Communication Studies Module 1
Communication Studies Module 1
DEFINITION OF RESEARCH
- A systematic process of discovery; the accumulation of factual data and information
which can be used to support or relate a study. It involves the systematic use of
qualitative and quantitative techniques of investigation to obtain information/data on a
given subject or phenomenon. Information or data can be obtained from various
sources.
Steps in the Research Process (question may be asked to put steps in order or identify
steps)
- Identify a problem
- Review the existing literature/information
- Establish aim(s) of the study and objective(s)
- Create research questions
- Select research design: process and method
- Collect information
- Findings and conclusion
Data
- Data is measurable and is captured using various tools or methods. Raw data include
results of surveys or statements derived from observation of a real situation during a
specific time. When data is processed or organised meaningfully, it becomes
information.
Qualitative Research
- Textual data / continuous writing
- Points, reasoning, explanations, descriptions
Advantages of Qualitative Research
- Smaller sample size
- Examines reasons / explanations
- Changes in aspects are noted
- Detailed understanding of problem
- Specific aspects, themes, etc. can lead to further research
Disadvantages of Qualitative Research
- More time consuming
- Difficult to generalise information
- Information reflects only that point in time
- Researcher bias
- Less objective – opinionated and subjective
Mixed Method Research
- Use of both qualitative and quantitative research
- Instruments / methods of data collection can mix both open-ended and close-ended
questions to gather both types of data
- Open-ended questions: free responses
- Closed-ended: options are – yes/no, true/false, etc.
- Data analysis uses numbers and continuous writing
Advantages of Mixed Method Research
- Detailed understanding of issue
- Comprehensive data collected
- Generalisation is facilitated
- Uses strengths of both
- Disadvantages are offset
Disadvantages of Mixed Method Research
- More time consuming
- Difficult to generalise information
- Research bias
- Expensive
- Researchers must be experienced in using both
Generalisation in Research
- The act of reasoning or drawing inferences based on data
- An umbrella / broad statement or conclusion made about a population based on
similarities in findings
- Must be supported by sufficient data / large sample size
- Common in quantitative research
Factors Influencing Generalisation
- Size of population: large sample yields large amount of fata
- Representative sample: sample population MUST have features / aspects under study
Secondary Sources
- When something is written about a primary source, it is called a secondary source.
Secondary sources use primary sources to illustrate, analyse, interpret and evaluate a
particular time period or event. A secondary source can be a newspaper article, a
review, an article in a magazine or a textbook. It is second-hand information that has
been collected by others and processed or analysed.
Examples of Secondary Sources
- Encyclopaedias
- Textbooks
- Dictionaries
- Biographies
- Magazines
- Commentaries / Reviews
- Newspapers: articles, editorials
- Journal articles
Advantages of Secondary Sources of Data
- Time efficient
- Easily accessible
- Less expensive
- Studies span over a long time
- Wide variety and amount can be collected
Disadvantages of Secondary Sources of Data
- Can be biased
- Outdated and incomplete information
- Can be not specific to research at hand
- Access to data can be difficult
- Data can be inaccurate
Research Designs
- An approach / overall guide to conducting research. It informs the various areas of
research, data collection, process, analysis, techniques, etc.
- Can be based on quantitative/qualitative research.
Types of Research Designs:
1) Cross Sectional Design
- Observations / information made at a specific point in time
- Core issues of a topic are explored at the same time
- For e.g. flooding and its impacts on residents in 2022.
2) Longitudinal Design
- Observations / information made over a lengthy period of time.
- Case issues are examined over a long time frame.
- Example: flooding and its effects over a 10-year period 2012-2022
4) Experimental Design
- Collecting factual data in a controlled way based on labs, experiments etc. to test
hypothesis which will provide data to support of refute one’s claims.
- Use of different participants per group.
- Example: animal testing for medicines and products
5) Correlational Design
- Mainly descriptive and non-experimental
- Measures the correlation / relationship between two things (variables) or the impact of
one on another.
