TAL-Sampler TAL Software GmbH ©

TAL-Sampler
TAL Software GmbH 2022 ©

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Introduction ..................................................................................................................3
Installation ....................................................................................................................4
Windows ...................................................................................................................4
OS X .........................................................................................................................5
Registration ..................................................................................................................6
Settings ........................................................................................................................7
File Browser .................................................................................................................8
Save a Preset...............................................................................................................9
User Interface.............................................................................................................10
Layer Overview.......................................................................................................10
Layer View ..............................................................................................................11
Stretch Section ....................................................................................................11
Layer Filter ..........................................................................................................12
Sample and Loop Section ...................................................................................12
Mapping Editor .......................................................................................................13
Detail View ..........................................................................................................13
Waveform View ...................................................................................................14
Mapping View .....................................................................................................14
Re-sampler Section ................................................................................................15
Envelope Section....................................................................................................18
LFO Section............................................................................................................18
Master Section........................................................................................................19
Modulation Matrix Section ......................................................................................19
Equalizer Section....................................................................................................20
Reverb Section .......................................................................................................20
Delay Section .........................................................................................................20
Service Control...........................................................................................................21
MIDI Learn .................................................................................................................21
EMBED AUDIO ..........................................................................................................22
License .......................................................................................................................23

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Introduction
The TAL-Sampler is a special sample-player plug-in that can create different vintage
sounds even with high quality samples and is available as VST, Audio Unit, CLAP
and AAX plug-in format. You can load and play your own samples in every common
sample format (*.wav, *.aiff, *.aif, *.mp3, *.ogg, *.flac).
TAL-Sampler can play up to four independent layers. There is also a simple sfz
import. SFZ files are treated like TAL-Sampler presets.
TAL-Sampler has a powerful modulation matrix and a high quality self-oscillating
24/12/6 dB low pass filter.
You can choose between different resampling-modes and adjust the quality to get the
real vintage sound of different sampler inside your DAW.

It works within the most common audio hosts as Ableton Live, Cubase, Logic Pro,
Garage Band, Reaper and DSP-Quattro. No standalone version is available.

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Installation
Windows
Requirements:

- SSE 2 compatible processor (Pentium II or higher is required or an AMD

equivalent)
- Windows 7 or higher.
- A VST 2.4, VST3, CLAP compatible host or Pro-Tools 3.6 or higher.

Installation:

- Download the file install_TAL-Sampler.zip and unzip it.

Install manually:

- You can copy the plug-in to your hosts VST directory. Our plug-ins do not
require any installation.

Use installer:

- The zip contains an installer for the AAX and VST3 plug-in.

- Step through the wizard and choose the path where you want to install the
plug-in. Please read the manual of your host to get more information where
this directory is.

In hosts like Cubase, the plugin will show up after a restart. Some hosts
need a plugin rescan.

If you use Ableton Live and the plugin does not show up after a VST plugin
rescan, try to disable and re-enable VST plugin support.

Uninstall:

Just delete the plugin *.dll file to uninstall it.

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OS X
Requirements:

- OSX 10.7 or higher.

- Intel Processor.
- AU (Audio Unit),VST 2.4, VST3 or CLAP compatible host or Pro-Tools 10.3.6
or higher.

Installation:
- Download the TAL-Sampler-installer.pkg, unpack it and run the installer. The
installer copies the plugin to the right directory. It installs all available plug-in
types by default.

Uninstall:
Delete the plugin. It’s located in following directories:

/Library/Audio/Plug-Ins/VST/
/Library/Audio/Plug-Ins/VST3/
/Library/Audio/Plug-Ins/Components/

In hosts like Cubase, the plugin will show up after a restart. Some hosts
need a plugin rescan.

You maybe need a OSX restart for the Audio Unit.

If you use Ableton Live and the plugin does not show up after a VST plugin
rescan, try to disable and re-enable VST plugin support.

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Registration
You need to buy and register the plug-in to disable the demo mode that fades in a
noisy sound every minute.
The plug-in shows a dialog when you open the UI. You can paste the serial with one
click a click into the serial field:

You maybe restart the host after the registration to make sure that also other
TAL-SAMPLER plug-in instances are registered.

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Settings
A click on the gear symbol on top right near the preset name opens the setting
dialog:

The path is required when working on different systems or operating systems.

