Year 7 English 1st
Year 7 English 1st
Stage 7
3138_01_INS_2RP
© UCLES 2024
2
Winter Wonderland
It feels like we have landed on another planet as we drive past volcanic moss-tipped mounds.
Tiny cracks of light peep through the sky between the moody charcoal grey clouds amid the
misty mountainscape. After jetting in to Akureyri airport, we take a car and drive for an hour and
a half, following white wintry wildlands to Deplar Farm, which appears out of nowhere – all 5
wooden lodge chic, bathed in blankets of snow and home to just 12 beautiful bedrooms.
The snow is so fresh and untouched, like freshly ironed white linen sheets stretched across a
mattress of land. And as we check in, my insides are dancing in a nervous frenzy. I’ve always
wanted to go to Iceland. It’s such an intriguing country. So cool and unique. I’m only here for a
couple of days, but all that’s on the agenda is fun. Behaving like kids in a snowy white 10
playground and hopefully – hopefully – catching a glimpse of the Northern Lights1.
I’m here with my friend, James. He’s much more of a snow lover than me. But I’m suited and
booted and ready for action. Everyone who stays here is assigned a guide. Senya, who is our
dedicated guide for the next two days, takes us out on a snowshoe hike. Everything is white,
and I’m awash with a sense of calm that only nature can provide. We walk and walk for what 15
feels like many kilometres, a lot of it in silence as we absorb the sheer beauty surrounding us.
I’m taking in everything when Senya senses an ominous change in the weather, and we head
back to the warmth of Deplar.
The building itself is over 100 years old, though it’s been adapted over the years. It feels very
much like a home from home. Comfy seats are nestled around chunky Icelandic rugs, while 20
coffee tables with tops made of tree trunks are dotted here and there. Telescopes sit patiently
by giant glass windows, waiting for stars to shoot or the Northern Lights to show. Meals are
served next to an enormous crackling fire in the dining room. One long table seats all the
guests, who swap stories of their heroic skiing activities of the day.
The next morning we wake to discover the skies have been hard at work overnight. Snow hangs 25
off the roof like dangerous dollops of icing from a birthday cake, and some doors are almost
entirely snowed shut. We get in the car and drive back towards Akureyri airport, keeping our
fingers crossed that we’re able to take a teeny tiny plane on an air tour of the famous Diamond
Circle. We sit, we wait, we listen to hushed conversations, and try to convince ourselves we
won’t be too disappointed if we can’t go. 30
Then we get the go-ahead to take off. Everything that happens next feels like a dream. We
head east over Godafoss Waterfall, which gushes with a tirade of frothy white waters carving a
circular puzzle piece out of the snow. The snowy mountain tops look like rippled ice cream as
we fly over the beautiful islets of Myvatn. Finally, the magnificent Troll Peninsula mountain
range comes in to view in the west as we head to Eyjafjordur, Iceland’s longest fjord2. And when 35
we finally touch down, I realise I’ve barely taken a breath in the last 45 minutes. The whole thing
is an experience I’ll never forget.
As we’re nibbling on nuts, getting ready for dinner, cocooned in the comfort of our bedroom,
suddenly there’s a frantic knock on the door. ‘The Northern Lights are happening right now,’
says Ivan the dinner waiter, out of breath as he sprints to other bedrooms to let everyone know. 40
‘They never come this early in the year!’ he bellows in disbelief. We park ourselves on the
snow-covered wooden furniture outside, desperately trying to take pictures that will do justice to
the sky we see above us. Streaks of green dance across the darkness. Purple swirls wheel over
the top of the building. We dart around, trying to catch every single light as the display lasts long
into the night. 45
Back inside, we gather in the warm lounge and before we know it Brandon – one of the guests
from America – is standing on the stage in front of us as music starts up. This is karaoke like
you’ve never experienced it before. There is a full range of instruments should you wish to live
out your wildest rockstar dreams (which I do). We sing and dance until the small hours, laughing
with our new-found best friends, and promising to meet up again once we return to our normal 50
lives.
It’s quite a journey to Deplar, both in distance and mind. But nature will repay you with sights
that will stay in your memory forever.
Glossary
1
the Northern Lights: a natural display of light in the night sky, seen only near the Arctic
2
fjord: a long, narrow inlet of sea, between mountains
BLANK PAGE
Permission to reproduce items where third-party owned material protected by copyright is included has been sought and cleared where possible. Every
reasonable effort has been made by the publisher (UCLES) to trace copyright holders, but if any items requiring clearance have unwittingly been included, the
publisher will be pleased to make amends at the earliest possible opportunity.
