Crate gtx212
Crate gtx212
User’s Guide
TABLE OF CONTENTS:
Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3
The Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . .4,5
The Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6
The DSP Section . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
Storing Your Own Presets . . . . . . . . . . . . . . . . . . . . .8
Restoring the Factory Presets . . . . . . . . . . . . . . . . . .8
More About The Save/Tap Button . . . . . . . . . . . . . . .8
Using the Footswitch for More Presets . . . . . . . . . .9
DSP Factory Presets . . . . . . . . . . . . . . . . . . . . .10,11
Suggested Settings . . . . . . . . . . . . . . . . . . . . . .12,13
DSP “Fill in the Blanks” (for User Presets) . . . . . . .14
System Block Diagram . . . . . . . . . . . . . . . . . . . . . .15
Technical Specifications . . . . . . . . . . . . . . .back cover
EXPLANATION OF GRAPHICAL SYMBOLS: "DANGEROUS VOLTAGE" "IT IS NECESSARY FOR THE USER TO REFER TO THE INSTRUCTION MANUAL"
EXPLICACION DE SIMBOLOS GRAFICOS: = “VOLTAJE PELIGROSO”
= “ES NECESARIO QUE EL USUARIO SE REFIERA AL MANUAL DE INSTRUCCIONES.”
EXPLICATION DES SYMBÔLES GRAPHIQUES: "DANGER HAUTE TENSION" "REFERREZ-VOUS AU MANUAL D'UTILISATION"
Congratulations!
You are now the proud owner of the Crate GTX212
three-channel guitar amplifier with Advanced Digital Signal
Processing. This rugged amplifier combines outstanding
features with serious clean and distorted sounds. Dual
DSP controls provide 15 “Multi” effects and 15 Delay
effects which can be combined for a wide variety of
sounds. The Save/Tap button allows you to manually set
the tempo of many of the effects and to save new DSP
presets in the amplifier’s non-volatile memory. A separate
Reverb control adds even more to the array of effects.
Front panel RCA CD Input jacks allow you to play along
with your favorite CD or tape. The rear panel Insert Jack
allows you to connect your effects for greater flexibility.
Channel switching and DSP may be controlled by means
of a footswitch, which also allows access to two DSP pre-
sets on each of the three channels.
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
1: INPUT: Use this jack to connect your guitar to the amplifier by means of a shielded
instrument cable.
SOLO/RHYTHM CHANNELS: High gain channels giving you sounds with serious over-
drive.
2: SOLO LED: This LED illuminates when the Solo channel is selected.
3: GAIN: Use this control to adjust the amount of distortion produced by the Solo channel.
4: SHAPE: Use this control to “dial in” the tone for the Solo channel. Rotating the control
counterclockwise enhances the mid frequencies, while rotating the control clockwise
enhances the low and high frequencies.
5: LEVEL: Use this control to adjust the output level of the Solo channel.
6: SOLO/RHYTHM SELECT: Use this switch to select the Solo or Rhythm channel. When
this switch is depressed, the Solo channel is selected. With the switch in the out position,
the Rhythm channel is selected. This switch is active only when the Solo-Rhythm/Clean
Select switch (#13) is depressed.
7: RHYTHM LED: This LED illuminates when the Rhythm channel is selected.
8: GAIN: Use this control to adjust the amount of distortion produced by the Rhythm channel.
9: LOW: Use this control to adjust the low frequency level of the Solo/Rhythm channel.
10: MID: Use this control to adjust the midrange frequency level of the Solo/Rhythm channel.
11: HIGH: Use this control to adjust the high frequency level of the Solo/Rhythm channel.
12: LEVEL: Use this control to adjust the output level of the Rhythm channel.
13: SOLO-RHYTHM/CLEAN SELECT: Use this switch to select the Clean channel or the
Solo and Rhythm channels. With the switch in the out position, the Clean channel is select-
ed. When the switch is depressed, either the Solo or Rhythm channel is selected, depend-
ing on the setting of the Solo/Rhythm Select switch (#6).
CLEAN CHANNEL: A normal gain channel designed to give you crystal clean sounds.
14: CLEAN LED: This LED illuminates when the Clean channel is selected.
15: VOL: Use this control to adjust the output level of the Clean channel.
16 17 18 19 20 21 22 23 24 25
16: LOW: Use this control to adjust the low frequency level of the Clean channel.
17: MID: Use this control to adjust the midrange frequency level of the Clean channel.
18: HIGH: Use this control to adjust the high frequency level of the Clean channel.
19: CD INPUT: Use these RCA jacks to connect the output from a CD player or tape deck
to the amplifier. The signal at these jacks is combined into a mono signal which is sent to
the internal power amp circuit. Use the CD or tape player’s output level control to adjust
the signal for the proper mix with your guitar.