TAL-Sampler automatically saves also the relative path to this location inside the
DAW session. It will try to use this relative path when opening a DAW session as a
fallback to the absolute path that can be different on different systems. It’s important
that this path points to a path near your samples.

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File Browser
The browser lets you load presets or samples, depending if PRESETS or SAMPLES
is selected.

- Add favourite tags with a click on the star icon of a folder.

- A right-click on the new added favourite tag lets you change the color or delete
it.
- A left-click on a favourite tag opens that folder.
- A double click on a list entry opens the folder or loads the preset or sample.
- Navigation with arrow keys is also possible.
- Right arrow key opens the folder or plays the sample.
- Right arrow key and SHIFT loads the sample.
- Left arrow key opens the parent folder.
- The UP-arrow icon also lets you open the parent folder.
- The drop-down box lets you select some predefined folders.
- Load a sample with drag and drop from the browser to the layer or mapping of
your choice.

At the bottom of the browser you will find some sample preview options.

- Volume slider to set the preview volume.

- Speaker icon to enable preview when clicking on a sample.
- Play icon to play / stop a selected sample.
- PREVIEW button for in-place preview. Reverts to the original sample when
you disable preview. Loads the new sample and disables preview when you
drag and drop or double click on a sample.

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Save a Preset
You can use “Save as…” from the menu (click at the preset name on the top) or the
floppy disk icon near the preset name on the top to save a preset with a new name.
Use “Save” to overwrite the current preset.

Make sure you save the file-preset on the same drive as the samples,
because the paths inside the preset file are saved relatively! A good practice
is to have the samples in a sub folder of the preset.

You can choose “Copy Samples to Preset Directory” or “Save Preset and Samples
to…” to move the samples to the preset. This can be helpful if you use samples from
different drives and locations. You can copy the preset and the samples to another
location or share them with other people.

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User Interface
TAL-Sampler has four layers and can play up to four samples simultaneously. Every
layer is independent and has its own sampler engine.

Layer Overview

The layer overview shows the activated layers with the red LED on the left. A click on
the LED enable or disable the layer.

The view also contains the most used controls to have fast access to it.“Coarse” is a
special-parameter. It can transpose the whole layer sample mapping +-24 halftones
up or down.

Do not increase the volume of a layer if the sample is already normalized.

This value is directly related to the filter input volume and maybe impacts
the filter drive.

Use the main volume knob to adjust the overall volume.

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Layer View

The Layer View shows the individual layer parameters. You will find settings like
Volume, Tune (+- 24 halftones), Fine Tune (+- 1 halftone) and delay, where you can
delay the sample start up to one second.

COPY / PASTE LAYER allows copying the layer mappings and paste it into another
layer.
MIDI SELECT allows you to select the mapping you trigger by a MIDI note.

Stretch Section

Stretch allows it to change the sample tempo without changing the pitch. It works in
real-time without any pre-calculations.
After stretch is enabled, it plays the samples with the same length for all pitches
(down to -1 octave). There are two vintage stretch modes available:

CYCLIC:
Akai style cyclic stretcher. The DENSITY knob controls the grain size.

INTELL:
Time stretch with correlation algorithm. Density changes the correlation windows.

Stretch:
Stretch allows it to change the tempo without affecting the pitch. You can make it
infinitely slow (staying at the same position) up to twice the speed.

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Layer Filter

You can enable the filter for specific layers with the A, B, C, D buttons. You can
choose between different filter types.

- KEY sets how much the filter follows the KEY.

- Env2 is the envelope amount modulation by the second envelope.

Sample and Loop Section

Displays the Start / End and loop Start / End of the currently selected mapping and
lets you edit the values. You can also disable or enable the loop mode for the
mapping.

The arrow keys allow stepping through the mappings of this layer. PLAY plays the
sample of the currently selected mapping.

You can assign automation or MIDI mapping to the Start / End values, but it will be
only active for the current selected and viewed layer mapping. Please not use this for
automation.

Use the two arrows on the bottom to step through different samples in the directory of
the currently loaded sample and replace the sample.

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ROM lets you choose some basic built in ROM samples (SAW, SQAURE, SINE,
NOISE)

Mapping Editor
In the mapping-editor, you can map samples to different keys. Every layer has its
own mapping and can only play one sample per voice. Every mapping can have its
own velocity range and settings.