To avoid the issue of disclosure of answer-related information to candidates, all copyright acknowledgements are reproduced online in the Cambridge
Assessment International Education Copyright Acknowledgements Booklet. This is produced annually and is available to download at
https://lowersecondary.cambridgeinternational.org/
Cambridge Assessment International Education is part of Cambridge Assessment. Cambridge Assessment is the brand name of the University of Cambridge
Local Examinations Syndicate (UCLES), which is a department of the University of Cambridge.
1 hour 10 minutes
INSTRUCTIONS
• Answer all questions.
• Write your answer to each question in the space provided.
• You should pay attention to punctuation, spelling and handwriting.
INFORMATION
• The total mark for this paper is 50.
• The number of marks for each question or part question is shown in brackets [ ].
• Suggestions for how long to spend on each section are given in the booklet.
3138_01_4RP
© UCLES 2024
2
Section A: Reading
Read the text, from a travel writer’s review of her trip to Iceland, in the insert, and then answer
Questions 1–11.
[1]
oxymoron
assonance
personification
onomatopoeia
[1]
(c) Give one word that tells the reader that there is a view of many high peaks.
[1]
2 Explain how the imagery of snow at the end of the first paragraph is continued in the second
paragraph (lines 7–11).
[2]
[1]
[1]
[2]
6 Look at the sixth paragraph (lines 31–37). The writer takes a short flight.
Why does the flight feel like a dream?
[1]
[1]
[2]
9 The structure of the text reflects the different stages of the writer’s holiday and how she felt at
each stage. Complete the flow chart by choosing a word from the box describing how the writer
felt in the relevant paragraphs.
[3]
10 Choose the opinion you agree with most. Tick () one box.
Explain why you agree with the opinion. Give two reasons and support each reason with a
quotation from the text.
First reason:
Quotation:
Second reason:
Quotation:
[4]
(a) Complete the table below with the activities and entertainment for visitors at Deplar Farm.
[3]
(b) Using the information in the table, write a summary describing the activities and
entertainment for visitors at Deplar Farm. Write up to 50 words. Use your own words as
much as possible.
[2]
Section B: Writing
12 You won a writing competition in your favourite magazine. The prize was a three-day luxury
camping trip for you and a friend somewhere warm and sunny. Now you are back from your trip.
Write a review of the camping trip for the magazine.
BLANK PAGE
Permission to reproduce items where third-party owned material protected by copyright is included has been sought and cleared where possible. Every
reasonable effort has been made by the publisher (UCLES) to trace copyright holders, but if any items requiring clearance have unwittingly been included, the
publisher will be pleased to make amends at the earliest possible opportunity.
To avoid the issue of disclosure of answer-related information to candidates, all copyright acknowledgements are reproduced online in the Cambridge
Assessment International Education Copyright Acknowledgements Booklet. This is produced annually and is available to download at
https://lowersecondary.cambridgeinternational.org/
Cambridge Assessment International Education is part of Cambridge Assessment. Cambridge Assessment is the brand name of the University of Cambridge
Local Examinations Syndicate (UCLES), which is a department of the University of Cambridge.
3138_01_MS_4RP
© UCLES 2024
S7/01 English Stage 7 Paper 1 Mark Scheme From 2024
Section A: Reading
• another planet.
1(b) Award 1 mark for: 1
• personification.
1(c) Award 1 mark for: 1
• mountainscape.
• (To build up) descriptive detail / describing the setting of the hotel / Deplar.
Page 2 of 10
S7/01 English Stage 7 Paper 1 Mark Scheme From 2024
Accept any adjective that conveys the dreamlike nature of the sights.
• It shows that the writer was in the middle of something when the Northern
Lights appear. / It shows how the Northern Lights appearing at that time
was unexpected as the writer was busy doing something else. / It sets the
scene / gives a context for the events that follow / adds drama by putting
the climax at the end of the sentence.
• Dashes put more emphasis on the information between them than brackets
do.
Page 3 of 10
S7/01 English Stage 7 Paper 1 Mark Scheme From 2024
10 Award 1 mark for each correct reason and 1 mark for a correct quotation, up to 4
a maximum of 4 marks.
