Explore the full ebook collection and download it now at textbookfull.

com

Study Guide and Student s Solutions Manual for

Organic Chemistry Pearson New International
Edition Paula Y. Bruice

https://textbookfull.com/product/study-guide-and-student-s-
solutions-manual-for-organic-chemistry-pearson-new-
international-edition-paula-y-bruice/

OR CLICK HERE

DOWLOAD EBOOK

Browse and Get More Ebook Downloads Instantly at https://textbookfull.com

Click here to visit textbookfull.com and download textbook now
 Your digital treasures (PDF, ePub, MOBI) await
Download instantly and pick your perfect format...

Read anywhere, anytime, on any device!

Student s Solutions Manual for Organic Chemistry 7th

Edition Paula Yurkanis Bruice

https://textbookfull.com/product/student-s-solutions-manual-for-
organic-chemistry-7th-edition-paula-yurkanis-bruice/

textbookfull.com

Essential Organic Chemistry Paula Yurkanis Bruice

https://textbookfull.com/product/essential-organic-chemistry-paula-
yurkanis-bruice/

textbookfull.com

Organic Chemistry Student Study Guide and Solutions Manual

3 ed 3rd Edition Klein David

https://textbookfull.com/product/organic-chemistry-student-study-
guide-and-solutions-manual-3-ed-3rd-edition-klein-david/

textbookfull.com

Organic Chemistry 7th Edition Paula Yurkanis Bruice

https://textbookfull.com/product/organic-chemistry-7th-edition-paula-
yurkanis-bruice/

textbookfull.com
Study Guide and Solutions Manual for Organic Chemistry 5th
Edition Maitland Jones Jr.

https://textbookfull.com/product/study-guide-and-solutions-manual-for-
organic-chemistry-5th-edition-maitland-jones-jr/

textbookfull.com

Study Guide and Solutions Manual Intl Edition for Hart

Hadad Craine Hart s Organic Chemistry a Brief Course
International Edition 13th David J. Hart
https://textbookfull.com/product/study-guide-and-solutions-manual-
intl-edition-for-hart-hadad-craine-hart-s-organic-chemistry-a-brief-
course-international-edition-13th-david-j-hart/
textbookfull.com

Student solutions manual to accompany Atkins physical

chemistry 10th edition Atkins

https://textbookfull.com/product/student-solutions-manual-to-
accompany-atkins-physical-chemistry-10th-edition-atkins/

textbookfull.com

Pearson Chemistry 11 New South Wales Student Book 1st

Edition Drew Chan

https://textbookfull.com/product/pearson-chemistry-11-new-south-wales-
student-book-1st-edition-drew-chan/

textbookfull.com

Educational Leadership Pearson New International Edition A

Bridge to Improved Practice Paula Cordeiro

https://textbookfull.com/product/educational-leadership-pearson-new-
international-edition-a-bridge-to-improved-practice-paula-cordeiro/

textbookfull.com
Pearson New International Edition

4UVEZ
(VJEF
BOE
4UVEFOUhT
4PMVUJPOT
.BOVBM
GPS
0SHBOJD
$IFNJTUSZ
1BVMB
:
#SVJDF
4FWFOUI
&EJUJPO
Pearson Education Limited
Edinburgh Gate
Harlow
Essex CM20 2JE
England and Associated Companies throughout the world

Visit us on the World Wide Web at:www.pearsoned.co.uk

© Pearson Education Limited 2014

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted
in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without either the
prior written permission of the publisher or a licence permitting restricted copying in the United Kingdom
issued by the Copyright Licensing Agency Ltd, Saffron House, 6–10 Kirby Street, London EC1N 8TS.

All trademarks used herein are the property of their respective owners. The use of any trademark
in this text does not vest in the author or publisher any trademark ownership rights in such
trademarks, nor does the use of such trademarks imply any affiliation with or endorsement of this
book by such owners.

,6%1
,6%1

British Library Cataloguing-in-Publication Data

A catalogue record for this book is available from the British Library

Printed in the United States of America

 P E A R S O N C U S T O M L I B R A R Y

Table of Contents


4QFDUSPTDPQZ
1SPCMFNT
Paula Y. Bruice 1

3FNFNCFSJOH
(FOFSBM
$IFNJTUSZ
&MFDUSPOJD
4USVDUVSF
BOE
#POEJOH
Paula Y. Bruice 55

"DJET
BOE
#BTFT
$FOUSBM
UP
6OEFSTUBOEJOH
0SHBOJD
$IFNJTUSZ
Paula Y. Bruice 77

41&$*"-
501*$
*
Q)
Q,B
BOE
#VGGFST
Paula Y. Bruice 95

"O
*OUSPEVDUJPO
UP
0SHBOJD
$PNQPVOET
/PNFODMBUVSF
1IZTJDBM
1SPQFSUJFT
BOE
3FQSFTFOUBUJPO
PG
4USVDUVSF
Paula Y. Bruice 115