Detail View

Access to all mapping specific settings:

ROOT KEY: The root key of the original sample.

LOW KEY: The lowest key that plays the sample.
HIGH KEY: The highest key that plays the sample.
VOLUME: Mapping volume.
TUNE: Mapping fine tuning up to +- 1 halftone.
REVERSE: Sample reverse mode.
LOOP: Enables and disables loop.
LOOP FADE: Defines the cross fade size.
LOAD: Loads or replaces an audio sample. Use the arrow keys to step through the samples
inside a folder.
ROM: Contains a few rom samples, most sampled from a hardware SH-101
DELETE: Deletes the current active mapping.
VELO START / END: Sets the velocity range of the current active mapping.

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Waveform View

The sample view shows the waveform, start, end, loop start, loop end and the fade in
size. You can drag the positions with the mouse and zoom with the mouse wheel.

SNAP X: Automatically snaps to zero crossings if you move the start, end, loop start
or loop end position.
PLAY: Plays the current active mapping sample.
SLICE: Splits the sample at the mouse click position and creates a new mapping.

Mapping View

The mapping view shows the mappings and the assigned keys per map. The vertical
axis is the velocity range of the mapping.
You can move mappings with the mouse or change the key-range when you drag
with the mouse on the left or right hand side of the mapping. You can also see and
change the mapping root key when clicking on the rectangles on top of the keys.

You can select more than one mapping with the mouse or with the SHIFT + click.

It’s possible to drag and drop samples direct into the waveform or mapping
view from file explorers, host audio file pools or cubase media bay.

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Re-sampler Section

The re-sampler section allows it to change the way samples are re-sampled. There
are five modes (DAC types) with a different sound, CPU usage and quality. Every
sample that plays will be processed separately.
You do not need old 8 bit samples with a low sample rate to get the vintage sound.
TAL-Sampler can down-sample high quality samples to a desired sample rate and bit
depth with a high quality re-sampler in real-time.

Signal path of one playing sample:

Sample RESAMPLER SAT HISS

Linear

Linear is the most simple and CPU efficient mode. It uses linear interpolation without
any filtering. Most sample players use something like this to pitch samples.
You maybe use this if you want to save CPU for a sample that does not need any
vintage character.

Variable

Variable is the most common mode with linear bit scaling. It has a variable sample
rate and uses a high quality filter to re-sample the signal to the desired sample rate.
After that it does poor sample hold to get desired pitch. It’s possible to choose a
sample rate between 8000 Hz up to 44100 Hz.

ADC Quality sets the analog digital converter quality. A small value introduces low
frequency aliasing.
DAC Quality sets the digital to analog converter quality. A low value introduces high
frequency aliasing.
HISS boosts frequencies > 10kHz and makes the DAC artefacts more notable.
SAT adds some saturation to the voice.
JITTER controls the analog sample reader clock stability.
New
Sample HQ Re-Sampler Transpose to desired
Samplerate
Samplerate pitch with Sample
(Parameter
Hold
SR)

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AM 6070

AM6070 is a classic 8bit mode. It uses the µ-law algorithm, used in PCM digital
telecommunication systems to improve the quality and was also used in early
samplers. It adds a noise floor to the sample, where low level signals have a better
resolution than loud signals. You will find more information on Wikipedia.
TAL-SAMPLER offers a level knob that allows reducing the recording volume. All
other parameters work the same like in the variable mode.

New
Sample HQ Re-Sampler Samplerate
Samplerate (Parameter
SR)

Decode Signal Encode Signal

with with
µ-law 8bit µ-law 8bit

Transpose to desired Reconstruction

pitch with HQ Re- Filter
Sampler

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Emu II

Emu II emulates the DAC of a popular hardware sampler from the 80’s. This
emulation also uses 8bit µ-law companding but uses also Differential Pulse Code
Modulation with 8bit sample delta values. This way the sampler can have up to 14 bit
dynamic range with 8bit data. It sounds especially good low notes but can sound bad
if you pitch up the sample too much. There is also a background noise with a special
character. You maybe set the sample rate to 27kHz :)
New
Sample HQ Re-Sampler Samplerate
Samplerate (Parameter
SR)

Decode delta value with Extract delta and encode signal

µ-law 8bit and sum delta values with
µ-law 8bit

Transpose to desired Reconstruction

pitch with HQ Re- Filter
Sampler

You can decrease the DAC volume to emulate a low volume recording with some
more background noise. The Offset knob changes the µ-law table scaling of the
encoded data to the decoder. You maybe have to tune this too if you want to emulate
the hardware.

