Passing Patterns Compendium

Edition May 07

Acknowledgements
These patterns come from many sources, though the largest is the passingdb.com website as of 2005/6, by JiBe Hurteaux.
In compiling these patterns I've made the editorial decision to not include attributions and credits, partially because in many
cases a pattern/rhythm is “folklore”, invented by many people independently, or of unknown origin; and partially to save
space. The vast number of patterns out there for 2 or more people bear witness to the efforts of many people, too many to
list here, but some contributors I've noticed are: JiBe Hurteaux, Martin Frost, NeilFred Picciotto, Rick Rubenstein, Ed
Carstens, Dave Davis, Madison Area Jugglers, Tarim, Aidan Burns, Ed Pultar and Dave Alaya, Christoph Schumacher, and
I myself have even contributed a few patterns. Apologies to anyone I've not mentioned who reads this and finds a pattern
they invented; take comfort in the fact that I don't intend to publish this and if I do in fact publish it I'll do my best to credit
things.

This collection is not intended to supplant or negate the forthcoming tome by Martin Frost which I've heard is entitled
Passing Madness. For all that he has done for the passing community, when he finally publishes the thing the least you can
do is get rid of this and buy his book.

Please contribute!!
If you know of a pattern/rhythm that you are sure is not in here, please contact me and tell me about it! If you have any
other suggestions, comments, about the content or layout , I'd love to hear them.
Email me at mweston at uvic dot ca.

- compiled by Mark Weston

Terminology and Notation
A rhythm is the sequence of throws between the jugglers, a pattern is the physical layout of jugglers on the floor and sequence of who
passes to whom. Obviously a given pattern can have many rhythms. Throughout, patterns and rhythms are given in multiple notations as
well as a textual description and causal diagram to aid quick comprehension. Cross-references are underlined in blue.

Rhythm Notation
We refer to the two jugglers in a rhythm as J1 and J2; J1 is always the top line in a causal diagram, and their hands as RH (right hand) and
LH (left hand). A pass is crossing if it goes LH to LH (or RH to RH), straight (or tramline) if it goes RH to LH (or vice versa).

A sequence of throws for a single juggler can be written as a series of numbers in siteswap notation: 1 = zip (or hand-across), 2 = hold, 3
= single spin, 3.5 = floaty single, 4 = double, 5= triple, etc. A p means the number is a pass; generally a pass is a straight or tramline
(R->L or L->R) unless it ends in .5, in which case it crosses (R->R or L->L); exceptions can be noted with an 'x'. A non-passing throw
returns to the same hand if it is even, otherwise it crosses; thus a 3 is the (crossing) self single you throw in a 3-club cascade. Sometimes
a * is used to denote a hurry (two throws in a row from the same hand). Two throws at the same time for one juggler are written (x,x).
< xxx | xxx > denotes a synchronous sequence of throws for the two jugglers; the first sequence of xs is J1's, the second is J2's.

Sequences are often written in shorthand using P=pass, S=self, H=hold, Z=zip, D=double (usually a self double), T=triple.

Multihand notation is a compact way to represent asynchronous patterns (J1 and J2 do not throw at the same time). An MHN sequence
xxx represents a siteswap sequence for all four hands involved, going in order J1RH J2RH J1LH J1LH. To quickly find the sequence of
throws for each juggler, take every second number (cyclically) in the sequence and divide each digit by 2. 2=zip, 4=hold, 6=single,
7=3.5p, a=10, b=11, etc.

Causal diagrams are very powerful and easy-to-use tools for describing a rhythm. Each diagram has a horizontal row of hands for each
juggler, with R and L for throws from each hand. Arrows are throws: passes go between lines and selfs stay on the same line, and time
progresses from left to right.
Holds (2s) are represented by a small loop coming back to the same hand:

Zips (1s) are selfs that are so fast they go vertically or backwards: they cause the previous
throw to be made, in order to empty the hand to receive the zip:

An empty hand is represented by an arrow moving 2 beats backwards into that hand:

A single (3) goes one place forward, a 3.5p moves 1½ places (so the rhythm of the jugglers must be staggered by ½ a beat), a 4 two
places, etc. A pattern has one club for each path moving down the diagram, plus one club held in each hand to start. To start a pattern,
each hand holds a club to start, plus one extra for each arrow coming into that hand from the left-hand side of the diagram.

Feed Notation
FF is the "feeder", who passes to F1 and F2, who are the "feedees". F1 is always the top line of the causal diagrams shown and FF is the
middle line.
An extension of a 2-person notation can be used:
< xxx | xxx | xxx > denotes a synchronous sequence of throws; the first series of xs is FF's sequence, the second is F1's and the third F2's.
Throw heights are given by siteswap as i n rhythms; a p means the number is a pass; for FF the p can be subscripted (p1 or p2) to indicate
the receiver if it is not easy to deduce. Sometimes we use the terms outsides/insides: from FF's perspective, these are throws to the outside
or inside of the pattern (i.e. FF's LH to the right-hand feedee is an inside).

Pattern Notation
Jugglers in a pattern are shown by letters ( A, B, C...). In causal diagrams, A is the top line, B the second, etc.

In diagrams, passes are shown by black arrows, self throws are usually not shown. Optional passes are shown as blue arrows;
movement of jugglers is shown by red arrows

Tables are used to show the sequence of passes for all jugglers for patterns for 4+; selfs may or may not be included; and the pattern can
be easily changed by adding extra selfs, changing which hand makes which pass, etc. Entries in the table show the recipient of the pass at
each beat; selfs are shown by “s”.
Table of Contents
Rhythms........................................................................................................................................................................ 4
3-5 Clubs.................................................................................................................................................................. 4
6 clubs...................................................................................................................................................................... 6
7 clubs.................................................................................................................................................................... 17
8-9 clubs................................................................................................................................................................. 30
Fun Ideas................................................................................................................................................................ 33
Feeds........................................................................................................................................................................... 34
2-count Feeds......................................................................................................................................................... 34
PPS Feeds............................................................................................................................................................... 35
1-count Feeds......................................................................................................................................................... 36
Mixed Count Feeds................................................................................................................................................ 37
Popcorn Feeds........................................................................................................................................................ 39
Slow-Fast Feeds .................................................................................................................................................... 41
Martin's Madness....................................................................................................................................................42
Asymmetric Feeds..................................................................................................................................................45
3-person Patterns.........................................................................................................................................................46
Triangles.................................................................................................................................................................46
Lines....................................................................................................................................................................... 51
Runarounds.............................................................................................................................................................53
4-person Patterns.........................................................................................................................................................56
Large Feeds............................................................................................................................................................ 56
Square.....................................................................................................................................................................60
Feast....................................................................................................................................................................... 61
The Y......................................................................................................................................................................65
Speed Weave.......................................................................................................................................................... 67
Moving Patterns..................................................................................................................................................... 72
5+ -person Patterns..................................................................................................................................................... 76
Fun Ideas and Passing Games................................................................................................................................ 94
 Rhythms

Rhythms
These are passing rhythms for two jugglers.

3 clubs: 3 Around 5 clubs: 1-count

This pattern is the 6 club 2-count with 3 clubs missing. J1 starts withNormal 1-count <3p2*|2*3p>
3 clubs in a cascade and sends three consecutive RH passes to J2. J2 Passes are normal singles, with one of the jugglers throwing all
receives them with 3 LH selfs and throws three RH passes back to crossing passes.
J1.
This pattern is good for learning trick throws as you have plenty of
time to think about the throw while the other person has the clubs.
Variations: throw the 2! Synchronous popcorn: (6,4)(6x,4)(4,4).
5 clubs: Passing and Running the Gap That is, when the pass comes in throw a self double (and the 2 with
the other hand!), before passing again.
Any 6+ club pattern missing a club can still be juggled by just
Slow 1-count, or Flurry ( 3.5p22 744 )
pretending the club is still in the pattern; the space where the club
This version is very similar to normal 1-count; just make lofty passes
should be is called the “gap”.
instead of normal passes (also try doubles).
Passing the Gap Variation: replace the 22 with 31 (self zip) (726).
(also confusingly called Holding the Gap). This refers to the
Fast 1-count (2.5p , 5)
technique of not passing unless you have enough clubs; in patterns
Get close together and pass in flats, pushing the clubs forward. A
with 3 clubs per person (i.e. 6-club 2-count) the rule is “Don't pass
very quick rhythm that's visual, fun, and not that difficult.
unless you have three clubs”. Thus you hold two clubs until
someone passes you a third.
J1 passes and doesn't receive from J2 since J2 had the gap. They do
nothing (hold two clubs) until J2 passes back to them:
Variations: you can make lots of nice slow patterns by adding in
self throws when you receive a pass (and the other person does self
zip, or flourishes). The passes can be flats or ½ spin singles.
Syncopations (Siteswaps)
An easy way to add siteswap syncopations is to think of your side of
Running the Gap the pattern as just a 3-club cascade (333...); the other person is acting
This refers to the technique of continuing to juggle, treating the as gravity to send the clubs back to you. Now you can throw any
missing club as a “hole” that you juggle. This looks better in siteswap you like.
performance but it takes longer for the hole to move between - all 4s are doubles, 5s triples, etc. If your 3s are crossing then odd
jugglers. Practise this in a 6-club 2-count by just continuing to pass numbers cross and evens are straight, vice versa if you are throwing
whenever there is a club in your RH, and your LH throws selfs straight 3s by default.
whenever possible. - J1 simply sends back normal passes whenever they can.

Here is an example in 2-count: J1 has the hole but they don't pass it 441: Double, double, zip. 531: Triple, single, zip.
to J2 until it is in their RH when they are supposed to pass; then J2
gets it for a while.

423: Double, hold. 4440: Double, double, double,

gap.
Variations: any (!) of the following rhythms can be done missing
some clubs; some of the resulting patterns may even be interesting.

Also try 34512: double, triple, zip, or 63141: quad, zip, double,
zip.

4
 Rhythms

5 clubs: 66625 (SSPSZ) 5 clubs: WhyNot? and NotWhy?

A simple pattern. self, self, pass, self, zip.
One juggler does crossing passes, while the other one does straight
Variations:
passes. All passes are floaty singles (3.5).
double, hold, pass, WhyNot?
self, zip (86425, The double-zip: when a pass is coming to your RH, instead of
<4 2 2.5p 3 1> ) freeing it with a usual self (3), you have to do a LH double (4),
followed by a right to left zip (1).
double, zip, self, For 5 clubs the sequence is DZPHH (double zip pass hold hold),
pass, hold (25864, and start again from the other hand.
<1 3 2.5p 2 4>

5 clubs: 77722 (PPZPZ, Parsnip) 3.5p 3.5p 1 3.5p 1

The sequence goes: pass, pass, zip, pass, zip. Think of it as
bookends (PPSPS) with zips instead of selfs. NotWhy?
All passes are floaty singles; J1 does straight passes and J2 crossing Here, in order to catch a pass, you throw just one double (from the
passes. J1 starts with the RH with PPZPZ, and J2 starts with the RH same hand), followed by a pass from the other hand and a zip. It's a
½ a beat after J1 with PZ, then PPZPZ. little easier to get used to than the double zip in WhyNot?.
Thus the rhythm is: double, pass, zip, hold, hold. Instead of the two
holds (22), you could do a self, zip (31).

5 clubs: 772626
J1 does PZZ, J2 does PSS,
These patterns are good warm-ups for the 6-club versions.
starting ½ a beat later; all
passes are floaty singles.
5 clubs: Ultimate-zip
Variation: J2 can “steal” one of the zips by passing to J1 instead of The rhythm is RH pass, LH pass, RH pass, LH pass, see normal
their first self; then both jugglers are doing PSZ (762). Then either ultimates (1-count) for the base pattern.
juggler can steal a second self by throwing 2 passes in a row again.
For each incoming pass, what happens is:
1 - a club is coming to your RH
5 Clubs: U Pass 2 - in order to catch it, do a right to left zip
3 - in order to catch the zipped club in your LH, pass from the LH.
One club goes back and forth on one side
of the pattern; each juggler does half of a In fact, 2 and 3 are happening simultaneously.
box to receive it and send it back out. (This Note also that if the right hand throw is crossed in the normal
is the double-zip move from WhyNot?: ultimates, then the pass made from the left hand (step 3) is straight in
double-zip in one direction caused by the ultimate-zip (and conversely).
pass, and then pass-zip in the other You can have only one of the jugglers doing the ultimate-zip; the
direction caused by the first double). other one does the normal version. If J1 does it and J2 doesn't, both
Variation: for more symmetric versions, one or both jugglers passing straight, you get the 5-club Box.
crosses their passes, to get a WhyNot? Variation. To start the rhythm, it's better to start from a normal 1-count, and,
passing twice from the same hand, begin to do the zips.
Try making floaty
passes, one or both
jugglers can do
doubles.

5
 Rhythms

Variations: use any valid 4-club siteswap you like: 7441, 55613,
6 clubs: 1-count (Ultimates, Thundershower) 3p
566151, etc.
Here there is no selfs, only passes. It's as if you were juggling 3 Transition from Sync to Async
clubs on each side of the pattern. You both start at the same time There are several different methods:
doing RH pass, LH pass, RH pass, LH pass...
- one hand throws a double pass
- one hand does a single or floaty double self
- do a hurry by throwing twice quickly with one hand
Variations: Try starting with J1 with 4 clubs passing both at once: a - collect on one side and throw a multiplex (from async to sync)
nice synchronous pattern.
Also see Jim's 1-Count, Martin's 1-Count, Brendan's Folly, Simul 6 clubs: Brendan's Folly<3px 3px 3p 3p | 3p 3px* 3px 3p*>
Squirrel,Ultimate-zip, etc.
Brendan's Folly is a 1-count rhythm for 6 clubs. The two jugglers
Syncopations (Siteswaps)
have different roles:
An easy way to add siteswap syncopations is to think of your side of
the pattern as just a 4-club fountain; the other person is acting as • J1 (top line) does "R-L-R-L" as "crossing-crossing-
gravity to send the clubs back to you. Now you can throw any valid straight-straight"
siteswap you like.
- all 3s are selfs, 5s are crossing doubles, 6s straight triples, etc. • J2 does "R-R-L-L" as "straight-crossing-crossing-
- J1 simply sends back normal passes whenever they can. straight" and gets the hurried throws (in green)

53: double, self 534: double, self, pass, double, self,

pass,... (it's almost a PPS )

There is also a heavy risk of collision no later than beat 2 (red

circle). To avoid that, you can agree that J2 (RH crossing pass) will
throw from the outside and J2 (LH crossing pass) from the inside.
552: double, double, hold 5551: double, double, double, zip
6 clubs: Jim's 1-count <3p 3p* | 3p* 3p>
J1 (upper line) does straight passes, J2 does crossing passes. The
rhythm is R R L L... similar to Brendan's Folly.
Hurried passes are shown in green.
55550: double,
double, double,
double, gap

Variation: both doing RRLL in sync (each starting with the first R),
each juggler does cross-straight-cross-straight.
633: triple, self, self
All Collisions: J1 does RRLL, J2 does LLRR, both do cross-
straight-cross-straight.

6 clubs: Jim's 1-count + Brendan's Folly

Variation: on synchronous 1-count, use any valid synchronous J1 does cross cross straight straight, J2 does all straights.
siteswap: Symmetric; and both jugglers get hurries.

(6x,4)(4,2x): (crossing triple, (6x,4x)(4,2): (crossing triple, Hurried passes are shown in green.
pass) (pass, zip) crossing pass) (pass, hold)

6
 Rhythms

6 clubs: Martin's 1-Count (PPPPZ) 6 clubs: PPZ vs PPS 777726

The 1-count version of Mild Madness. The principle is the same: This can be thought of as an asymmetric asynchronous Mild
making zips when a pass arrives in your "wrong" hand. Just keep Madness. J1 throws PPZ with straight passes; J2 starts ½ a beat
thinking you must only do passes, as one might want to add a few later with PPS on crossing passes. Passes are floaty singles (3.5s).
selfs when used to doing Mild Madness. Try one or both of you on doubles to start.
Rhythm is pass, pass, pass, pass, zip.
The juggler doing straight passes (upper line) will need to start at the
middle of the sequence by PPZ (and then PPPPZ...).
Variation: J1 can insert a self after their zip to force J2 to get the zip
automatically; or J2 (with the zip) can lose the zip by just leaving it
out (throwing 4 passes in succession). Play with switching back and
forth!

6 clubs : 2-count (Everys, Shower) 3p 3

6 clubs: PPPZ PPPH Compressed Mesopotamia
This is the other traditional one-sided passing pattern, typically
J1 starts with 4 clubs and learned after 6-club 4-count.
throws cross cross cross zip, All throws made from the right hand are passes, all throws made
J2 waits 1½ beats and throws from the left are selfs. You keep doing: RH pass, LH self.
straight straight straight
hold. Passes are floaty singles.
Variations: J2 switches hands and starts with the LH, so J1 crosses
and J2 throws straights. Also, see the 7- and 8-club versions.
<4p 1 | 3 3p>: throw RH straight doubles and zips with your LH.
6 clubs: PPZ You can get into this by throwing a LH early double (42) and then
throwing the next double with your RH.
Both jugglers startswith 3 clubs <4.5p 3 | 1 3.5 p>: J1 throws straight double passes and J2 throws
and throw cross cross zip. single passes and zips.
The rhythm goes R R zip L L
zip R ... it's very fast, make Syncopations:
those passes floaty!.
42: LH crossing double, RH “Late double”: RH crossing
Variation: throw in a couple of selfs so that you can get the pattern hold (“early double”) double, the receiver gets the hold.
back under control between zips: PPZS, PPZSS.

6 clubs: Ultimate-zip
The rhythm is RH pass, LH pass, RH pass, LH pass, see 6 club 1-
count for the base pattern. See 5 club Ultimate-zip for the theory. 4512: LHearly crossing double, RH early straight triple, zip, hold.
For 6 clubs, if you do an “ultimate-zip” the pass mus then cross.
You can have only one of the jugglers doing the ultimate-zip; the
other one does the normal version.
Try making floaty passes, one or both jugglers can do doubles.
Variation: late double, early double, triple (quad, quin, etc).
6-club Ultimate-zip (J1 only) 6-club Ultimate-zip (J1 & J2):
collisions !

7
 Rhythms

6 clubs: 3-count (PSS, Waltz, Tic-Tac) 3p33 6 clubs: Jim's 3-count <3p3*33p33 | 3p333p3*3>
This pattern is gaining in popularity as the “default” passing pattern The original “random” pattern: this rhythm is very similar to regular
for 6 clubs, since it is not hard and is ambidextrous. 3-count, and is not really harder.
In 3 count, passes are made alternately by both hands: if a pass is The difference to regular 3-count is that a juggler crosses his passes
made from the right hand, the following pass will be done from the (for every throw). Hence it creates a hurry, but as long as you
left hand. It's always the same 2 clubs that are being passed back and remember that you have to throw the club you just received, it
forth. should present no particular problem. Each juggler regularly throws
twice in a row with the same hand.

What is good in 3-count ?

- You still have a few selfs to play with (as in a 4-count)
- It's more convenient for solo tricks that have period 3 (such as Variations: most of the standard 3-count syncopations work.
Mills Mess).
- all of the “traditional” syncopations from 2-count and most from 4- 6 clubs: Jim's 4-count <3p3*333p333 | 3p3333p3*33>
count work, and they can be done on both sides !!
The difference with a normal 4-count is that one of the jugglers (the
Nice variations: 4 2 3p – throw your self double under the incoming bottom one in the diagrams) will cross all their passes. This is very
pass, 4 4p 1 – throw your self double and then early crossing similar to Jim's 3-count but with 3 self's between each pass.
doubles, 4p 4 1 – start with late crossing double pass, 5p 3 1 – throw
early triple pass, 5 3p 1 is fun also.
Shared 441: <4p 3 3 | 3p 4 1> J1 throws a late crossing double, J2
responds with 41 (instead of 23).
Agreed 441: J1 throws 6 clubs: Jim's 2-count <3p33p3* | 3p3*3p3 >
late doubles (4p33), J2 Both jugglers juggle a 2-count; J1 (top) crosses all passes and J2
throws 3p14, starting throws tramlines.. Hurried selfs are shown in green:
with 2 clubs in the LH.

6 clubs: 3-count/1-count <4p 3 3 | 2 2 4p>

This pattern allows one juggler to work on the 7 clubs 3-count while
the other one juggles a very slow 1-count on doubles (and can use
some holds). It's not a slow-fast though because the jugglers keep Compressed Mildness:
juggling at the same speed (if we count a hold as being a throw). If both jugglers cross their throws each
All passes are crossing doubles. juggler throws R R L L; throw the passes
from inside to outside to avoid collisions.
All selfs are hurried (in green):

Variation: throw one cycle (straight pass +

An easy way to start this pattern is to start from a 4-count, and then self) of normal 1-count before crossing
to throw a late double. The one who throws the double starts (Juergen's 2-count).
juggling on a 3-count, the other one starts his 1-count side of the The Koshi-Hellner Inequality
pattern by throwing back a crossing double under the incoming For an asymmetric version, J1 does a
double (see diagram below). 2-count, alternating which hand they
3-count/1-count with a 4-count start: pass to, and J2 does R R L L alternating
which hand they throw to. This is a 1-
count/2-count slow-fast with J2 using an
extra club to "fill the gap". J2 gets
hurried selfs: shown in green:

8
 Rhythms

6 clubs: 4-count (Every Others) 3p 3 3 3 6 clubs: Bookends (PPSPS) 3p3p33p3

THE classical pattern of passing. A 5-count with 3 passes and 2 selfs.

There are two ways of thinking about this rhythm: one is just
Variations: any period 4 siteswap can be done at either end: PPSPS, the other is PSPSP, and both ways feel different to juggle!
3p5313p, 3p4413p, etc. Syncopations: late double (4p333), early
double (3p334p2), late triple (5p333), early triple (3p35p22). 6 clubs: Chocolate Bar
(PPSS, Two-two, Desmond Tu-Tu) 3p3p33

6 clubs: Double Returns <4xp 3 3 3 | 2 2 3 4xp>

A variation on 4-count: all
passes are straight doubles, This pattern is a useful variant of 2-count that can make many feeds
and J2 does a 2-count with and 2-count patterns more interesting without adding more passes in
large gaps. Variation: 4 beats.
cross both passes.
6 clubs: PPPSS 3p3p3p33
This pattern has period 5 and is thus symmetric.
6 clubs: 6-count 3p 3 3 3 3 3

6 clubs: Benni's Nightmare

Keep this pattern in mind if you are doing difficult multi-person
J1 does RH double, hold, RH
patterns which are initially challenging on 4-count: switching to 6-
double, LH self on tramline
count can make things slower.
doubles; J2 does LH self, RH
single, LH single, hold on
6 clubs: PPS (Double 3-count, Ogilvies) 3p 3p 3
crossing singles.

To stagger the rhythms, both jugglers can throw floaty singles.

Variation: an easy symmetric version can be done by adding in a
self for both jugglers before J1's first or second pass.
The 4 passed clubs are always the same, just like the two clubs that
are used for selfs. 6 clubs: 972
Variations: 4p4p1 (crossing 4ps), 5p3p1 (noncrossing 5p3p; very A beautiful pattern that's lots of fun to juggle.
nice when both jugglers run it); throw the first 4p or 5p instead of the
All passes are floaty; J1 starts with 2 in their LH and juggles cross
self in PPS.
double, zip, straight single; J2 starts ½ a beat later with 2 in their
RH and juggles cross single, straight double, zip.
6 clubs: Tango 3p33p33p3p33
This rhythm is a combination of a 2-count and a chocolate bar. The
easiest way to describe it consists in saying : PS PS PPSS. It can
also be considered as a 2, 2, 1, 3-count.

9
 Rhythms

6 clubs: WhyNot? 3.5p 3 3.5p 4 1 86277 6 clubs: NotWhy? 4 3.5p 1 3 3.5p 86772
One juggler does crossing passes, while the other one does straight J1 crosses and J2 throws straights. The passes are lofty singles.
passes. All passes are floaty singles (3.5). See 5-club WhyNot? for See 5-club NotWhy? for a warm-up.
a warm-up.
Here, in order to catch a pass, you throw just one double (from the
The double-zip: when a pass is coming to your RH, instead of same hand), followed by a pass from the other hand and a zip. It's
freeing it with a usual self (3), you have to do a LH double (4), a little easier to get used to than the double zip in WhyNot?. The
followed by a right to left zip (1). The full cycle is: DZPSP full cycle is double, pass, zip, self, pass.
(double zip pass self pass).

