100% found this document useful (2 votes)
20 views47 pages

Political Conversations in Late Republican Rome Cristina Rosillo-López - The Full Ebook With All Chapters Is Available For Download

The document promotes the book 'Political Conversations in Late Republican Rome' by Cristina Rosillo-López, which explores the significance of face-to-face interactions among Roman senators. It discusses the importance of personal meetings in political discourse and provides insights into the dynamics of conversations during that era. Additionally, it includes links to other related ebooks available for download on ebookmass.com.

Uploaded by

nqobyacit
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
100% found this document useful (2 votes)
20 views47 pages

Political Conversations in Late Republican Rome Cristina Rosillo-López - The Full Ebook With All Chapters Is Available For Download

The document promotes the book 'Political Conversations in Late Republican Rome' by Cristina Rosillo-López, which explores the significance of face-to-face interactions among Roman senators. It discusses the importance of personal meetings in political discourse and provides insights into the dynamics of conversations during that era. Additionally, it includes links to other related ebooks available for download on ebookmass.com.

Uploaded by

nqobyacit
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 47

Visit ebookmass.

com to download the full version and


explore more ebook or textbook

Political Conversations in Late Republican Rome


Cristina Rosillo-López

_____ Click the link below to download _____


https://ebookmass.com/product/political-conversations-in-
late-republican-rome-cristina-rosillo-lopez/

Explore and download more ebook or textbook at ebookmass.com


Here are some recommended products that we believe you will be
interested in. You can click the link to download.

Law and Muslim Political Thought in Late Colonial North


India Adeel Hussain

https://ebookmass.com/product/law-and-muslim-political-thought-in-
late-colonial-north-india-adeel-hussain/

Crackup: The Republican Implosion and the Future of


Presidential Politics Samuel L. Popkin

https://ebookmass.com/product/crackup-the-republican-implosion-and-
the-future-of-presidential-politics-samuel-l-popkin/

New Perspectives on Political Economy and Its History 1st


ed. Edition Maria Cristina Marcuzzo

https://ebookmass.com/product/new-perspectives-on-political-economy-
and-its-history-1st-ed-edition-maria-cristina-marcuzzo/

Late Capitalist Freud in Literary, Cultural, and Political


Theory 1st ed. Edition Maria-Daniella Dick

https://ebookmass.com/product/late-capitalist-freud-in-literary-
cultural-and-political-theory-1st-ed-edition-maria-daniella-dick/
Key Islamic Political Thinkers John L Esposito

https://ebookmass.com/product/key-islamic-political-thinkers-john-l-
esposito/

The Urban Political: Ambivalent Spaces of Late


Neoliberalism 1st Edition Theresa Enright

https://ebookmass.com/product/the-urban-political-ambivalent-spaces-
of-late-neoliberalism-1st-edition-theresa-enright/

Democracy without Shortcuts Cristina Lafont

https://ebookmass.com/product/democracy-without-shortcuts-cristina-
lafont/

The Fragmented Mind Cristina Borgoni

https://ebookmass.com/product/the-fragmented-mind-cristina-borgoni/

Neoplatonism in Late Antiquity Dmitri Nikulin

https://ebookmass.com/product/neoplatonism-in-late-antiquity-dmitri-
nikulin/
Political Conversations in
Late Republican Rome
Political Conversations
in Late Republican Rome
CRISTINA ROSILLO-LÓPEZ

1
3
Great Clarendon Street, Oxford, OX2 6DP,
United Kingdom
Oxford University Press is a department of the University of Oxford.
It furthers the University’s objective of excellence in research, scholarship,
and education by publishing worldwide. Oxford is a registered trade mark of
Oxford University Press in the UK and in certain other countries
© Cristina Rosillo-López 2022
The moral rights of the author have been asserted
First Edition published in 2022
Impression: 1
All rights reserved. No part of this publication may be reproduced, stored in
a retrieval system, or transmitted, in any form or by any means, without the
prior permission in writing of Oxford University Press, or as expressly permitted
by law, by licence or under terms agreed with the appropriate reprographics
rights organization. Enquiries concerning reproduction outside the scope of the
above should be sent to the Rights Department, Oxford University Press, at the
address above
You must not circulate this work in any other form
and you must impose this same condition on any acquirer
Published in the United States of America by Oxford University Press
198 Madison Avenue, New York, NY 10016, United States of America
British Library Cataloguing in Publication Data
Data available
Library of Congress Control Number: 2021941856
ISBN 978–0–19–285626–5
DOI: 10.1093/oso/9780192856265.001.0001
Printed and bound in the UK by
TJ Books Limited
Links to third party websites are provided by Oxford in good faith and
for information only. Oxford disclaims any responsibility for the materials
contained in any third party website referenced in this work.
Para Nora
Acknowledgements