*TPNFST
5IF
"SSBOHFNFOU
PG
"UPNT
JO
4QBDF
Paula Y. Bruice 143

"MLFOFT
4USVDUVSF
/PNFODMBUVSF
BOE
BO
*OUSPEVDUJPO
UP
3FBDUJWJUZ
t
5IFSNPEZOBNJDT
BOE
,JOFUJDT
Paula Y. Bruice 171

5IF
3FBDUJPOT
PG
"MLFOFT
5IF
4UFSFPDIFNJTUSZ
PG
"EEJUJPO
3FBDUJPOT
Paula Y. Bruice 193

5IF
3FBDUJPOT
PG
"MLZOFT
t
"O
*OUSPEVDUJPO
UP
.VMUJTUFQ
4ZOUIFTJT
Paula Y. Bruice 233

%FMPDBMJ[FE
&MFDUSPOT
BOE
5IFJS
&GGFDU
PO
4UBCJMJUZ
Q,B
BOE
UIF
1SPEVDUT
PG
B
3FBDUJPO
Paula Y. Bruice 251

41&$*"-
501*$
**
.PMFDVMBS
0SCJUBM
5IFPSZ
Paula Y. Bruice 301

4VCTUJUVUJPO
3FBDUJPOT
PG
"MLZM
)BMJEFT
Paula Y. Bruice 309

,
 
&MJNJOBUJPO
3FBDUJPOT
PG
"MLZM
)BMJEFT
t
$PNQFUJUJPO
#FUXFFO
4VCTUJUVUJPO
BOE
&MJNJOBUJPO
Paula Y. Bruice 331

3FBDUJPOT
PG
"MDPIPMT
&UIFST
&QPYJEFT
"NJOFT
BOE
5IJPMT
Paula Y. Bruice 359

0SHBOPNFUBMMJD
$PNQPVOET
Paula Y. Bruice 399

3BEJDBMT
t
3FBDUJPOT
PG
"MLBOFT
Paula Y. Bruice 417

/.3
4QFDUSPTDPQZ
Paula Y. Bruice 439

.BTT
4QFDUSPNFUSZ
*OGSBSFE
4QFDUSPTDPQZ
BOE
6MUSBWJPMFU7JTJCMF
4QFDUSPTDPQZ
Paula Y. Bruice 467

3FBDUJPOT
PG
$BSCPYZMJD
"DJET
BOE
$BSCPYZMJD
"DJE
%FSJWBUJWFT
Paula Y. Bruice 497

3FBDUJPOT
PG
"MEFIZEFT
BOE
,FUPOFT
t
.PSF
3FBDUJPOT
PG
$BSCPYZMJD
"DJE
%FSJWBUJWFT
t
3FBDUJPOT
PG
" #6OTBUVSBUFE
$BSCPOZM
$PNQPVOET
Paula Y. Bruice 535

3FBDUJPOT
BU
UIF
"$BSCPO
PG
$BSCPOZM
$PNQPVOET
Paula Y. Bruice 579

3FBDUJPOT
PG
#FO[FOF
BOE
4VCTUJUVUFE
#FO[FOFT
Paula Y. Bruice 623

.PSF
"CPVU
"NJOFT
t
3FBDUJPOT
PG
)FUFSPDZDMJD
$PNQPVOET
Paula Y. Bruice 681

5IF
0SHBOJD
$IFNJTUSZ
PG
$BSCPIZESBUFT
Paula Y. Bruice 705

5IF
0SHBOJD
$IFNJTUSZ
PG
"NJOP
"DJET
1FQUJEFT
BOE
1SPUFJOT
Paula Y. Bruice 735

$BUBMZTJT
JO
0SHBOJD
3FBDUJPOT
BOE
JO
&O[ZNBUJD
3FBDUJPOT
Paula Y. Bruice 767

5IF
0SHBOJD
$IFNJTUSZ
PG
UIF
$PFO[ZNFT
$PNQPVOET
%FSJWFE
GSPN
7JUBNJOT
Paula Y. Bruice 791

5IF
0SHBOJD
$IFNJTUSZ
PG
UIF
.FUBCPMJD
1BUIXBZT
t
5FSQFOF
#JPTZOUIFTJT
Paula Y. Bruice 813

5IF
$IFNJTUSZ
PG
UIF
/VDMFJD
"DJET
Paula Y. Bruice 835

,,

4ZOUIFUJD
1PMZNFST
Paula Y. Bruice 851

1FSJDZDMJD
3FBDUJPOT
Paula Y. Bruice 873
*OEFY 889

,,,
This page intentionally left blank
Spectroscopy Problems

1. Determine the structure of the straight-chain pentanol that produces the mass spectrum shown here.
45
100

80
Relative Intensity

60

40

20 55

73

0
10 20 30 40 50 60 70 80
m/z

2. The mass spectrum of an ether is shown here. Determine the molecular formula of the ether that would
produce this spectrum and then draw possible structures for it.

31
100

80
59
Relative Intensity

60

45 74
40

20

0
10 15 20 25 30 35 40 45 50 55 60 65 70 75
m/z

From Spectroscopy Problems of Study Guide and Solutions Manual for Organic Chemistry, Seventh Edition. Paula Yurkanis Bruice.
Copyright © 2014 by Pearson Education, Inc. All rights reserved.


 Spectroscopy Problems

3. The mass spectra of pentane and isopentane are shown here. Determine which spectrum belongs to which
compound.
43
100

80
Relative Intensity

60

40

29 57
20 72

0
10 15 20 25 30 35 40 45 50 55 60 65 70 75
m/z

43
100 57

80
Relative Intensity

29
60

40

20 72

0
10 20 30 40 50 60 70 80 90 100 110 120
m/z


 Spectroscopy Problems

4. Which of the following compounds gives the mass spectrum shown here?

N O
O H2N

58
100

80
Relative Intensity

60

40

44 73
20

0
10 15 20 25 30 35 40 45 50 55 60 65 70 75
m/z

5. An unknown acid underwent a reaction with 1-butanol. The product of the reaction gave the mass spectrum
shown here. What is the product of the reaction, and what acid was used?
57
100