Start: 3 clubs each (2 in the RH), J1 starts with a RH double and

To start, the best is to have J1 starting with 4 clubs, and doing does crossing passes. J2 starts ½ a beat after J1's first pass with a
PSPDZ. J2 starts half a beat later with the self double. RH pass, followed by a double to start the cycle. J2 does straights.
Lazy Version (Can't Be Bothered): replace the double, zip with Lazy Version (Bothered Be Can't): replace the double, pass, zip
hold, self.; hen the sequence goes HSPSP <3.5p 3 3.5p 2 3 >. You with self, pass, hold to get SPHSP (see Jim's 2-count).
can switch from one to the other at any time.
a778226 (extended WhyNot?)
6 clubs: Maybe (Can't Be Bothered) 86727 3.5p3.5p314
A period-7 symmetric rhythm with all sorts of fun throws. Each
juggler starts with 3 clubs, 2 in their RH. The sequence is triple, J1 starts with four clubs, starts with RH pass and J2 starts with their
pass, zip, self, pass, double, zip; J1 starts at the begining, J2 starts double 1.5 beats later. The sequence is double pass pass self zip.
½ a beat later at pass, double, ... J1 throws tramline passes, J2
crosses, all triples are crossing selfs, doubles are noncrossing selfs,
and passes are floaty singles (3.5p).

Maybe a Little Faster: make the passes faster (2.5p in fact) and
Variation: throw more selfs: each new self after your triple must remove the 31: the sequence is double pass pass, J1 crosses and
correspond to a new self for your partner before their triple. starts with a double, J2 throws straights and starts ½ a beat later.
Another symmetric extended version is 7786266: pass, double, zip,
self, pass, self, self.. J1 starts with their first RH straight pass, J2
starts with pass self self ½ beat later.

6 clubs: 7867266
6 clubs: 79662 3.5p 31 4.5p 3 This is like an extended Maybe pattern. The sequence is pass self
Each person does pass, self, zip, double, self. One person throws zip self double pass self and it repeats on the other side. J1 starts
straight singles and crossing doubles, the other the reverse. J1 starts with a R->L pass and J2 starts ½ a beat later with RH double, LH
with a single pass, J2 starts ½ a beat later with a floaty double. All pass.
passes are floaty.

For a one-sided version try 6679662: each person does a self at the
beginning of the sequence.

10
 Rhythms

6 clubs: Jim's Variations

6 clubs: Brainstorm 7477466774667 Jim's Chocolate Bar (PPSS)
A variation on PPSS: J1 throws Cross Cross self self Straight
A long sequence that will test your powers of memory. The
Straight self self; J2 throws Straight Straight self self Straight
sequence goes pass, pass, hold, self, pass, self, pass, * hold, pass,
Straight self self. You get hurries and it's symmetric and each end
self, pass, hold, self and repeats again on the other side. J1, with 4
feels different. To speed up the hurries just have J1 cross all their
clubs, starts at the beginning and throws straight passes, J2 starts ½ a
passes.
beat later with the second-hold (marked *) throwing cross passes.
Passes are floaty singles; for a hurried version with normal passes J2
starts synchronously. (causal diagram below shows only one side of
the pattern, repeat starting with LH).

Archibald 5-Count
A Martin's/Jim's Bookends (PPSPS) pattern: J1 (the easy side) does
straight straight self cross self, J2 (the hard side) does cross cross
zip self straight self. J2 gets 3 hurries per round (!).
6 clubs: Expanded Moose 4p4p4p4p023p3p
A six-club pattern with a 0 in it! J1 starts with 4 clubs, J2 starts with
2. All doubles are diagonals, all singles straights.

Stover Conservatory
This pattern mixes straight and crossing passes: you both do straight
diagonal self self, the first self is hurried by the diagonal.
Other Patterns:
Other 6-club rhythms can be "Jim's"ed just by having one juggler
6 clubs: Zap Opus #1 (567) cross all their passes, PPSPS, PPSS, PPSSS, PPPSS, etc. A few
nice patterns from this idea: both jugglers do straight, straight,
The sequence is zap (2.5p), diagonal, (hurry) self, diagonal and the sequence repeats from the
floaty single, self. Stand close other side.
together and make the singles
Reading Romp: both jugglers do diagonal, (hurry) straight,
floaty. For J1, the zaps cross and
straight, straight.
singles don't, vice versa for J2; so
for each person they pass twice Hammy 5-count
(zap, single) to the same hand. This is an unbalanced Sdnekoob (reverse bookends) pattern: J1 has
two hurries and J2 has none. J1 does cross self straight self self,
starting with the LH, and J2 does straight self diagonal self self,
J2 starts with 2 clubs in their LH and starts a beat later with a zap. starting with RH.

6 clubs: 774
Both passers do 3.5p 3.5p 2
(floaty single, floaty single, Compact Hammy
pause), so the rhythm is LR, RL, This is the Hammy 5-count with the two ending selfs removed: J1
LR... J1 crosses and J2 throws does RH straight, RH cross, RH self and repeats with the LH, J2
straights. does cross straight self starting with RH.
Variation: throw the 2!

11
 Rhythms

The Lutkinsky Simul Squirrel

This bizarre rhythm has J1 throwing straights and J2 crossing. J1 This is basically 8-club 1-count with two holes, so make floaty
starts with 2 in their LH and J2 with 2 in their RH. J1 does PPZPS passes or try the Slow version below first. J1 does simul, R->R, L-
PPPZS, J2 does PPPS PPPS; J2 gets hurries but no zips and J1 gets >L, simul, and J2 does the same but starting at the L->L.
zips but no hurries. Simuls are shown in boxes below, the reverse arrows indicate empty
hands:

Variation: after every 4 beats (J1's PPZPS), switch roles.

Slow Simul Squirrel
6 clubs: Jim's Jam Adding selfs into the above gives the sequence simul, RH cross,
A pattern featuring "hops": selfs to the same hand (3x). Both self, self, LH cross, simul, self, self; J1 starts with the first simul
jugglers start with 2 in the same hand and throw, at the same time, and J2 with the L->L pass.
hop straight self cross (hurry) self, and start again from the In these next patterns both people are
other hand. One half of the full cycle is shown; hops are in green: throwing simuls at the same time: to
avoid collisions, you must agree that
one person should throw to the side,
or inside, like this:
Variations: Remove the pulp to get Jim's Jelly: hop, cross,
(hurry) self and repeat on the other side.
RRLL: each person does RH cross, RH straight, LH cross, LH Simul (Parallel) Universe
straight simultaneously. Both jugglers do P, S, Simul, S, P (LH this time), S, Simul, self.
See Hurries Galore for more on hops.

6 clubs: Simul Patterns

Fast Version: eliminate all the selfs! Just do Simul, RH pass,
These are 6-club patterns involving simuls (two tramline passes
Simul, LH pass. You can come up with other variations.
thrown at once), which usually appear only in feeds. They tend to be
quite fast as there are plenty of hurries. 6 clubs: Compressed LCM4,3 (see LCM 4,3 Feed)
Moose Basically, do the LCM-4,3 feed but with the two feedees compressed
The sequence is Simul, R, L, R, L , where all passes are crossing into one person (it just feels like a random 12 count sequence).
floaty singles (3.5p). No selfs! The same two clubs get thrown back Because the count is even and the simul causes a hurry, at some
and forth as the simuls. point you have to do a another hurry to equalize things. For the sake
of symmetry (and to make it easy to recall) this diagram has the
J1 starts with 4 clubs
hurry as the middle pass (an alternative is to make it an 11-count
with the four singles;
cycle instead of 12 counts: do a straight pass as the middle one and
J2 waits as long as
don't do the final self). So the cycle goes simul, self, self, pass,
possible and then
pass, self, cross pass, (hurry) self, pass, pass, self, self.
throws their simul.
There are collision issues between the first and third crossing
singles; both jugglers must throw accurately and lofty.

Note also that one person should throw their simuls inside to avoid
collisions.

12
 Rhythms

6 clubs: Countdowns 6 clubs: Mild Madness

The countdowns are a family of patterns in which you constantly Mild Madness is an evolved version of the normal PPS. The cycle
change the main pattern. For instance, you start with a 4-count cycle, is PPS PPZS, where the zips alternate directions. One juggler
a 3-count cycle, a 2-count cycle, an ultimate cycle (only one pass) crosses all passes (RH to RH, LH to LH).
and back, and so on.
Countdown from 3 (3-2-1-2)
We do a 3-count cycle, then a 2-count cycle, a 1-count, a 2-count,
and then we start again. This rhythm is a cycle of 8 throws, which
means there are two versions of it (one starts with a RH pass, the A classic mistake is to forget the self. So be careful, the zip does
other with a LH pass). not replace the self.
The entire sequence is PSSPSPPS, easier to remember when you
think of it as PSSP-SPPS.
Variations: have the 2 jugglers swap between crossing and straight
passes:

Synchronous change (6 beats)

The two jugglers change at the same time every 6 beats (the time
Countdown from 4 (4-3-2-1-2-3) for PPS PPZS). The consequence is that each juggler has the zip
Run a 4-count cycle, a 3-count cycle, a 2-count, a 1-count, a 2-count twice in a row, the new cycle being PPS PPZS PPZS PPS.
and a 3-count, then start from the other hand. As opposed to the
countdown from 3 there is only one version since you alternate a
start with the RH and a start in the LH in the same pattern.
The sequence is PSSSPSSPSPPSPSS, but you'd rather count in your
head than learn it by heart.

Synchronous change (3 beats)

The two jugglers change at the same time every 3 beats (the time
for PPS or for PPZS). one juggler now has all the zips, while the
Variations: 4-3-2, 4-3-2-1, any sequence involving an odd number
other one is just doing PPS.
of odd numbers (?) will involve changing sides, which is nice.

Mixed-up Countdowns: 3-4-2, 3-4-1-2, etc, you get the idea.

Counting down the Passes: switch passes for selfs in all of the
above: so 4-3-2-1 becomes PPPS PPS PS P, etc.

Surprisingly nice is the Parker 4-3, in which you switch between 4-

count and 3-count.
Asynchronous change (6 beats)
For the 7 club versions see Copenhagen and Oslo countdown. The two jugglers change every 6 beats but not at the same time. As
a consequence, one of them has no more zips, while the other one
keeps having as many zips as usual. There are collision problems.

13
 Rhythms

Slow version 7777266

There also is a version with no hurries, and passes done with floaty
6 clubs: No Apparent Reason
singles. Practically speaking, you'll be juggling something in A long pattern that combines Martin's Mildness and 1-count/2-
between. count fast/slow. There are two zips and no hurries.
You can think of the pattern in measures of 3-5 throws each; the
cycle is: fast (4 fast throws of a 2-count slow-fast, with an extra
self at the end), straight (PPS on straights, with a zip), slow (2
slow throws of 1-count slow-fast, plus a self), diagonal (PPS
This is a close relative of 777726 (PPZ vs PPS).
crossing), slow, diagonal, fast, straight. J1 starts at the beginning,
More Variations: Martin's Ultimates is the Mildness with selfs J2 starts at the 5th measure (the second slow).
removed. If one self is added on each side Mild Splattered
Sunshine results, a Martinized PPSS.
Mild Shattered Scattered Sunshine.
J2 throws diagonal passes and performs hurries rather than zips,
while J1 throws straight passes and performs zips representative of After the cycle listed above you switch roles.
the feedee position for Shattered Scattered Sunshine. J1 does
PPZSPPS; J2 does PPSP(hurry)SS and the sequence repeats on the
other side.
6 clubs: Martin's 3-2-1-2
This is a Martin's version of PSSPSPPS (3-2-1-2). Each person gets
a zip before their final self, as well as some hurries. J1 does straights
and does the sequence PSSPSPPZS PSSPSPPS (hurries not
indicated), and their second cycle is normal; J2 does the first cycle
normal and the second cycle has the zip.

Mixed-Up Madness 6 clubs: Hurries Galore

A Madness pattern in which the two jugglers are not doing the same
things at the same time. Because of the very fast passes, try to All these rhythms are based on a 2-count, on which we add some
juggle very sloooowwww... hurries with the following combinations:
Selfs: make a synchronous self-zip with the self being either straight
(3x: half-box), or cross (3: shower).
Passes: Either the 2 jugglers do straight passes, or one of them does
cross passes and the other straight passes.
This gives us 4 possible combinations. Being able to juggle the box
or the shower on singles will help.
6 clubs: Mild Psychosis
Half-box, straight passes
This is a 2-person version of Martin's Psychosis. The principle is to
This one might be the easiest. Upon receiving a pass to the LH,
do the feed part of Martin's Madness, and instead of doing zips, to
throw a RH straight self and a zip LH to RH at a the same time.
anticipate the zips by throwing from that same hand. Only J2 is
When the self comes down again, throw the zipped club. Both
actually doing the Psychosis, J1 is doing whatever necessary to make
jugglers do straight passes. Not an ambidextrous pattern!
the pattern work.
J2, starting from RH, does cross, cross, (hurry) self, cross, cross,
self, cross, (hurry) cross, self, cross, cross, (hurry) self, cross,
cross, self, cross, (hurry) cross, self. J2 does cross, straight, self,
straight, (hurry) cross, self, straight, straight, (hurry) self, cross
,straight, self, straight, (hurry) cross, self, straight, straight, 2- half-box, straight and cross passes
(hurry) self. Got that? Same as above, but one of the jugglers cross his passes. The result
The easiest way to do it is probably just have J1 do PPS with all is a nice ambidextrous rhythm.
crossing passes (and no zips), and J2 does whatever required to make
it work.
Variation: J2 instead does zips to make the pattern work. J1 crosses
all passes and J2 does all straights; J1 does PPS P (hurry) PS PP
(hurry) S LLS P (hurry) PS PP (hurry) S. J2 does PPZS PPS
PZPS PPZS PPS PZPS (J2 gets some hurried throws in there as
well; I'm sure you'll figure it out).

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 Rhythms

3- shower, straight passes 6+ clubs: Slow/Fast Patterns

Upon receiving a pass to the LH, throw a R->L self and a zip L->R
at a the same time. When the self comes down again, throw the These patterns share the characteristic that one juggler is juggling at
club you've just caught. Both jugglers do straight passes. a slower tempo than the other. In the first three patterns each juggler
crosses every other pass.
Ambidextrous pattern.
3-count/4-count

4- shower, straight and cross passes 2-count/3-count

Same as above, but one of the jugglers cross his passes. Passes are
made twice in a row on each side. Rather a difficult one.

If J1 and J2 switch roles after each pass you get Rushed Hammy.

1-count/2-count
The classical “slow-
On the same principle, you can try out what the 3-count has to offer, fast” pattern.
especially if you juggle a box instead of normal selfs. In fact, you
can try on any rhythm to replace the selfs by some synchronous self-
PPS/2-count: A strange rhythm. J1 does PPS to J2's LH, J2
zips.
passes to J1's hands in the order RH LH LH RH ...
A strange rhythm in which the jugglers do different patterns but
both have a "hop" (single to same hand) at the same time:

PPS/1-count:

6 clubs: Crossing Patterns

Any pattern can be done with both partners throwing crossing passes
instead of straights; one partner must do the pattern “left-handed”. The person doing PPS (J2 here) passes straights; J1's passes go
To avoid collisions, especially with synchronous passes, one person cross straight. in the rhythm R R L L.
should pass slightly later than the other.
Try: For a version with all straight passes, J1 can do PZP:
- crossing 2-count, 3-count, PPS, 4-count
- crossing 1-count (ultimates) !!

More disparate rhythms are doable, for example 4-Count/2-Count,

2-count/5-count, 3-count/5-count, 4-count/5-count, etc. If the
difference between the counts is odd at least one person will need to
cross some of their passes.

15
 Rhythms

Jezebel Fast/Slow
This is a 5-count/6-count with some extra complications. J1 (slow)
does straight straight diagonal self self starting with RH; J2 (fast)
does cross cross zip self cross self self starting with LH.

Variation: for the Compact Jezebel Fast/Slow, remove the two

trailing selfs to make a difficult 3-count/4-count pattern.
Hurries in slow-fasts are easy for the slow side since they aren't
hurried at all! Hence play with changing crossing and straight
passes.

This is a Hurried 2-count/3-count:

J1 does a normal 3-count, J2 does cross, (hurry) self from both

sides.

Variation: add one "self" beat after each cycle to make things easier,
and ambidextrous. For example, for the Turlock 2-count/1-count
J1 does PSPSS while J2 does PPS; both jugglers cross their second
pass in the cycle.
Variation: "Jim's" a pattern by changing straight throws to crossing,
and vice versa.

Variation: Vary all of the above by switching roles.

This is 3-count/4-count switching every pass:

Also see 7-club slow/fast patterns.

16
 Rhythms

7 clubs: 1-count (Ultimates) <3.5p|3.5p> 7 clubs : 2-count (Shower) <4p 3 | 3 4p>

There's no "big secret" to this amazing pattern; you just need a lot of The basic 7 clubs pattern. Both jugglers are passing a 2-count on
practice and some precision. You can either juggle it on doubles doubles (i.e. RH tramline double pass, LH self).
(harder because of the precision needed) or on floaty singles (faster
J1 (on top) starts with 2 clubs in each hand and begins with a pass,
but easier to get down and nicer).
J2 starts a beat later with a pass.
J1 starts with 4 clubs (2 in each hand) and makes tramline passes
(the RH makes the first pass), J2 starts half a beat later and throws
diagonal passes (the RH make the first pass).
On singles, try to slow down the pattern by throwing lofty passes.
Singles
A common variation is to use floaty singles instead of doubles. If it
goes too fast, keep cool and throw higher passes and selfs.
In both the doubles and singles version, any trick from 6 clubs 2-
count will work (doubles, triples, trick throws, multiplex...) provided
that you make the necessary adjusments (the doubles become triples,
Variations: Make the pattern synchronous by having one juggler etc).
throwing doubles and the other singles.
Variations
Syncopations (Siteswaps)
An easy way to add siteswap syncopations is to think of your side of Triple-Singles:
the pattern as “just” a 5-club cascade; the other person is acting as J1 throws triple passes, all
gravity to send the clubs back to you. Now you can throw any other throws are singles.
siteswap you want. <5p|3><3p|3>
- all 3s are selfs, 4s are self doubles, 6s straight double passes, 7s are
crossing triples, etc.
Also, one person can throw double passes and selfs, the other
- J1 simply sends back normal passes whenever they can.
singles. Transition between singles, one person doing doubles, both
64: double pass, doubles, etc.
double self
Try running 645 7 clubs: 4 vs 3 2-counts
continuously; it's These patterns involve one person (J2) doing 3 clubs as if in a
very nice. standard 6-club 2-count pattern; thus they are good for passers of
different abilities.
53p vs 2-count <53p | 33p>
663: double pass,
J1 throws self triples, all other throws are singles (selfs and passes).
double pass, self
4 Fountain vs 2-count <4p4 | 33p>
J1 does an aysnc fountain with 4 and throws continuous early
doubles to J2. J1's RH just does 2 in one hand independently of
744: triple pass, the rest of the pattern.
double self, double
self
4 Sync Fountain vs 2-count < (4p,4x) | 3p3 >
J1 throws crossing LH double selfs and RH tramline double passes.
There are many more (really hard) patterns using 5 ball siteswaps:
try 7733, 753, 8444, 66751, 8552, 66661.
4 Singles Sync Fountain vs 2-count
J1 does 4 in sync singles, every second throw is a RH pass and
crossing self from the LH.

17
 Rhythms

7 clubs: Crossing 2-count 7 clubs: 3-count (PSS) 4.5p 3 3 966

This pattern is nearly identical to the classic 7 club 2-count except A very nice rhythm for 7 clubs.
that J2 makes left hand passes. Both J1 and J2 make diagonal - It's a 3-count, so the feeling is the same as the 6 clubs 3-count. The
passes. incoming clubs are those that are thrown back (it's always the same 3
clubs in the air).
- The passes are made on doubles. The theorical siteswap of the
passes is 4.5p so make them high and slow. It's also possible to make
the passes on singles.
Collisions are avoided because the clubs cross in the centre at - J1 starts with 2 clubs in each hand and juggles : RH pass, self, self,
different times. ...
Variations: try singles, and in fact all the versions of 2-count. - J2 waits for as long as possible (one and a half beats) and starts
with a pass: RH pass, self, self, ...
7 clubs: Jim's 2-count
Both jugglers throw 3 passes from the right and then 3 from the left.
J1 throws crosses and J2 straights. J1 starts with 4 clubs and throws
their first 3 passes from their RH; J2 starts at the same time with a
LH self and one right-hand pass before switching to the LH. Variation: If J2 starts synchronously with two selfs, J1 can throw
triples and J2 crossing doubles (<5p33|334p>). Some syncopations:
5 1 4.5p, a nice 3-count pattern, 5 4.5p 1: self triple, pass double,
zip instead of self pass self. 4 2 4.5p: throw self double, hold
instead of self self; feels very different in the pattern. 3-count in
singles is Techno. Pretty much anything you can do in 6-club 3-
7 clubs: Crossing 4 count you can do with 7, just increase doubles to triples, etc.
This pattern is like Jim's 2-count but with the cycle extended to 4 Variation: both jugglers cross their passes; then both sides get
throws on each side by mixing up the passes. J1 throws all crossing hurries, but each person will have one hand throw more often than
passes and J2 throws one crossing and then 3 straight. J1 starts with the other (depending on how you start). See Oddz Godz for more on
4 RH crossing passes; J2 starts with the last straight from their RH this.
before switching and doing one crossing from their LH and then
straights. J2 can remember it by just doing one crossing after the 7 clubs: 4 vs 3 3-count
hurry and then switching to straights.
J2 does a standard 3-count
(333p) and J1 does a 4-club
444p, i.e. self double, self
double, double pass. J1
Variation: J1 throws all straights and J2 throws one straight and 3 throws crossing doubles and
crossing. J2 straight singles.

This is a good pattern for passers of different abilities.

7 clubs: Crossing 2 vs Inside Bunnies
Variation: J2 passes crossing singles and J1 straight doubles.
This is like Jim's 2-count with hurries every 2 throws. J1 throws one
straight and one crossing pass; J2 throws crosses. Variation: several of the 3-count popcorn variations are more
difficult variations of 4vs3 pattern: 443p vs 3-count Popcorn, and
534p vs 3-count.
Crossing 2 vs Inside 888972: J2 does 4 4p 1 instead of 333p and J1 throws floaty single
Bunnies passes.
a69629: J1 does self triple, floaty double pass, zip and J2 does self
Variation: Straight 2 vs self floaty double.
Outside Bunnies:
Reverse the hands of J1 to
throw one cross and one
straight; J2 throws all
straights.

18
 Rhythms

7 clubs: 4-count <3 3 5p 3 | 5p 3 3 3> 7 clubs: Pieces of Eight

Both passers are juggling a 4-count and the passes are made on These patterns are formed by taking a club from the standard 8-club
triples (you got to make them nice & clean). The passes are not 2-count: the simplest is the 7 club 4-count.
thrown at the same time: there's two beats between the pass of the J1
and the pass of J2. To get started, J1 starts with a pass and J2 starts at At any point in the 7 club 4-count, either person can throw two RH
the same time with the sequence : RH self, LH self, pass... triple passes in a row: the other must respond with two triples (or go
Since it's a 4-count, you can do many of the 6 clubs 4-count tricks into a 4 club pattern !). If this continues, J1 is doing PPH with their
(441 for example). RH, and J2 is doing PPS:

For a speedy but easier variation (because the passes are usually J2 can “steal” the holds by throwing three RH triples back instead of
better), throw doubles instead of triples: a good pattern that helps to two:
master the 11 clubs 2-count feed.

7 clubs: 4 vs 3 4-counts
These patterns involve one person (J2) doing 3 clubs in a standard 4- In this way J1 and J2 can constantly try to steal the extra clubs back
count pattern; thus they are good for passers of different abilities. J2 and forth. At any point either person with the holds can switch back
can even throw tricks (syncopations, trick throws) to J1 ! to 4-count by only returning one triple.
53p53 vs 4-count <53p53|33p33> This is a great exercise in peripheral vision since you need to keep an
J1 throws LH self triples, all other eye on what your partner is throwing you while watching their
throws are singles (selfs and passes). incoming triples.

Pieces of Ded (TSTSSSPS)

Variations: J1 can do 53p44 instead. This pattern is formed from the above by “filling” the holds of the
other person by throwing a single pass. Counting only right hands,
4 Fountain vs 4-count <4p444 | 33p33> J1 throws triple pass, triple pass, self, single pass and J2 does the
J1 does an aysnc fountain with 4 and throws continuous early same, starting with the self. J1 starts with 4 clubs.
doubles to J2. J1's RH just does 2-in-1-hand independently of the
rest of the pattern.
This pattern is slightly harder for
J2 as they need to catch doubles.
To start, J2 starts with 4 and While you are throwing your RH self, look at the other person to
makes their first pass to J1. “spot” the single you are about to throw: it must be thrown blind as
you must watch the first incoming triple pass.