Whereas I began work on this book in a normal and hectic academic world filled
of travel and conferences, I ended it under a strict lockdown at home. At a time
when millions of people are secluded and isolated at home, we are reminded of the
importance and joy of face-to-face interaction, something that cannot be replaced
by our increasingly sophisticated modern means of communication. These are
unusual, yet somehow fitting, circumstances to complete a book that examines
how Roman senators and their entourage preferred to meet in person to engage in
conversation. Now more than ever, we can see that they were right.
This book was conceived, researched, and partially written thanks to a
Humboldt Research Fellowship, which allowed me to spend many months in
Germany and have the luxury of dedicating long periods of time exclusively to
research. I was a guest at the Lehrstuhl für alte Geschichte at the Technische
Universität Dresden, and I immensely enjoyed the city, countryside, library and
my new colleagues, who went the extra mile to make me feel at home; vielen Dank.
This research was also financed by the project ‘El sector inmobiliario en el
mundo romano’ (HAR2016-76882-P, Agencia Estatal de Investigación, Ministerio
de Ciencia e Innovación, Gobierno de España).
I am very grateful to the university libraries and librarians at Dresden, Oxford,
and Paris. At the library of the Universidad Pablo de Olavide, David Fernández
Lora has managed to track down rare items and almost inaccessible books and
journals for me; muchísimas gracias, a él y a todo el equipo de la biblioteca. I also
thank Ben Jerue for making my English more readable.
Parts of this book were presented at seminars and conferences in Turin,
Durham, Buenos Aires, Bielefeld, Dresden, Grenoble, Paris, and in the Libera
Res Publica Network meetings of Seville and Palma. I would like to thank the
audiences for engaging with the topic and for their questions and suggestions.
Whether at a conference, during a quick coffee break, or over a long and
leisurely meal and drink(s), many colleagues and friends have offered suggestions
and comments throughout the research and writing of this book: Henriette van
der Blom, Clément Bur, Juan Manuel Cortés Copete, Cyril Courrier, Jean-Michel
David, Antonio Duplá Ansuategui, María García Magán, Marta García Morcillo,
Enrique García Riaza, Karl-Joachim Hölkeskamp, Frédéric Hurlet, Fabian Knopf,
Christoph Lundgreen, Gesine Manuwald, Pascal Montlahuc, Rosario Moreno
Soldevila, Elena Muñiz Grijalvo, Mike Peachin, Francesca Rohr Vio, Amy
Russell, Catherine Steel, Kathryn Tempest, and Uwe Walter. Thank you very
much! Martin Jehne was essential for the structure and perspective of this book;
viii 

his comments and advice on early drafts always made me reflect deeper on the
subject. I would like to extend a special thanks to my colleague and friend
Francisco Pina Polo, who has followed this book from its birth to completion,
reading the whole manuscript (and several partial drafts); as always, I have learned
much from his incisive comments, insightful questions, and intellectual generos-
ity. Although some of the above-mentioned people have not always agreed with all
the arguments made over the following pages, engaging with them in conversation
and debate has been (and still is) a real pleasure.
I was extremely fortunate to be in strict lockdown in the company of my two
favourite people in the world. Igor, the best partner I could ever hope for, has
made everything possible. While currently Nora can just say a limited (but
growing) number of words, her eyes and smile do speak volumes. This book is
for her.
Contents

List of Figures and Tables xiii

Introduction 1
Why are conversations important? 2
Senatorial relationships and Roman politics 5
Outline of the book 8
1. A wider definition of politics and political participation 11
1.1 Extra-institutional politics 11
1.2 What is politics and political participation? 18
2. Sources for political conversations in Late Republican Rome 23
2.1 Why the letters of Cicero? 24
2.2 Why do later sources display a different perspective? 30
3. Face-to-face meetings 36
3.1 Le métier du sénateur romain: the importance of being
present in Rome (or nearby) 37
3.2 The importance of meeting in person 41
3.2.1 The ‘circulatory system’ 41
3.2.2 The limitations of letters 47
3.2.3 Face-to-face meetings as problem-solving: the encounters of 49 51
3.2.4 Physical presence and negotiation 55
3.2.5 Caesar as ruler and face-to-face meetings 59
3.3 The myth of senatorial meetings: the ‘Conference of Luca’ 62
3.3.1 The ‘standard version’ of the ‘Conference of Luca’ 62
3.3.2 The logistics of senatorial ‘conferences’ 65
3.3.3 Caesar’s face-to-face politics during his proconsulship in Gaul 70
3.3.4 The ‘Conference of Luca’ as a litmus test for being
connected or disconnected 76
3.4 Conclusion 79
Appendix: Informal meetings January–May 49 81
4. How to have conversations 83
4.1 The early socialization of the Roman elite 84
4.2 The social expectations governing conversation 94
4.2.1 Learning how to have a conversation 95
4.2.2 Social expectations: dynamics of conversations 98
4.2.3 Conversations and disagreement 101
4.2.4 Conversations and placating anger 102
Visit https://ebookmass.com today to explore
a vast collection of ebooks across various
genres, available in popular formats like
PDF, EPUB, and MOBI, fully compatible with
all devices. Enjoy a seamless reading
experience and effortlessly download high-
quality materials in just a few simple steps.
Plus, don’t miss out on exciting offers that
let you access a wealth of knowledge at the
best prices!
x 

