Persian Literature
Persian Literature
LITERATURE
Brief Background of the
Country
Persia
➢Prophet Zoroaster
8. Nizami Ganjavi
the greatest romantic epic
poet in Persian literature,
who brought a colloquial
and realistic style to the
Persian epic.
9. Omar Khayyam
Was a Persian polymath, mathematician,
astronomer, philosopher, and a poet. There is a
tradition of attributing poetry to Omar
Khayyam, written in the form of quatrains.
• Personifications
• Alliteration
• Metaphor
Source: https://www.cummingsstudyguides.net/Guides3/rubaiyat.html
(Shahnameh)
The Book of Kings
by Ferdowsi
Ferdowsi
• most important poet at the
court of Mahmud of Ghazni
• celebrated as the most
influential figure in Persian
literature
• regarded as the "Immortal
Homer of the East"
•an epic poem that recounts the history
of pre-Islamic Persia.
•contains 62 stories, told in 990
chapters with 50,000
rhyming couplets
•world’s longest epic poem written
by a single poet
•is essentially a chronicle of kings, with the
larger sections divided according to the
coronations and deaths of individual
monarchs.
•include ancient myths, legends, and
historical figures, such as Alexander
the Great, dating back to the sixth
century b.c.
LANGUAGE
•written in Middle and
Modern Persian
CHARACTERS
• ancient Persian heroes—
generals and commanders
“The Story of Sohrab and Rostam”
Rostam was unaware that he had a son, Sohrab, by Princess Tahmina. He
had not seen the Princess for many years. After years without any real
knowledge of one another, Rostam and Sohrab faced each other in
battle, fighting on opposing sides. Rostam did not recognise his own son,
although Sohrab had suspicions that Rostam may be his father.
They fought in single combat and Rostam wrestled Sohrab to the ground,
stabbing him fatally. As he lay dying, Sohrab recalled how his love for his
father – the mighty Rostam - had brought him there in the first place.
Rostam, to his horror, realised the truth. He saw his own arm bracelet on
Sohrab, which he had given to Tahmina many years before and which
Tahmina had given to Sohrab before the battle, in the hope that it might
protect him.
But he realised the truth too late. He had killed his own son, ‘the person
who was dearer to him than all others’. This is one of the most tragic
episodes of the Shahnameh.
THEMES
•Fate
•Immortality
•Power
•Loyalty
•Dissension between king and hero
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