4 Sync Fountain vs 4-count

< (4,4) (4p,4x) | 333p3 >
J1 does a sync fountain on doubles;
every other beat they throw a straight
double pass from the RH and
crossing double single from the LH.
J2 starts with 3 selfs.

4 Singles Sync Fountain vs 4-count

J1 does a sync fountain on singles;
every third throw they throw a straight
pass from the RH and crossing single
from the LH. J2 starts with 3 selfs.

19
 Rhythms

7 clubs: 5-count (PSSSS) 7 clubs: Tower Pass

Similar to 4-count on triples, except the triples have to be floaty (or A synchronous simultaneous pattern: J1 throws crossing single
the selfs faster). J2 crosses their passes and J1 throws straights. J1 passes, J2 tramline singles. When a pass comes in to a hand, throw
starts with a RH pass; J2 waits 2 1/2 beats (or waits 1/2 a beat and a self double from that hand and then throw the pass back (which
then throws 2 selfs) before their first RH pass. occurs simultaneously to a pass coming in to the other side).
It's like throwing 423p
7 clubs: PPHPS 3.5p4.5p24.5p3
in a 6-club 3-count
Each juggler throws single, double, hold, double, self, before (PSS), except a little
repeating from the other side. J1 throws crossing singles, straight faster...
doubles, J2 throws straight singles, crossing doubles. J1 starts with
four clubs and throws their single from their RH, J2 starts with their
last double in the sequence from the LH ½ a beat later.

7 clubs: PPS <4p 4p 3 | 3 3p 4p>

There is no such thing as a symmetrical PPS with 7 clubs. In the
versions below one of the jugglers must alternate between passes on
7 clubs: PPPPPS <3p3p4p4p4p3 | 4p4p33p3p4p > singles and passes on doubles.
The sequence for both jugglers is straight straight cross cross cross With tramline doubles:
self, where the straights are singles and the crossing passes are
doubles.. J1 starts from RH at the beginning of the sequence, J2
starts simultaneously from LH with the second cross pass (i.e. J2
does cross cross self and then into the sequence).
J1 is doing PPS with tramline double passes (this is the easy end).
J2 is also doing PPS but the first pass is a diagonal single, and the
second pass is a tramline double. You pass twice in a row to the
same side of the pattern. You need to make your singles really low
compared to the height of the doubles. J1 starts with PP from RH
7 clubs: PPPPPZ and J2 starts with a self from their LH.
Variations: a variation with a different feel is to throw the doubles
Both jugglers throw all crossing passes on floaty singles (fast) or
as diagonal passes and the singles as tramline. With diagonal
doubles. J1 starts with 4 clubs at the beginning of the sequence and
doubles:
J2 starts with 3, with PPZ.

Variation: PPPZPPZ, all passes are crossing doubles, I think! An asynch variation (966777) allows the juggler doing tramline
doubles to get away with singles.
7 clubs: 7-count PPPSPPZ (9797926) One juggler can do 6-club PPS and the other do 6-club PPS with
The sequence is double, double, double, self, single, single, zip. J1 double selfs: 777786 <3.5p3.5p3 | 3.5p3.5p4>.
starts with 4 clubs at the beginning of the sequence, J2 starts with 2
in RH ½ beat later with their first single pass. J1 crosses their 7 clubs: PPPSPPZ 9797926
doubles but not their singles, J2 does the opposite. Make sense? The sequence is double double double self single single zip, where
The sequence is symmetric; only one side is shown below:
all passes are floaty; J1's doubles cross and singles are straight, and
J2's are the other way around. J1 starts with 4 clubs with the
doubles, J2 starts with 3 with their first crossing single ½ a beat later
from the RH.

20
 Rhythms

7 clubs: PPPSS 7 clubs: PPPS <3xp 4p 4p 3 | 4p 3 3xp 4p>

Warm up with the 6-clubs PPPSS to familiarise yourself with the An asymmetric pattern since the period is even (but one person does
tempo. J1 starts with 4 clubs and throws three diagonal passes on it left-handed). Make sure you try both sides! The sequence is
doubles followed by two normal selfs. J2 starts at the same time crossing single, double, double, self. J1 starts with 4 clubs with the
but throws a self first, before going into their PPPSS sequence: single, J2 starts with their second double, from the opposite hand).
tramline single, tramline single, tramline triple, self, self.. All doubles are tramline.
The diagram shows the same thing, only with all the crossing
throws inverted. Try both versions; it just depends on which hand
J1 and J2 start with.
Variations: you can add pairs of 3|4p, alternating who does what,
after the crossing single: effectively you do a 2-count for a while
before switching.
97892: for a symmetric version, throw double, double, self double
(same hand), zip, single. J1 crosses their doubles and throws
99692 straight singles; J2 throws straight doubles and crossing singles. All
This is a similar but asynchronous pattern: each juggler does passes are floaty.
double double double hold hold (or self zip); J1 crossing and J2
straights. J1 starts with double hold hold and J2, with 4 clubs,
starts ½ a beat later with the full sequence. All passes are floaty
doubles.

7 clubs: PPS Doubles vs Singles <3p3p3|4p44p>

7 clubs: Bookends (PPSPS)
Here's an easy PPS pattern: J1 is juggling everything on singles, J2 Basic bookends
on doubles - even the uncrossing selfs. The passes from J1 are Not actually that hard, you just add another pass and another self to
tramline singles and those from J2 are diagonal doubles. the basic PPS. J1 starts with 4 clubs. Don't forget to try both ends
and to reverse the passes like in the PPS patterns
J1 starts with PPS, J2 does PDP at the same time. J2's double is a
non-crossing self double.

Asynchronous Bookends 96677

Here is a version where both jugglers do (almost) the same thing.
Variation: J1 does floaty crossing singles and straight floaty doubles and
all passes are J2 does the opposite. J2 has 4 clubs and starts from the RH with
singles (!): PPSPS, and J1 starts immediately (half a beat) after with PS
(then PPSPS) from the LH.

P: floaty single
P: floaty double
S: single
P: floaty single
S: single
Funky Bookends 86777
An even weirder bookends. J1 has 4 clubs, and J2 starts half a beat
later with PS (then PPSPS) on the LH.
P: floaty single
P: floaty single
S: single
P: floaty single
S: self double

21
 Rhythms

Sdnekoob
For a 'reverse' bookends (SSPSP or PSPSS) try this one - it even has
7 clubs: Compressed Mesopotamia <4p4p4p1|
a triple in it. J1 starts with 4 clubs with PSS (at the same time as J2 4p4p4p3>
who starts with SSP). The passes don't need to be floaty, and you A hardcore rhythm, highly collision prone. Both jugglers are
can try making the crossing passes straight and vice versa. passing straight doubles (perhaps even singles!?). J1 does PPPZ and
P: straight triple for J1 J2 does PPPS. To avoid collisions, try to keep the passes in
/ crossing double for J2 corridors.
S: single
S: single
P: crossing double
S: single
Bookends with a hold 97647 Variation: J1 makes triple passes while J2 makes single passes.
J1 starts with 4 clubs with cross double, self, straight single, Even better would be floaty doubles and floaty singles.
double, hold; J2 waits ½ a beat and does straight double, hold, Also, see the 6-club (easier) and 8-club (harder) versions.
straight double, self, cross single.
7 clubs: Copenhagen Countdown (PSSP SPPS)
To warm up: do the 6 club version. Think of it as one round of a 3-
count (PSSP) followed immediately by the reverse (that is SPPS):

7 clubs: PPS vs PPPSPS <4p4p33xp4p3 | 33xp4p4p34p>

In this pattern J1 (let this be the better juggler if possible) starts with
J1 feels like they are doing 7-club PPS and constantly changing two clubs in each hand throwing the countdown sequence like in the
sides. J1, with 4 clubs, does double double, self, single, double, 6-club version but making his passes crossing floaty doubles. If J1
self; J2 starts at the same time from the LH with self, single, double, starts from the left hand it will be easier for J2, (so J1 actually does
double, self, double; all doubles are tramline, all singles are the left-handed version of the pattern, while J2 does it right-handed.
crossing. You could practice the left-handed version with 6 clubs first if you
are sure this won't mess up your partner's head even more as he will
then have to learn it left-handed. The pattern is one-sided since it
repeats every eight beats, and it actually feels a bit different doing
the 'left-handed' version.
J2 has two clubs in his right and one in his left and does exactly what
7 clubs: PSPPS/PPZPZ (Dash 3) 9969929962 he was doing in 6-club version (starting right-handed), only his
passes are straight floaty doubles (this will be fairly easy if you
J1 crosses, J2 does straights; all passes are floaty doubles (4.5p). J1 have the 6-club version solid). J2 starts one and a half beats after J1,
starts with their PS, J2 starts ½ a beat later with PPZ. so the timing of the start is exactly like in a 7-club three-count.
To get this to work, J1 gets two zips instead of two selfs; so her
entire throwing sequence is PZSPSPPZ (Note: The first zip in the
first round should be thrown as a normal self, meaning that the first
actual zip is throw number 8). The two zips are both from right to
Variation: J1 can “steal” the zips by doing PPS instead of a zip; left so J1's right hand will be doing no normal selfs (except for its
then J2 gets the selfs; J2 (with the zips) can steal the selfs by doing a very first throw) so her right hand will be starting with a self and
self after the PZ and continue with PSPPS. then doing PPZZPPZ, etc.

7 clubs: Frost Frenzy < 3 4p 4p | 4p 4p 2 >

J1 does PPS, J2 does PHP. To start, J2 does pass self pass pass
hold and J1 waits a beat before doing PSPP. All passes are doubles,
though for extra frenzied fun try it on (floaty) singles!

22
 Rhythms

NotWhy? 9962968
7 clubs: Oslo Countdown When the third pass comes in, do the double to receive it, and then
This one is a real bastard as the sequence is 15 beats long (from zip to the other side. The full cycle is pass self pass double pass
each side, that is), and furthermore because of collision danger. If zip; J1 starts with the passes throwing crosses, J2 starts at the same
you are planning on just a little bit of success with this pattern, time with a fast double zip.
learn the 6-club version (countdown from 4). Just do one round of
4-count, one of 3-count, one of 2-count, a 1-count, a 2 count, a 3-
count, and then all over starting with the other hand. The throwing
sequence is PSSSPSSPSPPSPSSP. The original version of the
Oslo Countdown is a synchronous pattern where both jugglers do
straight (!) passes - either on triples or doubles. Especially around
the one-count the pattern gets a bit weird for J1 as the sequence
goes (starting from throw number 8) … P, hold, P, P, Z, P, empty 7 clubs: Oddz Godz <4p 3* | 3* 4p>
hand, Z, P, hold … Good luck. J1 starts with 4 clubs.
One of the juggler makes tramline passes on doubles. The other one
makes diagonal passes on doubles. The rhythm for each juggler is:
RH pass, RH self, LH pass, LH self. Each hand throws twice in a
row: all of the hurries make it very difficult. Throw very floaty
doubles to start (even triples). See Jim's 2-count and variations with
When we tried it in doubles we found that making the four-count
hurries for practise throwing hurried 2-counts.
very fast (try to do a 7-club four-count in doubles instead of triples
to warm up) helps. The one-count, on the other hand, should be At the beginning, J1 (on top) starts with 3 clubs in the RH and one in
nice and slooooow. LH. He goes like this : RH pass, RH self, ... J2 starts with 2 clubs in
the RH and one in LH. He starts at the same time as J1 and juggles:
RH self, LH pass, LH self, ...
Asynchronous Oslo countdown
This version is (possibly) a bit easier. There is an asynchronous
version that might be a bit easier, as all the passes are floaty doubles
(definitely doubles!), and it contains no holds or empty hands.
However there is a self double. J1 starts with 4 clubs, and J2 starts Staggered Godz:
one and a half beats later: J1 has no hurries, they just alternate cross/straight for their passes.
The full sequence for J2 is L-R Self, R-L Double, R-L Self, L-L
Double, L-R Self, R-L Double, ...

7 clubs: 3-count Popcorn (French 3-count) 786

7 clubs: WhyNot? 9968926
Both jugglers do: pass (floaty singles, diagonal for one of you and
These patterns are variations of 7 club Jim's 2-count. At the pause tramline for the other); self (crossing single); double (non-crossing
after three passes, do a double zip. The full cycle is pass self pass self).
self pass double zip; all passes are floaty doubles, J1 crossing and
J2 throwing straight. J1 starts throwing crossing passes, J2 throws Since you will be juggling with a delay of a half beat, the second
one pass and then does double zip. passer needs to wait a bit before throwing his first pass. He can wait
half a beat and start with the double or wait 1 ½ beats and start with
the pass.

You throw a pass when you receive one, and only then.

23
 Rhythms

With triple-self : 5 3 3.5p 3 3

7 clubs: Fast 3-count Popcorn
There's a 3-count popcorn that follows the logic of the 7-count and
5-count popcorns. The sequence would be: a self triple followed by a
normal self and a very fast pass (a low flat). This pattern is nearly
impossible to juggle properly; to juggle it with clubs, you can throw
all the passes a beat earlier as floaty singles or throw all the passes
on the beat as floaty singles too (swapping the tramline-diagonal in With double double (twin towers) : 4 4 3.5p 3 3
each case). Both patterns will have a hold (or a very low throw,
siteswap 2) so the 4 handed siteswaps are a74 and a47. A 8 clubs
PPS variatation can also be extrapolated if you throw passes instead
of holds.
With early singles With late singles

Note : Since the triple (siteswap 5) is thrown every 5 beats, it's

always the same club that is thrown as the triple.
Syncopations : There's not too many siteswap variations here
because we only have 2 selfs. 42 is a possibility, especially if you
throw the 2 as a very fast single. You can also try to throw a self
triple on the beat before the normal triple, forcing you to make a
transfer instead of a self after the second triple (why ? because you're
7 clubs : 4-count Popcorn 5 3 3p 3 44p33 443p3 juggling 551 before the pass instead of 353).

The 4-count (non-ambidextrous) popcorn, is useful as a mean to J1 juggling 551 and J2 juggling 42:
boost the difficulty of some feeds (see popcorn feeds).
The sequence is : RH triple, LH self, RH single pass, LH self. J1
starts with 4 clubs and begins with the pass, J2 starts at the same
time with the triple. Since the sequence is short because of the
single passes, it can be difficult to find the correct tempo. Try to You can also throw an early double followed by a hold - something
concentrate on making your triples high enough and your passes that opens new possibilities since there's now the hold and the 2 selfs
low and fast. (ie : 233) to have fun with. (if you're doing 443.5p the early double
gives you a 333 to play with). Try 530 for example, 440 or 413, 512
(throwing the 2 or not, you decide).
The 5-count popcorn with all early doubles is 4 4.5p333:

Also try the "twin towers" version : RH double, LH double (each

double comes back in the hand that threw it) instead of the RH
triple, LH self (44 instead of 53).
With some siteswaps: 413 and 512 for J1, 440 and 530 for J2:

7 clubs : 5-count Popcorn a6667 or 86867 443.5p33

Here is what you have to do : thing, thing, (floaty) single pass, self,
self where :
- thing, thing = triple, self (original but tricky because of the triple) Variations: add extra pairs of 4s and 3s to either end to make the
- or : thing, thing = double, double ("twin towers" version, easier) sequence longer: one pair for 7-count, two pairs for an easy 9-count
popcorn, etc.
When a pass comes your way, you throw 2 doubles (or a triple-self)
to get the 4 clubs, make a pass, then throw two selfs before starting
again on the other side.

24
 Rhythms

88685: a 5-count popcorn with a fast (2.5p) pass: each juggler does
double, double, double, pass, self. J1 starts with 3 clubs with their
7 clubs : 6-count 3-pass Popcorn <4p533p3p3>
first double, J2 starts with 4 clubs ½ a beat later with pass self. Here is a difficult popcorn, created from taking the 6-count popcorn
and adding extra passes. The sequence is triple, self, single pass,
single pass, self, double pass. J1 starts with their triple and J2 starts
with 4 clubs with their pass, self. Double passes are crossing,
singles are not.

Asymmetric 5-count Popcorn <3p 3 3 4 4 | 4 4 4 3p 3>

Here J1 spends 2 beats lifted into 4 clubs, J2 three. J1 starts with
four clubs and does PSSDD, J2 does DDDPS.

Note that there are two places where both jugglers are doing selfs,
and thus two more single passes could be added in, to get
PPPPPT !

Variation: J2 can pass their third double and then do a siteswap 7 clubs : 7-count Popcorn 966a666
afterwards: DD double pass SS.
Take the 6-count popcorn, and apply these modifications :
7 clubs : 6-count Popcorn (3-2-1) - add a self (we now have an ambidextrous pattern)
- make the passes floaty (4.5p)
<333534p | 534p333>
- one juggler makes diagonal passes.
The right hand sequence (the left hand throws only singles) for each
7 clubs 7-count popcorn with triple-single
juggler is :
• triple-self (thrown to the left hand) (“3”)
• tramline double pass (“2”)
• self (“1”)
If we break it down, we have:
It's just a round of solo triple-single (the triple is a self) when the - triple-self (or double-double; "twin towers")
double (the pass) comes in. - pass as a floaty double (tramline for you, diagonal for your partner)
- 4 normal selfs
- ... (same thing on the other side of the pattern)
Variations: Try the same variations as in the 6-count. You can
choose to throw a 441 or the 531 at different times because of the 4
selfs that you have to play with. Or you can do any 3 club siteswap
Variation: replace the triple-selfs by double-selfs and the passes on of length 4, like the superfunky 5340. If you juggle it continously,
doubles by passes on singles (JiffyPop). It's faster, but lower and add another club and make the pass a floaty single, you have the 8
thus easier to master. clubs 7-count popcorn of Jon and Dani.

Try replacing the triple-singles (siteswap 53) by self doubles (44, With continuous 5340:
called "Twin Towers"). As a matter of fact, you can switch between
the two at any moment. Also, since each juggler gets 3 normal selfs
after the pass, you can get into 441 or 531 (leading to their own
variations). A final variation can be juggled by throwing a right
hand double self instead of the pass followed by a diagonal single By replacing the pass on the double by a right self double (a normal
pass (5343p33). 4), followed by a floaty single pass (diagonal if you were throwing
Variations: - J1 juggles triple-singles tramline doubles and vice-versa), we obtain a fantastic rhythm
with a bit of 441 then (a666867). It's easier if you can both juggle 534 solo, because what
throws the diagonal pass you're doing here is a 534 followed by a floaty single pass then 3
with single spin. normal selfs before starting again on the other side.
- J2 does the "twin Also try triple triple zip pass (9a6a626) instead of self triple self
towers" beginning with pass..
531.

25
 Rhythms

7-count popcorn with triple-single and late single pass.

Popcorn Oddities
2-count Popcorn 43p
Each of you juggles two in one hand in one hand and passes the
other 3 (in singles, as in ultimates) with the other hand; J1 (4 clubs)
For a spicier variation even, you can try any of the 6-count variations starts with pass while J2 starts with double self. For a faster (and
since you still have 3 selfs left to play with. Here's the diagram of J1 symmetric) version see Tower Pass.
juggling a popcorn and 531 (a687a62) while J2 does the Twin Hard version: the two opposing hands doing 4's do triple-singles
Towers with a 441 (8887882). Good luck... between them (5p3p).
Asymmetric Popcorns
The patterns based on 444or 534 vs 3-count can be seen as
asymmetric popcorns:one juggler never lifts into 4, the other never
drops into 3.
Progressive Popcorns
These are patterns in which each juggler lifts twice, then drops twice,
7 clubs: 8-count 5551 Popcorn i.e. 2 -> 3 -> 4 -> 3 -> ... clubs. Eg: 533p3p31(6):
<5 5 5 1 3p 3 3 3 | 3p 3 3 3 5 5 5 1>
In this pattern, it's always the same club that is passed back and
forth, as a single. When the pass comes in, flash your 3 clubs (as
triples in theory, however it's easier with floaty doubles), catch the
pass, feed it to the other hand, pass it back to your partner then catch
everything that comes down. An 8-club progressive sequence is 554p44p334.
Longer sequences
Popcorns can be lengthened in several ways: add extra self throws on
either end (i.e. an extra 4 for you, 3 for your partner, then vice
versa), make higher passes, enabling your partner to get in more selfs
before lifting their pattern. You can also lengthen by adding rounds
of normal 2-count when you pass: instead of passing one away,
Make your flash on doubles and concentrate on throwing the second
pass two away; when you receive a pass, throw one away before
double (left hand) high enough to calm things down. Also, be careful
lifting into 4.
with your single passes; there's a natural tendency to throw them a
bit too high. 4p3 vs 43p: any 4p3 can also be a 43p, and vice versa.
Siteswaps: Wherever possible, throw in siteswaps: 441, 423, or 531
7 clubs: 9-count 5551 Popcorn instead of 333, etc. Siteswaps involving early triples or late singles
This is the ambidextrous variation of the 8-count 5551 popcorn. (that don't mess up your partner) work well.
All you have to do is add an extra self. In order to do that, one of DDSDT (2-2-1-2-3)
you must throw tramline passes while the other responds with This nice rhythm is formed by extending the standard 6-count
diagonal passes. All passes are singles and must be as floaty as popcorn (triple-double-self). The full cycle, counting RHs only, is
possible. double pass, double pass, self, double pass, triple (the triple is a
The beginning is the same as in the 8-count. The sequence self). J1, with 4 clubs, starts at the beginning of the cycle. J2 starts
becomes: triple, triple, triple, zip, pass, self, self, self, self and 1 beat later with double pass, triple.
repeats on the other side. Throwing doubles instead of triples will
probably be easier here too.
7 clubs: 2-count/1-count transitions
From 2-count to 1-count
From a 2-count on singles (floaty ones), A throws a double (instead
of the single; in red in the diagram) to B. A then makes a last self
before going into ultimate with diagonal throws. B waits for the
double to come down before getting into ultimates with tramline
passes by throwing a left hand pass (in blue) under the incoming
doubles.

26
 Rhythms

From 1-count to 2-count

From 1-count on singles, the juggler who is throwing diagonal
7 clubs : Transition 2-count/3-count
passes makes a diagonal double (LH to LH) instead of a single, From 2-count to 3-count
followed by a tramline double (RH to LH) before clicking into the 2-
count. When the first double arrives, the other juggler goes directly
into a 2-count (a self instead of a pass, you'd better react quickly!).
The 2-count you both fall into can be juggled on singles or doubles.

From 3-count to 2-count

Variations (from ultimate to 2-count)

7 clubs : Transition 2-count/6-count popcorn

From 2-count to regular popcorn

7 clubs : Transition 2-count/crossing 2-count From popcorn to 2-count

From 2-count to crossing 2-count
2-count to crossing 2-count / with hurry

7 clubs: 443p vs 3-count Popcorn

2-count to crossing 2-count / slow version J1 does 443p, i.e. double-double-pass. J2 does pass-self-double,
which is 3-count popcorn. The result is an asymmetric popcorn that
includes no selfs for J1, his share of juggling 3 objects reduced to the
pass. The passes are normal straight singles for both jugglers.
The easiest way to get it going is for J1 to start with 4 clubs and
From crossing 2-count to 2-count (with hurry) jump right into the sequence. J2 starts with 2 clubs in the right hand
and 1 in the left. He waits for J1's first pass to arrive and then starts
with his left hand with pass-self-double.