Clean

This mode has a subset of the variable-mode. It always uses the sample sample-
rate.

S1000

This mode uses 8 point SINC interpolation, tuned after the popular S1000 vintage
sampler.

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Envelope Section

The envelope section provides one ENV1 (AMP) envelope, a ENV2 (VCF filter)
envelope and a modulation envelope.
The envelopes are analog modelled but can be switched to a digital one if you
choose DIGITAL / RC.
This way the envelope is digital and will be converted back to the analog domain
using a RC component to get a smooth transition between the digital values.

LFO Section

The LFO section offers three independent LFO’s per voice with five different
waveforms (Triangle, Saw, Rectangle, Random and Noise).

TRIG, triggers the LFO with note start.

SYNC, synchronises the tempo to the host tempo.
UP enables the unipolar mode where the LFO value is only positive.

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Master Section

The master section offers the main parameters for the sampler.
You can set the number of voices and enable global volume velocity. Portamento is
available in two modes (always or only when notes overlapping). There is a TIME
switch for the portamento mode. In this mode, the portamento time is always the
same for small or big portamento steps.
A master tune and volume knob is also available. ONE SHOT always plays the whole
sample, also if you hit the key only for a short time.

Modulation Matrix Section

The MOD-MATRIX, allows it to modulate almost every parameter of TAL-SAMPLER.

It’s also possible to modulate the intensity of another MOD-MATRIX entry. You can
have up to 10 modulations.

Click inside the empty combo box to assign a modulation destination. You can also
click to one that already have an assignment and assign another one or delete it. You
can also delete it with a right mouse click.

The destination field change the color to blue if you click on it. Now you can make a
click at a knob on the sampler UI to assign it to the matrix. Use the amount knob to
adjust the modulation amount. It can have a positive or negative value. Use shift if
you want that the sampler snaps to semitones when you set a pitch modulation.

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The combo box on the right shows the modulation source. You can click on it and
choose a different source:

ENV = One of the AHDSR Envelopes

LFO = One of the LFO’s
VEL = Velocity
AT = After-touch
PW = Pitch Wheel
MW = Mod-Wheel
ALT = Alternate when you press a new key
RND = A new random value if you press a new key
KEYB = Key Follow
1 = Value 1
P 1 to P 4 = Use the knobs in the control section to modulate the matrix
with host automation or with a MIDI controller.
MPE T: MPE timbre
MPE P: MPE pressure

Equalizer Section
The equaliser section includes a peak EQ. It allows reducing or boosting a specific
frequency for a given bandwidth (Q).

Reverb Section
The reverb section adds high quality vintage reverb to the output. It works great for
long reverb times.

Delay Section
The delay section is a bit more complex but also offers a lot of possibilities. It has the
ability to create chorus or flanger effects with short delay times, but it can also create
normal delay sounds.

SYNC synchronises the delay to the host tempo and directly affects the time knob.

OFFSET controls the delay offset between the left and right audio channel up to
50%.

SPREAD controls the modulation offset of the stereo left and right channel up to 180
degree.

DEPTH and RATE control the intensity and the speed of the modulation.

FDB controls the signal feedback or the delay duration.

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Service Control

Click on the SC button at the top to open the service control dialog. It allows it to
calibrate or detune parameters like cutoff, fine tune and envelope speed for each
synth voice and adds analog behaviour to the digital sample engine.

MIDI Learn

Assign a midi controller to every control of the synth. Do following steps to

make a successful assignment:

1. Enable MIDI LEARN (top right corner)

2. Move a plug-in slider or push the button you want to control.
3. Move your hardware controller
4. Disable MIDI LEARN or do some more assignments.

DELETE ML
Deletes all midi learn assignments.

LOCK
Keeps the actual loaded MIDI mapping also if you loading another preset that
has his own MIDI mapping.

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EMBED AUDIO
Saves the audio data inside the preset and finally in your hosts session file if you use
it in a production. This can make your session file huge. It’s not recommend to use
that feature if you are using bigger samples that are a few megabytes big. You
maybe notice that saving and loading sessions can be slow if you embed samples.