If Opinion 1 is ticked:
Ideas Quotations
the interior is comfy seats are nestled
comfortable and homely around chunky Icelandic
rugs
warm and snug meals are served next to
an enormous crackling
fire
sociable / intimate one long table seats all
the guests
one’s idea of a perfect like a home from home
home
If Opinion 2 is ticked:
Ideas Quotations
it’s a modern, swanky wooden lodge chic
building
limited rooms home to just 12 beautiful
bedrooms
all guests get a personal everyone who stays
guide here is assigned a guide
Page 4 of 10
S7/01 English Stage 7 Paper 1 Mark Scheme From 2024
• Skiing
• Snow-shoe hiking
• Star gazing
• Air tour / Plane trip
• Sociable evening meal
• Karaoke
• Dancing
At Deplar farm you can go skiing or snow-shoe hiking with a guide. There is an
air tour of the mountains available too. In the evening, you can enjoy a sociable
meal served by the fire, followed by karaoke, star-gazing through a telescope,
and even possibly a sighting of the Northern Lights. (47 words)
Award 2 marks for a summary that combines the main points into a coherent
summary
Award 1 mark for a summary that includes some but not all of the main points
Do not award more than 1 mark where the summary exceeds 50 words.
Page 5 of 10
S7/01 English Stage 7 Paper 1 Mark Scheme From 2024
Section B: Writing
Notes to markers
Marks
[Total 25]
Page 6 of 10
S7/01 English Stage 7 Paper 1 Mark Scheme From 2024
Creation of texts (Wc) Vocabulary and language Structure of texts (Ws) Grammar and punctuation Word structure (Ww)
(Wv) (Wg) (spelling)
[5 marks] [3 marks] [7 marks] [7 marks] [3 marks]
Content is entirely relevant. The response is well- Grammatical structures are
organised using a good almost always accurate
range of organisational throughout the text. For example,
Ideas are developed so that
features accurately. there is:
features of the text type are
• a wide range of sentence types
clearly established and are
Ideas are developed with to support the text type
used confidently
chronological or logical • a range of complex sentences
throughout.
links throughout the text accurately to provide clarity
from an introduction to and emphasis e.g., by
Viewpoints are well- conclusion. positioning of clauses varying
presented, i.e., detail word order or expansion of
sustains interest with Paragraphs are used verb phrases
writer’s style / personal competently to structure the • consistent use of formal and/or
response which content. There is good informal register according to
emphasises particular cohesion within and context, purpose and
points. between paragraphs. audience.
Page 7 of 10
S7/01 English Stage 7 Paper 1 Mark Scheme From 2024
Creation of texts (Wc) Vocabulary and language Structure of texts (Ws) Grammar and punctuation Word structure (Ww)
(Wv) (Wg) (spelling)
Content is relevant and Material is relevant using The response is is Grammatical structures are Spelling is usually correct
ideas are developed so vocabulary accurately for the generally well-organised mostly accurate throughout the throughout. (There may
that features of the text purpose / text type. using a range of text. For example, there is: occasionally be phonetically
type are clear. organisational features • a range of sentence types to plausible attempts at
Uses well-developed accurately. support the text type. complex words.)
Viewpoints are clear and language to clarify and • some complex sentences to
extend ideas. Ideas are developed with provide clarity and emphasis Correct spelling of most, not
maintained throughout.
chronological or logical e.g., by positioning of clauses all, polysyllabic words, e.g.,
links throughout the text varying word order or appear, information,
Writing is developed to Creates an effect by using though there may be some expansion of verb phrases probably, separate
suit the specified key linguistic and literary inconsistencies. wondering/wandering,
• formal and/or informal register
audience and purpose. techniques. business, essentially,
is generally used appropriately
Paragraphs are used to according to context, purpose accommodation.
Content may have some help structure the text and audience.
different voices within the where the main idea is
text. usually supported by A range of punctuation:
following sentences. • e.g., commas, ellipses, colons,
semi-colons, dashes and
A range of sentence hyphens are used mostly
openings and connectives accurately to clarify meaning
are used appropriately to • conventions of layout are
support content. applied consistently e.g., bullet
points.