80
Relative Intensity

41
60

40

20
136 138

0
25 50 75 100 125
m/z


 Spectroscopy Problems

6. Identify the compound with molecular formula C9H10O3 that gives the following IR and 1H NMR spectra.

1
3
10 9

2
2

8 7 6 5 4 3 2 1 0
100 0.0

90 0.05

80 0.1

70
A
% B
T 0.2
60 S
R O
A R
50 N 0.3
B
S A
M N
40 I 0.4
C
T E
30 T 0.5
A 0.6
N
20 C 0.7
E 0.8
0.9
10 1.0

0 2.0
4000 3800 3600 3400 3200 3000 2800 2600 2400 2200 2000 1800 1600 1400 1200 1000 800 600 450
WAVENUMBERS

7. Identify the compound with molecular formula C5H11Br that gives the following 1H NMR spectrum.

6
2 1

8 7 6 5 4 3 2 1 0


 Spectroscopy Problems

8. Identify the compound with molecular formula C6H12O that gives the following IR and 1H NMR spectra.

9 8 7 6 5 4 3 2 1 0
100 0.0

90 0.05

80 0.1

70
A
% B 0.2
60 T S
R O
A R
50 N B 0.3
S A
40 M N 0.4
I C
T E
30 T 0.5
A 0.6
N
20 C 0.7
E 0.8
0.9
10 1.0

0 2.0
4000 3800 3600 3400 3200 3000 2800 2600 2400 2200 2000 1800 1600 1400 1200 1000 800 600 450
WAVENUMBERS

9. A methyl-substituted benzene is treated with Cl2 in the presence of AlCl3, and a 1H NMR spectrum is taken
of one of the monochlorinated products that is isolated from the reaction mixture. Identify this compound.

2 2

8 7 6 5 4 3 2 1


 Spectroscopy Problems

10. Identify the compound with molecular formula C6H14O that gives the following IR and 1H NMR spectra.

~1.5 ~0.9 41 3 6

7 6 5 4 3 2 1
100 0.0

90 0.05

80 0.1

70
%
T 0.2
60
R
A A
50 N B 0.3
S S
M O
40 I R 0.4
T B
30 T A 0.5
A N
N 0.6
C
20 C E 0.7
E 0.8
0.9
10 1.0

0 2.0
4000 3800 3600 3400 3200 3000 2800 2600 2400 2200 2000 1800 1600 1400 1200 1000 800 600 450
WAVENUMBERS

11. Identify the compound with molecular formula C4H9Br that gives the following 1H NMR spectrum.

7 6 5 4 3 2 1 0


 Spectroscopy Problems

12. Identify the compound with molecular formula C6H12 that gives the following IR and 1H NMR spectra.

~4.7 ~2.2 3

8 7 6 5 4 3 2 1 0
100 0.0

90 0.05

80 0.1

70
%
T 0.2
60
R
A A
50 N B 0.3
S S
M O
40 I R 0.4
T B
30 T A 0.5
A N
N 0.6
C
20 C E 0.7
E 0.8
0.9
10 1.0

0 2.0
4000 3800 3600 3400 3200 3000 2800 2600 2400 2200 2000 1800 1600 1400 1200 1000 800 600 450
WAVENUMBERS

13. Identify the compound with molecular formula C8H10O that gives the following 1H NMR spectrum.

6
1
2 1
7 6 5 4 3 2 1 0


 Spectroscopy Problems

14. Identify the compound with molecular formula C4H7ClO that gives the following IR and 1H NMR spectra.

8 7 6 5 4 3 2 1 0

100 0.0

90 0.05

80 0.1

70
% 0.2
60 T
R A
A B
50 N S 0.3
S O
40 M R 0.4
I B
T A
30 T N 0.5
A C 0.6
N E
20 C 0.7
E 0.8
0.9
10 1.0

0 2.0
4000 3800 3600 3400 3200 3000 2800 2600 2400 2200 2000 1800 1600 1400 1200 1000 800 600 450
WAVENUMBERS

15. Identify the compound with molecular formula C8H8Br2 that gives the following 1H NMR spectrum.

8 7 6 5 4 3 2 1 0


 Spectroscopy Problems

16. Identify the compound with molecular formula C4H6O that gives the following IR and 1H NMR spectra.

2 3 1

8 7 6 5 4 3 2 1 0
100 0.0

90 0.05

80 0.1

70
%
T 0.2
60 A
R B
A S
50 N O 0.3
S R
M B
40 I A 0.4
T N
30 T C 0.5
A E
N 0.6
20 C 0.7
E 0.8
0.9
10 1.0

0 2.0
4000 3800 3600 3400 3200 3000 2800 2600 2400 2200 2000 1800 1600 1400 1200 1000 800 600 450
WAVENUMBERS

17. Identify the compound with molecular formula C7H8BrN that gives the following 1H NMR spectrum.

7
3

2 1
2
8 7 6 5 4 3 2 1 0


 Spectroscopy Problems

18. The 1H NMR spectra of 1-chloro-3-iodopropane and 1-bromo-3-chloropropane are shown here. Which
compound gives which compound spectrum?

a.

7 6 5 4 3 2 1 0

b.

