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Java
Methods
A & AB
Object-Oriented Programming
and
Data Structures
Maria Litvin
Phillips Academy, Andover, Massachusetts
Gary Litvin
Skylight Software, Inc.
Skylight Publishing
Andover, Massachusetts
Skylight Publishing
9 Bartlet Street, Suite 70
Andover, MA 01810
web: http://www.skylit.com
e-mail: [email protected]
[email protected]
ISBN 978-0-9727055-7-8
The names of commercially available software and products mentioned in this book are
used for identification purposes only and may be trademarks or registered trademarks
owned by corporations and other commercial entities. Skylight Publishing and the authors
have no affiliation with and disclaim any sponsorship or endorsement by any of these
products’ manufacturers or trademarks’ owners.
Sun, Sun Microsystems, Java, and Java logos are trademarks or registered trademarks of
Sun Microsystems, Inc. in the United States and other countries.
SCRABBLE® is the registered trademark of HASBRO in the United States and Canada and
of J.W. Spear and Sons, PLC, a subsidiary of Mattel, Inc., outside the United States and
Canada.
1 2 3 4 5 6 7 8 9 10 11 10 09 08 07 06
Preface
How to Use This Book
Chapter 1 An Introduction to Hardware, Software, and the Internet
Chapter 2 An Introduction to Software Development
Chapter 3 Objects and Classes
Chapter 4 Algorithms
Chapter 5 Java Syntax and Style
Chapter 6 Data Types, Variables, and Arithmetic
Chapter 7 Boolean Expressions and if-else Statements
Chapter 8 Iterative Statements: while, for, do–while
Chapter 9 Implementing Classes and Using Objects
Chapter 10 Strings
Chapter 11 Class Hierarchies and Interfaces
Chapter 12 Arrays and ArrayLists
Chapter 13 Searching and Sorting
Chapter 14 Streams and Files
Chapter 15 Graphics
Chapter 16 GUI Components and Events
Chapter 17 Mouse, Keyboard, Sounds, and Images
Chapter 18 Big-O Analysis of Algorithms
Chapter 19 The Java Collections Framework
Chapter 20 Linked Lists
Chapter 21 Stacks and Queues
Continued
Preface xvii
Chapter 4. Algorithms
4.1 Prologue
4.2 Properties of Algorithms
4.3 Iterations
4.4 Recursion
4.5 Case Study: Euclid’s GCF Algorithm
4.6 Working with Lists
4.7 Case Study: File Manager
4.8 Summary
Exercises
Index
Wooden Stemmer.
Stemmers.—This is usually effected in California by the use of
the common hand stemmer, though some large establishments are
using a stemmer run by steam or horse-power. The common
stemmer consists of an oblong shallow box or frame, six or eight
feet long by two wide, or any convenient size, and about six inches
deep, with a coarse wire netting or grating stretched across the
bottom. This grating is usually made of heavy galvanized iron wire,
with ¾ inch or inch meshes. Instead of having the grating extend
the whole length, a portion at one end may be floored with wood,
upon which a box of grapes can be placed without injuring the
grating. The only objection to this stemmer is that the grape juice
comes in contact with the metal of the grating, and it is a well
known fact that nearly, if not all, of the baser metals are corroded by
the acids; it would be better to replace the wire with a wooden
grating, as in France (Fig. 3.).
How to Remove the Stems.—The grapes are dumped from
the boxes directly into the stemmer, and the workman seizes as
many as he can easily manage with both hands, and rubs and rolls
them to and fro upon the wire grating, and the berries, as they are
rubbed off, fall through the meshes, and the stems remain in the
hand. The few grapes that may remain are removed by raising the
mass of stems and forcibly throwing them two or three times upon
the grating. Sometimes the stems, with the few grapes clinging to
them, are turned over to another workman, who, with a hay fork,
tosses them about upon another grating till all the berries are
removed. The stemmer ought to be situated over the hopper of the
crusher, so that the grapes will fall directly into it, as they are
separated from the stems.
Crushing.—It is generally considered essential to crush the
grapes whether stemmed or not, although in some special cases, to
be hereafter noted, crushing is omitted.