Crossing 2-count to 2-count / slow version

27
 Rhythms

7 clubs: 44p3 vs 3-count Popcorn 7 clubs: Techno (3-count singles)

J1 does 4 3.5p 3, the 3-count popcorn (pass self double) passing This is actually the 7 clubs 3-count, but done in singles. It's a lot
tramline floaty singles, and J2 does 3 3 4.5p, i.e. classical 3-count, harder but it can be done. As the diagram below shows clearly, you
passing tramline floaty doubles. need to make synchronous throws sometimes. The sequence
becomes:
The start is easy, J1 starts with 4 clubs; he throws a RH floaty single
pass . J2 waits as in a 7 clubs 2 count and then throws a RH double - RH pass / LH self
pass. - RH self
This pattern is very cool - LH pass / RH self
because you can teach the - LH self
classical 7 clubs 3 count
- J1 starts with 2 clubs in each hand and juggles: RH pass/LH self,
(4.5p 3 3) to your partner
self, ...
and you can learn the 3
- J2 waits for a beat and starts with a pass : RH pass/LHself, self, ...
count popcorn.
Variation: switch who is passing doubles vs singles : J1 does 4 4.5p 7 clubs: French Techno
3, J2 3 3 3p (i.e 6-club 3-count). Lengthen the pattern by adding 4s
and 3s together (J1 stays in a 4 club pattern for longer). Remember that when you do singles instead of doubles in the 7 clubs
3-count, you get a rhythm called Techno. One can switch at any time
between 3-count and French 3-count. So there is also a compressed
7 clubs: 534p vs 3-count Popcorn <534p | 3p33> version of French 3-count, similar to Techno.
J1 does 534p, passing The sequence is very similar to the one of techno, but the self that is
crossing doubles; J2 done at the same time as the pass is now a straight self (RH to RH or
does PSS (3-count) LH to LH). This is in fact the self double from the French 3-count
throwing tramline that has become a single.
singles.
- RH pass/LH
Variations: switch who is passing doubles and who singles; switch straight self
who is crossing and who throws tramline. Also, both jugglers throw - LH self
floaty singles and J1 throws his/her 5 as a double. J1 can do 444.5p. - LH pass/RH
Since J2 is doing 6-club 3-count they can throw syncopations like straight self
44p1, 53p1. Make the pattern longer by adding 4s and 3s, one for - RH self
each person.
- J1 (crossing passes) starts with 2 clubs in each hand and juggles:
7 clubs: 534p3 vs 4-count Popcorn <534p3|4p334> RH pass/LH straight self, self, ...
- J2 (straight passes) starts a beat later with: RH pass/LH straight self
This pattern is doubly asymmetric: one-handed and one-sided. J1's , self, ...
LH does selfs, RH does self triple, double pass( tramline). J2 does
a 4-count on doubles. J2 starts with 2 clubs in LH and starts with 7 clubs: Slow/Fasts
SPSSSP... passing tramline doubles.
1-count / 2-count: Similar to the 6-club slow/fast, J1 alternates
Variation: passes are floaty singles and J1's 5 is a double. straight and crossing passes in 2-count, J2 returns each pass to J1's
LH. All passes are doubles; the rhythm is staggered (J2 starts ½ a
beat late).

Variation: J2 could pass triples and start at the same time.

7 club 1-count / 4,2x:
All passes are tramline; the fast
person throws a pass and crossing
self, then the same in the other
direction. All throws are hurried...

Variations: try the other 6-club slow/fast patterns with 7 by

replacing single passes with doubles.

28
 Rhythms

7 clubs: 6+1 Ultimates

This pattern is based on 6 sync 1-count. The rest beats of the base
pattern offer room to add a seventh club which is passed diagonally
to avoid collisions. The version below is way easier for the second
passer; it is possible to change roles on the fly.

5+2 Ultimates

7 clubs: Augmented Jim's 2-count

A related idea is to use holds in Jim's patterns to add extra clubs.
This pattern is perhaps the most do-able: in a 6-club Jim's 2-count,
add a seventh club which is passed on doubles between the hands
where there is a hold.
The extra throw occurs halfway between two “hurried” throws of the
other hand, which staggers the rhythm:

It may be easier, for those used to patterns involving (4x,2) throws,

to throw the double simultaneously with the hurried single from the
other hand. J1, who is crossing their singles, throws straight
doubles, and J2 throws straight singles and crossing doubles.
Variation: theoretically any Jim's rhythm (or rhythm with a long
hold in one hand) can be augmented in this way, but this seems
easiest: Jim's 3-count would be augmented with a triple, which is
very hard, and Jim's 1-count is already quite hard.

29
 Rhythms

8 clubs: 1-count (Ultimates) 8 clubs: 2-count <5p 3 | 5p 3>

If both jugglers just throw doubles, i.e. <4p | 4p> there is a huge Theory would request triples for 8 club 2-count, the matching
problem with collisions. siteswap being '5p 3'. Most passers use doubles because it is easier to
throw doubles than triples, even if the rhythm is faster. On the other
8 ultimates, possible versions
hand, triples will be more spectacular and a good training for 9 club
A doable solution (but hard anyway) consists in having one juggler 2-count.
throwing very high (triples), and the other very low (singles). The Assuming you are throwing doubles, it will be the same as 7 clubs 2-
juggler who starts with singles has 5 clubs (at least on the following count, the only difference being beginning at the same time with four
scheme). clubs each, and also it's a little faster.
8 clubs ultimate, doable but hard version : <5p | 3p>

8 clubs synchronous
A much easier solution is to have a juggler throwing floating doubles The trick is to have your own self and your single pass thrown at the
and the other one throwing floating singles, just under the doubles. same time; both hands throw at the same time.
Both jugglers starts with 4 clubs each.
On doubles, it is like doing 4 clubs synchronous; here 1 hand throws
8 clubs ultimate, "easier" version: <4.5p | 3.5p> crossing self doubles and the other passes, all at the same time.
Variation: for a symmetric pattern, throw LH self / RH pass (both
doubles), then RH self / LH pass (4xp,4x)(4x,4xp). It also works,
though is harder, to make the selfs non-crossing and the passes
crossing (though watch for collisions) (4p,4)(4,4p).
Note : In the following, I show desynchronized rhythms (LH, then 2-count on singles:
RH, LH...). Since in 8 ultimate you juggle 4 clubs separately on each
side of the pattern (red lines & orange lines on one side, blue lines &
black lines on the other), you can have the matching synchronized
version, with RH and LH throws at the same time, in which it's
easier to see what's going on in the pattern (even if it's harder to
achieve). With a lot more practice, one can go from 8 clubs 2-count triples to
There is also a last version, completely different from the previous. It doubles, and then to singles, and back.
consists in crossing every pass (RH->RH and LH->LH); you'll have
to be desynchronized. The height of the passes is doubles' height, but 8 clubs 3-count <6p 3 3 | 6p 3 3 >
you can also throw higher singles. Obviously it's much harder with Passes are floaty triples, both jugglers throw straights.
singles.
8 clubs, crossed ultimate : <4p | 4p>

8 clubs 4-count <7p 3 3 3 | 7p 3 3 3 >

Passes are floaty triples, both jugglers throw straights and do their
selfs really fast.

30
 Rhythms

8 clubs: Symmetric Synchronous Patterns 8 clubs: 3-count Popcorns <5p 3 4 | 5p 3 4>

Both passers MUST be extremely steady with four clubs. Each A little bit like 7 clubs popcorn, and also like 534 alone. The rhythm
juggler starts with 4 clubs doubles (in the same time), then you is pass, self, double, pass :
throw a (double) pass in synch.
3-Count (PSS) <4p44 | 4p44>

Variations: pass the 3s, or the 4s. These are technically symmetric
synchronous patterns like the above, but with different siteswaps.
4-Count (PPPS) < 4p444 | 4p444 > Try 552, 633, etc.

8 clubs: 4-count Popcorn <5 3 5p 3 | 5 3 5p 3>

This rhythm comes directly from regular 7 clubs popcorn, but it is
not so usual with eight clubs, though quite easy to manage. In theory,
6-count <4p44444 | 4p44444> each juggler throws: RH triple self, LH single self, RH triple pass,
LH single self.

PPS < 4p4p4 | 4p4p4 >

When you practice, you realize it's easier to replace triples (passes
and selfs) with doubles (as you would do with 7 clubs popcorn). It's
a little faster and lower, but not so ugly.
A second 4-count popcorn, this one involving two passes, is <5 4p4p
Chocolate Bar (PPSS) < 4p4p44 | 4p4p44 > 3 | 4p 3 5 4p>: triple, pass, pass, self, all passes are straight doubles.
This popcorn is progressive.

8 clubs: 5-count Popcorn 5 4.5p 4.5p 3 3

Triple, pass, pass, self, self... something like that. J1 crosses and J2
throws tramline, all passes are floaty doubles.

8 clubs: Mild Madness

Top juggler crosses, bottom juggler throws tramlines. The full cycle
is PPS PPScZ (where Sc is a crossing self double).
This popcorn is progressive.

8 clubs: 6-count (Svendborg) Popcorn 554p4p33

Triple, triple, pass, pass, self, self. Passes are crossing doubles.

For two passers who can comfortably throw multiplexes in patterns,

try < [43]23p >. It's like a 6-club 3-count, except when a pass comes
in it triggers a multiplex self+double, and the self is collected for the
next multiplex in the other hand; meanwhile the pass is thrown back
out from under the double. A faster but lower version might involve self doubles and floaty
single passes... let me know if you try this.

31
 Rhythms

8 clubs : Jon & Dani 7-count Popcorn aa66897 8 clubs: PPSSS < 5.5p5.5p333 | 3335.5p5.5p>
Warning : crazy rhythm that will challenge your physical and One person throws crossing triples, the other straights. With 4 clubs
mental abilities each, J1 starts with PSSS, J2 waits two beats before passing. More
This rhythm comes from a complicated variation of 7-count 7 triples and selfs can be added, in pairs.
clubs popcorn in which you uses the 4 selfs to throw 5340. To get
the 8 clubs version, you 'just' have to replace 0's by single floating 8 clubs: PSPSSS
passes (3.5p).
I suggest triples and speed up the tempo. J2 starts with PSSS, J1
starts with PSP 1 beat later; all passes are tramline.

Here is the pattern for J1 (for J2 you'll have to switch crossed and
straight passes): triple self, single self, double floating crossed
pass, triple self, single self, double self over the same hand, single 8 clubs: Compressed Mesopotamia PPPZ/PPPD
floating straight pass.
J1 throws PPPZ; J2 starts ½ a beat later and does PPPD; J1 throws
J2 starts with a triple left hand self, immediately followed by a straights and J2 crosses. All passes are floaty doubles (4.5p).
triple right hand self by J1. Each juggler throws a69a687.

8 clubs: PPS <4.5p 4.5p 3 | 3 4.5p 4.5p> 996

Things start to get really serious now. Half way between 7 clubs PPS
and 9 clubs 1-count. J1 crosses, J2 goes straight. All passes are floaty
doubles. 8 clubs: PPPZP/PPPPS Ariel Ultra
The easiest start probably has each juggler starting with 4 clubs. J1 Passes are (floaty) triples: J1 crosses; J2 starts ½ a beat later and
does (starting RH) PS, then PPS. J2 does (starting RH) PPS ½ a beat throws straights. Good luck!
later.

Another start is J1starts with 5 clubs (3 in RH) throwing PPS. J2 Variation; for those superstar passers; try “stealing” the selfs and
starts with 3 clubs (2 in RH) and throws SPP. zips back and forth, as in 7 club PSPPS/PPZPZ (Dash 3).

Variation: 978 If that was still too easy, replace the first pass with a 8 clubs: 6789a
floaty single and the self with a double (to the same hand). J1
throws straight single, cross double, self double and J2 throws Good luck with this one. The sequence is self, self double, self
cross single, straight double, self double (all passes are floaty). triple, floaty single, floaty double. J1 starts with their self and J2
starts with 5 clubs and their floaty single. One person throws
crossing singles and straight doubles, the other does the other way
around.

Variation: 97888: throw three self doubles in between the passes,

to get a different PPSSS pattern.
a77: self triple, floaty single, floaty single: J1 throws straights and
starts with their triple, J2 throws crossing and starts with their second
pass ½ a beat after J1..
9 clubs
979788: Take the sync PPS on
doubles and shift the timing: J1 2-count (Shower): use doubles or triples.
throws floaty doubles (4.5p) and J2 1-count (Ultimates): good luck!
starts late and throws floaty singles
(3.5p). The selfs are self doubles. Popcorns: lifting from 4 into 5; 55 4.5p 44 may be easiest... unless
you want to lift into 6??

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 Rhythms

Fun Ideas with Rhythms Games

– Mixed objects: who said you can only pass clubs? Clubs mixed
with large balls is fun. For patterns in which some objects never
Creating New Patterns get passed (3-count, PPS) use a chainsaw, egg, rubber chicken,
etc.
– For a one-sided pattern, both jugglers add in a self somewhere to
make the pattern switch sides (though sometimes this is not – Juggle 3 clubs each in time. Make a pass whenever the count:
possible, especially with 7+ clubs). • is divisible by 7, contains a 7, or the digits add to 7 (7-
– try everything left-handed. up)
• is a digit of pi
– Reflect one side of the pattern: cross all passes that are normally • is prime
straight (and vice versa) and make only one side of the pattern • is composite (not prime)
left-handed. e.g. 7 club 2-count turns to Crossing 2-count by
reflecting one side. – Patterns From Hell: pick a number n coprime with the period of
the base rhythm (i.e. 5 for a 3-count); both jugglers throw every
– Vary the position: try side-by-side, back-to-back, one person nth throw as a double.
stands in front of the other person; stand far apart and increase
the height of passes (or not), stand very close together and throw – Random 5-club 1-count: throw to either hand, or throw two at
short non-spinning passes; one person stands on a chair, one once, mix in zips, throw the 2s with the other hand, etx ...
person stands on a balcony above the other... – Random Jim's: with two passers solid with any Jim's pattern (3-
– Rotate the pattern: J1s RH becomes their LH, LH becomes J2s count and 4-count work best) start with the base pattern and then
RH, J2s RH becomes LH, J2s LH becomes J1s RH. For start randomly passing to either hand. One juggler is responsible
example, rotating 6 clubs 1-count gives two separate 3-club for avoiding collisions.
patterns. – Random Feed: in a 4-person line feed with 13 clubs (or n-person
– Adding hurries: have one juggler switch hands so the pattern line with 3n+1 clubs), FF passes doubles on 2-count and
starts reversed for them. Sometimes the resulting pattern is randomly swings passes up and down the line. Feedees pass
impossible but sometimes you just get lots of hurries... for back when FF's pass is halfway to them.
example, PPS hurried (hurries are *s): – Random 6-clubs: two solid passers juggle 6 clubs and then just
start passing randomly. That's it!! Tip: juggle very slow; high
throws give you (and the other person) more time, and
multiplexes are useful to get out of jams (though trouble for the
other person).
There can be collision problems; one juggler must throw inside
– Vincent Bruel's Random Passing Rhythms game: you start with
and catch outside.
all one colour of club (say, white) except for one different (the
"indicator", which J1, the "leader", starts with). The indicator,
when passed, indicates the recipient will then juggle one round of
a prearranged count (say, 3-count); a white club indicates the
"base" pattern (say, 4-count). Spice it up by adding two or more
different coloured indicators.
– Battle Passing: two jugglers do a 6-club 2-count. The “server”
throws as poorly as possible, within limits (passes must be within
the “zone of catchability”, no more than 3 spins, etc); the
“receiver” must send back as perfect passes as possible. If the
receiver survives 20 passes (or 10, to make it easier) without
dropping they get a point. Serve alternates.
– Random 3-count: the two passers must be solid with Jim's 3-
count. You do 3-count and pass randomly.
– Random 3-count Feed: requires one very solid feeder and two
solid feedees. The feedees do a Random 3-count and the feeder
tries to keep it all going !

33
 Feeds

Feeds
Feeds are the most commonly seen 3-person pattern. One juggler, the “feeder” (FF) alternately passes to two other jugglers, the “feedees”
(F1 and F2), who do not exchange passes between each other.Generally FF should be the better passer of the three of you, though there
are many feeds where the feedees have as hard a job as FF!

10 Clubs: On singles
2-count Feeds This is similar to juggling 7 clubs 2-count on floaty singles. The
Feeds where the feeder is juggling a 2-count while the feedees are collision risk is less important than with doubles.
passing a 4-count.
9 clubs
All the passes are made on singles. Both feedees are juggling a 4-
count. While F1 is passing, F2 is making a RH self.
FF is juggling a 2-count and alternately feeds F1 and F2.
F1 and F2 can throw any 4-count syncopations (doubles, triples,
...) except they must be careful if they throw “late” throws, as they
may collide with the other feedee's passes. 10 Club Sync Shower Feed
FF can throw any 2-count syncopations (provided he makes sure This pattern is really advanced for FF. Essentially, he does one side
they arrive to the right feedee) of 8-clubs 2-count in singles, passing a lofty single with the right
A good feeder can compensate for the errors made by 2 novice hand while simultaneously throwing a same height single self from
feedees. the left hand.
Both feedees juggle a right-handed 2-count pattern with throws as
high as the feeder's (they should try to juggle as sloooow as
possible ...).

10 clubs
The 10 club feed isn't much harder if the feeder is solid on 7 clubs
2-count. All passes are made on doubles. FF starts with 4 clubs;
both feedees with 3 each. 11 clubs
The feedees "reply" to the passes of the feeder : they wait to see The 11 club feed isn't too hard if both F1 and F2 are familiar with
that a pass is coming their way before answering. It means that the the 7 clubs 4-count pattern. Theory says that all passes should be
pass from F1 to FF is thrown a beat after the pass from FF to F1. made on triples but I suggest you use floaty doubles instead (much
There's a risk of collision between the passes from F2 to FF and easier).
those from FF to F1 (see diagram at the top). To avoid this, F2
must aim a bit outside, on the left of FF. FF starts with 4 clubs, F2 with 4, F1 with 3
FF starts with a pass to F1, F1 starts with 2 selfs, F2 starts with a
pass (the start is synchronous).

34
 Feeds

PPS Feeds (3-count Feed)

Normal PPS feed
The feeder is juggling a PPS while both feedees are juggling 3-
count. The second feedee starts with a left hand pass.
B : pass 1 : self 2 : pass 3 : self 4 : pass

B actions : 4 : pass 5 : pass 6 : self 7 : pass ....

9 Clubs PPH Feed
Feedees do 3-count as above, feeder does PPH; passes are floaty
singles (3.5p). The feeder throws straights and the feedees cross.
Inside Inside self Outside Outside self Starting position: The feeder and feedee J1 have 2 clubs in the
right hand and 1 in the left, feedee J3 has 2 clubs in the left hand
and 1 in the right. Each feedee waits for the feeder's pass to be
thrown to him before replying by a pass.

Variations: 441 Feed instead of 333; feeder juggles 4p4p1,

feedees juggle 4p41 and 44p1 (all passes crossing doubles).
Transition into it from normal PPS feed by throwing early doubles. Keith's PPS Feed
Also 531 Feed which looks very nice as all the triples peak at the
same time; FF throws their triples to F1 and their singles to F2; F2 This is an intense feed in which FF does PPZS – yes, a zip every
passes their singles and F1 passes their triples. All passes are three beats (twice as often as in Martin's Madness). Each feedee
tramline.. does 3-count. F1 always passes to the FF's RH, which means that
the passes alternate between straight and diagonal. F2 always
9 clubs 441 PPS feed; FF passes to FF's LH.
and F1 start with crossing
double passes; J2 with self In the original version, F1 is the right feedee seen from the feeder's
double. point of view. But you can also try the other way round.

Position change 1 - left feedee

If you are the left feedee (B in this case) and if you leave your
position just after a right hand pass, you'll be back on the other side
with a left hand pass 5 beats later. A becomes the feeder (see A good training pattern for the feeder is Mild Madness with
actions). synchronous change every 3 beats. This feed is similar to
Compressed Madness.

10 Clubs Funky PPS Feed

Everybody starts at the same time from the RH. F1 stands to the
right of F2. FF has 4 clubs and does: crossing double to F1,
A : self 1 : pass 2 : self 3 : self 4 : pass 5 : pass straight single to F2, self, cross double (F2), straight single (F1),
self. All the feedees' passes are straight and both start with a self
A actions : 4 : pass 5 : pass 6 : self 7 : pass ..... before doing their 3-count sequences. F1 does: left single pass,
self, self, right triple pass, self, self. F2 does: left triple pass, self,
Position change 2- right feedee self, right single pass, self, self.
If you are the right feedee (A in this case) and if you leave your
position just after a right hand pass, you'll be back on the other side
with a right hand pass 4 beats later. B becomes the feeder (see
actions).

35
 Feeds

Mangoes
1-count Feeds Two-fisted Feeds
Though really a triangle pattern, this pattern belongs to the feeds
Feeds where the feeder is passing on 1-count (ultimates) while section in spirit. FF feeds a regular 1-count feed with outside
both feedees juggle a 2-count. Using ultimates for the feeder is a passes; with their inside hands, F1 and F2 juggle a cascade. It is
good way to go for large numbers of clubs. essentially a 1-count triangle pattern in the position of a feed.
Variation (Inside Mangoes): have FF feed the feedee's inside
8-club Gorilla hands, and F1 and F2 juggle a cascade with their outside hands.
In this pattern, the feeder (A) is juggling 4 clubs Surprisingly collisions aren't a problem.
with B on the left and 4 clubs with C on the right.
A starts with a club in each hand and the feedees 10 clubs Gorilla
start with 3 clubs and initiate things by passing to A 5 clubs on each side of the pattern: 5 for F1 and FF's LH; 5 for F2
(at different times, or at the same time to make it and FF's RH. The siteswap for each pass is 3.5p so they will be
more challenging). easier to make on floaty singles. F1 might prefer passing with his
Patterns of this type are called gorillas. right hand (theoretically he should use his left), in this case FF just
needs to pass to his left hand.
Variation: FF can feed either inside passes or outside passes (or
one hand inside, one hand outside). The 3,3,3-count is when FF
does 3 rounds (6 passes) of insides, then 3 of outsides, then 3 of
insides, before finishing. The transitions between insides and
outsides (and vice versa) for the feedees is quick – they just miss a
self.
9 club 1-count Feed
FF passes to F1 with his right and and to F2 with his left. F1 and The diagram shows a non-synchronous version; for a synch
version, FF needs to make their passes from both hands at the
F2 are juggling a 2-count. The main difficulty of this pattern comes
from the fact that F2 passes with his left hand and receives with his same time.
Variation: for the async version, FF can cross their passes: i.e.
right (left-handed 2-count). All passes are tramline.
(referring to the diagram) A's LH passes with C and RH passes
9 clubs feed with the with B.
feeder on 1-count:
Asynchronous 10-club 1-count feeds: in this series of feeds FF
does 1-count while F1 does PSS and F2 does PPS.
<FF: 4p24p23p1 | F1: < 4p14p24p2 | 33p3 | < 3p13p23p2 | 4p33 |
334p | F2: 33p3p > 3p33p > 34p4p >
Variation: throw more than once to each feedee before switching.
For two throws to each feedee, feedees do PPSS (Chocolate Bar
Feed).
Dissociated 9 clubs (The Schizoid Man)
See the diagram for the 8-club gorilla above: in the 9-club version,
the feeder (A) is juggling 4 clubs with B on the left and 5 clubs
with C on the right. A starts with 2 clubs in each hand, B with 2 in < 4p13p23p2 | 33p3 | < 4p13p24p2 | 33p3 | < 3p24p13p2 | 333p |
the RH and one in the LH, C with 1 in each hand. B and C must 34p4p > 3p4p3 > 4p33p >
start a bit after their first incoming pass from A. A must
disassociate their LH from their RH as their RH will maintain a
faster rhythm.
An 11-club dissociated feed can be done as well; 5 clubs on one
side of the pattern, 6 on the other. Passing doubles is pretty much
required.
Variations: shift doubles/singles exchanges by ½ a beat so that FF
and feedees exchange floaty singles. One or both feedees can be
shifted ½ a beat.

36
 Feeds

10 clubs: Feeding Frenzy

This is the Frost Frenzy with the PPS person split into two feedees.
Mixed Count Feeds
F1 and F2 are doing PSS, FF is doing PPH (PP hold). FF starts Here are a few feeds involving switching (rapidly) between
with four clubs with PS then PPH..., F1 and F2 pass back before different counts. Probably the simplest is:
the first incoming pass arrives; all passes are tramline doubles.
For extra frenzy, try it on (floaty) singles. Parker 4-3 Feed
FF switches between 4-count and 3-count feed (PSPSPPS) and the
feedees switch between 4-count and 3-count. Thus, F1 does PSSS
PSS, and F2 does SSPS SPS; the feed switches sides which is nice.

11 clubs Two-Fisted Feed Rotating Parker Feed (Tango Feed)

Just like with 9 clubs, the passes are all tramline. Only the height Change roles after each 4-3, and the first pass by the new feeder is
and the spin is modified; the passes here should be made on to the old feeder.
doubles but it's perfectly possible to juggle the pattern on singles 4-3-2 Feed
too. Faster of course, but somehow easier. Again F2 passes with F2 just does 3-count, starting with 1 self. F1 does 1 round each of
their LH. FF and F2 start with four clubs and a pass; FF is 2-count, 4-count, 3-count, and repeats. FF does PPPS PS PPS
always throwing insides (though try outsides too). PPPS PS PPS, alternating passes between receivers.
4-2-3 Feed
F1 does 2-count, 3-count, 4-count. F2 does a self and then repeats
doing 2-count, 4-count, and 3-count. FF does PPPPS PS PS
PPPPS PS PS, alternating passes between receivers.

12 clubs
Same idea as 10 clubs but you need 6 clubs on each side of the
pattern (left and right hand sides of the feeder). Using doubles
sounds like the best solution. F1 starts at the same time as FF's first
pass to him, F2 does the same, one beat later. The diagram shows a
little staggering but the feedees will easily get back into the right
tempo; the feeder has enough problems to deal with.

As with 10 clubs, a synchronized version of this feed is possible.