4.3 Occasions for conversation 108


4.3.1 Dinners 108
4.3.2 Senaculum 115
4.3.3 Consilia and meetings 118
4.4 Conclusions 125
5. Dynamics of conversations 127
5.1 Methodological issues 128
5.2 Conversations, insider information, speculations,
and predictions 132
5.3 Non-verbal information: gestures, feelings, and impressions 136
5.4 Conversations transmitted in direct speech: case studies 139
5.4.1 Cicero and Caesar (28 March 49) 141
5.4.2 Curio and Cicero (14 April 49) 143
5.4.3 The so-called consilium of June 44 (group conversation) 147
5.5 A non-Ciceronian perspective on conversation 150
5.6 Conclusions 153
6. Oral circulation of information 155
6.1 Circulation of information 156
6.1.1 What kind of information was sought? 156
6.1.2 Requesting and fishing for information 160
6.1.3 The connection and disconnection of the flow of information 167
6.2 Control of information 170
6.2.1 Could the circulation of information be restricted? 170
6.2.2 When things got out of control: leaked conversations 174
6.3 Conclusions 177
7. The role of non-senatorial actors in conversations and meetings 179
7.1 How to identify and refer to these actors? 179
7.2 Non-senatorial actors: analysis 183
7.2.1 Freedmen 183
7.2.2 Elite women 187
7.2.3 Non-elite women 191
7.3 The role of mandata 194
7.3.1 Mandata in private law and on official missions 195
7.3.2 Mandata in extra-institutional politics 197
7.4 Conclusions 202
8. The Senate from an extra-institutional point of view 204
8.1 Preparatory conversations 205
8.2 How to draft and negotiate a law proposal 208
8.3 Was there an agenda in the Roman Senate? 216
8.4 Looking for political support 220
8.4.1 A specific issue: Cicero’s supplicatio 221
8.4.2 Bringing someone over from the other side: Hirtius in 44 224
8.4.3 The Buthrotum affair 226
 xi

8.5 The presence of non-senatorial actors: the special case of Atticus 229
8.6 Conclusion: What happened when senators could not meet
and talk beforehand? 230
9. Conclusions 235

Appendix: Prosopography of non-senatorial actors 239


A.1 Young men 239
A.2 Equites 241
A.3 Freedmen 245
A.4 Women 248
A.5 People of unknown status 251

Bibliography 255
Index of People 283
Subject Index 288
List of Figures and Tables

Figures
0.1. Cesare Maccari, Cicerone denuncia Catilina (Palazzo Madama, Roma, 1880). 2
3.1. Discussion networks between January and May 49 in Italy. 53

Tables
3.1. Distance from Rome to Caesar’s winter camps for which visits made
by senators are attested. 71
3.2. Distance from Rome to Caesar’s other winter camps (hiberna), with no
attested visits by senators. 72
3.3. Distances from Rome to the nearest important city of a province. 75
Introduction

One wonders whether in 1880 Cesare Maccari could have imagined how his fresco
Cicerone denuncia Catilina would become one of the most famous representations
of the Roman Republic, appearing on the cover of countless academic books and
influencing depictions of the Roman Senate in films and popular culture.¹ No
doubt, the painter painstakingly laboured over the fresco’s protagonist: his Cicero
exudes power and eloquence, standing off to the left with arms outstretched and
hair the same colour as his toga. We can almost hear the legendary words quo
usque tandem on his lips. On the opposite side of the fresco, Maccari also
masterfully rendered Cicero’s opponent, Catiline, swarthy and dark-haired,
hunched over and brooding with his strong arms bent. Is he deciding on the
next step to take? Does he regret his actions? He is conspicuously surrounded by
only empty seats; all senators have abandoned him and are squeezed together on
the other side of the room.
But let’s forget about Cicero and Catiline, who have always attracted the
greatest amount of attention. Instead, let’s focus on the senators. Maccari depicted
many of them listening to Cicero with rapt attention; four senators look intensely
at Catiline, perhaps trying to guess the effect of the consul’s words on him; other
senators look as if they are enjoying the fight, while others give the impression that
they have better things to do. There are also two clusters of senators that display a
very specific dynamic: in the middle of the picture, two senators seated in the front
row turn their backs to speak with two of their peers, one of whom leans forward
to hear better. Just behind Cicero’s arm, another senator, with a hand over his
mouth, whispers an aside to his neighbour, who flashes a knowing half-
smile, while a third senator leans forward so that he does not miss a word. Are
they talking about the actions of the consul or his rhetorical prowess? Are they
speculating about what Catilina’s political future would look like after the meet-
ing? Are they commenting on the rumours of the possible involvement of many
other senators in this alleged coup? Are they discussing their own possible courses
of action?