Page 8 of 10
S7/01 English Stage 7 Paper 1 Mark Scheme From 2024
Creation of texts (Wc) Vocabulary and language Structure of texts (Ws) Grammar and punctuation Word structure (Ww)
(Wv) (Wg) (spelling)
Content is mostly relevant Vocabulary is relevant and The response is generally Grammatical structures are Spelling of common and
to the task, though there suitable for the purpose / text organised and attempts generally accurate throughout some less-common words,
may not be many well- type. some organisational the text. including polysyllabic and
developed ideas. features. For example, there is: compound words, is
• some range of sentence types generally accurate, e.g.,
Language and meaning of Some attempt to sequence friend, another, around,
Writing shows purpose. to support the text type
words/phrases is clear. relevant ideas logically. because, anything,
• complex sentences may be
attempted to create effect and something.
There is a straightforward Clear evidence of Paragraphs / sections are convey shades of meaning
viewpoint and awareness appropriate linguistic and evident, though not always Spelling of plurals and some
• some awareness of formal
of the audience. literary techniques. consistently or past and present words is
and/or informal register
appropriately. according to context, purpose generally accurate, e.g.,
and audience. boxes, clothes, told,
Movement between stopped, wanted.
paragraphs or sections, Some range of punctuation:
may be disjointed with a • e.g., commas, semi-colons,
limited range of sentence dashes and hyphens are
openings and connectives. generally accurate and may
sometimes be used for effect.
• There may be evidence of
comma splicing.
Page 9 of 10
S7/01 English Stage 7 Paper 1 Mark Scheme From 2024
Creation of texts (Wc) Vocabulary and language Structure of texts (Ws) Grammar and punctuation (Wg) Word structure (Ww)
(Wv) (spelling)
Some material is included Language is simple and Some attempt to organise Basic grammatical structures are Spelling of high frequency
that elaborates on basic relevant. For example, the response. generally correct, for example: words is generally correct,
information. vocabulary conveys meaning • subject and verb generally e.g., their/there, when,
which is suitable for the Some basic sequencing of agree were, what, some, etc.
Some elements of the text purpose / text type. ideas in relation to the • past and present tense of verbs
type can be seen; a stimulus. generally consistent.
maximum of 1 mark can • There is a mix of simple and
be awarded if not the Language and meaning of Paragraphs / sections are some compound sentences
given text type. words/phrases is mainly evident with related points used accurately.
clear, with some errors. grouped together or linked • Some complex sentences may
by time sequence. be attempted to expand detail
There is some evidence of but not always successfully.
some appropriate linguistic Movement between • Formal and/or informal register
and literary techniques. paragraphs or sections, may be attempted but not
is disjointed with a very consistently according to
limited range of sentence context, purpose and audience.
openings and connectives.
Punctuation:
• Demarcation of straightforward
sentences is usually correct.
• Commas are used in lists and
occasionally to mark clauses.
Creation of texts (Wc) Vocabulary and language Structure of texts (Ws) Grammar and punctuation (Wg) Word structure (Ww)
(Wv) (spelling)
No creditable response No creditable response No creditable response No creditable response No creditable response
[0] [0] [0] [0] [0]
Page 10 of 10
English
Stage 7
3138_02_INS_RP
© UCLES 2024
2
Text for Section A, an extract from The Eye of the Wolf by Daniel Pennac
ONE
The boy standing in front of the wolf’s cage doesn’t move a muscle. The wolf paces backwards
and forwards. He walks the length of the enclosure and back again without stopping.
He’s starting to get on my nerves, the wolf thinks to himself. For the last two hours the boy has 5
been standing in front of the wire fencing, as still as a frozen tree, watching the wolf walking.
What does he want from me? the wolf wonders. He’s not worried (because wolves aren’t afraid
of anything), just curious. What does he want?
The other children jump and run about, shout and burst into tears, stick their tongues out at the
wolf and hide their heads in their mum’s skirts. But this boy is different. He stands there silently, 10
without moving a muscle. Only his eyes shift. They follow the wolf as he paces the length of the
wire fencing.
The wolf only sees the boy every other time he passes him. That’s because the wolf only has
one eye. He lost the other one ten years ago, the day he was captured. So on his outward 15
journey (if you can call it a journey) the wolf sees the zoo with all its cages, the children making
faces and, standing in the middle of it all, the boy who doesn’t move a muscle. On the return
journey (if you can call it a journey) the wolf sees the inside of his enclosure. It’s an empty
enclosure with a solitary rock and dead tree. When the wolf turns round, there’s the boy again,
breathing steadily, his white breath hanging in the cold air. 20
He’ll give up before I do, thinks the wolf, and he carries on walking.
TWO
But the first thing the wolf sees when he wakes up the next day is the boy, standing in exactly
the same spot in front of his enclosure. The wolf nearly jumps out of his fur. 25
He calms down and begins to pace again, as if nothing is out of the ordinary.
