Art Appreciation Reviewer
Art Appreciation Reviewer
2ca2
2023-2024
ARTS
Art comes from the Aryan root word “ar” which means “to put together”
Latin word “ars” which means “skills/ability”
cover those areas of artistic creativity — embraces the visual arts, literature, music and dance
expresses aesthetic ideas by use of skill & imagination
Assumptions of Art
Art is universal
Art is not nature.
Arts involve experience.
1. Visual Arts
are those that appeal to the sense of sight and are mainly visual in nature.
is the kind of art form that the population is most likely more exposed to
include paintings, drawings, lettering, printing, sculptures, digital imaging, and more.
2. Film
refers to the art of putting together successions of still images in order to create an
illusion of movement.
can be created by using one or a combination of some or all of these techniques:
motion-picture camera (also known as movie camera), animation techniques,
Computer-Generated imagery (CGI), and more.
3. Performance Art
is a live art and the artist’s medium is mainly the human body which he or she uses to
perform.
usually consists of four important elements: time, place, the performer(s), and a
relationship between the audience and the performer(s).
4. Poetry Performance
is an art form where the artist expresses his emotions not by using paint, charcoal, or
camera, but expresses them through words.
words, combined with movements, tone, volume, and intensity of the delivery, add to
the artistic value of the poem.
5. Architecture
is the making of beautiful buildings
not all buildings can be considered architecture.
should embody these three important elements: plan, construction, and design.
is often referred to as the “mother of the arts” because it houses, serves as background
for, or occurs in relation to other fields of art.
Materials used include stone, concrete, brick, wood, steel, glass, and plaster.
6. Dance
is a series of movements that follows the rhythm of the music accompaniment.
is a creative form that allows people to freely express themselves
in art expression, dancers are not confined to set steps and rules but are free to create and
invent their own movements as long as they deem them graceful and beautiful.
Dance — French “dancier,” generally refers to human movement either used as a form of
expression or presented in a social, spiritual, or performnace setting.
Choreography — is the art of making dances, and the person who does this is called a
choreographer.
7. Literary Art
communicate emotion to the readers
focuses on writing using a unique style, not following a specific form or norm.
It may include both fiction and non-fiction such as novels, biographies and poems.
Examples of famous literary artist and their work include The Little Prince by Antoine de
Saint-Exupery and Romeo and Juliet by William Shakespeare.
8. Theater
uses live performers to present accounts or imaginary events before a live audience.
usually follows a script
also considers several elements such as acting, gesture, lighting, sound effects musical
score, scenery, and props.
Some genres of theater include drama, musical, tragedy, comedy and improvisation.
9. Applied Arts
incorporate elements of style and design to everyday items with the aim of increasing
their aesthetical value.
Artists in this field bring beauty, charm, and comfort into many things that are useful in
everyday life.
Industrial design, interior design, fashion design, and graphic design are considered applied arts.
1. As a Therapy
Art can be and is used as therapy for individuals with a variety of illnesses, both physical
and mental.
2. As an Artifact
Artifact — a product of a particular time and place, an artwork represents the ideas and
technology of that specific time and place.
The insights we gain into cultures, including our own are enhanced tremendously by such
artifacts as paintings, sculptures, poems, plays, and buildings.
Personal Function of Art
The personal functions of art are varied and highly subjective. This means that its function
depends on the person — the artist who created the art.
art is also used to help people process their emotions or while away their time.
3. Social Function of Art
Art is considered to have a social function if and when it addresses a particular collective
interest as opposed to a personal interest.
Political art is a very common example of an art with a social function.
Art may convey message of protest, contestation, or whatever message the artist
intends his work to carry.
4. Physical Function of Art
The physical functions of art can be found in artworks that are crafted in order to serve
some physical purpose.
Architecture, jewelry-making, and even interior design are all forms of arts that have
physical function.
