146 Ming Fai Pang
a chair must also be seen in possession of armrests, legs etc., all contributing to the
concept of ‘chair’. Structure presupposes meaning and meaning presupposes struc-
ture. Structure and meaning thus mutually contribute to each other in the act of
experiencing.
Marton and Booth (1997) exemplified this situation by describing the Katona
experiment that took place in 1940. People were asked to remember a series of
numerals: 581215192226. Those who derived a principle from the sequence, which
was an arithmetic progression with alternative additions of 3 and 4, displayed better
retention than their counterparts who simply memorised the long chunk of numer-
als. The former group structured the series of numerals in such a way that a certain
overall meaning was formed. The numerals were seen as a series of seven related
numbers (5, 8, 12, 15, 19, 22 and 26). However, those who were not aware of the
rule perceived the numerals as an ensemble of unrelated figures.
There was a great difference in the internal horizon of the two ways of
experiencing, in terms of how different parts were discerned (either as one numeral
at a time or as an arithmetic progression of 5, 8, 12 … ), how the parts related to
each other (with either no relationship identified or through the alternative addition
of 3 and 4), and how they formed the whole (either as an arbitrary ensemble of
numerals or as a number series formed under a rule). This showed that the
structural and meaning aspects of a way of experiencing mutually contributed to
each other. According to Marton and Booth (1997):
finding the meaning (the rule) presupposes finding the structure (the
particular way of grouping the numbers); and vice versa, the structure
springs from the meaning found. (p. 88)
With regard to the external horizon, if a person was presented with the series of
numbers as part of an IQ test, then they would be more likely discover the rule as
they looked for hidden relationships. Furthermore, a change in the referential aspect
of an experience is intimately intertwined with a change in the external horizon of
the structural aspect. For example, if the number series was presented to adults as
the payoff of the Triple Trios Betting of the horse-racing held in Hong Kong which
amounted to $5 812 151 922.26, then the external horizon would change and the
series of numbers would take on a totally different meaning. At the same time, the
internal horizon would also change, and greater significance would be given to the
leftmost than the rightmost figures (Marton, 1988).
According to Marton and Booth (1997), the structural and referential aspects
of human awareness are the dialectically intertwined aspects of a way of experiencing
a phenomenon. Marton (1993) stated clearly that:
components parts are delimited from, and related to each other, and to the
whole. (p. 10)
The experience of variation implies that a person is aware of the critical features of
the phenomenon simultaneously either at different points in time, diachronically, or
at one specific time, synchronically. An example of experiencing diachronically is
when we notice the pitch of a musical note that is especially high or low. This we
do against the backdrop of our previous experience of variation in the pitch, and to
experience that variation we have to experience simultaneously (in the diachronic
sense) the pitch of notes that we have heard at different points in time. Otherwise,
the musical notes may just represent independent, discrete and free-floating in-
stances, and no variation can be observed. According to Bowden and Marton
(1998):
in that respect. They cannot experience the ‘six-ness’ of six, for instance, without
experiencing the ‘five-ness’ of five and the ‘seven-ness’ of seven etc. Moreover, to
experience the sequential aspect of numbers the child must also experience variation
in that respect. To experience the ‘sixth-ness’ of six, for instance, they must
experience ‘the fifth-ness of five’, the ‘seventh-ness’ of seven etc.
Moreover, simultaneity in the synchronic sense is seen as a function of discern-
ment. Again discernment is a function of variation. A way of experiencing a
phenomenon is depicted in terms of the critical aspects of the phenomenon in
question that are discerned and focused on simultaneously (synchronically) by the
experiencer. Every aspect can be a dimension of variation, and the capability of
discerning a critical aspect is seen as a function of the variation that is experienced
in the dimension, which corresponds to that aspect. A way of experiencing some-
thing is seen as an internal relationship between the person (the experiencer) and the
world (the experienced). It is a space that is defined by the dimensions of variation
as experienced, i.e. a space of experiential variation (Marton & Fazey, 1997).
The new phenomenography studies both the variation among different ways of
experiencing something as seen by the researcher, and the variation among the
critical aspects of the phenomenon itself as experienced by the learner. This is
because a particular way of experiencing a phenomenon can be understood in terms
of either particular features of a person’s awareness, or the dimensions of variation
that are discerned and simultaneously focused upon. Correspondingly, the different
ways in which different phenomena can be experienced, the collective mind, reflect
the differences in the structure and organisation of awareness.
A simple but clear illustration of this new orientation comes from the Pong
(2000) study on student conceptions of the economic phenomenon of pricing. In
addition to identifying and describing four qualitatively different ways of conceptu-
alising price, the study depicted conceptions that were identified in terms of the
critical aspects that were simultaneously focused upon and discerned. Apart from
the differences in the overall meanings assigned to price, i.e. the referential aspect,
there was also variation in terms of the internal structure of the conceptions, i.e. the
structural aspect, as shown in Table I (Pong, 2000).
For conception A, what was focused upon by the students was the physical
particulars of the specific object, whilst for the other three conceptions the object
was regarded as an example of generic objects. As such, the critical aspect of
experiencing price was the concept of market, which could be opened up for
variation or taken for granted by the students. Some students were engaged in
variation in the dimension of the market determination of price, such as by a change
in demand only (Conception B), by a change in supply only (Conception C) and by
the interaction of changes in demand and supply (Conception D). Other students
took the concept of the market for granted, which implied that it had already been
discerned (Conception A).