¹ E.g. the disposition of the Senate and the design of the chairs in Stanley Kubrick’s Spartacus (1960)
are an exact reproduction of Maccari’s fresco (the design of the floor is the only difference).

Political Conversations in Late Republican Rome. Cristina Rosillo-López, Oxford University Press.
© Cristina Rosillo-López 2022. DOI: 10.1093/oso/9780192856265.003.0001
2      

Fig. 0.1. Cesare Maccari, Cicerone denuncia Catilina (Palazzo Madama, Roma, 1880).

We are familiar with the notion that the Roman political world of the Late
Republic included lofty speeches and sessions of the Senate, but also need to
remember that another important aspect of Late Republican politics revolved
around senators, their sons, equites, trusted freedmen, and women of the elite
talking among themselves, chatting in the corner or at dinner. The present book
aims to analyse senatorial political conversations and illuminate the oral aspects of
Roman politics. It argues that Roman senators and their entourages met in person
to have conversations in which they discussed politics, circulated political informa-
tion, and negotiated strategies; and that all this had a relevant impact both on
politics and institutions as well as determined how the Roman Republic functioned.

Why are conversations important?

As a concept, ‘conversation’ has defied any widely accepted definition among


the specialists who study it. Nevertheless, conversations undoubtedly constitute
the key element that makes us human beings: the Turing test, devised to
assess whether a machine could display intelligent behaviour equal to a human’s,
judges the capacity of a machine to engage in human-like conversations
without being identified as a machine.² For the sake of this book, I will consider

² Turing (1950); the Loebner Prize is an annual competition that judges whether computer
programs pass the Turing test. Regarding the study of conversation, the Ebert test goes far beyond:
 3

conversation to be any speech that occurs between at least two people, in which
people predominantly speak in turns, with the purpose of establishing or main-
taining social ties and/or exchanging information.³ This study will focus exclu-
sively on political conversations.
There are conversational constraints that limit the agency of the speaker and/or
listener: physical location (e.g. seating/standing), a person’s availability, the pres-
ence or absence of shared background knowledge, the ability to get a word in
edgeways when engaging with a dominating speaker (one-speaker rule), turn-
taking, the suitability of subjects of conversation, opportunity, subjects that may
be broached safely, among others.⁴ Some of these constraints can occasionally be
violated without a breakdown in conversation, but others cannot. All these
constraints show how socially and culturally rich and complicated conversations
are, even though they often strike us as the most natural things in the world.
Lately pessimists have lamented the decline of the art of conversation; some of
them have almost published its obituary.⁵ It is a common talking point that people
do not meet and talk any more; that, when they do, they only stare at their screens.
Scholars recall the golden ages of conversation, such as the 17th- and 18th-century
French salons, where gallant and spirited conversation became a model for social
and intellectual life.⁶ Habermas linked the dynamics of the salon with the emer-
gence of a public sphere and public opinion.⁷ The unexpected dimensions of the
COVID-19 pandemic and the resulting confinements of billions of people around
the world in 2020–2021 have thrown into relief the importance—or the sheer
necessity—of meeting people face-to-face to converse. The use of videoconfer-
ences, telephone calls, and instant messages has soared. People have resorted to
having dinners together over the internet and have got used to planting them-
selves in front of their computers with a coffee or cocktail in hand; friends,
families, and lovers have followed these rituals while confined. However, all
these can only be an ersatz version of the real thing: meeting in person and talking
face to face.
While it is a truism that Roman senators talked to each other, the present study
intends to fill in a gap within the scholarship: those conversations and meetings

film critic Robert Ebert proposed the challenge of developing a computerized voice which could master
the delivery, intentions, and timing of a human voice and be able to make people laugh (TED 2011
lecture: https://www.ted.com/talks/roger_ebert_remaking_my_voice/transcript?language=en).
³ Sacks (1995); Gibson (2000). ⁴ Gibson (2000).
⁵ ‘Conversation is dying’, in D. Lowe, ‘The Lost Art of Conversation (and How to Seduce Your
Customers’, Medium, 5 May 2018 (https://medium.com/d-lowe-playbook/the-lost-art-of-conversation-
and-how-emojis-are-slowly-killing-us-44364ee4859). Turtle (2015) has differentiated between talk (also
conducted through texts, emails, social media) and conversation.
⁶ Craveri (2001); Blanc (2006) on the political cercles and salons at the beginning of the French
Revolution, although there is no consensus on how far politics were discussed on salons previous to
1789. Pérez Samper (2002) on tertulias in Spain in the 18th century.
⁷ Habermas (1989); Rosillo-López (2017) on the public sphere and public opinion in the Late
Roman Republic; Gottesman (2014) on the public sphere in Athens.
4      