37
 Feeds

Synch 10-club Feed 10-club Simul Feed

Good if the feeder is comfortable with 4 clubs synchronous. F1
Here is a strange SJRI feed. FF, starting with 4, does 2 synch and F2 do a 4-count, one of them lefthanded (or not, if you wish).
passes to F1; F2 starts with 4 and passes 2 synch passes to FF after FF starts with 4 and sends two passes to the feedees, who start
a beat. Each feedee, upon receiving 2 passes, throws 2 synch selfs simultaneously with passes. FF then throws a set of synch self
and then passes them back. All passes are straights. doubles; repeat the cycle. All passes are singles.

Note that this is gorilla feed (though it doesn't feel like it).
Theory dictates that FF's self throws are triples, or some of the
passes are doubles (or floaty singles), but it seems to work as the
Variation: turn it into an async pattern by staggering the initial version above, which is a slow-fast.
passes. This pattern can be thought of as a 2-stage popcorn for the
feedees (lifting from 2 into 4 and then dropping to 2). 9 club Split Moose
There is also a very fast 12-club version in which FF sends two Here, before FF throws the simul they have to receive a simul
pairs of passes to each feedee; the feedee throws a pair of self (lumis?), by catching two throws at once. The feedees are doing
doubles and then two pairs of passes back. PSPSPS hop (or replace the self hop by self crossing double, or
slow single). FF starts with the simul (straight passes) followed
by 4 outside passes. F1 (to FF's left) starts with LH pass self hop
Simul Feeds cross self pass self, F2 does pass self pass self cross self hop.
A simul is when the feeder passes to both feedees simultaneously; F1 tends to bear the brunt of keeping the pattern in time.
generally one of the passes is hurried. Remember: backwards
arrows in the diagrams are when the feeder has an empty hand
after throwing the simul.
4-Count Simul Feed
F1 passes to FF's RH, F2 to
the LH. On the pass beat
FF hurries two passes out to
make room for the two
coming in. In practise it is 9 club Raccoon Feed
easier for FF to make only FF's sequence is inside simul, RH tramline, inside simul, LH
two (floaty) selves (3.5s)... tramline. All of FF's passes go to the feedees' inside hands, i.e.
3-Count Simul Feed the lefthand person's LH and the righthand person's RH. The
J1 passes to FF's RH, J2 to lefthand feedee (from FF's perspective) does PSPSSS righthanded,
the LH. On the pass beat and the other person does PSPSSS lefthanded, starting with their
FF hurries two passes out to second pass.
make room for the two The sequence of passes looks like this:
coming in.

Variations: most feed rhythms can be done as simul feeds; try 3-

count for the feedees.
Others: See the LCM 4,3 and Mock Moose under asymmetrical
rhythms for another simul feed; also 10-club 1-count / 3-count
slow fast.

38
 Feeds

Feeder in 4-count, feedees in 8-count popcorn 5551

Popcorn Feeds
10 clubs

Feedees in popcorn
Feeder in 3-count, feedees in 6-count popcorn
10 clubs

Feeder and feedees in popcorn

Feeder in 3-count popcorn , feedees in 6-count popcorn

Feeder in PPS, feedees in 3-count popcorn 10 clubs

10 clubs

11 clubs: All passes are floaty doubles.

11 clubs: All passes are doubles.

Feeder in 2-count, feedees in 4-count popcorn Feeder in 4-count popcorn , feedees in 8-count popcorn 5551

10 clubs 11 clubs: All passes are doubles.

11 clubs: All passes are doubles.

12 clubs: All passes are triples, or try floaty doubles.

39
 Feeds

JaSoN's Countdown Technofeeds

Warm up by juggling it with 9 clubs. F1 does PSSP SPPS while These rhythms are some very interesting slow-fasts with FF in a
F2 starts four beats later thus doing SPPS PSSP. FF does 1-count special 1-count.
starting with two inside passes then going into the sequence which
is four outside passes, four inside passes etc. This is a nice pattern
and can be extended to the N-feed, etc. In these cases only the two
jugglers on the end do the countdown - all the others are feeding.
JaSoN's countdown: 11 clubs
Have the two feedees do the easy end of the Copenhagen
Countdown (that is, straight double passes and no zips). F1 starts RH pass - LH zip RH pass LH pass - RH zip LH pass
with 4 clubs and does PSSP SPPS. F2 has 3 clubs and starts at the
same time as F1 doing SPPS PSSP. Both start with the right hand. In both patterns (8 and 10 club), F2 (B) starts with 2 clubs in each
FF starts at the same time as the feedees but from the left hand and hand, and won't do the first 2 zips.
he does 1-count. He does one inside pass before going into the real 8 club Technofeed
sequence which is four outside passes (starting from the right) The feedees do a very (very very) slow 1-count. They should try to
followed by four inside passes (also starting right, of course). All throw at the very last moment to make it easier for the feeder. F1
the passes are normal (not floaty) straight doubles as this pattern is (A) does straight passes, F2 (C) does crossing passes. F1 & FF
synchronous. start with a club in each hand.

JaSoN's countdown: 12 clubs 10 clubs Technofeed

In the 12-club version all the passes are floaty doubles and F2 (this FF does the same thing as in the 8 clubs version. As in the 8 clubs
time equipped with 4 clubs) starts with a LH pass half a beat before version, F1 does straight passes, F2 does crossing passes. They
the feeder and a whole beat before F1. FF and F1 both start with each start with 2 clubs in the right hand and 1 in the left.
the right hand. F2 starts one throw earlier in the throwing sequence
thus doing PSPPS before going into the Copenhagen Countdown
sequence. To get this to work FF will be crossing and the feedees
doing straight passes (as in the diagram), but it can also be done
with FF going straight, and the feedees doing crossing passes.

40
 Feeds

Slow-Fast Feeds
In these feeds the feeder and feedees are juggling different
rhythms. Typically the feedees should adjust their speed as the
feeder's job is harder.
8 clubs: FF 1-count / Feedees in 4-count Alan's Anguish
The backwards arrows just mean the feeder's hand remains empty
for a beat after the pass. This feed can be stretched into a straight Theses rhythms are slow-fasts with both feeder and feedees on 1-
line with the feeder in the middle, throwing under the arm, behind count. Therefore, the feedees have to juggle slowly.
the back, etc. Alan's Anguish, 8 clubs
The feeder's sequence is : diagonal, diagonal, tramline, tramline or
- to say it differently - outside, outside, inside, inside. For both
feedees it's relatively easy ; each is always aiming toward the same
hand (in order to have 4 clubs on each side).

Alan's Anguish, 9 clubs

9 clubs: FF 1-count / Feedees 3-count Each feedee passes to the
same hand always.

9 clubs: FF 2-count / Feedees 3-count Alan's Anguish, 10 clubs

9 clubs: FF PPS / Feedees 4-count

10 clubs: Feeder 1-count / Feedees in 3-count (a gorilla pattern)

Feeder alternates throwing to L and R hands of the feedees.

Feeder throws
floaty singles and
feedees doubles, or
the other way
around.
Variation: a nice simul feed results if the feeder starts with 4 clubs
and throws both initial passes at the same time.
10 clubs: Feeder 1-count / Feedees in PPS
Feedee throws floaty singles to RH RH LH LH of each feedee
(out of phase, i.e. RRLL and RLLR), feedees throw self single
double. This feed is a gorilla (the two halves are separate, each
feedee feeds FF's hand on their side).

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 Feeds

Martin's Madness The original “crazy” feed. PPZ vs 3-count

This is what happens when you feed 2 people doing Jim's 3-count. A slower version of the Fredness (below). On floaty singles, FF
FF is doing Mild Madness with diagonal passes, the first two are throws straights in the sequence pass pass zip; the feedees throw
extremes (in that they go extremely diagonal, e.g. from your RH to crossing floaty singles in a PSS sequence . Both feedees start ½ a
the left-hand feedee's RH) and then tramline (which aren't, but they beat after FF, F1 starts with a pass and F2 starts with self pass.
feel like it because they go straight down the middle). The full
sequence is extreme extreme self tramline tramline zip self
tramline tramline self extreme extreme zip self, where the zips
are hurried. The feedees are juggling Jim's 3-count on straight
passes.

The Fredness
An expanded version of Compact Madness by adding some
straights for the feeder. FF does cross cross zip straight straight
(tramline outsides) cross cross zip straight straight (tramline
insides). Feedees do a hurried 2-count alternating crossing and
Martin's Mildness
straight passes: F1 (recipient of FF's first pass) does cross (hurry)
For a (slightly) easier version, the Mildness is the same except FF
self straight self while F2 does self cross (hurry) self straight;
does tramline passes and the feedees do diagonal passes.
and both repeat from the other hand.

Variation: Communicable Madness is when you switch feedees

every 6 beats. Martin's Psychosis
If the feeder throws hurried passes instead of zips, the Psychosis
Compact Madness results. The feedees can just pretend they are doing a Random 3-
count; wherever a pass arrives they just throw it back as a tramline
Feedees are juggling a 2-count Compressed Mildness (RRLL);
– though if FF is doing their job correctly each feeder should pass
FF juggles PPZ; all passes are diagonal. The feedees get hurried
three times in a row from the same hand before switching. FF
selves and the feeder is ... well, very hurried.
always throws crosses; the sequence of hands they throw from
FF does the sequence (ignoring selfs) is RL, RL, LL, LR, LR, RR, thus FF is doing
cross cross zip cross PPS P(hurry)PS PP(hurry)S.
cross zip; the zips change
direction each time.
Everyone starts from the
same hand.

Fire
Here the feedees are doing Chocolate Bar (PPSS), throwing At beats 5 and 14 the “psychosis” occurs, which is 2 passes in a
tramline passes and starting left-handed, and FF is doing Ultimate- row from the same hand.
zip (PZ) starting right-handed, with crossing passes - i.e. every
pass is accompanied by a zip, with one club just zipping back and Martin's Neurosis is like the Psychosis except the feeder passes
forth between FF's hands. Everyone starts with 2 in their LH. FF straights and the feedees diagonals. The Mob Psychosis and
may find it easier with 2 clubs and leave out the zipped club. Neurosis is the respective extensions to feeding 3 people, the
feeder is on 1-count.

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 Feeds

Sunshine Series inspired by Martin's Madness Shattered Sunshine

In most of these patterns two or more jugglers do zips, and in many A Sunshine relative without (phew) zips or hurries.
cases, FF juggles 1-count with a zip. In all the following feeds, F1
is on the right from FF's point of view. 3-Count/Double 3-Count
Feed
Scattered Sunshine One feedee does PPS, the
other does PSS. The feeder
passes two out of three
passes to the PPS feedee.

For Shattered Sunshine, F1 and F2 simply change roles in the 3-

count/double 3-count feed after every 3 throws. Thus, F1 does
PPSPSS, F2 does SSPSPP.
FF does 1-count with a zip. F1 (top) does Mild Madness,
(PPZSPPS). F2 does a modified Jim's 3-count in which passes
alternate between straight and diagonal. One way to visualize this
pattern is to start with Mild Madness between FF and F1, and then
add F2 in place of FF's self throw.
To train the feedees for this pattern: F1 can be trained via Mild
Madness , F2 can be trained via a modified Jim's 3-count in which
passes alternate between straight and diagonal.
Variation: this feed can be extended easily by adding jugglers to Shattered Scattered Sunshine
each end. For example, if a Jim's 3-count feedee is added to F1's
end, then F1 turns into a Scattered Sunshine feeder (that is, 1-count
with a zip). Adding a 3-count feedee to F2's end causes F2 to turn
into a Martin's Madness feeder. Likewise, it is possible to add a
PPS feedee to F2's end, which will cause F2 to perform 1-count.

Very Scattered Sunshine

All jugglers do zips every six beats. This pattern is an elegant

marriage of the Shattered and Scattered Sunshine feeds. FF does 1-
count with a zip. F1's pattern is PPSPSS, throwing straight
passes. F2's pattern is SSPSPP, and throws diagonal passes.

Variation: feedees throw straights, and FF throws diagonals.

Splattered Sunshine
FF (top) does 1-count with a zip every six beats. The feedees on
the left and right ends, F1 and F3, do standard Jim's 3-count with
straight passes. F2, the middle feedee, does a modified Jim's 3-
count alternating straight and diagonal passes. One way to
visualize this pattern is to take the Martin's Madness feed and
insert a third feedee in place of FF's self.

All jugglers do zips. FF does 1-count with a zip every six beats,
and throws diagonal passes. F1 and F2 each do PPSS with a zip,
and throw straight passes to the feeder. An interesting feature of
this pattern is the irregular zip period of the feedees, which toggles
between four and eight beats.

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 Feeds

Whynot vs. 5-count popcorn

Folly Feed
10 clubs; FF does Whynot (77862), feedees do 5-count popcorn:
A feeding version of Brendan's Folly. FF does a 1-count with no
zips, feedees do a hurried 2-count. FF does cross cross straight
straight; feedees do straight self cross self (F2 starts with the
second self).

10 Club PPS Feeds

Variation: in the Full Folly Feed, repeat the sequence again
except the feedees change roles. Thus FF continues with the same These are asymmetric feeds derived from splitting one side of the
sequence, but starting from the other feeder (i.e. the 4th and 5th 7-club PPS pattern into two feedees. Feeder is always on PPS and
passes go to the same feedee); F1 does the full sequence straight feedees on PSS.
self cross self self straight self cross, F2 does the sequence self Feeder passing on doubles: probably the easiest of the lot.
straight self cross straight self cross self. Got it? In the diagram
above, alternate reading the top and the bottom line for the feedee's
roles.

Jim's 4-Count Feed

• The feeder does: RH pass, (hurry) RH self, LH pass, RH
self, LH pass, RH self, LH pass, * (hurry) LH pass,
(hurry) LH self, RH pass, LH self, RH pass, LH self, RH Feeder passing on (floaty) singles: feedees start ½ a beat after FF.
pass, * (hurry) RH pass, (hurry) RH self. At the * the
feeder's pass is sent off a bit early to the feedee (perhaps
as a double). All of the feeders' passes are straights.
• The feedees (B & C) are juggling Jim's 4-count on
diagonal passes; everyone starts from the RH.
Feedees passing on doubles

Whynot Feeds
Feedees are doing WhyNot (77862), the feeder is doing PPPPZ.
Feedees could also do NotWhy. Feedees passing on singles: an asynchronous pattern.

FF passes straights in the sequence L, R, zip, L, R, feedees cross.

Here is a version with the feedees doing Maybe (72786): Disconnected PPS feed: FF and F2 start together, F1 ½ beat later:

FF passes straights in the order R, R, zip, L, L; the feedees cross.

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 Feeds

Weird PPS feed

Asymmetric Feeds
Many feeds can be modified so that the feedees are doing different
things; the feeder will then be doing an asymmetrical pattern.
1-Count Feeds
F1 does PSS, F2 does SPP. Feeder does inside outside outside,
outside inside inside.
Hardcore PPS feed: feedees pass triples, FF passes double single.
One feedee does PPPS,
the other does PSSS. The
feeder passes three out of
four passes to the "busy"
feedee.

Many variations can be created by changing one feedee's duration Most of the PPS feeds for 10+ clubs are asymmetric feeds.
of passes and altering the feeder's passes accordingly. Some
possibilities (FF passes to F1 first): FF 3p3.5p, F1 4p, F2 4.5p;
FF 4p 4.5p, F1 3p, F2 3.5p; FF 3p 4.5p, F1 3p, F2 4.5p; FF 3p LCM (4,3) Feed
4.5p, F1 4p, F2 3.5p; FF4p 3.5p, F1 3p F2 4.5p. FF can dictate J1 (on top) does a 3-count, the other a 4-count. At beat 12 the
whether they throw crossing or straights and feedees adjust feeder must throw 2 passes at once (one is hurried). One of the
accordingly. feedees (here J1) must make a crossing throw every 12 beats so the
feeder can catch 2 at once.
11 Clubs PPS Feed
All passes are floaty doubles; feedees start ½ a beat after FF.

Mock Moose Feed

A nice symmetric simul pattern for the feeder, but it turns out to be
rather asymmetric for the feedees in weird ways; one of them has a
slightly weird sequence, the other has a very weird sequence.

Feeder does: inside, inside, inside, inside, simul-to-lefts, outside,

outside, outside, outside, simul-to-rights. F1 does: R straight, L
self, R straight, L self, R straight, L straight, R self, L straight,
R self, L diag. F2 (weirder) does: R self, L straight, R self, L
diag, R diag, L self, R straight, L self, R diag, L straight.

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 3-person Patterns

3-person Patterns
These include patterns other than feeds.

Triangle (3)

This is the classical triangle pattern, showing a rhythm with passes made from the right hand. Using such a
rhythm, you can do outside passes (as in the diagram) or inside passes (a pass from A's right hand to C's left),
or you can alternate.

3-count may be the best rhythm for this pattern and the most comfortable (for A: right hand passes to B, left hand passes to C).
But you can choose any rhythm (1-count, PPS, PPSPS...). Playing with PPS and alternating inside and outside passes is great fun.

PPS Patterns:
Bermuda Triangle Hovey's Nightmare
PPS Out of Phase:
All three jugglers pass: outside The idea is that everyone passes to every other hand
A: outside outside self inside inside self
outside self inside inside self. in the pattern in the cycle of 6 throws..
B: inside self outside outside self inside
A: inside, inside, outside, outside, self, self.
C: self inside inside self outside outside
Variation: outside inside self B: self, outside, inside, self, outside, inside.
inside outside self. C: outside, self, self, inside, inside, outside.

Mild Madness Triangle: 10 clubs 4-count < 4.3p 333 > 11 clubs 2-count <4.3p 3>
Everyone is doing Mild Madness and alternating who they pass to. Pass the extra club around as a Pass the two extra clubs
A does straight self cross cross floaty double. Each person starts around as floaty doubles; A
zip self cross; starting with RH. when the incoming club is halfway and C start at the same time
B does cross straight zip self to them. and B starts ½ a beat later.
cross cross zip self; starting
with LH.
C does self straight straight
self straight cross zip, starting
with LH.
You can change the sequence of cross/straight throws by starting in
different hands (e.g. everyone start with RH,...). Try both inside and outside passes.

10 club Popcorns: each juggler gets two extra selfs in the base pattern if passes are a bit lower than usual. For odd period patterns,
generally one person crosses and the other two throws straights. The 7 club 6-count popcorn 534p333 becomes an 8-count: 53 3.6p 33333
or 44 3.6p 33333. Low throws only allow one extra self: 53 3.3p 3333 or 44 3.3p 3333. There are three extra selfs if passes are higher:
534p333 becomes 53 4p 333333, and then 53 4.3p 3333333. Also 443p333, or 44p3333.
443p333, similar to 44p3333. 44 3.6p 33333 44 4.5p 333333: pattern repeats from L side.

11 club Popcorns:; each juggler gets extra time in the lifted pattern; how much time depends on the height of passes. For an odd count,
try 44 4.3p 33, 444 4.6p 333, 4444 5p 3333 is like a 2-person popcorn except the throws are triples. For an even count try 444 4p 33 or
44443p3, 4444 4.3p 333 or 44444 3.3p 33.
If two passes (into each juggler and out) are allowed, try: 53.6p3.6p33 , 53p3p, 553p3p33.

For 11 club 3-counts, try 443p, 44p3 (French 3-count), 5p33 (TSS).

12 clubs: 2-count passing triples (5p3) works. Good luck on more complex patterns...

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 3-person Patterns

Triangle 10 club 3-counts

3-count on doubles: all throws cross.
3-count singles/doubles (Isoceles French 3-count (PSD, 43p3). This difficult
Triangle): B and C do singles to each rhythm is even harder in a triangle! All passes
other, passes to and from A are doubles are straight singles.
(crossing from B and C, straights from A):

Variation: one person can do singles, the

other two floaty doubles.
Variation: one person crosses, the other 2
throw straights; 2 people start LHed.
10 clubs PPS: each juggler passes to the same person:
Each juggler does single double self; A does single single self, B does single A does double double self, B does single single
straight singles and crossing doubles. double self, C does double self double. self, C does self single double.

10 clubs PPS: passing to different people:

A does single double self, B does double A does single single self, B does single A does single single self, B does double double
single self, C does self single double. self double, C does double double self. self, C does self single double.

10 club asynchronous PPS: 10 club 3-count vs 2-count/4-count:

Each juggler passes to the same person: A and C PPS popcorn: A does 3-count on crossing passes, alternating
start ½ a beat after B. B does floaty single, floaty Each person does 43p3p, all passes to C and B, B and C do PSPSSS alternating to
single, self to A; A does single double self to C; C are singles to the same person. each other and to A.
does floaty single, self, floaty single to B.

Note that this is actually a weird feast.

10 club 3-count vs 2-3-4-3 count: 10 Club 2-count Feast:

A passes B,B,C,C in 3-count. B does PSSPSSSPSSPS to C,C,A,A, and C does the sequence is 4p 333 4p 3; the two people
PSSPSPSSPSSS to A,A,B,B. Both B and C wait for their first incoming pass to start. who start will do their feast CCW (right, left,
themselves) and the third CW, or vice versa.

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 3-person Patterns

Triangle 1-counts
9-club 1-counts: Experiment with throwing in different directions. Good patterns: outside/outside/inside/inside, all outsides, all
insides. Outside/inside is nice; all the clubs move in the same direction around the circle.

10 clubs synchronous 1-counts:

Each juggler throws a double every 3 A and C pass straight
passes. The sequence for A is double The two singles go to the same A passes singles, B passes double singles and B passes
(B) single (C) single (B), B and C person and the double to the other double single, C passes single crossing doubles, all
pass to the other 2 similarly; all one: single double. passes go to the same
passes go to the same person. person.

Quantum 1-count: with a normal 9-club

1-count on outside throws, one person Ultimates in a circle: 8 clubs: 10 clubs:
delays their first pass, forcing them and An asynchronous pattern: A passes
one other to do simuls: singles to C; C passes floaty singles to B,
B passes floaty singles to A; all passes
are crossing. Try to make all passes the
same height.

Variation: throw simultaneously for a

synchronous pattern.

A 10-club asynchronous pattern where each juggler A 10-club asynchronous pattern where jugglers pass to the others in a 2/1 ratio:
alternates who they pass to: 2 passes to one person, 1 to the other, etc.

A and C pass straights, B passes crossing passes and Again B crosses and the other two throw straights; so all passes to and from B
starts ½ a beat late, so all passes to and from B must must be floaty (3.5p). A passes to CCBCCB, C passes to BBABBA, and B
be floaty (3.5p). A passes to CBCB, C passes to passes to ACAACA.
BABA, and B passes to CACA.

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 3-person Patterns

Triangle 2 (3): A does 4-count, B does SPPP, C does 2-count. Triangle 3 (3): Half of Triangle 2.
A does 4-count, B & C do 2-count
(or 2 and 1-count, respectively):

Similar to Triangle 2, but you swap roles every 2 counts (change of feedee):

RRLL Triangle (3): Each person does RH cross, RH straight, LH cross, LH straight, with the 1st and 4th passes to their RH neighbour,
and the 2nd and 3rd to their left.:

Triangle 4 (3). A does PPS with B, B does PPS feed to A and C, C does 3-count with A.

On the next round passes go the same places but with the other hand.

Variation: after every 6 throws (or 3!!) switch roles, A becomes C, B

becomes A, C becomes B.
... and then a self beat.

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 3-person Patterns

Simultaneous Triangle (3)

A triangle in which the jugglers take it in turn to throw simuls - two simultaneous throws at once, as outsides. There are lots of hurries.

First Second Third

pass: pass: pass:

The three rows in the causal diagram correspond to the three jugglers in CCW order. This pattern is in 3-count but other rhythms would
work, you just have to figure out where to throw to. Odd-period rhythms tend to work better as you get fewer hurries.

Pulsar (3)
Jugglers take turns being feeder.

1. A passes Right-Left (figures 1 & 2)

2. C passes Left-Right (figures 3 & 4)
3. B passes Right-Left (figures 5 & 6)
4. A passes Left-Right (figures 7 & 8)
5. C passes Right-Left (figures 9 & 10)
6. B passes Left-Right (figures 11 & 12)
After a feeder does Right-left, the next does Left-Right and vice-versa. When feeding, each juggler might call out which they're doing
(Right, Left) to make the pattern easier.
See also the 4-person Pulsar.

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 3-person Patterns

Lines (3) (Dropback Line)

B faces A and sends passes back over his shoulder to C. All passes are singles (C has a long pass). B's passes should come in as close to
the center as possible (like a tomahawk) after making two turns (in theory, it's a single, but in practice, do what you will). There are also
variants in which the club is thrown under the left arm, behind the back, or between the legs (alberts) instead of over the shoulder.

See also 4-person lines.

Rhythms: Usually done in 4-count or 2-count, but 3-count or other rhythms such as popcorn are also interesting.