Methods of Crushing.—It is well known that in Europe the
grapes are usually crushed by being trodden with the feet of men,
usually barefooted, but sometimes in wooden shoes, and many of
the best writers of to-day are of the opinion that the wine is better
when the grapes have been well trodden with the bare feet, for by
thoroughly rubbing the skins and pounding them into a pulp without
breaking the seeds, they think that more color and aroma are
developed than can be obtained by simply crushing them, as in a
machine, and afterwards fermenting. Although the practice of
treading is the more common one in Europe, yet there are
exceptions, and in some places the crushing is done by rollers and
with satisfactory results. In California we are accustomed to regard
the treading of grapes as an antiquated practice, and a relic of a
past age, and it is almost universally discarded, being practiced only
occasionally and by Europeans, who have not yet wholly fallen into
our methods of practice. Those who are fastidious in this matter may
rest assured, that if they will drink California wine, they run but very
small risk of imbibing a liquid which a man has had his feet in.
Aerating the Must.—There seems to be some confusion on this
subject, for some claim that the must is better exposed to the air,
and prepared for fermentation, by treading. This may be true of
treading in the vat during fermentation, but simply treading the
grapes to crush them does not aerate the must as much as crushing
with rollers, for in the latter case the juice falls through a
considerable distance in a finely divided form, which thoroughly
exposes it to the air.
Crushers.—The machine generally
employed consists of two rollers made of
Fig. 4. wood, iron, or other suitable material, 6 or
8, or even more, inches in diameter, geared
together so that they revolve in opposite
directions and towards each other, and so
that the grapes will be drawn between
them from above. The rollers run near each
other, but do not touch, so that the grapes
will be crushed, and the seeds remain
unbroken. It is operated by one man
Crusher. turning a crank, either attached to one of
the rollers or to a pinion. Figure 4
represents such a crusher, except that in
the figure the rollers are open-work, instead of solid, as they should
be. It is surmounted by a hopper which allows the grapes to fall
between the rollers as they revolve, and the whole apparatus should
be so placed that the pomace may fall into the fermenting vats, or
be easily conveyed to them or to the press, accordingly as it is to be
made into red or white wine.
Some stemmers have corrugated instead of plain rollers, but
there is no advantage in this, and unless they are very nicely
adjusted to the motion of the cog wheels, they may break the seeds,
which is always considered injurious to the wine.
Rapidity of Operation.—Five men—one to handle the boxes of
grapes, two to stem, standing on opposite sides of the stemmer, one
to operate the crusher, and one to take the stems and remove the
remaining grapes and to make himself generally useful—can stem
and crush with these hand machines twenty tons of grapes per day,
enough to make three thousand gallons of wine. And the work can
be done much more rapidly by the use of the stemmer and crusher
combined, which is to some extent used in the largest
establishments.
Special Practice.—Boireau says that it has been observed that
of the Médoc wines, those made without crushing the grapes have
less color than those made from grapes of the same crop which have
been crushed, but that they have a more refined and delicate taste
(plus fins de goût), and that consequently many of the proprietors of
the grands crûs of the Médoc in those years which are favorable to
the maturity of the grape do not crush; they only do it in inferior
years, when the grapes have not become sufficiently ripe, and when
they fear that the wine may not have a suitable color. And in another
place he tells us that in those grand wines which are intended to be
bottled, a superabundance of tannin and its consequent roughness
may be avoided by complete stemming, fermenting the whole
berries, and by drawing from the fermenting vat at just the right
time.
CHAPTER V.
FERMENTATION—ITS CAUSES.
Alcohol. Aldehyde.
C₂H₆O + O = H₂O + C₂H₄O,
ALCOHOLIC FERMENTATION
IN WINE MAKING.
Vinous or Alcoholic Fermentation transforms the juice of the
grape into wine, and, as already shown, is caused by the yeast or
ferment, which finds its way into the must; and by this fermentation
the sugar of the grape is changed principally into alcohol, and
carbon dioxide, or carbonic acid gas. And in order to show the
relations between the sugar and the alcohol produced, it is
necessary to say something about the chemical constituents of each.