7 6 5 4 3 2 1 0

19. Identify the compound with molecular formula C4H8O that gives the following 1H NMR spectrum.

6.4 4.0 3.8

1 1 1 2 3

8 7 6 5 4 3 2 1 0


 Spectroscopy Problems

20. Identify the compound with molecular formula C5H10O2 that gives the following 1H NMR spectrum.

1 3 6

8 7 6 5 4 3 2 1 0

21. Identify the compound with molecular formula C8H7O2Br that gives the following IR and 1H NMR spectra.
100 0.0

90 0.05

80 0.1

70
A
% B 0.2
60 T S
R O
A R
50 N B 0.3
S A
40 M N 0.4
I C
T E
30 T 0.5
A 0.6
N
20 C 0.7
E 0.8
0.9
10 1.0

0 2.0
4000 3800 3600 3400 3200 3000 2800 2600 2400 2200 2000 1800 1600 1400 1200 1000 800 600 450
WAVENUMBERS

1
Offset: 0.4 ppm.

8 2 2 2

12 11 10 9 8 7 6 5 4 3 2 1 0


 Spectroscopy Problems

22. Identify the compound with molecular formula C7H6O that gives the following 1H NMR spectrum.

2 1 2
1

10 9 8 7 6 5 4 3 2 1 0

23. The two 1H NMR spectra shown here are given by constitutional isomers with molecular formula C3H7Br.
Identify each isomer.

a.

~ 4.3

1 6

8 7 6 5 4 3 2 1 0

b.

2 2 3

8 7 6 5 4 3 2 1 0


 Spectroscopy Problems

24. An unknown alkene with molecular formula C8H16 undergoes ozonolysis. Only one product is formed. The
IR and 1H NMR spectra of the product are shown here. What is the product? What alkene produced this
product?
100 0.0

90 0.05

80 0.1

70
% A 0.2
60 T B
R S
A O
50 N R 0.3
S B
40 M A 0.4
I N
T C
30 T E 0.5
A 0.6
N
20 C 0.7
E 0.8
0.9
10 1.0

0 2.0
4000 3800 3600 3400 3200 3000 2800 2600 2400 2200 2000 1800 1600 1400 1200 1000 800 600 450
WAVENUMBERS

1
offset 2.5 ~2.4

1 6
7 6 5 4 3 2 1 0


 Spectroscopy Problems

25. Identify the compound with molecular formula C4H7BrO2 that gives the following IR and 1H NMR spectra.
100 0.0

90 0.05

80 0.1

70
% A 0.2
60 T B
R S
A O
50 N R 0.3
S B
40 M A 0.4
I N
T C
30 T E 0.5
A 0.6
N
20 C 0.7
E 0.8
0.9
10 1.0

0 2.0
4000 3800 3600 3400 3200 3000 2800 2600 2400 2200 2000 1800 1600 1400 1200 1000 800 600 450
WAVENUMBERS

offset: 0.2ppm.

12 11 10 9 8 7 6 5 4 3 2 1 0

26. Identify the compound with molecular formula C3H6Cl2 that gives the following 1H NMR spectrum.

~2.2

7 6 5 4 3 2 1 0


 Spectroscopy Problems

27. A compound with the following IR spectrum was formed by a reaction with 1-propyne. If the number of
carbons in the reactant and product is the same, what compound is formed and what reaction conditions
produced this compound?

100 0.0

90 0.05

80 0.1

70
A
% B
T 0.2
60 S
R O
A R
50 N B 0.3
S A
M N
40 I 0.4
C
T E
30 T 0.5
A
N 0.6
20 C 0.7
E 0.8
0.9
10 1.0

0 2.0
4000 3800 3600 3400 3200 3000 2800 2600 2400 2200 2000 1800 1600 1400 1200 1000 800 600 450
WAVENUMBERS

28. Identify the compound with molecular formula C4H8O2 that gives the following 1H and 13C NMR spectra.

CDCl3 QE-300
240 220 200 180 160 140 120 100 80 60 40 20 0

1
Offset: 0.4 ppm. ∼2.6 ppm.

1 6

12 11 10 9 8 7 6 5 4 3 2 1 0


 Spectroscopy Problems

29. Identify the compound with molecular formula C4H8O2 that gives the following 1H NMR spectrum.

1
~11.8

2 2 3

6 5 4 3 2 1 0

30. Identify the compound with molecular formula C9H11NO that gives the following 1H NMR spectrum.

1 2 2 6

10 9 8 7 6 5 4 3 2 1 0

31. Identify the compound with molecular formula C9H10O2 that gives the following 1H NMR spectrum.

2
1
2 2 3

8 7 6 5 4 3 2 1 0


 Spectroscopy Problems

32. The 13C NMR and 1H NMR spectra of1, 2-, 1, 3-, and 1, 4-ethylmethylbenzene are shown here. Determine
which spectrum belongs to which compound.

a. 160 140 120 100 80 60 40 20 0

Solvent

3 3 3
1 2

8 7 6 5 4 3 2 1 0

b.
160 140 120 100 80 60 40 20 0

Solvent

4 2 3 3

8 7 6 5 4 3 2 1 0


 Spectroscopy Problems

c. 160 140 120 100 80 60 40 20 0

Solvent

3
4 2 3

8 7 6 5 4 3 2 1 0

33. Identify the compound with molecular formula C7H14O that gives the following 1H NMR spectrum.

~2.8 ppm

2 12

7 6 5 4 3 2 1 0


 Spectroscopy Problems

34. Identify the compound with molecular formula C5H10 that gives the following 1H NMR spectrum.

8 7 6 5 4 3 2 1 0

35. Identify the compound with molecular formula C3H4O that gives the following IR and 1H NMR spectra.

2 1 1

8 7 6 5 4 3 2 1 0
100 0.0

90 0.05

80 0.1

70
% 0.2
60 T
R
A
50 N 0.3
A
S B
40 M S 0.4
I O
T R
30 T 0.5
B
A A 0.6
N N
20 C 0.7
C 0.8
E E 0.9
10 1.0

0 2.0
4000 3800 3600 3400 3200 3000 2800 2600 2400 2200 2000 1800 1600 1400 1200 1000 800 600 450
WAVENUMBERS


 Spectroscopy Problems

36. Identify the compound with molecular formula C4H7Cl that gives the following 1H NMR spectrum.

2
1

7 6 5 4 3 2 1 0

37. Identify the alcohol that gives the following 1H NMR spectrum.

5 2 2 1

8 7 6 5 4 3 2 1 0


 Spectroscopy Problems

38. An unknown alcohol gives the following 1H NMR spectrum. Identify the alcohol. (HINT: Because this is a
spectrum of a pure alcohol, the OH proton is split by adjacent protons.)