His paws don’t make a sound when they touch the ground. He moves from one end of the
enclosure to the other like a silent pendulum inside a grandfather clock. The boy’s eyes move
slowly, as if he’s following a game of tennis in slow motion. 30
The wolf frowns. The bristles on his muzzle stand on end. Sometimes the wolf would take a
break from pacing. Up until last week, that is. He and the she-wolf would sit facing visitors. It
was as if they couldn’t see them. He and the she-wolf would stare straight ahead. They stared
straight through them. It made the visitors feel like they didn’t even exist. It was spooky. 35
But then the she-wolf, who was grey and white like a snow partridge, died. The wolf hasn’t
stopped moving since. He walks from morning to evening. Outside, straight as a letter i (imagine
the dot is his white breath hanging in the air), the boy watches him. 40
THREE
The wolf is starting to feel worn out now. The boy’s stare seems to weigh a ton. At least the zoo
will be closed tomorrow. Once a month there’s a special day when the zookeepers check on the
animals’ health and repair their cages. No visitors are allowed. 45
Wrong again. The next day, just like all the other days, the boy is there. He seems to be more
present than ever – all alone in front of the enclosure, all alone in an empty zoo.
All right, thinks the wolf. You’ve asked for it! And suddenly he stops walking. He sits bolt upright
opposite the boy. And he starts staring back. He doesn’t look through him. It’s a real stare, a 50
fixed stare.
So you want to stare at me? Fine? I’ll stare at you too. And we’ll soon see… 55
But there’s something bothering the wolf. A silly detail. He’s only got one eye and the boy’s got
two. The wolf doesn’t know which of the boy’s eyes to stare into. He hesitates. His single eye
jumps: right-left, left-right. The boy’s eyes don’t flinch. He doesn’t flutter an eyelash. The wolf
feels extremely uneasy. He won’t turn his head away for the whole world. His eye begins to lose
control. Soon, across the scar of his dead eye, a tear appears. Not because he’s sad, but out of 60
a sense of helplessness and anger.
So the boy does something strange that calms the wolf. The boy closes an eye.
Now they’re looking into each other’s eye, in a zoo that’s silent and empty, and they’ve got all
the time in the world.
BLANK PAGE
Permission to reproduce items where third-party owned material protected by copyright is included has been sought and cleared where possible. Every
reasonable effort has been made by the publisher (UCLES) to trace copyright holders, but if any items requiring clearance have unwittingly been included, the
publisher will be pleased to make amends at the earliest possible opportunity.
To avoid the issue of disclosure of answer-related information to candidates, all copyright acknowledgements are reproduced online in the Cambridge
Assessment International Education Copyright Acknowledgements Booklet. This is produced annually and is available to download at
https://lowersecondary.cambridgeinternational.org/
Cambridge Assessment International Education is part of Cambridge Assessment. Cambridge Assessment is the brand name of the University of Cambridge
Local Examinations Syndicate (UCLES), which is a department of the University of Cambridge.
1 hour 10 minutes
INSTRUCTIONS
• Answer all questions.
• Write your answer to each question in the space provided.
• You should pay attention to punctuation, spelling and handwriting.
INFORMATION
• The total mark for this paper is 50.
• The number of marks for each question or part question is shown in brackets [ ].
• Suggestions for how long to spend on each section are given in the booklet.
3138_02_3RP
© UCLES 2024
2
Section A: Reading
[1]
[4]
First idea:
Quotation:
Second idea:
Quotation:
[4]
Yes
No
[2]
5 Look at lines 42–48. Give one phrase that shows the wolf is increasingly aware of the boy.
[1]
[2]
[1]
ellipsis ( … ):
colon ( : ):
hyphen ( - ):
[3]
panic
sympathy
frustration
unhappiness
[1]
9 Look at the last sentence. How does the writer create a sense of calm?
[1]
(a) The text is structured into chapters. Why does the writer choose to end each chapter and
begin another?
[1]
(b) What does the writer choose to focus on at the beginning of each of the three chapters?
[1]
First quotation:
Second quotation:
[2]
[1]
Section B: Writing
12 The wolf and the boy stand eye to eye on either side of the wolf’s enclosure. Each has an
extraordinary story about how they came to be there.