Lines are probably the best way to go for high numbers with 3 people, since there are no collision issues and the sitelines are all good.
10 clubs in 2-count:
• As B is doing doubles, we can consider there is enough room for a tenth club without varying the height of one pass (it it's too
fast then have C doing doubles)
• B begins with 4 clubs and throws the first double to C; C starts a beat later, as if passing 7 clubs
• A starts just slightly after C since the pass from C is a long single.
11 clubs in 2-count:
• C now throws doubles
• B and C start together with 4 clubs each, but C can try to anticipate slightly on the start.
• A starts a beat later with 3 clubs.
12 clubs in 2-count:
• A, B and C throw doubles (being able to pass 8 in 2-count will help)
• All 3 jugglers start at the same time but A can start just slightly after.
• A should pay attention that his doubles to B are short enough, since B will struggle more with too long passes.

Variation: do the line as a feed: that is, A passes alternately to B and C, who do not exchange with each other. It may be easier to do
doubles to C.

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 3-person Patterns

Combining a Line and Feed:

A feed can be turned into a
line, and back to a feed, by
having one feedee move
behind the other.
A: C B B B C C
B: x A C A x A
C: A x A x A B
Variation: try this with 10 clubs. Also see Dropback Line Feeds (4+).

Variations with double-returns: Double returns can help handling the gap created by B's double pass (dropback).
Double-returns in the middle
Double-returns at the back
• A throws doubles in 4-count
• A throws singles in 4-count
• B still throws doubles dropbacks but in a 2-count with 2
• B throws doubles dropbacks in 4-count
holds (3 4p 2 2).
• C throws doubles but in a 2-count with 2 holds (3 4p 2 2).
• C throws singles in 4-count
• C starts first, then A and B a beat later.
• B starts first, then A and C a beat later.

Pirouette
B can make a half-pirouette, thus changing the direction of the line. B can do this by turning under a self double if they have at least 2
selfs in the middle of the pattern.

Variation: A more tricky way of doing it, in a 4-count: looking at the diagram at the top, A, at any moment, can throw a triple to C (in a
2-count). B immediately sends a crossing left-handed double to A and turns around just in time to receive C's pass.
As you can see, B has little time to react, so
preferably, A should give a warning when he decides
to throw the triple.
In a 4-count line, B can also turn while juggling
(during the 3 selfs) without warning.

Variation: a 3-person variation on the Irvine Pinwheel has B doing 4-count and turning after every pass; A and C pass with B and pass
triples with each other on 2-count.

Shamrock (3) 5 clubs between 3 people.

This pattern is strange because all passes are either zaps (short pass with ½ a spin, or 2.5p) or handacrosses (1p). You need to stand close
enough to hand a club between your outside hands. A starts with 3 clubs, 2 in their RH, and B and C each start with a club in their RH.
The club starting in C's RH is the “satellite” (labelled s in the diagrams); it is handed around the outside of the pattern (preferably over
each person's head). It can be a different colour for extra effect.
A passes a “zap” to C now has the satellite A's third zap is to B's B must do a self to At this point everyone has
B's LH while C passes gripped by the bulb in their LH. receive the zap in the moved one step forward in the
the satellite over their LH, and A zaps their previous step. C hands cycle; B is the new A, C is the
head to their LH. second pass to C's RH. the satellite to A's RH. new B, and A is the new C.
Repeat until tired!!

Variations: pass the satellite

under your leg, behind the
back, etc.

You'll notice that when you are B you have a long time with just one club in your RH; use the opportunity to flourish it !
Variation: there is a 4-person version with 7 clubs (2 satellites): the throwing sequence for the zaps is across/right/left.

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 3-person Patterns

Runarounds (3)
Runarounds are passing patterns where a juggler gets rid of all their clubs and takes up another position where they will start juggling
again by receiving clubs from their partners.

The basic maneuver: Consider the diagram to the left: A and B have 3 clubs each and C has none. A & B are passing together
in 2-count until B decides to throw all his passes to C. Now, after 3 passes A no longer has clubs, so B & C are left passing. A
can now move next to B and wait until C decides to pass with him (As in the beginning between C and B).

It is possible to perform the maneuver described here without anyone stopping. To achieve this, we must not pass to the person from
whom we received our clubs. B starts passing directly with C. After 3 passes C will be ready to throw to A, who no longer has any clubs,
and who will have quickly moved next to B.

Variations: there are many different positions that can be taken by the jugglers when they move; adding more clubs ; or adding different
rhythms (descriptions here are given for a 2-count).
See Shooting Star (4) to add more jugglers.

Jugglers' Movement: there are three main possibilities for where the jugglers place go when they move:

The juggler moves to place themselves to the left of the

left
juggler facing them without crossing through the other two
(pentagon)
jugglers' pattern.

The jugglers must go to the right of the juggler facing them.

Therefore they must be ready to cross the pattern just after
right they throw their last pass. They must cross the pattern
(line) perpendicularly to the pattern. There is a risk of collision
which can be avoided if the person who has just moved throws
his last pass a little higher than necessary (C here).

The same thing as previously, but if jugglers don't move as far

as previously, they can stay in a circle. All that needs to
right
change is that the person next to the one who has moved, takes
(pentagon)
that person's place. As above, the same thing for applies for
collisions.

Rhythms and numbers of clubs :

6 clubs: The moving juggler has 2 beats (his hands are empty after his last pass) to take up his new position. Therefore there is a lot of
time, and it is not necessary to run or anticipate the move.

The third juggler (C) starts with one club (instead of none). He are thus ready to throw his first club at the same time as the
7 singles: person who is about to move throws his last (A). There are two possibilities:
• A (and the others will do the same when their turn comes) only throws 2 passes to B. He then arrives at his new
position with the last club. He still has 2 beats to move, which gives him the opportunity for a flourish, thumb-
twirl etc... while he moves.
• A throws his 3 clubs to B. Keeping in mind that he throws B his first club at the same time that he gets rid of his
last, it is essential to anticipate the move. After his second throw, A should approach B and throw him his last
pass while moving to catch the one thrown by C.
The feeling is exactly the same as with 6 clubs except that the base rhythm is a 7-club 2-count. We can therefore add an
7 doubles
eighth club as we did when going from "6" to "7 singles".

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 3-person Patterns

Bruno's Nightmare (3)

This is a rotating feed in which one juggler moves through the middle of the pattern. Imagine that each juggler represents one ball in a
giant 3-ball cascade.

The diagrams show B's movement, passing through the pattern to the other side. The feeder's position then changes from C to A. It's the
feeder (C in this case) who counts (if there is a need to count) the 6 passes it takes to change positions. As soon as C makes the sixth pass,
it's his turn to begin moving to the other side, passing in 4-count (every other). A is left as feeder, (switching to 2-count) and counts his
first pass at the same time as C's sixth. B does three passes while moving: the first from the starting point (facing the current feeder), the
second while crossing through the middle of the other two jugglers, and the third beside the feeder (which is also his last pass as feeder).

During B's movement, A should also move slightly (see figures 2, 3, and 4), otherwise B might get knocked in the head.
Rhythms:
4-count (every other) and 2-count (solids) as in a normal feed.

3-count Bruno's Nightmare (3)

Now the feeder is in 3-count. It's slower, and there is one less pass to make when changing places.
In the regular version, the change in positions takes three passes; in the 3-count version, the last pass is omitted. More specifically, after
the pass is made from the middle (B in fig. 3), the moving juggler should continue moving to the other side while turning around (fig. 4),
preparing to make his pass to the next feeder 6 counts later (fig. 5).

Rhythms: Three-count (waltz) and 6-count (one person passing with the right hand, the other with the left).
The table below illustrates a full cycle: (corresponding with the diagrams above).
1st rotation 2nd rotation 3rd rotation 4th rotation
A 6-count L 3-count 6-count R 6-count R
B 6-count R 6-count R 3-count 6-count L
C 3-count 6-count L 6-count L 3-count
Variation: There is also a PPS version of Bruno's Nightmare.

Turbo (3)
Turbo is somewhat like Bruno's nightmare but it uses fewer steps to change posts, making it significantly harder. The juggler who moves
(A in drawing 2) must begin turning right away to prepare for the next pass (drawing 4).

Rhythms :
2-count for the feeder and 4-count for the feedees (the problem is knowing when to start feeding and when to stop).
Variation: a 10-club turbo can be done. C starts with 10 clubs and throws a triple to B. B throws triples to C until they are not the feeder
anymore. The idea is that the current feeder throws triples, and the person not about to be the feeder also throws triples.

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Tornado (3)

What we want here is to have A and B turning around each other. The feeling for starting the pattern (diagram 1 for B and 5 for A) is
similar to the one in Bruno's nightmare. The feeder should try his best to anticipate the movements of the feedees.
.Rhythms: 4-count for A&B, 2-count for C
Variations: Try also Hans Tornado, so that everybody gets to move. Should be doable with C on a 3-count.

Hans Tornado (3)

This is a tornado in which the feeder also spins, but in the reverse direction compared to the feedees. In the diagrams, the direction is
different from the tornado.

Rhythms: any, I think...

Hans Tornado (Inversed): Reverse the direction A & B rotate, as well as C (it's different because of the RH passes).

Beer Passing (3)

Beer passing is nothing more than a special runaround. What happens here is, we put down one club (or more) and replace it with a glass
of beer (or anything else if you're not into beer or alcohol). The purpose is then to drink one (or more) gulp when you have the glass.
You need 4, 5 or 6 clubs (depending on how difficult you want it to be, and how drunk you already are) and a glass of beer (the yellow
disc in the diagrams below). I give some detailed explanation for 6 clubs, but the process really is the same with fewer clubs.
A & B start with 3 clubs A & B are doing their LH
each on a 2-count. C has self. C catches B's first pass, A & B pass.
the glass in his right hand and keeps the glass in his C can now give
(and can start drinking). RH. the glass to A (I
With 5 clubs, B only has B catches A's pass. A did not say
2 clubs and thus doesn't doesn't catch anything, he throw).
make this first pass. now only has 2 clubs.

B & C are doing a LH A & B pass. This is A's B & C are doing a LH self. C now has 3 clubs (unless you Back to the beginning,
self. To free his RH, C last pass. He can start to started with less than 6). A is now moving and drinking at the but the roles are
must now have given drink, but he also has to same time if he can manage that. This is also the moment where different.
the glass to A. move to B's side. a fourth can come and replace the empty glass with a full one.

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4-person Patterns
These patterns are for 4 (or more, in some cases) participants, with indications as to how to generalize them to larger numbers.

Large Feeds (4+) These are feeds with 3 or more jugglers as feedees.
The first 3 passes in a normal
feed with the feeder juggling a 2-
count:
For more feedees, everyone just
lines up across from D.

Feeder on 2-count
Normal Feed (Sweep Feed)
D feeds the clubs from left to right then from right to left, i.e. C, B, A, B, C, B, A... A & C are juggling an 8-count and B a 4-count. Note
that it's also possible for D to make his passes in front of him while A, B, C are moving laterally on the line (all at the same time) to
receive their clubs. All jugglers not on the ends will get twice as many passes as the two ends, unless FF passes twice in a row to the
ends.
Feed with Carriage Return (Typewriter feed)
With a normal feed, A and C can get the impression of not passing often enough. In this version, A, B and C all pass a 6-count. D now
feeds the clubs from left to right only (C, B, A, C, B, A...). When the feeder reaches the end of the line (A) he turns back to face the first
feedee (carriage return). If you want a more dynamic version, try the speed-weave.
Adding some more passes
With any of the two versions above, D and A (for example) can agree to make an additional pass. When he's about to pass with A, D will
make his right hand pass (normal) followed immediately (instead of the self) by a left hand pass. The rhythm - for the typewriter variation
- is now PPPSPS for D and PPSSSS for A.
It's a nice way to add difficulty for the jugglers who feel at ease with the pattern while keeping it simple for the others. If all (A, B and C)
want to pass this way, D will find himself juggling ultimate (see 1-count feeds) as in the "feed 2" variation.

Simul Feed
The feeder is actually on a 4-count for this one, but passes simuls. D passes two clubs at once every 4 counts, and the previous self to the
simul is then hurried. D passes A+B, s, s, s, B+C, s, s, s, etc. A, B and C alternate passing 4-count with 8-count: P SSS P SSS SSSS. A
passes to D's RH, C passes to D's LH, and B must alternate which hand of D they pass to. D always passes to left hands.
To make it less boring for the feedees, try the Simul Speed Weave.

Circle Feeds
With enough feedees (around 8 for a competent feeder on 2-count) the feedees can arrange themselves into a circle around FF. With fewer
feedees, or more feeders in the centre, the feeders can rotate faster and the feedees can themselves rotate around the feeders. See the
patterns Catherine Wheel and Ball Bearing.
With 4 on the inside and 4 on the outside, both rotating, feeders can make every pass to a new feedee.

Complete Feed
In a complete feed everyone feeds everyone else in the same direction, and to make it work there are “phantom” feeders on each end. If
there are two rows of X and Y feeders each, the row with X has Y-1 “phantoms” on each end, and vice versa for the row with Y.
In this example there is one row of two feeders and one of three; thus the row of two has 3-1=2 phantoms on EITHER end.

Everyone starts on the RH end; A passes to C and B moves to Sweeping left, C passes to their Finally C passes to their second
A, D and E pass to a phantoms. D. E moves left and passes to first phantom. phantom. Then everyone sweeps
Everyone sweeps to the left. their second phantom. right in a similar fashion...

It helps to visualize the phantoms you are passing to, so you don't lose count.

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13+ Clubs
7-club Passing Feed
This feed is based on the 10 clubs 2-count feed. You just need to add an extra club (and only one, even if there's more jugglers on the
line).
The feeder passes on the same rhythm as in the 7 clubs 2-count for 2 people and can choose to feed whoever he wants. He doesn't even
need to decide beforehand the order of the passes because the jugglers in front of him always have the time (one beat) to react and pass a
club back when they see a double coming their way.
Popcorn Line Feed
The feeder does a 2-count typewriter feed along the line, and feedees do 7-club popcorns out of phase with each other. The feedees must
wait until a pass is incoming and then lift into 4 clubs and pass back.

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Feeder on 1-count
4-person Feed 1
The right and left hands are feeding in the same direction
and two consecutive passes can't be sent to the same
person.

Without carriage return: With carriage return:

B &D 4-count (PSSS)

Waltz (PSS)
This classical feed is also known as the Urban Terror Feed.
C left-handed 2-count (PS)

4-person Feed 2
The right and left hands are feeding together the same juggler in front of the feeder. Each LH pass is sent to the person who received the
previous RH pass.

Without carriage return: With carriage return:

B&D PPSSSSSS (8-count with an extra pass on the second beat)

PPSSSS (Chocolate bar if there's only 2 of them in front of
the feeder)
C Chocolate bar (PPSS)

Crossing feed
The right and left hand are feeding in different directions.

Rhythm: B & D do PSS PSSSS, C does PPSS (Chocolate Bar).

Variations: in general, any sequence of RH LH exchanges can be agreed upon and juggled; any time the feeder and a feedee are both
doing a self can be replaced with two passes. These feeds can be easily expanded to more feedees; it is probably easiest for the feedees to
memorize their sequences of passes rather than try to anticipate them while juggling.
Mesopotamia: Three feedees, all doing 4-count; the outside pair R-handed, the middle one L-handed. The feedee does a 1-count
typewriter followed by a zip: RLRZ.
Half-compressed Mesopotamia: the three feedees can be compressed into two (or one: see the 7-club pattern Compressed Mesopotamia)
by stepping up the number of passes one of them makes.
WhyNot Feed: the different WhyNot feeds can be extended by having all of the feeders doing 77772 (PPPPZ).
Martin's Madness can be extended to typewriters feeds of three feedees; FF has no selves. For the Mob Madness, FF's sequence is
RLRLRZ. For the Mob Psychosis (see Psychosis): FF's passes are RLR LLR LRR LRL LRL RRL RLL RLR. Good luck.

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N- or W-Feeds
These are feeds in which there are multiple feeders, but each feeder only feeds two other people.
You can use the traditional W-feed positions for these patterns, but all of them can also be done
with the jugglers arranged as in the diagram on the right.
All of these feeds can be arbitrarily extended by adding more people at either end.

Traditional W-feed
The feeders alternating which person opposite them they pass to: the two end
people are feedees and everyone else is a normal feeder.
Rhythms: almost any of the 3-person feeds can be done in such a pattern.

W-feed with 3-count and 2-count

Rhythms: A & B: 2-count (left hand throws for B) C, D, E : 3-count

W-feed with 3-count and PPSS

Rhythms: A & B : chocolate bar (PPSS) C, D, E : 3-count (PSS)

W feed with PPS and 1-count

Rhythms: A & B : 1-count (ultimate) C,D & E : PPS

W-feed with PPS and miscellanous rhythms

Rhythms: A & B : PPS, C : SPPSSP (SP-PS), D : SPSSPS (SSP), E : PSSPPS (harder to remember)

Martin's Madness: the different versions of Martin's Madness can be extended by having all of the feeders do the feed part; all of the
feeders on one side will be doing the Mildness (straight passes) and the others the Madness (crossing passes).

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Double typewriter feed

A and B both do a L->R typewriter feed out of sync with each other.

Variation: try PPS or 1-count for the feedees.

Lodi Low-down A W-feed pattern with period 4, and then the cycle repeats on the other side.

Rhythms: A & B: PPPSPSPS, C & E: PSPSSPPS, D: PSSS.

13+ Clubs
Adding a fourth (or fifth!) feedee to a standard 10-club feed to make an N or W doesn't work in quite the usual way; the extra feedee has
to do 34p22 (double return), or (more interestingly) popcorn: 444p3.

Square (4) Four jugglers stand at the corner of a box and each person passes with at least 2 others.
Ordinary square patterns are generalizations of triangles: each person passes with their neighbours on either side.
Thus most triangle patterns can be done in a square if each juggler ignores the person across from them. Rhythms:
Ultimates, PPS, Bermuda Triangle work well. See Triangle (3) for more variations.

The Cross (4)

Rhythms:
Everything depends upon timing in this one. The four jugglers all pass with the same rhythm, but
this can be done in several different ways, the only goal being to avoid collisions in the middle.
In the classic version, everyone does 4-count; while A&B pass, E&F throw right-handed selfs (fig.
1) and vice-versa.
Second option: everyone doing 2-count; while A&B pass, E&F throw left-handed selfs.

Third option: Choose any rhythm. Everyone passes at the

same time and as if by some miracle, it can work:

See the diagram: Observe the clubs as they pass through the
middle. It helps a lot if each opposite pair passes a bit to the
outside.

14 clubs: When this works it's a huge deal, and one may well wonder why. A&B and E&F do 7 clubs in doubles. To avoid collisions,
each must be sure that he makes each of his throws just after the juggler to his right. If A starts first, F follows half a beat later, then B,
and then E.
Variation: do 4-count on triple passes. If A starts with a triple (to B), F starts next, on A's LH self, with a triple to E. This variation is
easier as there is less collision potential.

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Spiderweb (4) This pattern combines the Square and the Cross.
E and F do LH selfs, B passes A and B do LH selfs, E passes
With 15 clubs: the four of you stand in a square and do a 14 club cross a double and A a triple: a double and F a triple:
by doing 4-count on triples. Instead of your RH self throws, however,
you throw a RH double to the person to your right (the person who
threw the triple following you). Thus each person is doing Triple
across, self, double to the side, self, out of sync.
Etc.
The start is the same as for a 14 club cross on 4-count triples: if A starts, the next triple comes from F and A passes their doubles to F;
simultaneously with A's first throw, B throws a double to E.
Variation: to make the doubles inside throws, switch the position of E and F.

Feast (4+) Boston Circle, Clock

A feast is any pattern in which every juggler passes with every juggler around the circle, including themselves, everyone going in the
same direction (usually clockwise, for some reason). A feast can be done with 3 or more jugglers but is usually seen with at least 4.
Here is the diagram for four participants: A and D start with selfs. The sequence of passes for the square is as follows:
A s B D C
B C A s D
C B D s A
D s C A B
If there is an odd number of participants, just one
person has to start with a self.
Rhythms: pretty much any rhythm.
Variation (Feast and Famine): change directions after every four passes (or three passes, or five passes, or n-1 passes).

Selfless Feast (4+) Complete Feed

A feast in which every juggler passes with every other juggler (but not themselves). Unlike in a regular feast, you are usually not passing
to the person you are receiving from, thus it is a little harder: each juggler first passes to the person to their left, and proceeds around the
circle. Also, sometimes passes cross in the middle, thus the timing needs to be accurate. Each person is essentially doing a sweep feed of
all the others.
Here is the pattern for four: A B C D
B C D A
C D A B
D A B C
Rhythms: pretty much any rhythm.

Variations: Feed back in the opposite direction so each person is doing a sweep feed R and L; thus for 4, add in a second across pass.

135 Sweep (4)

Each person sweeps R and L in a 5-count pattern, passing on beats 1, 3, and 5 and repeating going back. The sequence is thus left self
across self right right self across left before repeating.
Variation: this generalizes to an odd-count sweep for any number of passers; for 5, a 1357 sweep, for 6, a 13579 sweep, etc.

Veteran's Star is a 5-person sweep feed on 3-count, starting with a RH pass to the second person to your right.
Speed Star is the same thing except on 1-count (!!).

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Aidan's Feasts
These are a type of selfless feasts in which the two opposing pairs (AC and BD) juggle different counts so that their crossing passes don't
collide in the middle (note that this shouldn't be a problem anyways if everyone is very good about keeping to time). Each juggler passes
several times across the middle, one pass to each extreme (right and left).
Variations: for each pattern, at the end of a cycle each opposing pair switches their pattern to the other.

A and C: 4-count; B and D: 3-count. Since each beat is shown, an s stands for a self. B and D pass to each other 3 times, A and C pass
to each other twice.
A D s s s C s s s C s s s B s s s C s s s C s s s
B C s s D s s D s s D s s A s s D s s D s s D s s
C B s s s A s s s A s s s D s s s A s s s A s s s
D A s s B s s B s s B s s C s s B s s B s s B s s
A and C: 3-count; B and D: 2-count w/ triples.
A and C: 2-count; B and D: 3-count. B and D pass to each
Here B and D avoid collisions by throwing triples to each other. TX
other once, A and C pass to each other twice.
means a triple pass to X and h means a hold.
A D s C s C s B s C s C s A D s C s C s B s TC h h s
B C s s D s s A s s D s s B C s TD h h s A s D s D s
C B s A s A s D s A s A s C B s A s A s D s TA h h s
D A s s B s s C s s B s s D A s TB h h s C s B s B s

A and C: 2-count; B and D: PPS. B and D pass to each A and C: 2-count; B and D: PPS. This version is a typewriter: L ,
other twice, A and C once. middle, R but not returning through the middle again.
A D s C s B s B s C s D s A D s C s B s

B C D s D A s A D s D C s B C D s D A s
C B s A s D s D s A s B s C B s A s D s

D A B s B C s C B s B A s D A B s B C s

Rush and Rest (4)

This is a feast variation in which extra passes are thrown in. The cycle goes across right across self left self.
A C D C s B s
B s C s D A D
C A B A s D s
D s A s B C B

Bermuda Quadrangle (4)

This is a box pattern where each juggler does PPPS in a feast fashion, but the feast proceeds by means of clubs going in triangles.
Maya A longer version.
A B C D s A D s B C s B
B C s A D B C s A D s A
C A D s B C B D s A D s
D s A B C D A C s B C s

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3-count Accommodation (4)

Each juggler passes to two others. A does a 3 count, B does PPS, C does 2-count right-handed, D does 2-count left-handed.
A C s s D s s
B s D C s C D
C A s B s B s
D s B s A s B

Variation: slow things down by adding in extra selfs, if you must, so everyone juggles (shudder) one-sided.

Jim's 3-count Accomodation: cross throws so that A is doing Jim's 3-count; C and D will be doing Jim's 2-count, and B will be doing ...
some sort of Madness pattern.

Alternating Triangles (4)

Though the layout is for a box, it is doable (and possibly easier) if D and C face A and do dropbacks to B, in which case this is two
merged three-person lines. B and D can do dropbacks or just very wide angle passes.
A B s D s
A (feeder) does 2-count feed to B and D.
C (receiver) passes 2-count to A. B C s s s
B and D do a 4-count, passing dropbacks to C. C A s A s
Variations: different rhythms work as long as A and C pass
twice as often (1-count vs 2-count, PPS vs 3-count, etc). D s s C s

Variation: every four counts A and B switch roles (and thus D and C switch who they are passing to). This is clearly easier to do if D and
C are not doing dropbacks.

13-club Interlocking Triangles: B, instead of doing a self, throws a triple across to D, then when D is doing their self, they throw the
triple back.