Sugar.—In general terms, cane sugar may be expressed by the
chemical formula, C₁₂H₂₂O₁₁, or, in other words, one molecule
contains 12 atoms of carbon, 22 of hydrogen, and 11 of oxygen.
And the general term glucose, or grape sugar, may be expressed
by the formula C₆H₁₂O₁₆, or one molecule contains 6 atoms of
carbon, 12 of hydrogen, and 6 of oxygen.
If, instead of using the word atoms, we use the word pounds, the
chemical formula may be made clear to the unscientific. Taking the
formula for cane sugar, already given, it simply means that 342
pounds contain the following ingredients, in the following
proportions:
lbs. lbs.
12 parts carbon, each weighing 12, 144
22 “ hydrogen, “ 1, 22
11 “ oxygen, “ 16, 176
342
And the formula for glucose means that 180 pounds contain:
lbs. lbs.
6 parts of carbon, @ 12, 72
12 “ hydrogen, “ 1, 12
6 “ oxygen, “ 16, 96
180
And the formula for water means that 18 pounds contain:
lbs. lbs.
2 parts of hydrogen, @ 1, 2
1 part “ oxygen, “ 16, 16
18
In fermentation, it is glucose which is immediately transformed,
although cane sugar ferments also; but, before doing so, it becomes
changed or inverted into glucose, and one molecule takes up a
molecule of water, and produces two of glucose, thus:
Carbonic
Glucose. Alcohol.
Acid.
C₆H₁O₆ = 2 C₂H₆O + 2 CO₂
180 = 92 + 88
And the old authorities said, if 180 parts of glucose produce 92 of
alcohol, 100 will produce 51.1111, thus:
Red wines are made from colored grapes, and the color is
extracted from the skins during fermentation. The coloring matter is
blue, but is changed to red by the action of the acids in the must.
(See Coloring Matter—Oenocyanine.) In order to develop this color,
the grapes are fermented, skins and juice together, and the press is
only brought into requisition after the first fermentation is
completed.
Fermenting Tanks or Vats.—The tanks or vats in which red
wine is fermented, in France are generally made of oak, sometimes
of masonry, but in this State redwood has been almost universally
adopted, and I am not aware of any serious inconveniences from its
use. It is advisable before using them the first time, to steam them
for several hours, or thoroughly soak them to extract the coloring
matter of the wood.
The capacity depends upon the quantity of wine to be made in a
season, varying from 1000 gallons to 2500 gallons and more, and a
sufficient number should be provided that when wine making has
commenced, it can be carried on without interruption till the crop is
worked up. The number of workmen must be considered as well as
the amount of grapes, and everything ought to be so arranged that
the fermentation will be finished in the first tank filled, by the time
the last one is full, so that the first can be emptied and filled again,
and then the second, and so on. A hole must be bored in each vat
two or three inches from the bottom by which to draw the wine
through a faucet. And some kind of a strainer must be put over this
hole inside to keep back the marc—a piece of perforated tin, a
grating of small sticks, or a bundle of straw or vine cuttings kept in
place by a stone.
Filling the Tanks.—In order that the whole mass in one tank
may be equally fermented, it should receive its full complement of
grapes in one day. By putting in part of the grapes one day and part
another, not only will some of them complete their fermentation
before the others, but the addition of fresh grapes to the fermenting
mass will interrupt the fermentation, and prove injurious to the wine.
The vats must not be filled to their full capacity, for during violent
fermentation the marc, consisting of skins and seeds, or those with
the stems, rises to the top, brought up by the bubbles of carbonic
acid which are constantly rising, and a portion of the boiling and
foaming mass may be carried over the top, and much wine thereby
be lost. They should only be filled to within a foot or a foot and a
half of the top, and a little experience will show the proper practice.
Guyot says that they should only be filled to five-sixths of their
capacity at most. Another reason for not filling the tank is that a
layer of carbonic acid gas will occupy the space left vacant by the
pomace, and prevent the contact of the air and the consequent
souring of the wine, by the changing of a portion of the alcohol into
acetic acid—vinegar.