This study depicted conceptions or ways of experiencing as dynamically chang-
ing states of awareness, and characterised as different ways of being aware of the
same situation. A certain way of experiencing can be seen as a certain state of
awareness, which can be thought of in terms of the dynamic relationship between
Phenomenography’s Recent Developments 153
focus and meaning. Thus, when a student directs his focal attention to a certain
aspect or aspects of a context or situation, a certain conception is formed. The
difference in conception or shifts between conceptions is characterised in terms of
parallel differences or changes in the structural and referential aspect of the concep-
tion. Therefore, this study exemplified how variation in critical aspects of the
phenomenon that were experienced could be used to account for any particular way
of experiencing something, as well as for differences between ways of experiencing
a phenomenon.
PEDAGOGICAL IMPLICATIONS
Phenomenography attempts to identify, formulate and tackle certain types of re-
search questions about learning and understanding in educational environments
(Marton & Booth, 1997). Learning is seen as a change in the learners’ capability of
experiencing a phenomenon in the world around them. It amounts to being able to
discern certain aspects of the phenomenon, and to keep them in focal awareness.
The question that we are interested in is ‘how can we bring about different ways of
experiencing something?’ According to Marton and Booth (1997), certain patterns
of variation characterise certain ways of experiencing a phenomenon. To bring about
a particular way of experiencing a particular phenomenon it is necessary to follow
that very pattern of variation. The object of study is to explore the extent to which
teachers or the instructional methods contribute to constitute the pattern of vari-
ation.
Runesson (1999) used the framework of variation to analyse classroom teaching
and to investigate the different ways that teachers handled the mathematical topic of
‘fractions and percentages’ in Sweden. The results revealed that although teachers
taught the same topic in similar ways, fundamental and systematic differences were
154 Ming Fai Pang
observed in the aspects that teachers focused on, in terms of what they varied and
what they kept invariant. Different teachers focused on and thematised different
aspects of the content, putting other aspects into peripheral awareness, and opened
up different dimensions of variation, which constituted spaces of variation, in order
for students to discern critical aspects of the phenomenon. The implication of the
study was that for learning to take place, teachers should discern the critical aspects
of the phenomena that are being dealt with and of pupils’ learning simultaneously,
against a backdrop of experienced variation of the aspects concerned.
Pang (2002) studied student understanding of a difficult economic concept, the
incidence of a sales tax, in Hong Kong. In line with ‘the first face of variation’ he
found a set of qualitatively different ways of making sense of this concept among
secondary school students. He also identified the critical features which, when
discerned simultaneously, yielded a good of grasp of the concept. According to ‘the
second face of variation’, discerning any of those features amounts to experiencing
variation in a dimension which corresponds to that feature. Pang was able to show
that when simultaneous variation in critical aspects was afforded, twice as many
students reached a good understanding, as did students in other classes where there
was no simultaneous variation in the critical aspects of the object of learning.
CONCLUSIONS
Phenomenography is an ever changing, growing specialisation. The thread that runs
through the phenomenographic movement is an interest in variation, and in order to
understand how the new phenomenography grew out of earlier versions of the very
same research specialisation, we have to recognise the different senses of variation,
which have been the focus of research during different periods.
Phenomenography set out to reveal the different ways in which people experi-
ence the same phenomena in the same situation. The object of research is thus the
qualitatively different ways in which people are aware of the world, and the ways in
which they experience various phenomena and situations around them, wherein the
categories of descriptions and outcome space are instrumental in characterising how
people experience reality. Phenomenography in this sense is descriptive and method-
ologically oriented. The variation between different ways of seeing something is
experienced and described by the researcher.
In recent years there has been a shift in emphasis from a methodological
orientation to theoretical concerns, i.e. from how to describe to what is described,
from the researchers’ description of their experience of variation between different
ways of experiencing various phenomena to researchers’ description of the learners’
experience of variation and thus the simultaneous awareness of the critical aspects
of the phenomenon which define ways of experiencing a certain phenomenon. With
the advance of the ‘theory of variation’, ontological significance has been given to
ways of experiencing something. This affords a theoretical base for studying the
qualitatively different ways of experiencing various phenomena in a dynamic man-
ner. Each of these ways can be understood in terms of experienced variation in the
critical aspects of the phenomenon concerned. The variation is a variation that
Phenomenography’s Recent Developments 155
corresponds to the critical aspects of the phenomenon, that is, the dimensions of
variation as experienced by the experiencer. The variation is then experienced by the
learner but described by the researcher. Overall, these two senses of variation, which
have been the focus of attention at different times, represent the different facets of
the same object of research in phenomenography.
ACKNOWLEDGEMENTS
The author would like to express his heartfelt gratitude to Professor Ference
Marton, Professor Paul Morris and Dr Pong Wing Yan for their valuable comments
on the earlier versions of the manuscript.
NOTE
[1] This paper is a further development of the presentation ‘Two Faces of Variation’ delivered by
Ference Marton and Pang Ming Fai at the 8th Biennial Conference of the European Association
for Research in Learning and Instruction, Göteborg, 1999.
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