have been widely written off as unimportant. There has been no previous study of
conversations and meetings as a working mechanism of Roman politics; previous
works have approached the subject from a micro-perspective (e.g. Syme’s recon-
struction of who attended dinner with Caesar on the night before the Ides of
March)⁸ or have ignored it completely. While dinners have indeed been studied
thoroughly, they have not been integrated into a wider conception of politics.⁹
Alföldi paid attention to who met with whom and who talked with whom after
Octavian’s arrival in Italy in the aftermath of Caesar’s murder, in order to
understand how the young man and Balbus went about building up support for
his cause.¹⁰ A recent study on senatorial procedure has included conversations,
but still from a marginal point of view.¹¹ With the exception of the so-called
conference at Luca, modern accounts of the period have only approached
conversations and meetings sporadically or mentioned them occasionally as
anecdotes.¹² However, I urge the reader to open Cicero’s letters and to choose
one at random: the orator surely mentions having a conversation with someone,
filling in his correspondent on what he had been told; or he would be planning to
meet someone in order to talk politics; or he would be requesting information
from his correspondent. Clearly, it was an important issue for him and, by
extension, for any Roman senator. Regardless of the time of year or the political
context, conversations and meetings were pervasive in first-century Roman
politics. The aim of this book is to provide a satisfactory answer to how politics
worked in practice by focusing on the role of conversation and oral interaction.
This oral component has been studied in depth for formal politics—that is, for
discussions in the Senate and speeches before the people—but not for conversa-
tions. Face-to-face conversations allowed their participants to articulate their
points of view, share them with others, circulate information about them, learn
about others’ opinions and takes, deploy dynamics of persuasion (sometimes
direct, more subtle and tentative at other times), and, finally, to take in all the
information relayed through verbal and non-verbal means as well as through
feelings and impressions, so as to decide on a course of action. A letter could in no
way contain the richness and possibilities of an oral communicative moment in
politics.
The birth of Classics and Ancient History as a discipline was tightly linked with
Roman Law. The constitutional study of politics, in the tradition of Mommsen’s
Staatsrecht, has long eschewed aspects of politics that were not legislated.
Nevertheless, we should be careful not to look at Roman politics through an
overly legalistic lens. The Mommsenian focus on institutions and laws (i.e. the
formal aspects of Roman politics) has cast aside many aspects and phenomena
that do not neatly fit those boxes. In recent decades, breaking free of those

⁸ Mentioned in Pelling (2011: 471). Cf. Syme (2016: 12). ⁹ See pp. 108–115.
¹⁰ Alföldi (1976). ¹¹ Timmer (2020). ¹² On Luca, see pp. 62–79.
 5

over-legalized constraints, the multifaceted work on the study of the magistracies


and assemblies, the interaction of the senatorial elite with the equites and plebs,
senatorial behaviour, rituals, the role of the people, collective identity, cultural
memory, among others, have constituted a quantum leap in our understanding of
the Roman Republic. This book intends to adopt a new perspective, analysing how
Roman senators and non-senatorial actors interacted with each other outside a
strictly institutional setting. In light of this, I posit that politics were not solely
restricted to institutions. The real point is that by ignoring the role of conversa-
tions and meetings (i.e. the extra-institutional sphere), Roman politics is reduced
exclusively to institutions: the Senate, assemblies, and magistracies. As a result, we
are missing half the picture. As historians, this is something that we simply cannot
afford.

Senatorial relationships and Roman politics

Taking into account the importance of senators in the political system of the
(Late) Roman Republic, it is understandable that scholars have focused most of
their attention for more than a century on understanding the dynamics of the
relationships between senators. Those studies sought to clarify how the Senate
and, more definitively, the entire political system functioned. In 1912, Matthias
Gelzer published his Die Nobilität der römischen Republik in which he posited that
personal relations constituted the central characteristic of Roman politics, that is,
the primacy of personal relationships and fides over politics.¹³ In his view, these
relationships were socially structured, multiple, and overlapping, the most
important being the system of clientelae (at the level both of individuals and of
communities), patrocinium in the courts, political friendship (amicitia), and
financial obligations. In short, fides was at the heart of Roman society and politics
from top to bottom, from amicitia to clientela. ‘These relationships determined
the distribution of political power.’¹⁴ To this picture, Gelzer added the importance
of factions, based on the cooperation between those of equal status when assist-
ance was needed.¹⁵ In 1958 Badian added weight to these arguments by demon-
strating how members of the elite constructed networks of provincial clientelae
that reached communities over the entire expanse of the Roman Empire.¹⁶
Developing these ideas in relationship to kinship, and through an exceptional
command of the proposographical method, Münzer proposed in 1920 that
family ‘parties’ controlled Roman politics, with alliances being reoriented