Red wine is fermented in open vats, vats loosely covered, or in
vats hermetically sealed, and good wine is made in each way.
In Open Vats, other conditions being equally favorable,
fermentation commences more promptly and is sooner ended, owing
to the free access of the air, a certain amount of oxygen, as already
shown, being necessary to fermentation. Although fermentation will
continue away from the air when once started, it will be slow. The
objections to open vats are, that although there is a layer of
carbonic acid resting above the must, yet it is liable to be disturbed
and become mixed with the air, and if the fermentation is long
continued, a portion of the wine may become sour. Those who
employ open tanks should also avail themselves of those conditions
under which the wine will complete its fermentation in a few days,
and should draw off promptly.
Closed Vats.—By using closed vats fermentation will be longer
in commencing, and will proceed more slowly, but as already
intimated, the wine can with safety be left longer in them than in
open tanks. When it is necessary to develop much color, it would be
advisable to use covered tanks, for the longer the wine is left in
contact with the skins, the darker it becomes. The covering should
be close enough to prevent the immediate contact of the open air,
and yet allow the escape of gas—of close boards, but not luted,
unless provided with a safety valve.
Fig. 5.
The Best Practice, however, in all cases, whether the vats are
closed or not, is to have a false head resting directly upon the
pomace, and which will keep the latter submerged during the whole
process of fermentation. In this way good color will be developed,
and the marc will be kept from the air, and the danger of souring will
be avoided. In figure 5, A represents a fermenting vat with the front
half removed, showing the false head in place.
This head is made of several pieces which can be laid one by one
upon the pomace, and maybe perforated with auger holes as
represented in C, or may be a wooden grating, D. These pieces or
sections together constitute the head B, and are kept in place by two
cross pieces, e e, which are held down by blocks bolted or pinned to
the inside of the tank. G is a stave with a block, f, attached, and H
the same, showing the cross piece, e, slipped under it. When the
tank is filled to the required height, the false head is put in, resting
on the pomace, the ends of the cross pieces are slipped under the
blocks, and everything is ready. As soon as the fermentation
becomes violent, the whole will be submerged in the bubbling wine.
Hermetically Sealed Tanks.—Closely covered tanks must be
provided with a safety valve or pipe for the discharge of carbonic
acid gas, leading and discharging into a vessel of water, which
completely prevents contact with the air. Under pressure the
fermentation is much slower, and is not so complete. Yet great
advantages are claimed for this method by some writers who
maintain that by keeping the cover cool with wet straw or cloth, or
by using a safety tube in the form of a worm passing through a
condenser on the top of the vat, the vapors are condensed and fall
back into the liquid, preventing loss of alcohol, and increasing the
aroma, and that the wine acquires a superior fineness and velvety
smoothness under the pressure of the gas. Boireau says that this
latter quality is caused by the complete dissolution of the
mucilaginous matters; and Pasteur has shown that more glycerine is
produced when the fermentation is slow, which may contribute to
the mellowness and smoothness.
Practice in the Médoc.—Mr. Boireau says that the greater part
of the grand red wines of the Médoc, the prime St. Emilion, and the
prime Graves, are fermented in closed vats; though a certain
number of the viniculturists still follow the old custom, and make
their wine in open vats.
Stirring the Pomace in the Vats.—In Burgundy, and in some
other parts of France, it is considered necessary to give the mass a
thorough stirring (foulage) during the active fermentation, in order
that all parts may be equally exposed to the action of the ferment,
and also that a good color may be developed; and for this purpose
men enter into the vats and thoroughly mix the pomace and stir it
about with their naked bodies and limbs, a practice not only
disgusting in the extreme, but dangerous for the men, who are
exposed to the poisonous effects of carbonic acid. It is by no means
a general practice, and is of doubtful utility, even if it should be done
by other agents than the naked human body.
