Eu Finals-Notes
Eu Finals-Notes
Heat Gain from lighting (sensible) Decibel – the unit in which the level of various
• Q = 33 W/m2 of floor area x A acoustical quantities is expressed.
Where: ACOUSTICS
Q = heat transfer rate from lighting
A = floor area Acoustics – is the science of sound which assures the
optimum conditions for producing and listening to
ENERGY BALANCE speech, music, etc.
- For any heat exchanger, the energy
balance is, Acoustical design and construction is done to for
heating energy from heating or cooling dissipation of the noises, external and internal and
medium = heat energy absorbed by medium insulation against sound.
to be heated or to be cooled
Acoustics and Sound Insulation
HOT WATER – AIR HEATER Acoustics can be achieved by considering two
Heat Energy from hot water = energy received aspects:
by air • Proper control and remedy of the acoustical
Qw = Qa defects in buildings
(mw)(cpw)(t1 – t2) = (ma)(cpa)(ta – tb) • Sound insulation
Or (mw)(cpw)(t1 – t2) = (ma)(ha – hb) • Medium: Solid, liquid & Gas
• Velocity of sound depends on nature and
Where: temperature of medium.
Qw = heat from hot water
cpw = constant pressure specific heat of water Frequency or pitch: Number of cycle or vibrations /
cpa = constant pressure specific heat of air sec. Greater is no. of cycle higher will be the pitch.
mw = mass of water flow • Pitch is the measure of quality of sound.
ma = mass of air flow
t1 = entering temperature of hot water Intensity or loudness of sound: flow of sound
t2 = leaving temperature of hot water energy/sec through unit area.
ta = entering temperature of air • Intensity is a measure of quantity of sound
tb = leaving temperature of air energy
hb = leaving enthalpy of air flow
ha = entering enthalpy of air flow Measurement of Sound: unit – Bel = 10 dB
Qa = heat absorbed by air The ear doesn’t respond in proportion to the
ma = volumetric flow x density of air intensity of sound, and its response in proportion
ma = m3/min x kg/m3 to the logarithm of the intensity of sound.
ma = kg/min
Reverberation: Prolongation of sound after the source
of producing it has died out.
Reverberation
• Reverberation time:
o T > 5 sec - very bad
o 5 > t > 3sec - bad
o 3>t>2 sec - fairly good
o 2>t>1.5 sec - good
o 1.5>t>0.5 sec - very good
• Reverberation should be short for
auditorium as a cinema theatre or public
address.
Acoustical Defect
Reflection Coefficient: ratio of the reflected intensity Dead Spot: Side effect of sound foci. Deficiency of
over the incident intensity reflected sound rays causes low sound intensity at
some points.
Absorption Coefficient: ratio of energy absorbed by
the area to the energy striking. Insufficient loudness: In large auditorium, due to lack
of sound reflecting flat surfaces near the source or
Transmission loss: reduction in intensity of sound in stage and excessive absorption of sound in the hall,
passing through the barrier or measure of the results in this defect of insufficient loudness.
effectiveness of a barrier or surface in insulating - Provide loud speaker
against the transmission of sound.
Acoustics Defect
Acoustical Defect
• Echoes: is an indirect or a reflected voice Exterior Noise or Outdoor Nuisance: cause mainly due
which is heard just after the direct hearing to poor sound insulation and partly due to poor
of the voice coming from the same sound planning.
source.
• Echoes forms when time lag between the
two voices or sound is about 1/17th of
sound and the reflecting surfaces are
situated at a distance greater than 15cm.
• Remedy of this defect is to select the
proper shape of the auditorium and
surfaces and to use the rough and porous
material for interior surfaces.
Acoustics – Requirements and Conditions Factors in Acoustical Design
• Adequate sound intensity Treatment of interior surfaces:
• Evenly distributed • Provide favorable reflections
• Clear and distinct • Tilted portions of the ceiling can be
• Reach the audience with the same arranged
frequency and intensity • Max time gap between sound source and
• Noise protection to be done listener should be 45 milli-sec
• Ceiling and wall reflector should be within
Factors in Acoustical Design 8m of the sound source.
• Site Selection • Convex shaped wall considered best
• Volume • Rear wall should not be provided as
• Shape concave walls unless treated with sound
• Interior Surface absorbent.
• Reverberation
• Seating Arrangements and audience Reverberation:
• Sound Absorption • Optimum reverberation time
• For orchestral music, it is about 15%
Site Selection: longer than that for unaided speech
• If possible, the site should be away from • For music, it is 40% longer.
busy street, railways, airports, etc.
• If not, then orientation, layout, structural Seating Arrangements:
design should be done accordingly • Largest contributor to the absorption of
• Noise reduction. sound
Volume • Distance of front row should be about
• Purpose of hall 3.5m for drama and 4.5m for cinema
• Height is of greater importance. • Width of seat 45 to 55cm
o Public lecture hall – 2.8 to 3.7 • Back to back distance – 85 to 105 cm
m3/person
o Musical Concert Hall – 4.2 to 5.6 Sound absorption:
m3/person • Useful positioning of the sound absorbing
o Cinema Theatres – 3.7 to 4.2 material
m3/person • Coefficient absorption for distemper is
higher than paint.
Shape: • Wood panel has higher coefficient at
• For correcting the defects. lower frequency.
• For better distribution of sound.
• Ceiling height for a room or hall to be used Acoustical Treatment
for speech and music is kept varying from Open Air Theatres:
1/3 to 2/3 of the width of the room. • Selection of site is most important.
• Avg noise level should not exceed 40 dB.
• Slope of seating area should not be less
than 12 degree.
• Sound amplification system
Sound Absorbers:
These sound absorbing acoustical panels and
soundproofing materials are used to eliminate sound
reflections to improve speech intelligibility, reduce
standing waves and prevent comb filtering. A wide
variety of materials can be applied to walls and ceiling
depending on your application and environment.
Noise Control and Sound Insulation These materials vary in thickness and in shape to
achieve different absorption ratings depending in the
General Considerations: specific sound requirements.
• Isolate it at source
• Selection of location and orientation TYPES:
• Lining of wall and ceiling by means of air- • Acoustical foam panels
filled materials, like felts, straw boards, • White paintable acoustical wall panels
etc. • Fabric wrapped panels
• Rigid wall, floor, partitions can prevent • Acoustical wall coverings
transmission of noise • Ceiling tiles
• Structure borne noise can be prevented by • Baffles and banners for ceiling
introducing discontinuities in the path if • Fiber glass blankets and roll.
vibrating waves or expansion joint.
• Personal protective devices – ear plugs,
headphone, etc.
Constructional Measures:
• Wall and Partitions
• Floor and Ceilings
• Windows and Doors
• Insulating Sanitary Fittings
• Machine mounting or Insulations of
Machinery