¹³ Gelzer (1912 translated in English as The Roman Nobility, Oxford, 1969). See Hölkeskamp (2004)
(or the English translation/version of Hölkeskamp 2010) for a critical appraisal of Gelzer’s views of
Roman politics.
¹⁴ Gelzer (1969: 139). ¹⁵ Gelzer (1969: 123–36). ¹⁶ Badian (1958).
Visit https://ebookmass.com today to explore
a vast collection of ebooks across various
genres, available in popular formats like
PDF, EPUB, and MOBI, fully compatible with
all devices. Enjoy a seamless reading
experience and effortlessly download high-
quality materials in just a few simple steps.
Plus, don’t miss out on exciting offers that
let you access a wealth of knowledge at the
best prices!
Other documents randomly have
different content
lassen. Hegel hat die Ideenwelt ebensowenig wie Goethe als Wahrnehmung,
als individuelles Dasein geschaut. Er hat aber gerade über die Ideenwelt
seine Reflexionen angestellt. Diese sind daher nach vielen Richtungen hin
schief und unwahr. Hätte Hegel Beobachtungen über die Natur angestellt, so
wären sie wohl ebenso wertvoll geworden wie diejenigen Goethes; hätte
Goethe ein philosophisches Gedankengebäude aufgestellt, so wäre es kaum
gesünder geworden als dasjenige Hegels.
Namen-Register.
Agassiz 189.
Aristoteles 15; 97.
Augustinus 14.
Bacon von Verulam 16 ff.
Blumenbach 100.
Büttner 153 f.
Bunge, Gustav 110.
Camper 101.
Cohn, Ferdinand 144.
Cuvier 143; 144 ff.
Darwin 134.
Descartes 16; 18 ff.; 35.
Diderot 134.
Du Bois-Reymond 65; 87; 92.
Förster 81.
Gegenbauer, Carl 122.
Geoffroy de St. Hilaire 143; 144 ff.
Gleichen-Rußwurm 95 ff.
Haeckel 134.
Haller 140 f.
Heinroth 42 f.
Herder 99; 106; 108; 124.
Holbach 65.
Hume 21; 24.
Jacobi, Fr. H. 55; 56; 57; 60; 66; 79.
Kalb, Frau von 124.
Kant 21 ff.; 27; 37; 91; 136 ff.
Karl, August 92; 95; 185.
Keppler 136.
Knebel 87; 96; 99; 100; 102; 106; 120.
Kraus 186 f.
Laplace 91.
Lavater 97 ff.; 129.
Leonhard 187 f.
Lessing 74.
Linné 93 ff.; 103.
Loder 98; 101.
Lyell 191 f.
Martius, K. Ph. 142 ff.
Merck 99; 100; 101; 191.
Müller, Kanzler von 68.
Newton 151 ff.
Parmenides 10.
Plato 10; 15; 24; 26; 27; 29; 34.
Rousseau 95.
Sachs, Julius 134 f.
Schelling 76.
Schiller 7 ff.; 39.
Schmidt, Oscar 135 f.
Spinoza 20 f.; 34; 35; 55.
Stein, Frau von 92; 96; 98; 99; 100; 101; 102; 103; 182; 185; 186.
Sternberg, Graf Caspar 144.
Stirner, Max 77 ff.
Thomas von Aquino 16.
Werner 188.
Wolf, Friedrich August 140.
Wolf, Kaspar Friedrich 140 ff.
Xenophanes 10.

Lippert & Co. (G. Pätz’sche Buchdr.), Naumburg a. S.


Kolophon
Verfügbarkeit

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org .

This eBook is produced by the Online Distributed Proofreading Team


at www.pgdp.net .

Scans for this work can be found online in the Internet Archive (copy
1 ).

Stichwörter: Johann Wolfgang von Goethe (1749–1832).

Katalogseite bei Open Library (für Quelle): OL23409042M .

Katalogseite bei Open Library (für Werk): OL618964W .

Kodierung

Überblick der Revisionen

2016-11-17 Started.

Externe Referenzen

Dieses Project Gutenberg Buch enthält externe Referenzen. Diese


Links können möglicherweise für Sie nicht funktionieren.

Korrekturen
Die folgenden Korrekturen sind am Text angewendet worden:

Seite Quelle Korrektur


VI anfieng anfing
XI Gedankenentwicklung Gedankenentwickelung
3 dargelebt dargelegt
23 hervorrufen hervorzurufen
31 bloss bloß
32 Bewusstsein Bewußtsein
33 Moriz Moritz
37 Objekte Objektive
45 Aussenwelt Außenwelt
47,
dass daß
53
47,
54,
56, [Nicht in der Quelle] “
91,
186
49 eine ein
53 äussere äußere
56 . ,
61 sujektiven subjektiven
62 äusseren äußeren
82 ein in
91 natur nature
93 aus als
105 [Nicht in der Quelle] .
105 wären waren
112 das daß
114 wahrnemen wahrnehmen
116 -
119 enstehen entstehen
126 zweckmässig zweckmäßig
128 bestimmte bestimmten
128 . ?
130 gienge ginge
130 Lebensbegingungen Lebensbedingungen
135,
; ,
137
136,
Ganze Ganzes
161
137 [Nicht in der Quelle] ,
138 organische organischen
144 Antropomorphismen Anthropomorphismen
152 Spectrum Spektrum
155 [Nicht in der Quelle] (
155 einen einem
160 einer eines
188 Konglömerat Konglomerat
190 die als
199 [Nicht in der Quelle] „
199 wolgetan wohlgetan
203 wol wohl
*** END OF THE PROJECT GUTENBERG EBOOK GOETHES
WELTANSCHAUUNG ***

Updated editions will replace the previous one—the old editions


will be renamed.