2 6
1 1
7 6 5 4 3 2 1 0

39. Identify the compound with molecular formula C5H12O2 that gives the following 1H NMR spectrum.

7 6 5 4 3 2 1 0


 Spectroscopy Problems

40. Identify the compound with molecular formula C3H7NO that gives the following IR and 1H NMR spectra.
100 0.0

90 0.05

80 0.1

70
% 0.2
60 T
R
A
50 N A 0.3
S B
M S
40 O 0.4
I
T R
30 T B 0.5
A A
N 0.6
N
20 C C 0.7
E E 0.8
0.9
10 1.0

0 2.0
4000 3800 3600 3400 3200 3000 2800 2600 2400 2200 2000 1800 1600 1400 1200 1000 800 600 450
WAVENUMBERS

7 6 5 4 3 2 1 0


 Another Random Document on
Scribd Without Any Related Topics
 Abu József még Abelaydetól is kapott e jó szolgálatért tizezer
dinárt.
E szerint egyetlen nászesetnél negyvenezer dinárt szolgált meg
Abu József.
Hejh, jó volt akkor tudósnak lenni!
 39.
BENZERÁDE SZERELME.
Benzeráde kedves költője volt a XVII. századnak.
Költeményei keleties bűbájt, utánozhatatlan varázst árasztottak
maguk körül, olyas valami zamat áradt azokból, a minőt némely
délszigeti gyümölcs lehell; holmi északi prózai almák el nem birják
azt sajátítani, azt sem tudják, mire való.
Sokat ténfergett az udvar körül; nem igen értették még akkor
meg másutt a poétát; Richelieu és Mazarin kegyosztalékai
tartogatták ott benne a lelket. Később akadémiai tag is lett, de ez
nem akkor volt, mikor ez a kaland történt vele. Még akkor nagyon
fiatal volt arra, hogy a vén múzsák belészeressenek. Épen olyan
fiatal, hogy képesnek higyje magát egy magas udvari hölgy
figyelmét magára vonhatni.
Ez a hölgy volt pedig a historiailag hirhedett szépség, la Valliere
herczegnő.
Benzeráde a leggyönyörűbb chansonokat írta hozzá, a mik tele
voltak forró szerelemmel, a milyen forró éghajlat alatt a pálmák és a
napfordítók csodás növényzetei tenyésznek.
Legszebb remekművének czíme Job, a leggyönyörűbb szerelmi
nyilatkozat, a mi valaha költő szívét és tollát elhagyta.
A költő, vágyai merész röptétől elragadtatva, e költeményét bátor
volt szíve királynéjának megküldeni. Ha lelke volt a szép delnőnek,
megértheté.
 Benzeráde három napig várt az eredményre. E három nap alatt
nem evett, s e három éj alatt nem aludt. Vajjon mit fog-e merész
nyilatkozatára a herczegnő válaszolni? vajjon egyáltalában
érdemesíti-e válaszra?
Harmadnap meglátogatta a költőt a herczegnő udvarmestere.
Azt az izenetet hozta neki, hogy a herczegnő óhajtana vele
titokban bizonyos ügy felől szólani.
Higyjen érzékeinek? A herczegnő titokban akar vele szólani. Érte
küldte aranyos hintaját, úgy viteti őt magához, a hátulsó lépcsőn
bocsátják fel: a titkos szeretők útján. Rejtett szőnyegajtón keresztül
vezetik be a pompás susogó szobába, melyben senki sincs más, mint
ő maga és a herczegnő.
Milyen szép volt la Valliere? az már sokszor el volt mondva.
Nekünk olyan keveset használ az, mint egykor Benzerádénak. A költő
nem bírt lélekzetéhez jönni ennyi kegy, ennyi boldogság s ennyi
csábító pompa közepett. Oh a szegény manzardlakó tudósok olyan
zavarba is jönnek mindjárt, ha egy pompás salonba vetődnek
valahogy.
La Valliere azt mondta neki, hogy űljön oda mellé. A költő nem
mert egészen mellé ülni; csak a causeuse szegletén foglalt helyet.
Akkor aztán a herczegnő maga telepedett hozzá közelebb; pompás
moir öltönyének hullámai félig eltemették a szegény szerelmes
poétát.
A herczegnő finom fehér kezével egy aranyos szélű levelkét vont
ki kebléből, a finom csipkefodrozatok közül. Oh boldog csipkék! oh
boldog papir!
Benzeráde saját sonettjére ismert abban. A boldogság egészen
elfojtá szavát.
– Kedves Benzeráde, szólt la Valliere azon a csengő hangon, a
mit a költők a seraph-zenéhez hasonlítanak, én olvastam kegyed
költeményét. Nagyon szép, gyönyörű.
 Van-e költő, kit az ily kritika el ne ragadna? Szép, gyönyörű vers!
és ha ezt épen az ejti ki, a kihez czímezve van a költemény.
– Nagyon örülök, hogy önt megismertem, folytatá a bájos delnő,
olyan közel hajolva Benzerádehoz, hogy illatos lehelletét érzé arczán
s gondolkozni kezde rajta, nem volna legrövidebb útja a
paradicsomnak, most egyszerre magához ölelni azt a szép fejet, s
össze-visszacsókolni.
Még várt vele.
– Oh mi régóta keresek egy olyan igazán lángoló lelket, mint az
öné, a ki oly mélyen érezni és érzéseinek oly magas kifejezéseket
adni tudjon. Önnek minden sora egy drága gyöngyfüzér, kedves
Benzeráde; oh mint örülök, hogy önt megismerhetém. Ön nem
haragszik rám érte, hogy ide hivattam.
Benzeráde közel volt hozzá, hogy a herczegnő lábaihoz omoljon,
s a mit irásban százszor tett már, szavakban is kivallja szerelmét.
Csakhogy az a szó sokkal nehezebben jött, mint az irás.
– Én önt egy nagy szívességre kérem, folytatá la Valliere.
– Életemet! vágott közbe a költő.
– Oh azt nem, szólt mosolyogva a herczegnő. Nézze ön, mi
zavarban vagyok! Ő felsége Lajos király ezt az érzelemmel gazdag
levelet irja hozzám: olvassa ön; megengedem.
Szerelmes levél volt az la Vallierehez a királytól.
– Nekem most erre válaszolnom kellene; de én oly ügyetlen
vagyok a fogalmazásban, pedig szeretnék valami elmés, valami költői
virágokkal teljes választ küldeni a királynak, hogy bámulna rajta.
Ugy-e kedves Benzeráde, ön megteszi nekem, hogy ir egy ilyen szép,
érzelemdús viszonzást az én nevemben. Nagyon jól meg fogom adni
az árát.
 Benzeráde előtt zavaros lett a világ, felugrott, elfutott; csak az
utczán vette észre, hogy kalap nélkül jött ki a herczegnőtől. Több
chansont nem irt aztán hozzá.
Szegény Benzeráde.
 40.
EGY HÓHÉR.
(Iródott 1850-ben: régen múlt időben.)
Véreseknek látom a betűket magam előtt. A hóhér életrajzát
irom.
Ki annyinak adott halált, életet adok neki. Hallgassatok és féljétek
a törvény balkezét.
Jobb kezében az istennőnek a mérleg, balkezében a pallos, nem
tudhatod, ki számára van élesítve.
Amaz a biró, ez a hóhér.
Reszkess ember, midőn nevét kimondod, az a pallos.