Rotate the Feed (A's position) so Feeder: A B C D

that everyone gets to do it. The full
16-count pass cycle is shown; in A B s D s s s D s C s C s B s s s
each block of four passes a different B C s s s C s A s s s A s D s D s
person is the feeder.
C A s A s D s s s D s B s s s B s
D s s C s B s B s A s s s A s C s

Variation: do both switches of the feeder and rotate the feeders position. Tough!!

PPS Cross Feed (4) (Two on Two, Double 3-count, Jamp)

Each juggler is doing a PPS feed with the two people facing them. While A&C do PPS, B&D do PSP.

Variations: augment the passes so that every other pass is straight. The throws are no longer PPS but it's conceptually easier to follow.
This can work in ultimates or 2-count (though you sometimes don't pass when you're supposed to).

Variation: everyone does Martin's Mildness: A and D do diagonal passes (R to R, L to L) and B and C straights (or vice versa).

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Trapeze (4)
The Trapeze solves the interesting question of how to have 4 people all feeding while
avoiding collisions when the clubs cross. Normally, if everyone's passes are dead on
time, step 2 works without a hitch. Otherwise, it may be necessary to play with the
distances (such as increasing the distance between A and B).
Rhythms: 2-count or 4-count
Variation: Other interesting solutions include forming a square and putting two people (A&C or B&D) on chairs or to play with precision
in timing in a true cross.

13+ clubs: with 14 clubs, each person passes triples in a 4-count with one person and singles in a 4-count with the other person on the
opposite side. Think of this as two sets of 7 club 4-count triples, but replace all right selves with passes exchanged with the person on the
other side who is in phase with you. You can do this with either the triples or the singles all thrown corner to corner and the others thrown
to the person straight in front of you. Note that in this pattern, both the people on the opposite site from you pass to you at the same time
every time, one with a single and one with a triple.

Dynamic Trapeze (4) A moving version of trapeze.

This involves moving forwards or backwards every other pass. Thus, jugglers always find themselves in the trapeze formation to make
crossing passes, thus avoiding collisions. Each person moves immediately after each crossing pass so as to be in position for the next.

Lines (4+)
These are just some possible positions for 4 jugglers standing in a line. Some of them may not be interesting on their own. However, they
can be used as a transition between 2 others. You can try (using a few half-pirouettes for the jugglers in the middle) to go from each
position to the others.
These two go together. The principle is the same as
in the cross .
A and D can do their passes in doubles, and can even use 7 clubs.

These are augmented versions of the classic

dropback line with 3 jugglers.
Variations: boundless variations exist once 5 or more jugglers are involved. See Long Lines (6) for a few more ideas.

Dropback Line Feeds

The concept is simple: arrange two or more lines with at least 2 jugglers each, and the front
person of each line is merged to be the feeder.
With the minimum of 4 people, one of the lines can consist of only one person.

The diagram shows a dropback line feed for 5, with a 2-count feed.

Variation: A can do a double 3-count feed with BC and DE doing 3-count.

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The Y (4) (Oogle)

With 12 clubs:
Rhythms: any.

Jim's 3-count Variations

• First pass is right hand crossing, second pass is right hand tramline, third pass is left hand crossing, fourth
pass is left hand tramline.
• D and C do crossing passes, so everyone ends up doing Jim's 3 count. There are two possibilities with this.
One is that you pass all your right hand passes to one person and all the lefts to another. Then some passes
will be exchanges. The other possibility is that you alternate who you pass to.
Variation: alternate rounds of a standard Y with dropback, or reverse dropback, patterns (below).
With 14 clubs
This works exactly like a 7-club 2-count pattern with a staggered start: 2 jugglers (here C and D) starting first, followed a ½ a beat later by
A and B. Everyone can do doubles, or just C and D (with A and B continuing in singles).

Slingshot: a 14-club pattern in which A and B feed C and D, and vice versa. B and D start with 4; all passes to and from D are triples.
The pattern for passes is: A: C, D, B: D, C, C and D: A, B.

Popcorn Y
15 clubs: Every juggler does 4-count popcorn (444p3 ): < 4 4 4p 3 | 4 4p 3 4 | 4p 3 4 4 | 3 4 4 4p >. The first juggler starts with their
pass, and it cascades the passes around the Y.

16 clubs 4 clubs per person. Everyone starts at the same time and passes doubles.

Two Harbour Y (4)

C throws dropbacks to D, who passes alternately to A and B. C and D juggle a 2-count while A and B do 1 round of 4-count and 1-round
of 2-count.
A D C C s
B C s D C
C B D A D
D A A B B
In order to reduce collisions, it helps if D moves to
either side so that the passes clear C's head.

Rhythms: a 5-count can be used to work both hands equally. A 6-count vs 3-count would also work.

Dropback Y (4) A 3-count dropback.

C throws dropbacks to D. Reverse Variation: C throws dropbacks to the two corner positions.

Rhythms: Any count will work, though in a count with even period all the passes will be from one side.

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Y2K (4)
In this pattern B is the corner of two simultaneous triangles. B can either throw dropbacks to A, or B can face A
and receive drop-forwards from C and D. B starts with 4 and throws 2 simultaneous passes, A starts with 2. C and
D juggle a right-handed and left-handed 2-count to B.

Variation: stagger the start so that B and A are doing a normal 1-count.

Rotating Y (4) (Oogle Boogie)

As in the static version, each juggler always throws to the
same person and receives from the same person (but those are
two different people).

Each juggler must be exactly in the right position each time

while moving in an (imaginary) circle. It's important to
visualize and anticipate where one should be passing and
where incoming passes will come in.

Rhythms:
4-count (every other) or 6-count at first if it's too fast. You can
also move only on every 2 passes (or 3, or 4...).

Variation: Slow Oogle Boogie:

Alternate Y formations with a standard box:
A and B turn ¼ turn, then C and B pass and A and D as in a
standard box; then move to the second position by having C and
D turn; repeat.

Variation: find four other jugglers and do a Twinned Rotating Y.

... etc.

Unicycle (4)
A is the seat, B the fork, and C and D make the wheel with the circular
path they follow. Passes from B to A are backdrops.

Rhythms: 3-count

Variation: Along the same lines, see the two-seated unicycle (6 jugglers).

Dart (4)
Darts are just 12-club Y patterns on Ultimates (1-count). Since the back person (A) has no selfs they
can stand very close to B, which makes it easier for C and D.
They can also be done in sync ultimates or async.

Rhythm: 1-count (ultimates).

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Speed Weave (4) (Weave)

In this pattern, there is one static feeder, and 3 moving feedees who are moving as if they were balls in a 3 ball cascade (a figure 8).

The feedees are always moving. They can make a very short pause each time they're throwing (and receiving) a club, i.e. each time they're
in the center or on the outside (where B & D are in diagram 1). One always moves backward when on the outside after passing. When in
the center, you move forward and to the side (and you'd better hurry because somebody is waiting to pass behind you).
The feeder passes Right-Center-Left-Center-Right-Center-Left... He should try to anticipate his fellow jugglers' movements (i.e. short
on the center, and long on the outside).
Rhythms: With the classical version, the feedees are juggling a 6-count, which give them plenty of time to move (and to pick up should
they need it), the feeder is doing 2-count.
13 clubs: in rhythms with the feeder doing 4-count (see Twister Weave, with an extra feeder), the feeder can start with 4 clubs and throw
triples, as in 7 club 4-count. The feeder must anticipate the feedee's locations; the feedees return a triple as normal.

1-count Speed Weave: if the feeder just tries to feed 1-count in the same rhythm problems will occur. One solution is to pass twice in
succession to each feedee.
Split 1-count Speed Weave: a more interesting solution is for the feeder to pass middle middle left right middle middle right left. The
feedees do the sequence PPS PSS PSS PSSSSS, or 1-count, 2-count, 3-count, 3-count, 6-count. The PPS happens as they are moving
forward through the middle, the 6-count is as they are moving around behind approaching the middle.

Siteswaps (see Gandini's Siteswap Weaves (5+) for more ideas). If the feeder (A) only passes to the ouside positions, then the three
feedees (B,C,D) can, instead of moving in a regular cascade (333...), do other 3-object siteswaps: for example 441, 531, 423.

Simul Speed Weave

This is a moving version of the Simul Feed. A passes simuls on a 4-count (every 4 counts, they pass two clubs at once; one of the passes
is hurried). A alternates passing to the centre and left, and centre and right. The weavers alternate 4-count and 8-count, i.e. P SSS P SSS
SSSS. When they are on the outside positions, the feedees pass to the hand that is near to them, and when they are going through the
middle, the feedees pass to the hand in the direction they are going (e.g. in the fourth figure, B would pass to A's RH). A always passes to
LHs.

Variations: Easy version with fewer passes:

In this slim version, the feeder only passes to the center. The feedees keep moving as in the classical version, but they only pass when in
the center position. Erase the passes in diagrams 1, 3 and 5 and replace them with selfs.
Rhythms:
In the easy version with passes only to and from the middle (see speed-weave), feeder in 4-count and feedees in 12-count.
In a hectic version, feeder in 1-count and feedees in 3-count. Also try Bookends (PPSPS) for the feeder.
Also see: Dresser Drawer Weave, Gandini Siteswap Weaves, Weave with 2 feeders (Mr. Inside Mr. Outside Weave), 5-person Weave,
Interlaced Speed weave.

Dresser Drawer Weave (4) (Feed Loom)

Like the classical Weave, but in this pattern, the 3 feedees all have their own lines on which they're going to move. Not having to move on
a small figure 8 shape makes it easier for them (but not for the feeder who has to vary the length of the passes).

Rhythms: In the usual version, the feeder is doing a 2-count and the feedees are doing a 6-count.
In an easy version with passes only to and from the middle (see Speed Weave), feeder in 4-count and feedees in 12-count.
In a hectic version, feeder in 1-count and feedees in 3-count.
Variation: after the feedees return to their initial positions, switch to a Speed Weave, and then back again.

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4-Person Triangles (4) These patterns are expansions of the 3-person versions., formed by adding a 4th person into the middle.
Triangle 2:
Rhythms:
A : 2-count
B : SS PS PS PS
C : 2-count
D : 4-count

Triangle 3:

Rhythms:
A B and C: 2-count
D: 4-count

The Rotator (4)

This is a centered triangle with D turning around in order to face the others in turn.

Variation: don't do the "triangle" passes and have D turn faster to pass with each person in turn.

Trefoil (4) A sort of triangle-within-a-triangle pattern.

A and B start at the corners of a triangle and C and D start at midpoints. Whenever you are at a corner, you pass with the other person at a
corner and whenever you are at a midpoint, you pass with the other juggler at a midpoint. After a pass you move to another position
unless you have just arrived at a corner. Rhythm: 6-count.
A and B pass, and C C moves to the A and D pass, and C B continues around A is finally in the B leaves the circle
and D. unoccupied corner and B. the inside while A middle. A passes while D joins it.
and D and B shift. and C shift. with B and C with D.

The cycle repeats from the last position, everyone has moved around a spot.
Variation: this pattern is similar to the Clover, which has a cycle of 8 passes.

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4-person Pulsar (4) An expansion of the Pulsar.

This is a two count feed with the feed changing every two passes. The next feeder is to the LEFT of the previous one.

A is the first feeder and passes R, Middle. B passes L and then R. C passes Middle, L.

D passes R, Middle. A passes L, R. B passes Middle, L.

Hopefully you can see how the pattern continues from here...

Tarim's Runaway (4)

This one is quite tricky (Tarim called it Runaway because when asked to try it out, people usually choose to run away). I would strongly
advise you to first try the two static patterns on which this pattern is based: the PPS cross feed, and the ultimate line feed.

Ultimate line feed:

Transition 1:
After a right hand pass, D catches the
incoming pass and moves to the next
position, ready for PPS with a RH start
and starting outside, self, inside,
inside...

PPS cross

Transition 2:
A moves after a RH pass to B. Before that, he has taken
care to say "now" to C on their previous RH pass (so
that C goes back to 3-count).
A goes to his new position with a RH pass to D 4 beats
later. D, who has seen A moving, starts passing to him
instead of doing selfs; he now is doing 1-count.
Ultimate line feed: Now you are back to the beginning, with different roles: D is the new feeder.

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Double Rotation (4) (Square Dance, Minuet)

In general, you pass to the juggler across
from you, change place with your
neighbour beside you, make another
across pass, turn 90 degrees, and start
again.

...etc Note: alternate going behind and in front

Rhythms: 4-count (every other). It's also possible to do a 6-count while changing positions. when you change places.

Variation: The Wanderer: Sort of a reduced version: one juggler (W) moves around the circle, passing with the next person anti-
clockwise around the circle before trading places with them. See also the 6-person Wanderer.

... and then we are back at the start, except that everyone has moved one place around the circle. To continue, A or C becomes the next
wanderer and then you start up again.
Rhythms: 4-count, or even 3-count if you are fast! 6-count for a nice gentle version or just do 6-count while you are changing positions.

Karamazov Shuffle (4) This pattern feels similar to the Double Rotation.
Each pair of passers rotates around each other and passes with the other pair.
Rhythms: 4-count, a 3-count or even 2-count would be faster but could be done. Each person gets a self instead of a pass as they move
around the back.
The outside pairs pass. Everyone moves CW ¼ of the A and D pass. Everyone moves CW again, and
way around the circle. the cycle continues.

Variation: when everyone is in a line (third diagram), everyone can pass as in a Line pattern (B with D, and A with C).
Variation: if only one side rotates at a time, you can move into and out of Y formations.

Rotation (4)

(blue passes are optional)

If you do the blue passes, either aim to avoid collisions, or do
all blue passes as doubles.

If the two circles rotate in opposite directions, you get the

Karamozov Shuffle.

Rhythms: 4-count in both cases (it can be done in 6-count to simplify things in the version without the blue passes). Jugglers gone mad
may try other, faster rhythms.

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Benzene Ring (4) The benzene ring is in fact a double unicycle without the seats.

Rhythms:
3-count (waltz): A & B have only 2 selfs for
moving or turning (but the diagrams show a 4-
count).

Try a slower rhythm (4-count or 5-count) if the 3-

count proves too hard.

Karamazovs' Feed (4+) (Rotating Feed)

Each juggler in turn becomes post in a line feed, and in fact only makes one sweep through the line, after which the last feedee becomes
the feeder. To allow the formation to turn, the jugglers should form a circle rather than a true line.

In the diagrams, A is the post at the beginning. He feeds the others in order, and the feeder changes with A's pass at the end of the line
(here E). Everyone then repositions themselves (cf. diagrams 4 and 5) and E continues as post. The next feeder will be D, etc.
Rhythms: the classical version is 2-count for the post and 4-count for the others, now it's up to you to use your imagination.
Variations: Try this with a smaller or greater number of jugglers.

Amoeba: sweep back along the line before changing feeders: thus A passes BCDEDCB and then E passes to B to start their feed.

Variation: El Niño (4)

This is a similar feed except the feeds trade sides.. The diagrams show both hand passes but to do the entire thing without any selfs
requires speed and precision.

Now the feeder has switched sides to B.

...etc.

After the last step the configuration is the same as at the beginning except everyone has moved 2 places CCW.

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Shooting Star (4) This pattern is a star from which a juggler has been removed.
You should be familiar with the star (5) before trying this. C will starts with no clubs; all the others get 3 clubs. Meanwhile, B does not
receive any passes from the others, so when 3 passes have been made, he won't have any clubs left. At that moment, C will have 3 clubs,
and will be about to throw a club in the hole. B now has to go through the pattern and be ready to catch C's pass (see diagrams). Once B
is there, you start again from the beginning, but B now has C's role and D has B's.

Now, there are a few different ways to cross the pattern (running and hoping you won't get hit by a club is one of them): here is another
one that works on a 2-count: B only does 2 passes in diagram 1. Before making his third pass, B steps in the middle of the pattern so that
A's pass will travel just behind his neck (diagram 2). He now has to turn to be ready to catch C's first pass (diagram 3) while D's pass to A
flies behind his back. By moving backward, he reaches his new position and can breathe again (diagram 4).

See also the other runarounds. For a bigger version, see Shooting Star for 5+.

Variation: B starts with 1 (or 2) clubs, then D runs when he has 1 (or 2) clubs, etc. Much faster!

Rhythms and number of clubs: The above version uses a 2-count and 9 clubs. But you can also play with the rhythm (between 2 and
4-count) and on the number of clubs (you can add 1 or 2 clubs--though I don't know exactly how--with the 4-count). The more clubs, the
faster it gets.

Pistons (4)
Two more diagrams would show the rest of the complete cycle. Each pair
(AD, and BC) move in the same direction around a square, moving from
corner to corner after each pass. Passes are made alternately to each of the
two passers in the opposite square.

Easier Variation: If A and D rotate in the opposite direction (mirroring B and

C) then each person always passes to the same receiver.
Rhythm any, I think.
Try Pistons (6), or Prism for larger numbers.

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Row Row Row Your Boat (4)

Four jugglers stand in a square facing in, and sing. The pattern is in the form of a canon (or round) - there are four verses, and each person
starts with a different verse, so everyone gets to sing every part, at a different time to each other. The song is the traditional Row, Row,
Row Your Boat.
To start, one juggler starts at Verse 1 and every other juggler should be singing the verse immediately AFTER the juggler on their
RIGHT.
Beat: 1 2 3 4 5 6 7 8
Hand: R L R L R L R L
Verse 1
Sing: Row, row, row your boat
Pass: across self self across
Verse 2
Sing: Gent- ly down the stream **.
Pass: self left left self
Verse 3
Sing: Merri- ly, merri- ly, merri- ly, merri- ly,
Pass: across right right across
Verse 4
Sing: Life is but a dream **
Pass: self self self self
** It is easy to forget the extra beats in Verse 2 and Verse 4 as there is nothing to sing here.
The pattern could be done without singing, but it is actually easier to keep count by singing along and associating the passes with certain
words. Failing to sing is not in keeping with the pattern, and is frowned upon in polite circles.
Variation: 1-count (i.e. Verse 3 is ultimate instead of 2-count).
Variation: for a Canadian version, sing “Frere Jacques” (French or English lyrics): the passes follow the same rhythm.

Shifty Ferret (4) Shifty Ferret builds on the sweep feed and the box in order to create a dynamic pattern.
Here are the details of the pattern for just the first two parts:
- in the first one, A&C pass first, then B&D pass and start moving to position 2.
- A&C pass again (between position 1 and 2).
- A, after his passes to C, becomes feeder in a 2-count and feed D, C & B once.
- A comes back to a 4-count after a last pass to C (between position 2 and 3).

A and C
pass again A and C pass A and C pass
A and C
after this, as again after again after
pass again.
B and D are this. this.
moving.

B and D
pass as A B and D pass B and D pass B and D
and C are again. again. pass again.
moving.

Jugglers alternate in fact between 2-count, 4-count and 8-count. But it's easier to try watch what's happening and pass accordingly than to
remember the whole counting cycle.

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Three-Leaf Clover (4)

The idea of a clover is to have a juggler on each leaf and one in the middle. The movement pattern (see diagram)
looks like a clover. The middle juggler keeps trading places with a leaf.

Rhythms: you will need a self or two to turn around as you go into and out of the middle, since A will pass with D,
C, D and then B on their way into and out of the middle. So 3-count or above should work.

After these 8 passes, the

outside 3 jugglers have moved
around 1 leaf - after 24 passes
everyone returns to the
starting position.
Variations: change who passes to whom as you move in and out; A could pass to B in the third step. Also, three people could pass in a
triangle in every other step, for example ACD on the second step, BCD on the fourth step, etc.

Four-leaf Clover: add a fourth leaf and fifth juggler, the passing sequence is similar: every other pass starting from the first does not
involve the center juggler (the two outside pairs pass), on the 2nd, 4th, etc passes .the center juggler passes with the person they are
facing.

Moveable Feast (4+) A moving variation of the feast.

Each juggler passes to all the others in turn, including themselves. The jugglers start in 2 lines facing each other and pass to the person
opposite them. Thus no matter how many people join in, there are no awkward long passes.
These diagrams for 10 jugglers should give you a good idea of the pattern, even if
they don't show a full cycle.

After each pass, everyone moves 1 step to the left, so their next pass will be with
a new partner (the person next to their last partner). In the diagrams, J7 passes with
J4, then J3, then J2, ...
After passing at the left end of each line (J5 and J10 in diagram 1), a juggler has 7
beats to change sides: 3 selfs, a pass to himself (!) and 3 more selfs. Some people
might prefer to gather their clubs and start again on the other side.
Adding jugglers to the pattern is fairly simple: you just join the end of a line.

Rhythms: 4-count or 2-count is common, but anything possible in a feast works, which is pretty much anything. 6-count is slow and
easy.

If you have an odd number of jugglers, then

there will always be somebody changing
lines: for example for 9 jugglers:

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Skinny Moving Feast (4+)

The principle is similar to the Moveable Feast except the lines are close together to allow the passers to walk forward instead of sideways.
Also it allows an important variation, the Slalom.
The pattern is the same as the Moveable Feast except that the lines move
forwards instead of sideways, and thus the passes are just a bit to the side. The
lines must keep close together for this to work well. When each juggler reaches
the end of the line, they make a self pass while turning into the other line.
Rhythms: 6-count works well, 4-count is a bit hurried.
It is easy to add people on to the end of either side, in fact you can just walk up and join in the line with no difficulties.

Slalom
This is a nice variation adding more movement to the Skinny Moving Feast.
After each pass each juggler changes lines; you change places in front of the
person you just passed with.
The start is like the Skinny Moving Feast.
After the pass everyone changes lines to the opposite side. Be careful at this
point that you keep the two lines close together.

Now everyone passes with the opposite line again.

C and F, since they are on the ends of their lines, have no one to pass with and
so they do a self.

Everyone changes lines again.

Since C and F are at the ends, they do not change lines, but rather they move
forward in their own lines and turn around. F's next pass will be with E, and C
with B.
Rhythms: 6-count; 4-count is possible but then you are moving pretty quickly and it really feels like “slaloming”.

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5+ -person Patterns
These patterns are generally presented in increasing order of the number of participants, though since many of these patterns can have
variable numbers of participants this order is necessarily quite fluid.

Star (5) (Pentagon, Pentagram)

The diagram (here passing with the right hand with the same rhythm) lays out what a star looks like. The
timing of the passes is important, otherwise there's a risk of collisions between B's passes and A's (or C's) for
example.
Note that each juggler could pass to either the person to their immediate right or two to the right (as in the
figure): passing to their immediate right is quite difficult.

Variation: The star concept becomes interesting starting with 5 jugglers but more can be added: with an
even number, you get Overlapping Triangles (for 6) or two disjoint patterns overlapping; with an odd
number everyone passes to person across from them to the right. To make it more collision-prone, try
passing (right-handed) to the person across from you on the left (i.e. A passes to D, who passes to B, etc).
See Shooting Star for a dangerous version with 4 people. See Overlapping Triangles and Nonagon for 6- and 9-person stars.
Rhythms: Um, all of them (I think; in the end it depends on whether you can avoid collisions). 3-count is nice, 1-count is very nice: work
up to it with all the “in-between” rhythms: PPSSS, Chocolate Bar (PPSS), PPS.

16-20 clubs: with more clubs, one or more jugglers must start with 4 and start early, and passes should be doubles (singles is harder to
avoid collisions as it is faster). Generally if the others just wait until they have an incoming club to pass, the rhythm will sort itself out.

18 clubs: C, D, and E start with 4 and everyone starts in the order E, C & D, B & A, though in reality that rhythm is slightly fudged.

20 clubs: everyone starts with 4 and starts simultaneously, just passing an 8 club 2-count.

Variation: put another juggler in the centre and have them participate in some way: takeouts, dropbacks, etc. The centre juggler can
rotate, receiving a pass from whoever they are facing and pass a dropback to the person behind them.

Star for 7
Note that each person can pass to either the first, second or the third person to their right: i.e. A can pass to
either G, F or E. When passing to E (as shown), the passes are longer but collisions are less likely with G or
F's pattern; when passing to F the pass is shorter but the pass is more likely to hit G's pattern.

Rhythms: any in which you can make the passes long enough.

Variations: see Shooting Star for 5+ for a very dangerous pattern.

Star Fruit (5) Topologically, the Star Fruit is a compressed 1-count Star with two reversed polarity passes.
This pattern is like a 1-count W On the first pass, A and C make RH passes and
feed with a twist: the outside pair the others make LH passes. A makes a RH pass
of feedees, here A and C, to C's LH.
exchange passes between their
outside hands (A's RH and C's
LH). On the second (and subsequent passes),
everyone returns the first passes to where they
came from:

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Double Feed (5) (Apollo, Augmented Feed)

Rhythms: A in 2-count, -B, C, D & E are in 4-count. To make left
hands participate, try 3-count: A does PPS, everyone else does
PSS.
Try this variation: just replace the middle diagram with A and C
passing LHed:
- A in 1-count (ultimate)
-C in left-handed 2-count
-B, D, & E in right-handed 2-count
Variation: A on ultimates (1-count), C does PPS with A, and B, D, and E do 3-count. A passes to C,C,B,C,C,D. This is nice because E
can stand closer to A as E always passes outside of A (RH to the right, LH to the left).