5. Art as a Representation
art is a form of imitation (Plato)
Aristotle considered art as an aid to philosophy in revealing truth.
Unlike Plato who thought that art is an imitation of another imitation, Aristotle
conceived of art as representing possible versions of reality.
6. Art as a Disinterested Judgment
Immanuel Kant considered the judgment of beauty, the cornerstone of art, as something
that can be universal despite its subjectivity.
7. Art as a Communication of Emotion
Art plays a huge role in communication to its audience’s emotions that the artist previously
experienced.
Art serves as a language, a communication device that articulates feelings and emotions that
are otherwise unavailable to the audience.
In the same way that language communicates information to other people, art
communicates emotions.
In listening to music, in watching an opera, and in reading poems. The audience is at the
receiving end of the artist communicating his feelings and emotions.
Subject refers to the visual focus or the image that may be extracted from examining the
artwork.
Content is the meaning that is communicated by the artist or the artwork.
Form refers to how the elements and the medium or material are put together
Types of Subject
Representational art — These types of art have subjects that refer to object or events occurring
in the real world. Often, it is also termed figurative art, because as the name suggest, the figures
depicted are easy to makes out and decipher.
Non-representational — This art does not make a reference to the real world, whether it is a
person, place, thing, or even a particular event. It is stripped down to visual elements such as
shapes, lines, emotion, and even concept.
Sources of Subject
Nature
History
Sacred Oriental Texts
Greek and Roman Mythology
Judeo-Christian Tradition
Other works of art
Kinds of Subject
History
Landscape
Still Life
Animals
Nature
Fantasies
Myth
Dreams
Mythology
Figures
Seascape
Cityscape
Content in Art
1. Factual — pertains to the most rudimentary level of meaning for it may be extracted from the
identifiable or recognizable forms in the artwork and understanding how these elements relate
to one another.
2. Conventional —pertains to the acknowledged interpretation of the artwork using motifs, signs,
symbols and other cyphers as bases of its meaning. These conventions are established through
time, strengthened by recurrent use and wide acceptance by its viewers or audience and
scholars who study then.
3. Subjectivities — when consulted, a variety of meaning may arise when a particular work of art is
read. These meanings stem from the viewer’s or audience’s circumstances that come into play
when engaging with art.
VISUAL ELEMENTS
are the visual components which are required to create a work of art.
LINES
COLOR
Color refers to the visual perception of light being reflected from a surface of an artwork.
In the most basic classification, colors can be divided into three groups: primary, secondary and
tertiary.
A color wheel is an abstract illustrative organization of color hues around a circle, that shows
relationships between primary, secondary, and tertiary colors, etc.
Attributes of Color
Hue is the term for the pure spectrum colors commonly referred to by the "color names" (red,
orange, yellow, blue, green violet) which appear in the hue circle or rainbow. Theoretically all
hues can be mixed from three basic hues, known as primaries.
Value refers to the lightness or darkness of a color. It is the quality which depends on the
amount of light and dark in color.
Tints are values above the normal
Shades are values below the normal.
Intensity refers to the brightness or darkness of color. It gives color strength. When a hue is
vivid form, it is said to be in full intensity. When it is dulled, it is said to be partly neutralized.
Psychology of Colors
Black is associated with death and gloom
White stands for purity and innocence
Red is associated with blood, anger and fear
Green implies happiness and abundance
TEXTURE
is the element that deals more directly with the sense of touch.
applies to how an object feels or appears to feel.
Texture is the element that deals more directly with the sense of touch.
It has to do with the characteristics of surfaces which can be rough or smooth, fine or coarse,
shiny or dull, plain or irregular.
can be either implied or actual.
Implied texture expresses the idea of how a surface might feel. For example, a painting of a
blanket might convey the idea that the blanket is soft.
Actual texture, on the other hand, is texture that can actually be felt. For example, a
ceramic bowl might feature a carved texture that could be felt when holding that bowl.