Hajdan a hóhér nagy tiszteletben állt.

Több népnél maguk a birák hajtották végre az általuk hozott
halálitéletet… Ha most is úgy volna…
Az eutonoknál az istenek papjai, a druydák hajták végre a
véritéletet. És az elitélt kivégzése, lett legyen az bűnös, vagy
hadifogoly, áldozat volt Isten oltárán.
Az izraelitáknál a nép maga kövezte agyon elitéltjeit.
A görögök bakói a tanácsbeliek soraiban ültek. Rómában a
consulok kisérői, lictorok hajták végre a halálitéletet. Oroszországban
egyik rab végezte ki a másikat, s ki erre vállalkozott, önbüntetését
kikerülé.
Másutt vadállatok elé dobták az elitéltet, – azok ölték meg;
belevetették a vízbe, – a hullám nyelte el; – máglyára vetették, – a
láng emésztette meg; letaszíták a tarpéji szikláról, – a föld zúzta
agyon; befalazták, – az éhség vesztette el. Ki volt az, ki legelőbb
azon gondolatra jött: hogy a halálnak, a bűnök büntetésének emberi
alakot adjon? Ki teremtett legelőször embereket, kiknek neve irtózat,
hivatása életoltás, kikkel egy város árkain belől lakni irtózik a nép?
A hóhér ki van zárva az emberek köréből.
Ki szeretné őt maga mellett látni? A bűnök büntetését. Az eleven
halált?…
A hóhérnak fia is hóhér. Mi is lehetne egyéb. A szomorú hivatal
apáról fiura száll. Bele kell születni, benne kell meghalni.

