Chap 14
Chap 14
2
14.2 Transfer Function
• The transfer function H() (also called the network function)
is a useful analytical tool for finding the frequency response of
a circuit.
• A transfer function is the frequency-dependent ratio of an
output function to an input function.
• The transfer function H() of a circuit is the frequency-
dependent ratio of a phasor output Y() (an element voltage
or current) to a phasor input X() (source voltage or current).
Y ( )
H ( )
X( )
3
Four Possible Transfer Functions
Vo ( )
H( ) Voltage gain
Vi ( )
I o ( )
H( ) Current gain
I i ( )
Vo ( )
H( ) Transfer Impedance
I i ( )
I o ( )
H( ) Transfer Adimittanc e
Vi ( )
4
Zero and Pole
The transfer function H() can be expressed in terms of its
numerator polynomial N() and denominator polynomial D() as
N ( )
H ( )
D( )
The roots of N() = 0 are called the zeros of H() and are usually
represented as j = z1, z2,… . Similarly, the roots of D() = 0 are
the poles of H() and are represented as j = p1, p2, …..
Fig. 14.2(a)
time-domain frequency-domain
Sol:
Vo 1 / jC 1
By voltage division, H( )
Vs R 1 / jC 1 jRC
6
Frequency response
Ex. 14.1 (Cont.)
1 1 jRC 1 j / 0 Amplitude
H( )
1 jRC 1 RC 2 1 / 0 2 response
where 0 1 / RC
1
H , tan 1
1 ( / 0 ) 2 0
/0 H /0 H
0 1 0 10 0.1 -84
Phase
1 0.71 -45 20 0.05 -87
response
2 0.45 -63 100 0.01 -89
3 0.32 -72 0 -90
7
Ex. 14.2
For the circuit in Fig. 14.6, calculus the gain Io()/Ii()
and its poles and zeros.
Fig. 14.6
8
Ex. 14.2 (Cont.)
Sol: By current division,
4 j 2 1/(j0.5)
I o ( ) I i ( )
4 j 2 1 / j 0.5 j2
I o ( ) j 0.5 (4 j 2 ) s ( s 2)
, s j
I i ( ) 1 j 2 ( j ) 2
s 2s 1
2
9
14.3 The Decibel Scale
A more systematic way of obtaining the frequency response is to
use Bode plots. Before we begin to construct Bode plots, we
should take care of two important issues: the use of logarithms
and decibels in expressing gain.
1. log P1 P2 log P1 log P2
2. log P1 / P2 log P1 log P2
3. log P n n log P
4. log 1 0
In communications systems, gain is measured in bels. The bel
is used to measure the ration of two levels of power or power
gain G P2
G Number of bels log10
P1
10
Decibel
11
Gain in Decibel Scale
The gain G can be expressed in terms of voltage or current ratio. If P1
is the input power, P2 is the out power, R1 is the input resistance and R2 is
the load resistance, then P1= 0.5V12/R1 and P2= 0.5V22/R2.
P2 V22 / R2
GdB 10log 10 10 log 10 2
P1 V1 / R1
2
V R
10 log 10 2 10 log 10 1
V1 R2
V2 R2
GdB 20 log 10 10 log 10
V1 R1
V2
–For R2 = R1, GdB 20 log10
V1
I2
–If P1=I12R1, P2=I22R2, and R2 = R1 GdB 20 log10
I1
12
Three things are important to note:
1. That 10log10 is used for power, while 20log10 is used for
voltage or current, because of the square relationship
between them (P = V2/R = I2R ).
14
Bode Plots
Bode plots are semilog plots (半對數圖) of the magnitude
(in decibels) and phase (in degrees) of a transfer function
versus the logarithm of the frequency.
The transfer function can be written as
H H He j
Taking the natural logarithm,
ln H ln H ln e j ln H j
magnitude phase
The real part of lnH is a function of the magnitude while the
imaginary part is the phase.
15
Bode Magnitude Plot
16
Standard Form of H()
The standard form (標準型) of H():
1 21 / k
Phase: 0 o
( N 90 o
) tan 1
/ z tan
2
1 / k
1 2
1 2 2 / n
tan / p1 tan
1
2
1 / n
2
17
Standard Form of H()
18
Construction of Bode Plot
ln H ln H j Factors are combined additively
In constructing a Bode plot, we plot each factor separately
and then add them graphically.
The factors can be considered one at a time and then
combined additively because of the logarithms involved.
We find that straight-line plots known as Bode plots
approximate the actual plots to a reasonable degree of
accuracy.
