Fidelity

No. 6 Joseph Haydn


       
  
    
Allegretto

      
 

 3  3 
                 


                              
4

            



              
   
3

         

7
    
      
        
  
While hol

low burst the

            
                   


 
               
                
    


  
11

        
  
rush ing winds, And hea vy beats the show'r.

  
                     


  
                 
         
 
 2
15
  
               
 
This anx ious ach ing bo som finds no com fort in its

             
  

 
                      
          

19
 
           

pow'r; no, no! For ah! my Love, it

                   



     
       
 
             
      
  
        
  


  
         
23

     
lit tle knows What thy hard fate may be, What
           
           
      



cresc.  
                
            

    
28

          

      
bit ter storms of for tune blow, What tem pests trou ble thee, what


            


   
  
             
            

 3
32
     
     

tem pests trou ble thee, what tem pests trou ble

         


       
     
   
      

 
35

     
thee. A

                              


        
   
 
         
        



   
38

         
  
  

way ward fate hath spun the thread On which our days de pend, And


                                               
   
              
 


           
42

     


dark ling in the che quer'd shade she draws it to an end,

       
      


           
   
espress.
 
                  
            
 4
47
 
          
       
But what so e'er may be our doom, The lot is cast for

 
 
          
        


     
  

               
               
51
 
            
  
 
me, is cast for me, is cast for me; For in the world or

                         


        
    
                
   

 
55

                  


in the tomb, My heart is fix'd on the, is fix'd on thee, is fix'd on thee.

                      


             
 
dolce.

                 

     

  
60

        
       
For in the world, or in the tomb, My heart is fix'd on

       
             


  
                                         
 5
65
 
             


thee, My heart is fix'd on thee, is fix'd on thee. For

    
                                  

        



 

 
  

                    
70 Adagio Tempo I

  
  
in the world, or in the tomb, my heart, my heart is fix'd on thee, My

        

              
                 



                     
    


   
75

      

 
heart is fix'd on thee.
   
    
        
          
  


  

                         
 

  
79

         
    
  
 
But what so e'er may be

our doom, The lot is cast for

        
            


 

                                     
 6
83
 
                
  

me, is cast for me, is cast for me; for in the world or in the tomb, My

   
                            


   
                       
   

 
88

              


heart is fix'd on the, is fix'd on thee, is fix'd on thee.

                  
   


         
     
cresc.

                      
   
 

  
93

       
    
  
  
For in the world, or in the tomb, My heart is fix'd on thee, My

 
   
   
                  

 
     

        
           
      
      

98
 
              


heart is fix'd on thee, is fix'd on thee. For in the world, or

        
                           

  



 

 
 

      
 7
103
  
            
      

  
in the tomb, my heart, my heart is fix'd on thee, My heart is

  
                      
               

 
  
      
          

   



108

         
   

fix'd on thee, on thee, on

thee, on thee, on thee.
 

            
    


         
                    
  

   
 
112



           



         

                        


115

             


      
   

            
    
           

 
119

       


 
 dim.    
 
       
                    