Pest egyik legdíszesebb utczájában van egy csinos emeletes ház,

sok lakó van benne, mindenféle rendű és rangú emberek. A házi urat
egyik sem ismeri, a házmester nem mondja meg annak nevét… Ha
tudnák, hogy az a bakó háza!
Még két háza van azonkívül Pesten, mindenik csinos, emeletes.
A pesti bakó gazdag ember.
Többször találkoztam itt laktomban egy különös szomorú öreg
emberrel, ősz volt, mint egy galamb, haja, bajusza hófehér, s minden
vonásán valami oly szokatlan szomorúság, a minek az ember nem
talál nevet, úgy hogy midőn másodszor találkoztam vele, eszembe
jutott, hogy már egyszer láttam valahol, pedig nagy városban az
ember nem igen szokta egymást észrevenni. – Egyszer megmondta
valaki, hogy azon szomorú ősz ember a hóhér. A legnevezetesebb
hóhér az országban.
Ő
 Ő nem született hóhérnak, apja nem volt az. Sok ideig élt, mint
tisztességes kereskedő, midőn egymásután következett balesetek
hirtelen megfoszták hosszú, fáradságos évek alatt szerzett
vagyonától. Ekkor elment a franczia háborúba, mint markotányos.
Oda volt, míg az egyesült seregek Párist elfoglalták, s mikor
visszajött, szorgalomgyűjtött vagyona helyébe új kincseket hozott,
mik az elvesztetteket tizszeresen múlták fölül.
De az új kincsekkel új szenvedélyeket is szerze, mik néhány év
alatt ismét mindenéből kipusztíták. Ekkor megszerette előde leányát,
a pesti bakóét. A szerelem mindenható, azzá teremti az embert, a
mivé akarja, belőle bakót teremtett.
Nejének atyja beavatta vejét műtitkaiba s nem sokára
Fehérvárott egy híres rablót itéltek halálra, kinek népi neve volt
«görbe orrú Ferke». Ezen kellett első próbáját tenni az új hóhér-
legénynek.
A rabló nagy magas férfi volt, híres neves zsivány három
vármegyében, fekete szakálla leért az öveig, s merész arcza nagy
sas-orrával egy festő mintájául szolgálhatott volna.
A rabló a vesztőhelyen épületes beszédet tartott az összegyűlt
néphez, inté a szülőket, a kik jelen voltak, hogy gyermekeiket
neveljék istenfélelemben, s okuljanak az ő szomorú sorsából, az új
bakó pedig egy csapással úgy leütötte fejét, hogy a néző közönség
villanni sem látta a pallost, csak azt látta, a mint a vér fölugrott.
Mind a rabló beszéde, mind a bakó művészete tökéletesen
megnyerte a közönség tetszését, két hétig csak ő róla beszéltek s
azontúl az új bakó híre meg volt alapítva…

A múlt évben már ősz, aggott ember volt a bakó. – Hogy tudott
így megőszülni?

Ő
 Ő volt az, ki a szabadságharcz martyrjait kivégezé, –
valamennyit.
Azóta még szomorúbb lett. Napról-napra pusztult, fogyott. Nem
sokára meg is halt bele.
Egyetlen leánya maradt. Soha sem lakott az apai háznál. Nem
tudott apjával beszélni… Ki tudná megcsókolni azt a kezet, mely
irgalmat nem osztott soha, csak halált, csak büntetést? Megürült
hivatala nem maradt soká betöltetlen. Többen folyamodtak érte,
mint egy megürült püspökségért.
Az emberek czivilizálódnak.
 Lábjegyzetek.
1) A régi rómaiak idejében is élt már az a hit, hogy a hüvelykujj
elvágása által a férfi elveszti bátorságát, ezért a csatából
megfutóknak hüvelykét szokták levágni; innen támadt e szó:
«poltron» a gyávák elnevezéseül (pollex troncatus).
2) E növényt még a komoly Európa legkomolyabb nemzete is
királynénak nevezte el: Victoria regia. Eddigelé csak fejedelmi
aquariumok képesek azt felmutatni.
 TARTALOM.
Első kötet.

1. Százszorszépek 1
2. A láthatlan seb 17
3. Cseréljünk vőlegényt 30
4. Beczkó felesége 35
5. A székely adott szava 37
6. Egy női szó 39
7. Biró uram itélete 45
8. A fiuidoni harcz 50
9. Bebe 54
10. Két légyott 60
11. A kassai biró 62
12. Bölcs Hamlet 77
13. Faustina 88
14. Katonadolog 93
15. A hold 96
16. Sylvester éjszakák 102
17. Velezke 109
18. Kinek a halottja? 114
19. Szörnyű nemesis 117
20. A régiségbuvár 118
21. A csillagos szoba 126
22. Egy haramia-banda a havason 131
23. A megölt ország 143
24. Valdivia 156
25. A mennyei parittyakövek 181
26. Jordaki feje 193
27. Én lehettem volna az 202
28. Régi hű szerető 208
29. Karácsonyi dolgozó 214
30. Egy komondor naplója 223
31. Még egy csókot 234
32. A peregrinus 238
33. Az áruló gyűrű 255
34. Mátyás király fája 267
35. Az achæmenidion 284
36. Arria 293
37. Melyiket a kilencz közül 297
38. Abu József 303
39. Benzeráde szerelme 307
40. Egy hóhér 310

FRANKLIN-TÁRSULAT NYOMDÁJA.

Javítások.

Az eredeti szöveg helyesírásán nem változtattunk.

A nyomdai hibákat javítottuk. Ezek listája:

30 az Isten. az Isten.»
163 hallgatás tndományával hallgatás tudományával
168 átölte a gyönyörű átölelte a gyönyörű
181 31. 25.
208 29. 28.
251 Ö nem Ő nem
280 kiraly saját király saját
311 Egyszer meg. mondta Egyszer megmondta
311 hóhér- A hóhér. A
 *** END OF THE PROJECT GUTENBERG EBOOK DEKAMERON (1.
RÉSZ) ***

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S.

copyright law means that no one owns a United States copyright in
these works, so the Foundation (and you!) can copy and distribute it
in the United States without permission and without paying
copyright royalties. Special rules, set forth in the General Terms of
Use part of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything
for copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such as
creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given
away—you may do practically ANYTHING in the United States with
eBooks not protected by U.S. copyright law. Redistribution is subject
to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
 PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free

distribution of electronic works, by using or distributing this work (or
any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and

Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree
to and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be
bound by the terms of this agreement, you may obtain a refund
from the person or entity to whom you paid the fee as set forth in
paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be

used on or associated in any way with an electronic work by people
who agree to be bound by the terms of this agreement. There are a
few things that you can do with most Project Gutenberg™ electronic
works even without complying with the full terms of this agreement.
See paragraph 1.C below. There are a lot of things you can do with
Project Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project
Gutenberg™ electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright law
in the United States and you are located in the United States, we do
not claim a right to prevent you from copying, distributing,
performing, displaying or creating derivative works based on the
work as long as all references to Project Gutenberg are removed. Of
course, we hope that you will support the Project Gutenberg™
mission of promoting free access to electronic works by freely
sharing Project Gutenberg™ works in compliance with the terms of
this agreement for keeping the Project Gutenberg™ name associated
with the work. You can easily comply with the terms of this
agreement by keeping this work in the same format with its attached
full Project Gutenberg™ License when you share it without charge
with others.