H dB 20 log10 H
Bode plot :
in degree
19
Bode Plot for Gain K
• Constant terms gain K
– The magnitude is 20log10|K|
– If K is positive, the phase is 0o
– If K is negative, the phase is 180o
20
Bode Plot for Zero at the Origin
Zero at the origin:
Zero (j)
• Magnitude is 20log10
• The slope is 20 dB/dec
• The phase is 90o
Origin means that = 1 (or log = 0) and H = 0 dB.
origin
21
What is Decade?
A decade is an interval between two frequencies with a ratio
of 10; e.g., between 0 and 100, or between 10 and 100 Hz.
Thus, 20 dB/decade means that the magnitude changes
20 dB whenever the frequency changes tenfold or one
decade.
22
Bode Plot for Pole at the Origin
Pole at the origin:
Pole (j)-1
• Magnitude is 20log10
• The slope is 20 dB/dec
• The phase is 90o
23
Bode Plot for Pole/Zero to the Nth Power
(j)N
• Magnitude is 20Nlog10
• The slope is 20N dB/dec
• The phase is 90N degree
24
Bode Plot for Simple Zero
Simple zero (1+ j/z1)
• Magnitude is H dB 20 log10 1 j z1
j
0 H dB 20 log 10 1 20log 101 0
z1
j
H dB 20 log 10 1 20log 10
z1 z1
• Phase is tan-1(/z1)
0, 0
tan 1 45, z1
z1
90,
25
Corner Frequency of Simple Zero
Magnitude approach zero when 0. A straight line with
slope 20 dB/dec is for large .
The frequency = z1 where the two asymptotic lines meet
is called corner frequency or break frequency.
Approximate plot is close to the actual plot except at the
break frequency = z1. The deviation is 20log10|(1+j1)| =
20log1021/2 3 dB.
slope 20 dB/dec
0 H dB 0
H dB 20log10
z1
corner frequency
26
Phase Plot of Simple Zero
As a straight-line approximation, let 0 for z1/10,
45o for = z1, 90o for 10z1, the straight line with
slope = 45o/dec.
0, 0
1
tan 45, z1
z1
90,
slope = 45o/dec
27
Bode Plot for Simple Pole
28
Bode Plot for Quadratic Pole
• Quadratic Pole 1/[1+j22/n+(j/n)2]
2
j 2 2 j
• Magnitude is H dB 20 log10 1
n n
2
j 2 2 j
0 H dB 20 log10 1 0
n n
2
j 2 2 j
H dB 20 log10 1 40 log10
n n n
2 2 / n
• Phase is tan 1
1 2 / n2
29
Magnitude Plot for Quadratic Pole
The amplitude plot consists of two straight asymptotic lines:
One with zero slope for n, and the other with slope 40
dB/dec for n. The difference between the actual plot and
the straight-line plot is due to the damping factor 2.
0 H dB 0
H dB 40 log 10
n -40 dB/dec
180 ,
-90o/dec
31
Bode Plot for Quadratic Zero
•Quadratic zero [1+j21/k+(j/k)2]
2
j 21 j
•Magnitude is H dB 20 log10 1
k k
2 /
•Phase is tan 1 1 2 k2
1 / k
•The magnitude slope is 40 dB/dec, phase slop is 90o/dec
0 H dB 0 0, 0
1 2 2 / n
tan 90, n
H dB 40 log 10 1 / n
2 2
n 180 ,
32
Summary of Bode Straight-Line
Magnitude and Phase Plots
33
34
Ex. 14.3
Construct the Bode plots for the transfer function.
200 j
H ( )
( j 2)( j 10)
Sol:
We first put H() in the standard form by dividing out the poles and zeros.
Thus,
10 j
H ( )
(1 j / 2)(1 j / 10)
10 j
(90 tan 1 / 2 tan 1 / 10)
1 j / 2 1 j / 10
j j
H dB 20 log10 10 20 log10 j 20 log10 1 20 log10 1
2 10
90 tan 1 tan 1
2 10
35
Ex. 14.3 (Cont.)
j j
H dB 20 log 10 10 20 log 10 j 20 log 10 1 20 log 10 1
2 10
There are two corner frequencies at = 2 and 10 rad/s.
Magnitude plot
H(dB)
20 20 log 10 10
0
0.1 0.2 1 2 10 20 100 200
-20 20 log 10 j j
20 log 10 1
10
j
20 log 10 1
2
36
Ex. 14.3 (Cont.)
1
90 tan
1
tan
2 10
There are two corner frequencies at = 2 and 10
rad/s.