It is evident that two opposing forces are at work when the must
is stirred during fermentation. By the aeration fermentation would
naturally be increased; but Dr. Guyot shows that stirring actually
diminishes its activity, and he advocates the practice in order that
the fermentation be not too tumultuous. The temperature of the
surrounding atmosphere being lower than that of the fermenting
mass, aeration by stirring must, by lowering the temperature,
diminish the activity of the fermentation. Mr. Haraszthy, in his lecture
before the Convention of Viniculturists in 1882, recommended that
the mass be stirred when the fermentation commences to lag, on
the theory that by thus mixing again the yeast with the liquid, so
exposing it again completely to the action of the ferment,
fermentation would start again with renewed vigor. It can easily be
stirred with poles provided with shoulders or short cross pieces.
It has already been stated that the must is sufficiently aerated by
crushing the grapes with rollers, and where the vats are provided
with a false head to keep the pomace submerged, the wine will have
sufficient color without the stirring; and it would seem that the wine
would clear sooner if the lees were not stirred into it near the end of
fermentation. Where the vats are not covered, and the grapes are
not stemmed and not kept submerged, a crust or cap is formed on
the top of the fermenting mass, which sours and rots if long exposed
to the air, and the mixing of this with the liquid has a most
deleterious effect upon the wine.
When to Draw from the Vats.—When the first or active
fermentation in the vats is completed, the new wine must be drawn
off into pipes, and thus be separated from the marc, consisting of
skins, seeds, and sometimes stems, and also from the heavy lees
which has settled in the vats, and it is important to know the proper
time to do this.
The duration of active fermentation depends upon several causes
and conditions as already indicated, such as heat, the amount of
sugar contained in the must, whether the vats are covered or open,
the immersion of the marc, and whether the grapes are stemmed,
etc. It may be completed in four or five days, or it may continue for
fifteen or twenty days. In case of musts poor in sugar it may rarely
terminate in twenty-four hours. In some parts of France the grapes
are allowed to macerate for weeks and even months (for they
cannot ferment actively for that length of time), and what might be
good wine, thus is often spoiled.
The Objections to Long Vatting are that the marc will absorb
an undue amount of alcohol, as is shown when it is submitted to
distillation in brandy making, for marcs which have remained long in
the vats with the wine yield more spirits, and, of course, the wine is
deprived of so much strength. This objection, however, would have
but little force where the grapes are stemmed. Another and more
serious objection is, that by a long exposure to the air which is apt
to take place when the vats are not closely covered, some of the
alcohol will be changed to vinegar, and the wine will rapidly
degenerate, and become sour. Long contact with the seeds, skins
and stems also produces a foreign taste in the wine known to the
French as goût de râpe, stem flavor; and it is obvious that if the
marc is allowed to remain in the liquid till it macerates and rots, it
will acquire a still more disagreeable aroma and flavor. It is also said
that some varieties of grapes which will not produce a wine with a
bouquet, when allowed to remain long in the tank, will develop it in
a vatting of short duration. The only advantage to be gained by
leaving a wine in the vat after the active fermentation is finished, is
in the way of color. When it is desirable—if it ever is—to produce a
dark-colored wine at the expense of other good qualities, it may be
left in the vat to soak. Such wines have their use, and that is to mix
with those which lack color, but it is much better to mix in a quantity
of grapes which naturally produce good color.
In making Fine Wines, a dark color is not looked for nor
desired, but rather a bright and lively red; and they should be
allowed to remain in the vat only long enough to convert the greater
part of the sugar into alcohol.
How to Know when to Draw from the Vat.—It is said in
general terms that the wine should be drawn from the vat when the
active fermentation is finished. This is known by the taste of the
wine by those long familiar with the vinous flavor which takes the
place of the sweet taste of the sugar; it is also recognized by the
cessation of the production of carbonic acid and the consequent
bubbling, the falling of the temperature, the settling down of the
marc, and by the clearing of the liquid. If the must or new wine
shows from 0° to 1° by Baumé’s hydrometer, or from 0° to 2° by
Balling’s saccharometer, nearly all the sugar will have been
converted into alcohol; I say nearly all, for all the sugar is not
converted till long after the wine is drawn from the vat. Boireau says
that the fermentation is yet incomplete when the hydrometer marks
several degrees of density, and the liquid is warm, sweetish, and
muddy. He says, moreover, that care should be taken that active
fermentation has entirely ceased before putting the wine in pipes,
for if it is still sweetish and fermenting, it will remain sweet a long
time, and ferments will often remain in suspension, which will render
the wine difficult to clear, and liable to ferment and become sour.