Creating the works from print editions not protected by U.S.


copyright law means that no one owns a United States
copyright in these works, so the Foundation (and you!) can copy
and distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth in the
General Terms of Use part of this license, apply to copying and
distributing Project Gutenberg™ electronic works to protect the
PROJECT GUTENBERG™ concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if
you charge for an eBook, except by following the terms of the
trademark license, including paying royalties for use of the
Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such
as creation of derivative works, reports, performances and
research. Project Gutenberg eBooks may be modified and
printed and given away—you may do practically ANYTHING in
the United States with eBooks not protected by U.S. copyright
law. Redistribution is subject to the trademark license, especially
commercial redistribution.

START: FULL LICENSE


THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the


free distribution of electronic works, by using or distributing this
work (or any other work associated in any way with the phrase
“Project Gutenberg”), you agree to comply with all the terms of
the Full Project Gutenberg™ License available with this file or
online at www.gutenberg.org/license.

Section 1. General Terms of Use and


Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand,
agree to and accept all the terms of this license and intellectual
property (trademark/copyright) agreement. If you do not agree
to abide by all the terms of this agreement, you must cease
using and return or destroy all copies of Project Gutenberg™
electronic works in your possession. If you paid a fee for
obtaining a copy of or access to a Project Gutenberg™
electronic work and you do not agree to be bound by the terms
of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only


be used on or associated in any way with an electronic work by
people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project
Gutenberg™ electronic works even without complying with the
full terms of this agreement. See paragraph 1.C below. There
are a lot of things you can do with Project Gutenberg™
electronic works if you follow the terms of this agreement and
help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright
law in the United States and you are located in the United
States, we do not claim a right to prevent you from copying,
distributing, performing, displaying or creating derivative works
based on the work as long as all references to Project
Gutenberg are removed. Of course, we hope that you will
support the Project Gutenberg™ mission of promoting free
access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for
keeping the Project Gutenberg™ name associated with the
work. You can easily comply with the terms of this agreement
by keeping this work in the same format with its attached full
Project Gutenberg™ License when you share it without charge
with others.

1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside
the United States, check the laws of your country in addition to
the terms of this agreement before downloading, copying,
displaying, performing, distributing or creating derivative works
based on this work or any other Project Gutenberg™ work. The
Foundation makes no representations concerning the copyright
status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project


Gutenberg:

1.E.1. The following sentence, with active links to, or other


immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project
Gutenberg™ work (any work on which the phrase “Project
Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed,
viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United


States and most other parts of the world at no cost and
with almost no restrictions whatsoever. You may copy it,
give it away or re-use it under the terms of the Project
Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United
States, you will have to check the laws of the country
where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is


derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of
the copyright holder), the work can be copied and distributed to
anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the
phrase “Project Gutenberg” associated with or appearing on the
work, you must comply either with the requirements of
paragraphs 1.E.1 through 1.E.7 or obtain permission for the use
of the work and the Project Gutenberg™ trademark as set forth
in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is


posted with the permission of the copyright holder, your use and
distribution must comply with both paragraphs 1.E.1 through
1.E.7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg™
License for all works posted with the permission of the copyright
holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project


Gutenberg™ License terms from this work, or any files
containing a part of this work or any other work associated with
Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute


this electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the
Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if
you provide access to or distribute copies of a Project
Gutenberg™ work in a format other than “Plain Vanilla ASCII” or
other format used in the official version posted on the official
Project Gutenberg™ website (www.gutenberg.org), you must,
at no additional cost, fee or expense to the user, provide a copy,
a means of exporting a copy, or a means of obtaining a copy
upon request, of the work in its original “Plain Vanilla ASCII” or
other form. Any alternate format must include the full Project
Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,


performing, copying or distributing any Project Gutenberg™
works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or


providing access to or distributing Project Gutenberg™
electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive
from the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”

• You provide a full refund of any money paid by a user who


notifies you in writing (or by e-mail) within 30 days of receipt
that s/he does not agree to the terms of the full Project
Gutenberg™ License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of


any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project


Gutenberg™ electronic work or group of works on different
terms than are set forth in this agreement, you must obtain
permission in writing from the Project Gutenberg Literary
Archive Foundation, the manager of the Project Gutenberg™
trademark. Contact the Foundation as set forth in Section 3
below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend


considerable effort to identify, do copyright research on,
transcribe and proofread works not protected by U.S. copyright
law in creating the Project Gutenberg™ collection. Despite these
efforts, Project Gutenberg™ electronic works, and the medium
on which they may be stored, may contain “Defects,” such as,
but not limited to, incomplete, inaccurate or corrupt data,
transcription errors, a copyright or other intellectual property
infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be
read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except