- The correlation can be either positive / negative / neutral.
- Example: the effect of the weather / temperature on the sales of ice-cream.
TYPES OF WRITING
- Genre, derived from the French word meaning, ‘kind’ or ‘type’, is the category of
literary or artistic work identified by content and style.
- It refers to the particular style of expressing oneself in writing. There are two major
genres: Fiction / Artistic Discourse and Non-fiction / Technical or Scientific
Discourse which can then be further categorised.
- Fiction/Artistic Discourse can be divided into; Poetry, Prose and Drama, these can
also be classified according to layout and style to include – novellas, short stories,
novels, sonnets, sonnets, epics, pantomimes and musicals.
- Fiction can also be divided according to content and theme into popular genres such
as: science fiction, historical fiction, romance, adventure, mystery.
- Writing is also classified into four discourse types:
1) Narrative
2) Descriptive
3) Expository
4) Argumentative / Persuasive
- Each discourse type is characterised by Organisational Features and Modes of
Expression that are determined by the author’s purpose or intention and form of the
writing.
Tips on Distinguishing the Main Point / Main Idea and the Writer’s Purpose / Intent.
- Remember that the MAIN IDEA / MAIN POINT is what the writer is writing about,
the idea that’s coming out from what you are reading; if you were asked what the
piece was about, whatever you respond would be the Main Idea. The Main Idea/Point
is NEVER A VERB so it can never be stated like this, “The main idea of this passage
is to inform…” if you have done this then your answer will be incorrect. Always
remember that the main idea/point is NEVER TO DO something, rather it is stated
like this, “The main idea / point of this piece is THAT students have problems
answering the module one essay…”.
- On the other hand, the writer’s PURPOSE / INTENT is ALWAYS STATED AS A
VERB! It is what the writer wants to happen as a result of your reading the piece. The
writer’s purpose / intent can be, “to inform”, “to entertain”, “to criticise”, “to argue”,
“to convince”, “to educate”, “to highlight”, etc.
- If you understand and identify these two different concepts, then you are on your way
to satisfying 1/3 of the essay requirements. The other 2/3 are based on correctly
identifying the organisational strategies and language techniques/devices that the
writer employed to help achieve the main point/idea and the purpose/intent.
- Tone conveys the attitude of the author towards the topic that he / she is writing
about. One easy way of understanding tone is to ask, “what attitude did I get from
reading the author’s words?” always use adjectives to describe tone, e.g. humorous,
sarcastic, straight-forward, critical, conversational, serious, tone of concern, etc.
Positive Tones/Attitudes – light-hearted, hopeful, enthusiastic, confident, optimistic,
loving, passionate, amused, elated, sentimental, sympathetic, compassionate, proud.
Negative Tones/Attitudes – angry, disgusted, outraged, accusing, irritated, indignant,
threatening.
Irony / Sarcasm – sarcastic, cynical, critical, facetious, patronizing, satirical, irreverent,
mock serious, taunting, ironic, flippant.
Sorrow / Fear / Worry – sombre, elegiac, gloomy, melancholic, disturbed, mournful,
solemn, serious, apprehensive, concerned, hopeless, resigned.
General / Organisational – formal, objective, nostalgic, ceremonial, candid, shocked,
reminiscent, restrained, clinical, baffled, sentimental, detached objective, questioning,
urgent, instructive, matter-of-fact, banned, factual, didactic, informative, authoritative.
Conversational Tone
- To make a narrative more conversational, authors may use more contractions, shorter
sentences and may even start sentences with conjunction or end with a preposition,
mirroring everyday speech. Also, slang and colloquialisms, even personal pronouns,
as a way to make the narrative more relatable to the audience.
Dialogue
- A conversation between two or more people. It may be used in narrative discourse not
only to move the story along but also to help you understand the characters, it creates
interest and pulls the audience in to help them better understand the story.