Method of Drawing from Vats and filling Casks.—If the
pipes are on the same level with the vat, or higher, the new wine is
run from the vat through a faucet into buckets and carried in them
to the casks and poured into these through a funnel, or is run into a
large receptacle or tub placed immediately under the faucet and
pumped into the casks by means of a force pump. But the more
expeditious way is to have the casks ranged on a level lower than
the bottom of the fermenting tank, and then to run the wine directly
into them through a hose attached to the faucet. Of course, careful
men must be in attendance to watch the operation, and close the
faucet as soon as the cask is filled, and immediately transfer the
hose to an empty one, so that the wine may not run over and waste.
Where the wine is drawn from more than one vat, it should be
equally distributed through all the casks, so that the quality may be
as nearly uniform as possible. If the press wine is to be mixed with
the vat wine, the casks should only be filled to three-fourths or four-
fifths of their capacity, in order to leave room for the former.
Fig. 6.
Wine Presses.
Wine Presses.—Wine presses are constructed in several
different forms, and the force is applied by means of a simple lever,
consisting of a long timber weighted at the end and rigged with a
rope and pulley to raise and lower it, or by means of a large screw.
Hydraulic presses are also used in large establishments. It is not
necessary here to give a detailed description of a press of either
kind, for the prospective wine maker will examine the different ones
and see them in action, and choose according to his means and
necessities. Fig. 6 represents screw presses. A very simple one,
however, and which can be made by any carpenter, consists of a box
two or three feet square, and a foot or more high. This box,
however, is made up of sections, each of which is five or six inches
high; and they should be constructed of strong two-inch timber, well
mortised together, and perforated with small holes through which
the wine may ooze out. The height, and consequently the capacity
of the box or receptacle will depend upon the number of sections
used. A broad board constitutes the bottom of the press and should
be larger than the receptacle itself, and be provided with a rim open
in the middle of the lower side, and having a shallow spout for the
wine to run through. This bottom is firmly placed so as to incline
slightly forward, the sections are placed on it, one on the other, till
the box is of the desired height, then the marc from the vat is filled
in and a head or follower fitted to the inside of the box is placed on
the marc, and pressure is applied with a lever. This lever is a strong
piece of timber with its fulcrum end placed in a mortise in a large
tree, or adjusted in any other suitable manner, allowing free play to
the other end to which is attached the rope and pulley to facilitate
its movement.
Pressing and Press Wine.—In the manufacture of all but fine
wines, it is the usual practice to mix the press wine with the wine
from the vat. And as the wine remaining in the pomace is about one-
fourth of the whole, it will be equally distributed among all the casks
by filling with it the vacancy left in them. If a light pressure is first
applied, the wine of the first pressing will differ but little from the vat
wine. After this, however, the marc should be spaded and stirred and
pressure applied again, and the process repeated till the wine no
longer flows. During the last pressing it is necessary to apply so
much force that a great amount of coloring matter is pressed from
the skins, and tannin from the seeds, and also from the stems when
not removed, and the advantage of color may be more than
counterbalanced by the excess of tannin. There may be danger of
giving the wine too much astringency by mixing the last pressings.
Special Practice for Fine Wines.—Mr. Boireau indicates the
practice in making common wines, as follows, as a warning to those
who can make fine wines. He says that the wine which the marc
contains is removed by pressing it almost to dryness, and that the
wine thus obtained is very muddy, very harsh, and sometimes sour,
particularly when the upper part of the crust has not been removed,
where open vats are used and the marc not submerged. The greater
part of the proprietors of the ordinary growths have the deplorable
habit of mixing the press wine, without clearing it, with the limpid
part drawn from the vat. He says that it should be kept separate, or
otherwise the better part of the wine will be made muddy and
difficult to clear.
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