Variation: A does ultimates (passes to B,C,D,B,C,D), C is on 3-count, B, D, E on PPS.

Extra club: add a club (on a rhythm with A in 2-count). A starts with 4 clubs; E, B, & D start one count later, and C starts one beat after
A's second pass (which is coming to him). E is unchanged.

Variation: E and C can exchange triples passes on E's self and C's self.

Oogles & Klingons (5-7) A few variations on the Y (Oogle) in which 1, 2 or 3 jugglers can be added to the pattern.
Klingon with shield
Double Oogle Klingon (Oogle with wings)
(Klingon with full shield if you add the blue passes)
Add a juggler (H)
and D passes
dropbacks to
them.

Overlapping Ys (6)
This pattern consists of two Ys merged side-by-side.
The passes from A to E alternate which pattern they
are in.

A and E do PPS; B, C, D, and F do 3-count, with B

and D starting with self pass.

Variation: for a faster version, A and E do 1-count

and the others do a 2-count, so one Y is all left-handed.

Pyramids (6+) Viewed from the side, the clubs make a pyramid in the air.
A and B start things off by passing a low, fast, 6 club 2-count. C and D do 7 clubs 2-count so that
their pattern clears the lower one. E and F then do a 7 club 4-count on triples to pass over the
other patterns.
Anyone else showing up can then pass overtop: see how high you can get. The next pair could do
7 clubs on a slow 4-count on quad spins... or perhaps 8.
Then someone lies on the ground in the middle and takes a picture!

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Y Knot (6) Three different Y patterns stacked on top of each other. Now we're getting serious.
Everyone stands like this: First, ADEF pass in a standard Y. Then ABCF, then BCDE, then ADEF, then ABCF, then BCDE
before the cycle repeats. Each juggler is doing PPS (or variants thereof, with extra selfs thrown in).
A: E C s D B s
B: s A E s F D
C: s F D s A E
D: A s B F s C
E: F s C A s B
F: D B s E C s

Variations: real Einsteins can find 6 different Y patterns here, which you could cycle between.

Shooting Star (5+) A generalization of the 4-person Shooting Star.

There are two "holes" in the 7-pointed star, represented by gray circles in the diagrams. Everyone except E starts with 3 clubs and passes
as in the first figure; once A runs out of clubs (after 3 passes), they move to their right to occupy the vacant space, and E starts passing to
them (see second figure). After 3 more passes , B will run out of clubs and move to their right and start receiving from A again, etc etc.

For one full cycle all of the jugglers will slowly

work their way around the entire star by one
position in order.
It is difficult to keep track of the correct
positions so it may be helpful to mark out a 7-
pointed star on the floor to keep things neat.

Rhythms: any in which you can make long and

... etc. precise enough passes.

Variation: try it with 6 people, only missing one person out of the 7. Then it takes a long time to do a complete cycle.

Variation: E starts with 1 (or 2) clubs, then A runs when he has 1 (or 2) clubs, etc. Much faster!

Variations: all of the Star for 7 variations have Shooting Star versions, which you deduce easily by forming the pattern (minus one or
more jugglers), and seeing who runs out of clubs and when. A nice version is passing two to the right with 5 people; this is like the 4-
person Shooting Star as you have to run across the pattern when you run out of clubs.

Variations: Shooting Stars are good ways of making larger and larger circles while missing more and more jugglers; while the practical
limits of the Star top out at about 7 or 9, a Shooting Star can be done with, say, an 11-pointed star and 7 passers.

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Long Lines (6+) These are a few of the common larger Line patterns (that do not involve Dropbacks).
Serial Line: for 2n jugglers, everyone simultaneously exchanges passes with the person n places away; e.g for 6 people, the first and
fourth exchange, second and fifth, and third and sixth. The visual effect is lovely as all the passes travel in the same direction at once.
As more people participate, the passes involved get longer.
Rhythms: for anything over 4 people, 7 club 4-count (on triples) works well and
looks great.

The Chain A slightly different arrangement works well as it can be arbitrarily extended without
lengthening the passes. C and D stand back-to-back and pass to their partners outside.
The visual effect is the same as the Serial Line but this is generally easier.
Rhythms: again, 7 club 4-count works well.
To extend the Chain, the next pair (G and H) will have G standing back-to-back with
E, and H on the other side of F, etc.
Joining Lines: by adding a feeder at one or both ends, or having complementary people receiving from one line and passing to the other,
lines can be joined in many ways.
e.g: This is a four-person dropback line attached to a 3-person line by having the two
front people (A and E) receive from one line and pass to the other.

Variations: try triangles, joining lines in W and N shapes, etc.

Inside-outside Triangles (6+)

This pattern combines dropback lines with triangles.

Variations: If the basic pattern is a 4 count, it is possible to pass separately in

the 2 triangles ( inside and outside) on the beat of the self.

To enlarge this concept, it is also possible theoretically to add as many triangles

as we want, as shown in the diagram on the right.

Inside-outside Squares (8+)

B, D, F, and H are throwing dropbacks to the outside persons. Add more people in fours by adding in
more lines between the inside and outside (see Inside-outside Triangles, above).

Variations: If the basic pattern is a 4 count, it is possible to pass separately in the 2 triangles ( inside
and outside) on the beat of the self.

Dropback Square: the four inner persons can stand exactly halfway between the outside people; this
is just a square with four Dropback Lines on the sides.

Rotating Dropback Square: on the self beats, B,D,F and H walk ¼ turn around their inner circle to
move to the next position. You will want to do 6-count at least for this.

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Irvine Pinwheel (5)

The picture can't particularly do it justice; what is happening here is that A and E are
alternating passing triples to each other and passing singles to the inner circle: B, C and D are
doing a 6-count and walking around in a tight circle, alternating passing to A and E. Thus A is
feeding, alternating passing to E and whoever is in front of them in the middle, and similarly
for E.
Variations: put more (or fewer) people into the middle and make the middle people have a
longer (or shorter) count (8-count?).

Interlocking Triangles (6) Two or more triangles can be combined in various ways. Here are some of the simplest.
Argyled Triangles: Argyled Sock:
A and D face each other and pass double 3-count (PPS) alternating Everyone passes double 3-count (PPS).
passing with each other and the other people. B,C,E,F do 3-count, A B D s C D s
alternating with each other and A and D.
B C C s A C s
A B D s C D s
C A B s B B s
B C s s A s s
D s A E s E F
C A s s B s s
E s F F s F D
D s A E s A F
F s E D s E E
E s s F s s D
F s s D s s E

Overlapping Triangles (6) Jugglers in either triangle do not exchange with the other.
In patterns of this type; any triangle pattern can be used as long as collisions can be avoided.

Rhythms: try any triangle pattern for 9+ clubs in either triangle, and try having different patterns in each
triangle.

Diamond (6)
A E D B D
B F s A s
C D s E s
D C A F A
E A s C s
F B s D s
Rhythms: any, I think.

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Gandini's Siteswap Weaves (4+) You should be familiar with Weaves before trying this.
The principle is to use a feeder that will represent the brain of a giant juggler. The balls are represented by other jugglers (the feedees)
who go back and forth between 2 positions (the Xs on the diagrams) where they pass with the feeder; these positions are the giant juggler's
hands. We're also going to use a bit of siteswap theory.
The feeder passes alternately to both positions (and usually in a 2-count). A feedee will be either in one of the hands, or queuing behind if
there is already someone there. When a feedee is in the hand, the feeder (at the same time as the pass is made) will yell to him a number
(corresponding to a siteswap throw). The feedee then moves according to this number (let's call it n) and we have:
the number of right hand selfs before the next pass = n-1 2: 3: 1:
if n is even, the feedee will queue again for the same
position (hand)
if n is odd, the feedee will change hands.

The diagrams show what a feedee should do when the

feeder says 1, 2 or 3:
In general, the feeder will choose a working siteswap sequence, and the feedees in front of him will arrange themselves to start correctly
(compare with how many balls in each hand you need for the true pattern), and off you go!
The feeder can choose to change the siteswap sequence at any moment since he's saying the numbers out loud.

Here is an example for

534 (4 feedees since it's a
4 object pattern):

Weave with Two Feeders (5) (Mr. Inside Mr. Outside Weave)
You just take the speed-weave, but you give the feeder position to 2 people (A & E) who are then doing a 4-count. E makes the outside
passes, while A passes to the juggler in the middle position. You can also try it with E standing on A's shoulders, or behind A.

Twister Weave: put the second feeder on the other side of the weavers (opposite A). Then B,C, and D turn around (180°) while they
rotate and pass to E from the same position.

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5,4,5,10 Trapezoid (5) A line feed in which the line constantly rotates.
A (the feeder) does PPS to the positions E, D, self, C, B, self (L to R, from A's perspective). The feedees
do 5-count, 4-count, 5-count as they walk across from L to R, and then 10-count as they move around the
back. A's first pass is to E who then starts their 10-count and moves to B's position. D's first pass starts
their second 5-count, C starts with their 4-count, and B their 5-count (note that either E and B or C and D
start with LH passes).
Variation: E moves around behind A to B's position.

Double Weave (6)

Two weaves face each other; each opposing pair of jugglers passes only with each other. The standard weave pattern has jugglers moving
forwards in the middle and backwards at the outside.
Cross Corner: switch the positions of D and F, so that the pairs AD and CF are passing long diagonal
passes.

Equidistant: DEF do a reverse weave, moving forwards on the outside and backwards on the inside,
so that pairs remain the same distance from each other at all times.

Dresser Drawers: weavers move in lines parallel to each other; see Dresser Drawer Weave for an
Asynchronous Double Weave:
indication of how the weavers move.
A D s s
B s E s Side Switching: after A and D pass at the end, they switch sides, and similarly the other pairs.

C s s F Synchronous: each pair of opposing jugglers passes every 4 (or 3, 2...) beats, basically whenever
D A s s everybody is aligned. Positions A and B switch while E and F switch, and then positions B and C
switch while D and E switch.
E s B s
F s s C Siteswap Weaves: instead of moving in a regular cascade (333...), each trio of weavers can do other 3-
object siteswaps: for example 441, 531, 423. (see Gandini's Siteswap Weaves)
Variations (7+): add a feeder on one side (or both) and convert the weave on that side to a Twister Weave.

Five Person Weave (6) The standard Weave pattern is generalized to have five weavers.
Here is the starting pattern and movement:

This is the 20-step sequence of movement:

the square indicates where the pass goes to F. Note
that F is making a sweep feed, feeding back and forth
along the line. Each feedee starts moving right after
they have passed.

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The Blast (7) This pattern is a 5-person weave with two feeders.

The table shows RH passes with a 4-count timing, so the five

weavers are doing an 8-count.

Strange Attractor (5)

Here is a weave-like pattern with a feeder on either side; not only that, the weavers pass with each other as they move! Notice that, unlike
a regular weave, the feeders pass twice in a row with each feeder.

And the cycle repeats

symmetrically from
here...

Extended Ys and Darts (6+)

The 4-person patterns Ys and Extended Y: Extended Dart:
Darts can be extended Rhythm: any Rhythm: 1-count,
arbitrarily as long as you have async or sync
an even number of participants.

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Benzene Ring (6+)

Two jugglers feed everyone else in the central "ring": for every two extra jugglers in the central ring, each person
makes an extra pass to each feeder before cycling around the circle to face the next feeder.

E and F are feeding "typewriter" style to the positions in front of them: left, middle right, left, middle, right, etc
(there are as many positions in front of the feeders as ½+2 the number of jugglers in the middle: 4 positions for 6
feedees, etc).
Feeders (E and F) are juggling 2-count while feedees are on a 4-count.
Variation: Spiral Weave (6+):
Instead of following a simple loop pattern,
the central jugglers move in a weave
pattern. See the picture for movement
pattern; the passing sequence can be
deduced from the sequence for the Benzene
Ring: each feedee alternates which feeder
they pass to.
This is similar to the Twister Weave.

Twister Sandwich (9)

D, E and F are doing a Twister Weave and the outside two feeders
have been replaced by two separate weaves. To help you remember
who you pass to, just pass to the person directly across from you
(vertically in the picture). A and I are passing at the same time, as are
C and G, and H and B.

And good luck!

Variation (12+): add more twister weaves in the centre.

Weaving Lines (9)

This insane pattern involves combining Drop-back Lines with Weaves: each juggler is taking part in a line with the two people in the
same column, and a weave with the people in the same row.
A, B and C face downwards, the rest upwards.
The weaves occur sideways and D, E, and F are passing dropbacks to
G,. H, I.

Rhythm: Everyone passes a 6-count to give lots of time to move

between positions.

Variations (10+): I'm sure you can figure out crazy ways to add a feeder
(in front of A,B,C) or extra weaves (to make longer dropback lines).

Nonagon (9)

This pattern is just three Overlapping Triangles. All passers must be very accurate to avoid hitting other people's
patterns. Passes will need to be quite long, doubles may be useful.

Rhythms: any Star or Overlapping Triangle rhythm will work, which is pretty much all of them; also try having
different triangles do different rhythms.

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Hinges (7+) Hinged patterns are feeds that are combined by one person (the hinge) who takes part in both feeds
The pictures show all of the passes in grey lines to indicate who is passing to who. To start: have the hinge(s) initiate the feeds by
passing to their left and then their right, and the feeds go outwards from there.

7-Person Hinge: 10-Person Hinge 12-Person Hinge

C is the hinge and F and G Here A and C are the hinges, G, E and F are The hinges are B, D, K, and I; the four feeders are A, E, H
are feeders doing a standard feeders. and L.
sweep feed.

Ball Bearing (6,8,+) Two jugglers stand inside a box and circle around inside it.
First pass: Then E and F rotate ¼ turn. Second pass: And continue around the circle...

Rhythms: 4-count, 3-count. 2-count is probably a bit fast, especially since the long passes through the middle will take a long time. To
help adjust for this, E and F can make two passes with D and B while A and C make one pass (or E and F make three passses to A and C's
two).

Variation (8): make the outer formation a hexagon. The middle two circle around passing with the jugglers facing them, and the other
four pass in two lines, on either side of the middle pair.
First pass: Second pass:

etc.

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Star of David (6) This is a self-less feast in which not everyone's passes move around in the same direction.

... and then the cycle repeats. To adjust for the long passes through the middle, at the stages where passes go through the middle the
outside two pairs can do two (or three) passes while the middle pair can do one (or two).

Torture Chamber (5) M (for Masochist) stands in the middle of a 4-person box.
C and D do 4-count. These should normally be the
easiest positions, but they must be able to catch M's
potentially hazardous passes. A,B, and M all do 2-
count. M faces A and B.

Positions A and B are a little harder. A should wait for

a pass from C when throwing to B (steps 1 and 2): This
makes a 90° angle. Also, they are doing 2-count,
making a feed without a carriage return (cf. feeds).
Since M faces A and B, the passes to C and D are made blindly. Either the two passes are made over the shoulder (backdrops), or M can
turn slightly and throw under his arm to C and over the shoulder to D.

Variation: Try 3-count: C and D do 3-count, everyone else does PPS. You could try 2-count/1-count too. If you want to add more
people, see Torture Chamber for 7.

Egg beater (5)

Rhythms: 2-count for A, SSPS PSSP for the others (PSPP PSPS for the others with the blue passes).

Handle in the Batter: with all passes the same, A instead stands below C and D on the diagram above.

Double-handled Egg Beater: add an extra "handle" (feeder) in the opposite position to A: in every second diagram above, when A
passes, they pass to the near person instead of the far one, and the extra feeder passes to the far one in the same manner.

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Razor (6) Some sort of confused Strange Attractor-like pattern.

1. 2.

3. 4.
Rhythms: 3-count (very hard), 4-count or 6-count

Butterfly Knot (6)

Rhythms : 4-count

Electrical Razor (6)

Rhythms: 3-count (very hard), otherwise 4 or 6-count

Quad Razor (8): make four circles of two jugglers each, arranged in a square. Each person passes twice with the same person in the
circle adjacent on one side, and then twice with the same person adjacent on the other side.

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Double unicycle (6) Recommended that you are familiar with the Unicycle (4).

The benzene ring for 4 can help you build up to this

pattern, since it's a double unicycle without the seats. B
and F are throwing dropbacks to the people behind them.

Rhythms: 3-count, perhaps 5-count would be easier.

Magermix (6)
I've never tried this pattern, since I'm even not sure how it goes. Please
contact me if you know. On the right is a representation of Bruno's
Nightmare (diagrams being slightly different than usual).

And below is what I think would be Magermix. In some sense we take 2

adjacent versions of Bruno's Nightmare and mix them together...
Bruno's nightmare

Hourglass (6)

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Pistons (6)
This is a nice generalization of the 4-person pistons. The pattern repeats after the following two sets of passes, with each juggler moved
around in the positions.
... now A moves to C's
position, etc.

Prism (6) Another variation of pistons.

There are two triangles (ABC and DEF) that rotate
around and pass amongst each other..

Variation: 2 jugglers swap sides in the pattern every 3 passes by having the middle triangle of 3 rotate.
Imagine the jugglers have done the first 2 passes (see the first 2 diagrams above).
Now replace the third diagram above by the first one on the left. The passes are
the same, but the movement that follows is going to be different :

- C, F and D are not going to move

- A, B, and E are going to swap position in the middle triangle, and A&E also have
to turn 180° while moving.

When this is done, A & E have swapped sides, and the normal pattern resumes for
3 more passes.
In this pattern, B never changes sides.

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Spinning Top (6)

A turns in order to feed all the others alternatively.

The 5 others alternate their passes between their 2 neighbours, except of course when they're passing to A (the next pass is then made to
the right-hand neighbour).
Rhythms: You can try it with a 4-count or 3-count.

The Wanderer (6) A generalization of the 4-person Wanderer pattern.

One person wanders around, passing with their neighbour and then swapping places with them. If you keep it together long enough for
that person to complete their cycle, the next person becomes the wanderer.

...etc.
The other jugglers, until it's their turn to pass with W, pass with their neighbours and then their opposite.
Rhythms: 4-count, or 3-count.

It's possible (6)

B and C can move slightly between each pass as
shown in the diagrams, in order to ease E & F's
task.

Variation (Even Less Possible): You can add 3 jugglers to the pattern by adding one in the middle, which will make it easier for the
first 6 (3 more since if you add somebody in the middle, then you need 2 more on the outside circle).

On the outside circle, you then have 2 triangles (ACE and BDF) that are doing a 4-count with a gap between them. If you take each
triangle individually, it's not possible (due to the amount of stuff and jugglers in the middle) for the jugglers in one triangle to add passes
among themselves instead of their selfs. But some early or late doubles could work?!?

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Catherine Wheel (7)

Of the seven jugglers, we have three 3-counters and four 4-counters. Two of the 4-counters pass left handed. There are two possible
arrangements for the jugglers. In the first the four counters start in a large square with the 3-counters standing back to back in a triangle in
the middle. A and E pass on the first beat, then the four counters stand still and the three counters walk around anti - clockwise.
Version 1: Version 2:
The passing sequence:
A: E s s s F s s s G s s s
B: s F s s s G s s s E s s
C: s s G s s s E s s s F s
D: s s s E s s s F s s s G
E: A s s D s s C s s B s s
F: s B s s A s s D s s C s
G: s s C s s B s s A s s D

Variation: both groups rotate in opposite directions.

Rhythms: many different rhythms are possible, try 4-count/4-count, 3-count/3-count, or 2-count/3-count if you walk fast.

Torture Chamber (7)

Take the torture chamber for 5 and add 2 jugglers to make it 7. These extra 2 jugglers are going to do a simple 4-count: E will pass with C
and F will pass with D. These passes, E-C and F-D will happen instead of C and D RH selfs in the 5-juggler version.

If E and F get bored (since they're only doing a 4-count), they can add another club to the pattern, and replace their RH selfs with some
triple passes to each other. Then it's as if they're juggling a 7-club 4-count in triples, but making passes to C and D instead of their RH
selfs (in red in the above diagram).
Also see more people in torture chambers.

Interlaced Speed-weave (8)

That's what it is, 2 speed-weaves, one inside the other. A, B & C are facing D and are doing a classical speed-weave. E, F, & G are facing
H and are doing a speed-weave but rotating in the opposite direction (going backward when at the center position). I've not tried it yet, and
to my knowledge, no one has. If this is possible, I think you'll have to juggle slowly in order to make room for everybody in the figure 8.

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Twinned Rotating Ys (8)

This mixes two rotating Ys into one giant pattern. Juggle this on a 5-count, to give you time to do the changes.
Everyone moves CCW between the four positions in their Ys.

Double Twister Weave (8)

This pattern comes from cloning the 3 central weavers in the Twister Weave, and having the two
weaves pass with each other. It is easier than the Interlaced Speed Weave.

The 6 people in the middle do normal Weaves. When they are at the positions of C or F they pass to
their appropriate feeders, and when they are at the ends (B + E, D + G) they pass to the other line.
- This entails the weavers constantly turning around as they weave; watch out for collisions!

Suwon Clove (7) A simpler version of The Clove.

The four feedees (D,E,F,G) move through a Clover formation, except instead of passing with each
other they pass with three feeders (A,B,C) who are fixed in position.
- Feedees are on 16 count (7 RH selfs between passes), and pass to the feeder in front of them as they
move through the middle of the clover.
- Feeders are on 12 count (5 RH selfs between passes).
To start, D and A pass as D moves through the middle. There is a RH self, and then F moves into the
middle and passes with C, then G, and then E.

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The Clove (9) Six feedees move through a Clover formation, but instead of passing with each other they pass with three feeders.
This pattern has three feeders (A,B,C) who stay in the same place, and 6 “clovers” (feedees) who walk
through the clover formation. The clovers do 10-count, alternating passing between the feeder to their
right as they stand at the outside of the pattern, and the feeder to their front as they pass through the
middle of the pattern. Feeders do a 6-count, alternating passing to the feedee to their left, and the
feedee coming towards them through the middle.

- To start, A makes their first pass to D as they come through the middle, then C will make a pass to
their left to E on the next RH throw beat, then F comes into the middle and passes to B on the next RH
throw beat, then A makes a pass to their left to G, then C passes to H through the middle, etc.
- It helps to have one person keep count aloud by announcing the sequence of passes: “A and C and B
and A...”.
- It may help to have the feeders stand on chairs to make it easier for the feedees to find their way.
Quad Clove (11): add an extra feeder, to make a four-leaf clover, and one extra feedee.

More people in Torture Chambers (10+) The idea is to connect several Torture chambers.
The first technique is to use one of the jugglers in a 4 counts ( C or D but here the pivot is D/C who is
actually only one person) as a link between two chambers in which he is participating simultaneously.

This principle can then be continued (linking D to another chamber) until one circle is closed ( 3
chambers may be enough with 12 very good jugglers).

The other technique is to align two chambers alongside each other. The passes are the same at every
moment in the two chambers. The two jugglers D and D are not then in 4-counts anymore, but in 2-
counts, making passes between each other instead of selfs.

With this technique, you can align as many chambers as the number of jugglers allows since C can also
be used as a link.

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Fun Ideas and Passing Games

In any 3+ person pattern, figure out how to change roles on the fly. Especially entertaining with 3-person feeds.

Randomize (Jim's) the Receivers: In any pattern in which there are 3 clubs per person, if all passers are good with Jim's 3-count and its
relatives, then it doesn't matter which hand the passes arrive to. Everyone needs to watch for collisions, though.

Intersecting Patterns (generalizing Feeds): put two of the same (or different!) patterns beside each other, with one or more people
common to both. Then do both patterns and figure out what the people in common have to do (probably pass twice as often, for starters: it
is easier if you arrange it so that they don't have to pass in both patterns at the same time!). Even more fun with moving patterns. A
(possibly) easier version is...
Sharing Patterns: put two patterns side by side and figure out how jugglers can move from one to the other (i.e. swap with someone in
the other pattern).

Chaser: in a large circle, everyone starts with 2 clubs, except 2 differently-coloured clubs (the leader and chaser). Start by passing the
leader randomly followed by the chaser, continue passing them around randomly... add extra chasers for more fun.

Mingling: passers wander around randomly; a pass is only made when eye contact is made. Ideally verbal communication is disallowed;
to make it easier agree on a rhythm (RHed 4-count, 6-count, etc).

Random Pattern Generation:

1. stand in positions at random
2. discuss what tricks you want to work on (including drop-back, drop-forward, passes to side, etc.) and work them in.
3. assign passing lanes
4. Adjust count or add / subtract tricks (or clubs) to make it doable.

Takeouts and Other Interactions: fix a pattern and rhythm and then have extra people figure out how to do takeouts and steals.

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