Voice/Narrative Perspective
- When creating a narrative, the author needs to decide who is telling the story or from
whose point of view the story is told. The point of view used helps to control how the
audience will receive the story. The narrative perspective used, influences the
impressions the audience forms and the conclusions they draw from the plot, authors
tend to use one of three points of view:
1) First Person – the person telling the story is a character in the story. He/she has
an active role (sometimes the protagonist) in the unfolding of the plot. The
pronouns ‘I’ and ‘we’ are used when stories are narrated in first person. This point
of view shares the inner thoughts of the character with the audience and so they
are generally more empathetic towards him/her.
2) Third Person Limited – the narrator has an all-knowing role; however, the story
is told through one single character. This means that the narrator knows the
thoughts and feelings of only one character, whom is followed throughout the
story. In narrating events, the pronouns ‘she’, ‘he’, and ‘it’ are used.
3) Third Person Omniscient – the narrator has an all-knowing role. He/she is not
involved in the narrative but has an overview of everything that goes on in the
story. This allows him/her to move between events and to know all the character’s
actions and feelings.
Anecdotes
- These are short, generally amusing or interesting stories that are based on facts that
are used to tell readers about an event or incident that happened in the past.
- Often authors will include anecdotes to assist in communicating the point of
discourse. It may be a personal anecdote or it may be just a story that helps to relate a
relevant idea. The objective is that it should help the audience get a better
understanding of what is being presented in the discourse as it adds a human quality
and provides insights into the situation being presented that might not have been
conveyed any other way.
Levels of Comprehension
Literal
- At this level you are required to understand what the text is actually saying.
- Answers to questions based on the literal level of understanding can be found in the
text; it therefore deals with understanding and absorbing facts.
- It allows you to answer questions which ask, ‘who’, ‘what’, ‘when’, ‘where’.
- Your understanding at this level is the foundation for the higher-order comprehension
skills.
- If you respond at the literal level, you need to be able to:
1) Summarise a main idea
2) Understand facts and data given in the text
3) Sequence events
4) Identify characters in a story and the relationship between them
5) Identify settings
Interpretative
- At this level of comprehension, you are required to ‘read between the lines’. The
focus is on what the author meant by what he said.
- You will need to build on your understanding of the facts in the text and use that to
determine the deeper meaning behind the stated information.
- You will need to use evidence from the text and your reasoning ability to draw
conclusions.
- Questions that require you to process at this level will often require you to supply
examples from the text to support your responses.
- It allows you to answer questions which ask ‘what if’, ‘why’, ‘how’.
- If you respond at the interpretative level, you need to be able to:
1) Make predictions
2) Make inferences
3) Identify the main idea when it is not explicitly stated;
4) Identify the author’s purpose
5) Recognise cause and effect relationships
6) Recognise tone and mood
7) Identify theme
Evaluative
- At this level of comprehension, you are required to analyse the text and form an
opinion based on the information given.
- At this level you are thinking critically about everything in the text as you are
required to make a value judgement about an aspect of the text (an issue, idea,
character or even the author himself/herself).
- It allows you to answer questions which ask ‘why is something important?’, ‘how
does something relate to real life?’.
- If you respond at the evaluative level, you need to be able to:
1) Consider the significant of actions, ideas or attitudes.
2) Explain your position in response to information from the text
3) Make generalisations about the text
4) Consider underlying implications.
Applied
- At this level of comprehension, you are required to analyse the text and go on to apply
the information in the text to real-life situations.
- You need to make a connection between what you have read or heard and what you
already know or believe.
- Your response will be based on the author’s language, style, purpose, imagery and
values. You need to merge what you understood at the literal and interpretative levels
and extend these concepts beyond the situation.
- You will need to support your responses with logic or reason.
- It allows you to answer these questions such as, ‘if you were…’, ‘in what ways’ or ‘if
these are…’, to name a few.
- If you respond at the applied level, you need to be able to:
1) Focus on translating topics into real-world situations.
2) Create something based on your response to the text.