20: DSP MULTI: Use this control to select one of the fifteen “Multi” digital effects. Complete
information about the DSP effects is on page 7.
21: DSP DELAY: Use this control to select one of the fifteen Delay digital effects.
Complete information about the DSP effects is on page 7.
22: SAVE/TAP: Use this pushbutton to set the tempo of many of the effects by tapping the
button repeatedly in time with the desired tempo. The Save/Tap button is also used to save
DSP presets and to restore the factory default DSP settings. Additional information about
the Save/Tap button is on pages 7 and 8.
23: SAVE/TAP LED: This LED flashes in time with the tempo set by the Save/Tap button
(#22), and serves as a status indicator for certain DSP activities (see page 8).
NOTE: For some of the DSP effects, the Save/Tap LED remains illuminated. The Save/Tap LED
does not illuminate when the DSP knobs are set to the Bypass position.
24. REVERB: Use this control to adjust the amount of digital reverb effect. In its fully coun-
terclockwise position the signal will be “dry” (without any reverb). As you rotate the control
clockwise the amount of reverb increases.
25: POWER: Use this switch to turn the amplifier on (top of the switch depressed) and off
(bottom of the switch depressed). The switch illuminates when the power is on.
NOTE: When the amplifier is turned on, the Save/Tap LED flashes for one second before the
amplifier is operational.
26 27 28 29 30
26: FUSE: The fuse protects the amplifier from damages caused by a faulty AC power source and/or
other problems. If the fuse opens, replace it ONLY with the same size and type. If fuses continue to
fail, check the AC source – if the source is okay, contact your Crate dealer for service information.
27: EXTENSION SPEAKER: Use this jack to connect the amplifier to an external speaker cabinet.
This jack is wired in series with the internal speaker(s) which remain active when an extension speak-
er is connected.
28: DSP A/B FOOTSWITCH: Use this jack to connect one of the footswitch cables to the three-but-
ton footswitch (supplied). This allows you to select between two presets for each of the three chan-
nels. Additional information about the operation of the footswitch is on page 9.
29: CLEAN/SOLO/RHYTHM FOOTSWITCH: Use this jack to connect one of the footswitch cables to
the three-button footswitch (supplied). This allows you to remotely switch between the Clean and
Distortion channels and between the Solo and Rhythm channels. (See page 9.)
30: INSERT: Use this jack to connect an external signal processor to the amplifier. Use Crate’s
STP201, STP202, or STP203 stereo-to-mono Y-cord or an adapter such as Crate’s YPP117 and two
1/4” mono signal cables to connect to the effect as shown below.
27: AC LINE CORD (not shown): This grounded power cord is to be plugged into a grounded power
outlet, wired to current electrical codes and compatible with the voltage, power, and frequency require-
ments stated on the rear panel. Do not attempt to defeat the safety ground connection.
(STP201, 3'
STP202, 6' (YPP117)
STP203, 9')
RI NG
TIP
RING
TIP
(1/4"-TO-1/4"
MONO SHIELDED
CABLES)
to to to to
effect effect effect effect
"OUT" "IN" "OUT" "IN"
jack jack jack jack
SIGNAL PATH FOR ECHO LO, MID & HI EFFECTS: SIGNAL PATH FOR ALL OTHER EFFECTS:
MULTI:
NAME DESCRIPTION SAVE/TAP BUTTON CONTROLS:
Chorus LO Chorus w/low depth speed: 1 cycle/tap - tap period: .05–1 second
Chorus MID Chorus w/medium depth speed: 1 cycle/tap - tap period: .05–1 second
Chorus HI Chorus w/high depth speed: 1 cycle/tap - tap period: .05–1 second
Flange LO Flanger w/low depth speed: 4 cycle/tap - tap period: .05–1 second
Flange MID Flanger w/medium depth speed: 4 cycle/tap - tap period: .05–1 second
Flange HI Flanger w/high depth speed: 4 cycle/tap - tap period: .05–1 second
Phaser LO Phaser w/low feedback speed: 2 cycle/tap - tap period: .05–1 second
Phaser MID Phaser w/medium feedback speed: 2 cycle/tap - tap period: .05–1 second
Phaser HI Phaser w/high feedback speed: 2 cycle/tap - tap period: .05–1 second
Vibrato LO Vibrato w/low depth speed: 1 cycle/tap - tap period: .05–1 second
Vibrato MID Vibrato w/medium depth speed: 1 cycle/tap - tap period: .05–1 second
Vibrato HI Vibrato w/high depth speed: 1 cycle/tap - tap period: .05–1 second
Octave Down Adds signal one octave lower n/a
Touch Wah Touch-sensitive wah-wah n/a
Reverse Wah Inverted wah-wah n/a
Bypass Dry signal - no effect n/a
DELAY:
NAME DESCRIPTION SAVE/TAP BUTTON CONTROLS:
Single LO Single delay w/low level time: .05–1 second
Single MID Single delay w/medium level time: .05–1 second
Single HI Single delay w/high level time: .05–1 second
Single MAX Single delay w/maximum level time: .05–1 second
Echo LO Echo w/low level time: .05–1 second
Echo MID Echo w/medium level time: .05–1 second
Echo HI Echo w/high level time: .05–1 second
Echo MAX Echo w/maximum level time: .05–1 second
Tape LO Tape echo w/low level time: .05–1 second
Tape MID Tape echo w/medium level time: .05–1 second
Tape HI Tape echo w/high level time: .05–1 second
Tape MAX Tape echo w/maximum level time: .05–1 second
Echo FX LO Echo w/low level, before multi effect time: .05–1 second
Echo FX MID Echo w/medium level, before multi effect time: .05–1 second
Echo FX HI Echo w/high level, before multi effect time: .05–1 second
Bypass dry signal - no effect n/a
7
SECONDS
CHANGES ARE
SAVED AS
NEW PRESET
The Multi effects and the Delay effects may each have a different tap speed. The
default “target” for the Save/Tap button is the Delay control. To select the Multi control as
the tap button’s target, rotate the Multi control. The Save/Tap tempo function will auto-
matically revert back to the Delay control 16 seconds after the Multi control is rotated, or
when the tap speed was last changed for the Multi effect.