Permission to reproduce items where third-party owned material protected by copyright is included has been sought and cleared where possible. Every
reasonable effort has been made by the publisher (UCLES) to trace copyright holders, but if any items requiring clearance have unwittingly been included, the
publisher will be pleased to make amends at the earliest possible opportunity.
To avoid the issue of disclosure of answer-related information to candidates, all copyright acknowledgements are reproduced online in the Cambridge
Assessment International Education Copyright Acknowledgements Booklet. This is produced annually and is available to download at
https://lowersecondary.cambridgeinternational.org/
Cambridge Assessment International Education is part of Cambridge Assessment. Cambridge Assessment is the brand name of the University of Cambridge
Local Examinations Syndicate (UCLES), which is a department of the University of Cambridge.
3138_02_MS_3RP
© UCLES 2024
S7/02 English Stage 7 Paper 2 Mark Scheme From 2024
Section A: Reading
2 Award 1 mark for each correct technique and 1 mark for a correct example, up 4
to a maximum of 4 marks:
3 Award 1 mark for each correct idea and 1 mark for a correct quotation, up to a 4
maximum of 4 marks:
Idea Quotation
by suggesting it (the enclosure) ‘if you can call it a journey / on
isn’t big enough his outward journey (if you can
call it a journey) / the return
journey (if you can call it a
journey)’
There’s nothing in the enclosure ‘It’s an empty enclosure / (with)
/ No (natural) habitat a solitary rock and dead tree’
Page 2 of 10
S7/02 English Stage 7 Paper 2 Mark Scheme From 2024
• Yes: he tenderly describes her as ‘grey and white like a snow partridge’
• Yes: he hasn’t stopped pacing up and down since she died
• Yes: he misses sitting facing visitors, staring straight through them with
her/he’s changed his habits/routine / he misses the two of them making the
visitors feel uncomfortable
• Yes: he doesn’t give details about her death as he doesn’t want to talk
about it
• No: he mentions her death rather nonchalantly, casually, without any feeling
• No: he doesn’t mention her any more
• No: he gives very little/no detail about her death
• To show that the wolf had stopped moving / that both wolf and boy were
motionless (staring at each other) / there is no movement in the zoo / time
had stood still / to add drama/tension
• frustration.
Page 3 of 10
S7/02 English Stage 7 Paper 2 Mark Scheme From 2024
I think the wolf is He’s not worried (because wolves aren’t afraid of
tough / mentally anything),
strong
What’s your problem? Haven’t you seen a wolf
before?
Page 4 of 10
S7/02 English Stage 7 Paper 2 Mark Scheme From 2024
Section B: Writing
Notes to markers
Marks
[Total 25]
Page 5 of 10
S7/02 English Stage 7 Paper 2 Mark Scheme From 2024
Creation of texts (Wc) Vocabulary and language Structure of texts (Ws) Grammar and punctuation Word structure (Ww)
(Wv) (Wg) (spelling)
[5 marks] [3 marks] [7 marks] [7 marks] [3 marks]
Content is entirely relevant. The response is well- Grammatical structures are
organised and uses a good almost always accurate
Features of the relevant range of organisational throughout the text. For example,
genre, if appropriate, are features accurately. there is:
used confidently • a wide range of sentence
throughout. Events are logically types to add descriptive detail
sequenced throughout the and/or build up tension
Narrative viewpoint is well- text from opening to • a range of complex
established and engages conclusion. sentences accurately to
the reader’s interest provide clarity and emphasis,
throughout. Paragraphs are used e.g., by positioning of clauses
competently to structure the varying word order or
Characters are developed narrative and control the expansion of verb phrases
and well-portrayed with pace of the story. There is • formal and/or informal
some evidence of a good cohesion within and register used appropriately
distinctive voice. between paragraphs. according to context, purpose
and audience.
A good range of sentence
openings and connectives There is a good range of
are used to compare, punctuation. For example:
sequence and qualify • commas, ellipses, colons,
events. semi-colons, dashes and
hyphens used accurately to
clarify meaning in sentences
and dialogue.
