Major-Block-Chords
Major-Block-Chords
com
• Definition: Block Chords, also known as "locked hands" or "Shearing Voicings" (named after
George Shearing, who popularized this technique), are chords that are played with two hands,
using an octave on the outer notes and 3 chord tones in the inner voices.
Usually, the left hand plays the bottom note, and the right hand plays the other 4 notes.
•Use: Block chords can be used while playing a melody, comping, or in improvisation.
Construction
ROOT OCTAVES ON THE OUTER VOICES ADD THE REST OF THE CHORD IN THE INNER VOICES
1 C6 C6
ww 3 5 }
&
4 w R.H. www 6
4 w L.H. R.H.
L.H.
Technique
Using "C6" as an example, first play the chord in all inversions.
Then, play the 9th, 11th, and 7th scale degrees, noticing the different chord qualities
(The 9th scale degree is a Maj9 chord and the 11th scale degree is a IV6 chord)
C6 Inversions
ROOT POSITION 1ST INVERSION 2ND INVERSION 3RD INVERSION
3
C6 ww www
ww
& wwwww www 3 www
5
ww 6
R
ROOT ON THE BOTTOM 3rd ON THE BOTTOM 5th ON THE BOTTOM 6th ON THE BOTTOM
© Sheet Music Copyright 2021 Y&J Music LLC © Arrangement Copyright John Proulx
www.Pianowithjonny.com
2
Notice how the 9th, 11th, and 7th degrees are different from the C6 chords. The only chord that is
NOT a "C" chord is the F6, or IV chord. In a "C" Maj scale, the F6 acts as a passing chord.
An alternative to playing the C6 chord is to harmonize the scale with a CMaj7 chord.
Stylization
Use Slides Into Block Chords
Use slides starting down a Minor 3rd from the targetted note
and slide up chromatically.
e e# e w˙ ™ e# e w
‰ #e
wwww
e# e w˙ ™
www
e# e e ‰ #e
w˙ ™
www www
& Ó Œ ‰
‰
3 3
3 3
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3
™™ œœœ ™™
19 * * * *œ œœœ *œ
œœœ œœœ œœœ œœœ œœœ œœ œœœœ
& œœ œœ œœ œœ œœ œ
Key of F
F6 F^9/G F6/A B¨6 F6/C F6/D F^7/E F6
™
™ ™™
20 * * *
* * œœœ œœœ
b
& œœœ œœœ œœœ œœœ œœœ œœœœ œœ œœ
œœ œœ œœ œœ œœ œ
Key of Bb
B¨6 B¨^9/C B¨6/D E¨6 B¨6/F B¨6/G B¨^7/A B¨6
*
b ™™ œ* ™™
21 * * *
œœœ œœœ œœœœ œœœ œœœ
b œœ œœ œœ œœ
& œœœœ œœœ œœœ œœ œœ œ
4 PRACTICE TIPS:
1. First play the inversions of the I6 chords.
2. Next, play the 9th, 11th, and 7th scale degree chords.
3. Then, play the entire scale up and down.
4. Finally, create some melodies of your own, using different scale degrees (i.e. 1324, etc.).
b œœœœ ™™™™
C6 F6 B¨6 C6
™™
26
j j œœœj œœœj
œ ™
œ œœœ j j j œœœ www
& œœœœ œœ
œœœ
œœ œœœ œœœ œœœ œœœ
œœ œœœ ˙˙˙ œœœ
œœ œJ œœ œœ ww
J œœ œœ œœ œœ ˙˙ J J
J J J
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4
& b b ™™ œ ™™
30 * * *
b * * œœœ œœœ
œœ œœ œœœ œœœ œœœœ œœ œœ
œœœœ œœœ œœœ œœ œœ œ
Key of Ab
A¨6 A¨^9/B¨ A¨6/C D¨6 A¨6/E¨ A¨6/F A¨^7/G A¨6
bb ™ * ™™
* *
& b ™ œœœœ
31 * *
œœ œœœ œœ œœœ
b œœœ œœœ œœœ œœœ œœ œœœ œœ
œœ œœ œœ
œ
Key of Db
D¨6 D¨^9/E¨ D¨6/F G¨6 D¨6/A¨ D¨6/B¨ D¨^7/C D¨6
* *
™™ * ™™
41 * * *
#### # * œœ œœœ
& # œœœ œœœ œœœ œœ œœœ œœœ œœ
œœœ œœ œœ œœœ œœ
œœ œœ
Key of B
B6 B^9/C© B6/D© E6 B6/F© B6/G© B^7/A© B6
*
#### ™ ™™
*
& # ™ œœœœ
42 * * * œœœ
œœœ œœ œœœ œœ
œœœ œœœ œœ œœœ œœ œœœ œœ
œ œœ œœ
Key of E
E6 E^9/F© E6/G© A6 E6/B E6/C© E^7/D© E6
#### ™ * ™™
™œ
43 * *
* *
œœœ œœœ œœœœ œœœ œœœ
& œœœ œœœ œœ œœ
œœœ œœ œœ œœ œœ œ
œ
Use the same practice tips as the previous exercise.
™™ œœœœ ™™™™
F©^7 B^7 E6 F©6
œœœ ™™™ ™™™
44
j j
Ϫ
#### # j
œœ ™™ ™™
& # œœœœ œœœ œœœ œœœ ˙˙˙ œœœ œœœœ œœœ www
œJ œœ œœ œœ ˙˙ nœœœœ œœ œ œœ ww
J œ J
œœœ ™™™ ™™
F©^7 B^7 E6 F©6
œœœ ™™™ ™™™
48
œœ ™™
## # j j j
œœ ™™ ™™
& # ## œœœœ œœœ œœœ œœœ ˙˙˙
˙˙ nœœœœ œœœ œœœœ œœœ w
œJ œœ œœ œœ
J œ œœ œ œœ wwww
J
www.Pianowithjonny.com
6
™™ œœ ™™
52 * *
* * * œœœ
### œœœ œœœ œœ œœœ œœ
œœœ œœ
& œœœ œœœ œœ œœ œœœ œœ
œœ
Key of D
D6 D^9/E D6/F© G6 D6/A D6/B D^7/C© D6
* *
## ™ œ*œ ™™
*
& ™ œœœ
53 * œœœ œœœ
œœœ œœœ œœœ œœœ œœœœ œœ œœ
œœ œœ œœ œœ œ
Key of G
G6 G^9/A G6/B C6 G6/D G6/E G^7/F© G6
# ™ * ™™
*
& ™ œœœ
54 * *
* œœœ œœœ
œœœ œœœ œœœ œœœ œœœœ œœ œœ
œœ œœ œœ œœ œœ œ
œœ ™™ œœ ™™ œœœ
### œœœ r œœrœ
& œœœ œœœœœ œ
œœ ≈ œœœ ≈ œœ
˙˙˙
˙˙
œ
œ
nœœœ ≈ œ
r
œœœ ≈ œœ
r
œœ www
J œ œ œœœ œœœ ww
R R R R
D6
œœ ™™ œœ ™™ œœœ
œœœ r œœrœ r r
& œœ ≈ œœœœ ≈ œœ
˙˙˙
˙˙ nœœœœœ ≈ œœœ ≈ œœœ œœœ www
ww
J œ œœ œœ œœ
R R R R