NOTE: In most cases, it is usually more pleasing to the ear to set a slower tap speed for the HI effects and
a faster tap speed for the LO effects.
1 2 3
CHANNEL: SOLO
RHYTHM TAP Tempo MEDIUM
CLEAN TAP Tempo MEDIUM
BANK: "A"
"B"
CHANNEL: SOLO
RHYTHM TAP Tempo FAST
CLEAN TAP Tempo N/A
BANK: "A"
"B"
CHANNEL: SOLO
RHYTHM TAP Tempo MEDIUM
CLEAN TAP Tempo MEDIUM
BANK: "A"
"B"
10
CHANNEL: SOLO
RHYTHM TAP Tempo N/A
CLEAN TAP Tempo N/A
BANK: "A"
"B"
CHANNEL: SOLO
RHYTHM TAP Tempo N/A
CLEAN TAP Tempo N/A
BANK: "A"
"B"
CHANNEL: SOLO
RHYTHM TAP Tempo N/A
CLEAN TAP Tempo N/A
BANK: "A"
"B"
11
Suggested Settings:
"Oceanic"
Clean with
Vibrato, Delay,
& Reverb
OUT
"Super Funk"
Clean with
Wah, Delay,
& Reverb
OUT
"Arena"
Rhythm with
Reverb
& Delay
OUT IN
"Haze Faze"
Rhythm with
Phase
& Reverb
OUT IN
"Solo Wah"
Solo with
Wah, Delay
& Reverb
IN IN
"Octanator"
Solo with
Octave
& Reverb
IN IN
12
Suggested Settings:
CHANNEL: SOLO
RHYTHM TAP Tempo ________
CLEAN TAP Tempo ________
BANK: "A"
"B"
CHANNEL: SOLO
RHYTHM TAP Tempo ________
CLEAN TAP Tempo ________
BANK: "A"
"B"
CHANNEL: SOLO
RHYTHM TAP Tempo ________
CLEAN TAP Tempo ________
BANK: "A"
"B"
14
BUFFER
INPUT
CLEAN CHNL
SOLO/ RTHM
SELECT
MIX
AMP
INSERT
REVERB
POWER
AMP
TAP SPEAKER
MULTI DELAY
CD
INPUT
EXT.
SPEAKER
DAMPING
CIRCUIT
15
Declaration Of Conformity
#30, Effective 01-01-2001
Manufacturer’s Name: SLM Electronics
Production Facility: 11880 Borman Drive, St. Louis, MO 63146, USA
Production Facility: 700 Hwy 202 W, Yellville, AR 72687, USA
Shipping Facility: 1400 Ferguson Ave., St. Louis, MO 63133, USA
Office Facility: 1400 Ferguson Ave., St. Louis, MO 63133, USA
Product Type: Audio Amplifier
Complies with Standards:
LVD: 92/31/EEC, 93/68/EEC, & 73/23/EWG
Safety: EN60065
EMC: EN55013, EN55020, EN55022, EN61000-3-2,
& EN61000-3-3
Supplementary information provided by:
SLM Electronics - R & D Engineering
1901 Congressional Drive, St Louis, MO 63146, USA
Tel.: 314-569-0141, Fax: 314-569-0175
www.crateamps.com
@2003 SLM Electronics, a division of St. Louis Music, Inc • 1400 Ferguson Avenue • St. Louis, MO 63133
47-476-08 • 021803