Page 6 of 10
S7/02 English Stage 7 Paper 2 Mark Scheme From 2024
Creation of texts (Wc) Vocabulary and language Structure of texts (Ws) Grammar and punctuation Word structure (Ww)
(Wv) (Wg) (spelling)
Content is relevant. Material is relevant using The response is generally Grammatical structures are Spelling is generally correct
vocabulary accurately for the well-organised and uses a mostly accurate throughout the throughout. (There may
Features of the relevant genre. range of organisational text. For example, there is: occasional be phonetically
genre, if appropriate, are features accurately. • a range of sentence types to plausible attempts at
evident. Ideas are developed with add descriptive detail and/or complex words.)
detail using a variety of Events are logically build up tension
Narrative viewpoint is ambitious vocabulary, sequenced throughout the • some use of complex Correct spelling of nearly all
clear and generally linguistic and literary text though there may be sentences to provide clarity polysyllabic words, e.g.,
engages the reader’s techniques. some inconsistencies. and emphasis e.g., by appear, information,
interest throughout. positioning of clauses varying probably, separate
Paragraphs are used word order or expansion of wondering/wandering,
Main characters are appropriately to structure verb phrases business, essentially,
developed and well- the narrative. • formal and/or informal register accommodation
portrayed with some is generally used appropriately
evidence of a distinctive A range of sentence if relevant e.g., depending on
voice. openings and connectives the target audience.
are used appropriately to
compare, sequence and There is a range of punctuation
qualify events. e.g.,
• commas, ellipses, colons,
semi-colons, dashes and
hyphens are used accurately to
clarify meaning in sentences
and dialogue.
Page 7 of 10
S7/02 English Stage 7 Paper 2 Mark Scheme From 2024
Creation of texts (Wc) Vocabulary and language Structure of texts (Ws) Grammar and punctuation Word structure (Ww)
(Wv) (Wg) (spelling)
Content is mostly Vocabulary is relevant and The response is generally Grammatical structures are Spelling of common and
relevant. suitable for the genre. organised and attempts generally accurate throughout some less-common words,
some organisational the text. For example, there is: including polysyllabic and
General features of the Ideas are developed using features. • some range of sentence compound words, is
genre, if appropriate, are appropriate vocabulary. types to add descriptive detail generally accurate. e.g.,
evident. linguistic and literary Events are sequenced and/or build up tension accurate, present, evidence,
techniques. though there are • some complex sentences making, possible, search.
Narrative viewpoint is inconsistencies may be attempted but mainly
generally clear and may a mix of simple and
help engage the reader’s Paragraphs / sections are compound sentences are
interest. used to structure the used accurately to add detail.
narrative though not always • Formal and/or informal
Some characters are consistently or register is attempted
developed and well- appropriately. according to context, purpose
described and audience.
Movement between
paragraphs may be There is some range of
disjointed with a limited punctuation e.g.,
range of sentence openings • commas, semi-colons,
and connectives. dashes and hyphens) is used
accurately to clarify meaning
in sentences and dialogue.
• There may be evidence of
comma splicing.
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S7/02 English Stage 7 Paper 2 Mark Scheme From 2024
Creation of texts (Wc) Vocabulary and language Structure of texts (Ws) Grammar and punctuation (Wg) Word structure (Ww)
(Wv) (spelling)
Content has limited Language is simple and Some attempt to organise Basic grammatical structures are Spelling of high frequency
relevance. relevant. For example, the response. generally correct, for example: words is generally correct,
vocabulary conveys meaning • subject and verb generally e.g., their/there, friend,
Some features of the which is suitable for the Some basic sequencing of agree another, around, because,
genre, if appropriate, may genre. ideas in relation to the • past and present tense of verbs anything, something.
be present. stimulus. generally consistent.
Ideas might be developed • There is a mix of simple and
Narrative viewpoint is not using some deliberate Paragraphs / sections are some compound sentences
always consistent. Some choices of vocabulary, evident with related points used accurately.
attempt is made to though may not always be grouped together or linked • Some complex sentences may
engage the reader. accurate. by time sequence. be attempted to expand detail
but not always successfully.
Some characters are Movement between • Formal and/or informal register
described. paragraphs or sections, may be attempted but not
is disjointed with a very consistently according to
A maximum of 1 mark can limited range of sentence context, purpose and audience.
be awarded if not the openings and connectives.
given genre. Punctuation:
• Demarcation of straightforward
sentences is usually correct.
• Commas are used in lists and
occasionally to mark clauses.
Creation of texts (Wc) Vocabulary and language Structure of texts (Ws) Grammar and punctuation (Wg) Word structure (Ww)
(Wv) (spelling)
No creditable response No creditable response No creditable response No creditable response No creditable response
[0] [0] [0] [0] [0]
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S7/02 English Stage 7 Paper 2 Mark Scheme From 2024
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Page 10 of 10