It’s always better to keep the samples outside as audio data. On OSX you can use
the /Users/Shared/ folder if you want to work on different OSX systems.
On windows you can use the same location outside the user directory to switch
between different systems or map the same drive.

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Cubase and VST are trademarks of Steinberg Soft- und Hardware GmbH

License
END-USER LICENSE AGREEMENT FOR TAL-U-NO_LX IMPORTANT PLEASE
READ THE TERMS AND CONDITIONS OF THIS LICENSE AGREEMENT
CAREFULLY BEFORE CONTINUING WITH THIS PROGRAM INSTALL: TAL - Togu
Audio Line End-User License Agreement ("EULA") is a legal agreement between you
(either an individual or a single entity) and TAL - Togu Audio Line. for the TAL - Togu
Audio Line software product(s) identified above which may include associated
software components, media, printed materials, and "online" or electronic
documentation ("SOFTWARE PRODUCT"). By installing, copying, or otherwise using
the SOFTWARE PRODUCT, you agree to be bound by the terms of this EULA. This
license agreement represents the entire agreement concerning the program between
you and TAL - Togu Audio Line, (referred to as "licenser"), and it supersedes any prior
proposal, representation, or understanding between the parties. If you do not agree
to the terms of this EULA, do not install or use the SOFTWARE PRODUCT.
The SOFTWARE PRODUCT is protected by copyright laws and international
copyright treaties, as well as other intellectual property laws and treaties. The
SOFTWARE PRODUCT is licensed, not sold.
1. GRANT OF LICENSE.
The SOFTWARE PRODUCT is licensed as follows:
(a) Installation and Use.
TAL - Togu Audio Line grants you the right to install and use copies of the
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Windows 95, Windows NT, Windows 98, Windows 2000, Windows 2003, Windows
XP, Windows ME, Windows Vista].
(b) Backup Copies.
You may also make copies of the SOFTWARE PRODUCT as may be necessary for
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2. DESCRIPTION OF OTHER RIGHTS AND LIMITATIONS.
(a) Maintenance of Copyright Notices.
You must not remove or alter any copyright notices on any and all copies of the
SOFTWARE PRODUCT.
(b) Distribution.
You may not distribute registered copies of the SOFTWARE PRODUCT to third
parties. Evaluation versions available for download from TAL - Togu Audio Line's
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(c) Prohibition on Reverse Engineering, Decompilation, and Disassembly.
You may not reverse engineer, decompile, or disassemble the SOFTWARE
PRODUCT, except and only to the extent that such activity is expressly permitted by
applicable law notwithstanding this limitation.
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You may not rent, lease, or lend the SOFTWARE PRODUCT.
(e) Support Services.

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TAL - Togu Audio Line may provide you with support services related to the
SOFTWARE PRODUCT ("Support Services"). Any supplemental software code
provided to you as part of the Support Services shall be considered part of the
SOFTWARE PRODUCT and subject to the terms and conditions of this EULA.
(f) Compliance with Applicable Laws.
You must comply with all applicable laws regarding use of the SOFTWARE
PRODUCT.
3. TERMINATION
Without prejudice to any other rights, TAL - Togu Audio Line may terminate this EULA
if you fail to comply with the terms and conditions of this EULA. In such event, you
must destroy all copies of the SOFTWARE PRODUCT in your possession.
4. COPYRIGHT
All title, including but not limited to copyrights, in and to the SOFTWARE PRODUCT
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granted are reserved by TAL - Togu Audio Line.
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TAL - Togu Audio Line expressly disclaims any warranty for the SOFTWARE
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implied warranty of any kind, including but not limited to any warranties of
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disclaims any warranty or representation to Authorized Users or to any third party.
6. LIMITATION OF LIABILITY
In no event shall TAL - Togu Audio Line be liable for any damages (including, without
limitation, lost profits, business interruption, or lost information) rising out of
'Authorized Users' use of or inability to use the SOFTWARE PRODUCT, even if TAL -
Togu Audio Line has been advised of the possibility of such damages. In no event will
TAL - Togu Audio Line be liable for loss of data or for indirect, special, incidental,
consequential (including lost profit), or other damages based in contract, tort or
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