for the “Right of Replacement or Refund” described in
paragraph 1.F.3, the Project Gutenberg Literary Archive
Foundation, the owner of the Project Gutenberg™ trademark,
and any other party distributing a Project Gutenberg™ electronic
work under this agreement, disclaim all liability to you for
damages, costs and expenses, including legal fees. YOU AGREE
THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT
EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE
THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY
DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE
TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL,
PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you


discover a defect in this electronic work within 90 days of
receiving it, you can receive a refund of the money (if any) you
paid for it by sending a written explanation to the person you
received the work from. If you received the work on a physical
medium, you must return the medium with your written
explanation. The person or entity that provided you with the
defective work may elect to provide a replacement copy in lieu
of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund
in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set


forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’,
WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR
IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied


warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this
agreement violates the law of the state applicable to this
agreement, the agreement shall be interpreted to make the
maximum disclaimer or limitation permitted by the applicable
state law. The invalidity or unenforceability of any provision of
this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the


Foundation, the trademark owner, any agent or employee of the
Foundation, anyone providing copies of Project Gutenberg™
electronic works in accordance with this agreement, and any
volunteers associated with the production, promotion and
distribution of Project Gutenberg™ electronic works, harmless
from all liability, costs and expenses, including legal fees, that
arise directly or indirectly from any of the following which you
do or cause to occur: (a) distribution of this or any Project
Gutenberg™ work, (b) alteration, modification, or additions or
deletions to any Project Gutenberg™ work, and (c) any Defect
you cause.

Section 2. Information about the Mission


of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new
computers. It exists because of the efforts of hundreds of
volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the


assistance they need are critical to reaching Project
Gutenberg™’s goals and ensuring that the Project Gutenberg™
collection will remain freely available for generations to come. In
2001, the Project Gutenberg Literary Archive Foundation was
created to provide a secure and permanent future for Project
Gutenberg™ and future generations. To learn more about the
Project Gutenberg Literary Archive Foundation and how your
efforts and donations can help, see Sections 3 and 4 and the
Foundation information page at www.gutenberg.org.

Section 3. Information about the Project


Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-
profit 501(c)(3) educational corporation organized under the
laws of the state of Mississippi and granted tax exempt status
by the Internal Revenue Service. The Foundation’s EIN or
federal tax identification number is 64-6221541. Contributions
to the Project Gutenberg Literary Archive Foundation are tax
deductible to the full extent permitted by U.S. federal laws and
your state’s laws.

The Foundation’s business office is located at 809 North 1500


West, Salt Lake City, UT 84116, (801) 596-1887. Email contact
links and up to date contact information can be found at the
Foundation’s website and official page at
www.gutenberg.org/contact
Section 4. Information about Donations to
the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission
of increasing the number of public domain and licensed works
that can be freely distributed in machine-readable form
accessible by the widest array of equipment including outdated
equipment. Many small donations ($1 to $5,000) are particularly
important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws


regulating charities and charitable donations in all 50 states of
the United States. Compliance requirements are not uniform
and it takes a considerable effort, much paperwork and many
fees to meet and keep up with these requirements. We do not
solicit donations in locations where we have not received written
confirmation of compliance. To SEND DONATIONS or determine
the status of compliance for any particular state visit
www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states


where we have not met the solicitation requirements, we know
of no prohibition against accepting unsolicited donations from
donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot


make any statements concerning tax treatment of donations
received from outside the United States. U.S. laws alone swamp
our small staff.

Please check the Project Gutenberg web pages for current


donation methods and addresses. Donations are accepted in a
number of other ways including checks, online payments and
credit card donations. To donate, please visit:
www.gutenberg.org/donate.

Section 5. General Information About


Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could
be freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose
network of volunteer support.

Project Gutenberg™ eBooks are often created from several


printed editions, all of which are confirmed as not protected by
copyright in the U.S. unless a copyright notice is included. Thus,
we do not necessarily keep eBooks in compliance with any
particular paper edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,


including how to make donations to the Project Gutenberg
Literary Archive Foundation, how to help produce our new
eBooks, and how to subscribe to our email newsletter to hear
about new eBooks.
Welcome to our website – the ideal destination for book lovers and
knowledge seekers. With a mission to inspire endlessly, we offer a
vast collection of books, ranging from classic literary works to
specialized publications, self-development books, and children's
literature. Each book is a new journey of discovery, expanding
knowledge and enriching the soul of the reade

Our website is not just a platform for buying books, but a bridge
connecting readers to the timeless values of culture and wisdom. With
an elegant, user-friendly interface and an intelligent search system,
we are committed to providing a quick and convenient shopping
experience. Additionally, our special promotions and home delivery
services ensure that you save time and fully enjoy the joy of reading.

Let us accompany you on the journey of exploring knowledge and


personal growth!

ebookmass.com

You might also like