PERSPECTIVE
deals with the effect of distance upon the appearance of objects, by means of which the eye
judges spatial relationships.
Kinds of Perspective
Linear perspective is the representation of an appearance of distance by means of converging
lines. It has to do with the direction of lines and with the size of objects.
Foreshortening is the representation of objects or parts of the body as smaller from the
point of view of the observer.
Aerial perspective is the representation of relative distances of objects by gradations of tone or
color. Objects become fainter in the distance due to the effect of the atmosphere. Objects
appear to be lighter in color as they recede into the distance or atmosphere.
SPACE
refers to how the artist fills the surface on which a work of art is created. It can also refer to the
expression of depth within a work of art.
When talking about a three-dimensional object, space is the actual volume that is taken up by
the artwork.
Space, as an element of art, refers to distances or areas around, between or within components
of a piece.
Space can be positive (white or light) or negative (black or dark),
open or closed, shallow or deep, and two-dimensional or three-dimensional.
Sometimes space isn't actually within a piece, but the illusion of it is.
Kinds of Space
Positive space — the areas in a work of art that are the subjects, or areas of interest.
Negative space — areas around the subjects, or areas of interest.
FORM
Types of Form
Organic forms such as these snow-covered boulders typically are irregular in outline, and often
asymmetrical. Organic forms are most often thought of as naturally occurring.
Geometric forms are those which correspond to named regular shapes, such as squares,
rectangles, circles, cubes, spheres, cones, and other regular forms.
VOLUME
PRINCIPLES OF DESIGN
Principles of Design refer to the visual strategies used by artists, in conjunction with the
elements of arts – for expressive purposes (Fichner-Rathus, 2008).
Include:
Harmony
Balance
Rhythm
Emphasis
Proportion
Unity
Simplicity
Clarity
Contrast
Variety
HARMONY
Harmony in visual design means all parts of the visual image relate to and complement each
other.
Harmony is the visually satisfying effect of combining similar or related elements.
RHYTHM
Types of Rhythm
Regular Repetition — steady, evenly spaced pattern.
Minimalism — an abstract art movement begun in the 1960s that emphasizes the use of
pure and simple shapes and materials.
Alternating Rhythm — a type of rhythm in which different elements in a work repeat
themselves in predictable order.
Progressive Rhythm — Minor variations in rhythm can add interest to a composition. Such
variations are seen in progressive rhythm, in which the rhythm of elements of a work of art such
as shape, texture, or color change slightly as they move, or progress toward a defined point in
the composition.
BALANCE
Balance is the concept of visual equilibrium, and relates to our physical sense of balance. It is a
reconciliation of opposing forces in a composition that results in visual stability.
Most successful compositions achieve balance in one of two ways: symmetrically or
asymmetrically.
Types of Balance
Symmetrical Balance — the type of balance in which the elements of a work are balanced
by similarity of form or arrangement on either side of a dividing line or plane, or to
correspondence of parts, as in size, shape, or position. Symmetrical balance can be
described as having equal "weight" on equal sides of a centrally placed fulcrum. It may also
be referred to as formal balance. When the elements are arranged equally on either side of
a central axis, the result is Bilateral symmetry. This axis may be horizontal or vertical. It is
also possible to build formal balance by arranging elements equally around a central point,
resulting in radial symmetry.
Asymmetrical Balance — the type of balance in which there are more than slight differences
between the divided areas of a work, yet there is an overall sense of balance.
EMPHASIS
Types of Emphasis
Emphasis by Directional Lines
Emphasis by Isolation
UNITY
PROPORTION
Proportion refers to the relative size and scale of the various elements in a design. The issue is
the relationship between objects, or parts, of a whole. This means that it is necessary to discuss
proportion in terms of the context or standard used to determine proportions.
CONTRAST
refers to the arrangement of opposite elements (light vs. dark colors, rough vs. smooth textures,
large vs. small shapes, etc.)