LAND ART
Andy Goldsworthy
Stones sinking in sand. Morecambe Bay, Lancashire. March 1976
Broken stones- scratched white- Morecambe Bay, LancashireJanuary 1978
Stone circle
sinking into the sand
Morecambe Bay, Lancashire 1976
Hole covered with small pointed rocks,Clapham, Yorkshire January 1980
Slate throw - Blaenau Ffestiniog, Wales
May 1980
Woven branch circular arch, Langholm, Dumfriesshire, April 1986
Elm leaves, Ilkley, Yorkshire, September 1978
Serpentine leaf form, Brough, Cumbria July 1984
Yellow patch (elm)
Leaf patches edges made by finding leaves the same size Red cherry leaf patch, Brough, Cumbria
tearing one in two spitting underneath and pressing flat on to another 4 November 1984
Middleton Woods, Yorkshire, 6 November 1980
Mud-edged trench, Bentham, Yorkshire, April 1979 Cracked earth removed, St. Louis, Missouri 9 October 1986
Forked sticks in water, High Bentham, Yorkshire, March 1979
Frozen patch of snow. each section carved with a stick carried about 150 paces, several broken along the way began to thaw as day
warmed up . Brough, Cumbria, March 1984
Snow brought to an edge to catch winter light on a clear day Snow and stone arch
Langholm, Dumfriesshire
Brough, Cumbria February 1986
25 January 1984
Partly stripped sycamore twigs Hogweed stalks floating on pond
Ilkley, Yorkshire, April 1978 Hampstead Heath, London, 15 December 1985
Horse chestnut leaves sections torn out pinned
with thorns to sticks pushed into pond bottom
muddy black clouds stirred up around where I Floating hole
worked over the week the leaves began to fall and Loughborough, Leicestershire
the pond rose slightly work gradually disappearing
September 1986
Loughborough, Leicestershire 22 September 1986
Five Men, Seventeen Days, Fifteen Boulders, One Wall , 2010 Strom Art Center NY
Richard Long
Bristol, 1945
In the nature of things:
Art about mobility, lightness and freedom.
Simple creative acts of walking and marking
about place, locality, time, distance and measurement.
Works using raw materials and human scale
in the reality of landscapes.
A CIRCLE IN THE ANDES, 1972
A LINE IN THE HIMALAYAS, 1975
A LINE AND TRACKS IN BOLIVIA, 1981
MAKING ASH ARC
WARLI TRIBAL LAND MAHARASHTRA, INDIA 2003
A WALKING AND RUNNING CIRCLE
WARLI TRIBAL LAND MAHARASHTRA, INDIA 2003
MONT BLANC CIRCLE, VINCY SWITZERLAND 2009
A CIRCLE IN ANTARCTICA
TEN DAYS IN THE HERITAGE RANGE OF THE ELLSWORTH MOUNTAINS 2012
South Bank Circle by Richard Long, Tate Liverpool, England. (1991)
RICHARD LONG
FIVE PATHS
GALERIA MÁRIO SEQUEIRA BRAGA PORTUGAL 2004
Small White Pebble Circles, Tate Modern, London (1987)
Fang
Empremtes
Identitat
Moviment
Sensacions
Accions
Robert Smithson
I think that’s more or less run its course – the
typical idea of exhibitions in a museum. I think
it would be quite possible to make art in a
quarry, a mine, a lake, or canal – you know, any
number of places. To build directly out of the
ground of the site is one of my intentions.
Christo and Jeanne –Claude
Christo and Jeanne-Claude Wrapped Trees, Fondation Beyeler and Berower Park, Riehen,
Switzerland 1997-98. Photo: Wolfgang Volz, ©Christo 1998
Christo and Jeanne-Claude: Wrapped Coast, Little Bay, Australia, One Million Square Feet,
1968-69Photo Credit: Harry Shunk
Nancy Holt
Sun tunnels, 1976
Walter de Maria
The lightning field, 1974-77
Agustín Ibarrola
BOSQUE DE OMA.
"Trato de establecer una relación entre la cultura contemporánea y la cultura milenaria de
mi pueblo, que es donde busco las raíces."
SNOW DRAWINGS – BRIANCON, FRANCE,
2014
SONIA HINRICHSEN SNOW DRAWINGS – BRIANCON, FRANCE, 2014
•Play
• Contact with nature
• Knowledge and Discovery of the environment
•Visual and Plastic education:
• shapes
• colors
• materials
• composition
• constructions
• CREATIVITY
To develop your Project
• Choose at least two referents
• Use the Land Art game directions (optional)
• Decide the place where you are going to work
• Decide what elements you want to work with
• Create scketches in your notebook