1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside the
United States, check the laws of your country in addition to the
terms of this agreement before downloading, copying, displaying,
performing, distributing or creating derivative works based on this
work or any other Project Gutenberg™ work. The Foundation makes
no representations concerning the copyright status of any work in
any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other

immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project Gutenberg™
work (any work on which the phrase “Project Gutenberg” appears,
or with which the phrase “Project Gutenberg” is associated) is
accessed, displayed, performed, viewed, copied or distributed:
 This eBook is for the use of anyone anywhere in the United
States and most other parts of the world at no cost and with
almost no restrictions whatsoever. You may copy it, give it away
or re-use it under the terms of the Project Gutenberg License
included with this eBook or online at www.gutenberg.org. If you
are not located in the United States, you will have to check the
laws of the country where you are located before using this
eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived

from texts not protected by U.S. copyright law (does not contain a
notice indicating that it is posted with permission of the copyright
holder), the work can be copied and distributed to anyone in the
United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must
comply either with the requirements of paragraphs 1.E.1 through
1.E.7 or obtain permission for the use of the work and the Project
Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted

with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works posted
with the permission of the copyright holder found at the beginning
of this work.

1.E.4. Do not unlink or detach or remove the full Project

Gutenberg™ License terms from this work, or any files containing a
part of this work or any other work associated with Project
Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this

electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if you
provide access to or distribute copies of a Project Gutenberg™ work
in a format other than “Plain Vanilla ASCII” or other format used in
the official version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or
expense to the user, provide a copy, a means of exporting a copy, or
a means of obtaining a copy upon request, of the work in its original
“Plain Vanilla ASCII” or other form. Any alternate format must
include the full Project Gutenberg™ License as specified in
paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,

performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing

access to or distributing Project Gutenberg™ electronic works
provided that:

• You pay a royalty fee of 20% of the gross profits you derive
from the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
 about donations to the Project Gutenberg Literary Archive
Foundation.”

• You provide a full refund of any money paid by a user who

notifies you in writing (or by e-mail) within 30 days of receipt
that s/he does not agree to the terms of the full Project
Gutenberg™ License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of

any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™

electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend

considerable effort to identify, do copyright research on, transcribe
and proofread works not protected by U.S. copyright law in creating
the Project Gutenberg™ collection. Despite these efforts, Project
Gutenberg™ electronic works, and the medium on which they may
be stored, may contain “Defects,” such as, but not limited to,
incomplete, inaccurate or corrupt data, transcription errors, a
copyright or other intellectual property infringement, a defective or
damaged disk or other medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for

the “Right of Replacement or Refund” described in paragraph 1.F.3,
the Project Gutenberg Literary Archive Foundation, the owner of the
Project Gutenberg™ trademark, and any other party distributing a
Project Gutenberg™ electronic work under this agreement, disclaim
all liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR
NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR
BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH
1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK
OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL
NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT,
CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF
YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you

discover a defect in this electronic work within 90 days of receiving
it, you can receive a refund of the money (if any) you paid for it by
sending a written explanation to the person you received the work
from. If you received the work on a physical medium, you must
return the medium with your written explanation. The person or
entity that provided you with the defective work may elect to provide
a replacement copy in lieu of a refund. If you received the work
electronically, the person or entity providing it to you may choose to
give you a second opportunity to receive the work electronically in
lieu of a refund. If the second copy is also defective, you may
demand a refund in writing without further opportunities to fix the
problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED,
INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied

warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted
by the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation,

the trademark owner, any agent or employee of the Foundation,
anyone providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with
the production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of the
following which you do or cause to occur: (a) distribution of this or
any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission

of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and
donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the

assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a
secure and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help,
see Sections 3 and 4 and the Foundation information page at
www.gutenberg.org.

Section 3. Information about the Project

Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,

Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to

the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can
be freely distributed in machine-readable form accessible by the
widest array of equipment including outdated equipment. Many
small donations ($1 to $5,000) are particularly important to
maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating

charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and
keep up with these requirements. We do not solicit donations in
locations where we have not received written confirmation of
compliance. To SEND DONATIONS or determine the status of
compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where

we have not met the solicitation requirements, we know of no
prohibition against accepting unsolicited donations from donors in
such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make

any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of
other ways including checks, online payments and credit card
donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About

Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.
Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,

including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how
to subscribe to our email newsletter to hear about new eBooks.
Welcome to our website – the ideal destination for book lovers and
knowledge seekers. With a mission to inspire endlessly, we offer a
vast collection of books, ranging from classic literary works to
specialized publications, self-development books, and children's
literature. Each book is a new journey of discovery, expanding
knowledge and enriching the soul of the reade

Our website is not just a platform for buying books, but a bridge
connecting readers to the timeless values of culture and wisdom. With
an elegant, user-friendly interface and an intelligent search system,
we are committed to providing a quick and convenient shopping
experience. Additionally, our special promotions and home delivery
services ensure that you save time and fully enjoy the joy of reading.

Let us accompany you on the journey of exploring knowledge and

personal growth!

textbookfull.com