Phase plot
H(dB)
90
90
0
0.1 0.2 1 2 10 20 1 100 200
tan
10
tan 1
-90 2
37
Ex. 14.4
Obtain the Bode plots for
j 10
H( )
j ( j 5) 2
Sol:
Putting H() in the standard form, we get
10 5
38
Ex. 14.4 (Cont.)
j j
H dB 20 log10 0.4 20 log10 1 20 log10 j 40 log10 1
10 5
For the pole with corner frequency at = 5, the slope of the magnitude plot
is 40 dB/decade and that of the phase plot is 90 per decade due to the
power of 2.
39
Ex. 14.4 (Cont.)
0 tan 1
90 2 tan 1
10 5
40
Ex. 14.5
Draw the Bode plots for
s 1
H( s) 2
s 60 s 100
Sol: We express H(s) as
1 / 100 (1 j )
H( )
1 j 6 / 10 ( j / 10) 2
j 6 2
H dB 20 log10 100 20 log10 1 j 20 log10 1
10 100
6 / 10
0 tan tan
1 1
1 / 100
2
For the quadratic pole, n = 10 rad/s, which serves as the corner frequency.
41
Ex. 14.5 (Cont.)
j 6 2
H dB 20 log10 100 20 log10 1 j 20 log10 1
10 100
Notice that the quadratic pole is treated as a repeated pole at k, that is,
(1+j/n)-2, which is an approximation.
42
Ex. 14.5 (Cont.)
6 / 10
0 tan tan
1 1
1 / 100
2
43
Ex. 14.6
Given the Bode plot in Fig. 14.19, obtain the transfer function
H().
Sol: 1. A zero always causes an upward turn at
a corner frequency, while a pole causes
a downward turn.
2. There is a zero j at the origin ( = 1).
This is indicated by the straight line
with slope 20 dB/dec. Since this line is
shifted by 40 dB 40 dB gain
40 20 log10 K log10 K 2
K 102 100
46
Series RLC
Consider a series RLC circuit in the frequency domain. The input
impedance Z is
Vs 1
Z H( ) R jL
I jC
1
Z R j L
C
48
Frequency Response of I
The frequency response of the circuit’s current magnitude:
Vm
II
R 2 (L 1 / C ) 2
or
1 2
P( ) I R, I Vm Z
2
1 Vm2 Vm2
When Z 2 R, P(1 ) 2
R P(1 ) P(2 )
2Z 4R
50
Bandwidth
The half power frequencies are obtained by setting Z 2 R
2
1
R L
2
2R
C
2
R R 1
1
2L 2 L LC
2
R R 1
2
2L 2 L LC
R
0 12 , B 2 1
L
Bandwidth
51
Quality Factor Q
• The “sharpness” of the resonance in a resonant circuit is
measured quantitatively by the quality factor Q.
• The quality factor relates the maximum energy stored to the
energy dissipated in the circuit per cycle of oscillation:
52
Quality Factor Q
In the series RLC circuit, the peak energy stored is LI2/2 while
the energy dissipated in one period is I2R/21/f0. Hence,
LI 2
1
2f 0 L
Q 2 1 2
2
2 I R (1 / f 0 ) R
0 L1
Q
R 0CR
R 0 1
B (0 )
L Q LC
B
1 0
2
B
2 0
2
54
Ex. 14.7
In the circuit of Fig. 14.24, R = 2 , L = 1 mH, and C =
0.4 F. (a) Find the resonant frequency and the half-
power frequencies. (b) Calculus the quality factor and
bandwidth. (c) Determine the amplitude of the current
at 0, 1, and 2.
Fig. 14.24
55
Ex. 14.7 (Cont.)
Sol:
1 1
(a) 0
3 6
50 krad/s
LC 10 0.4 10
2
R R 1
1
2L 2 L LC
2
3
(10 3 2
) (50 10 3 2
)
2 10
1 1 2500 krad/s 49 krad/s
2 1 1 2500 krad/s 51 krad/s
56
Ex. 14.7 (Cont.)
(b) B 2 1 2 krad/s
R 2
or B 3 2 krad/s
L 10
0 L 50 10 3 10 3
Q 25
R 2
0 50 10 3
B 2 krad/s
Q 25
B
Since Q 10, 1 0 50 1 49 krad/s
2
B
12 0 50 1 51 krad/s
2
57
Ex. 14.7 (Cont.)
(c) At = 0 Vm 20
I 10 A
R 2
Vm 10
At = 1, 2 I 7.071 A
2R 2
58
14.6 Parallel RLC Resonance
The parallel RLC circuit is the dual of the series RLC circuit.
The admittance is
I 1 1 1 1
Y H ( ) jC or Y j C
V R jL R L
1 1
Resonce C 0 or 0 rad/s
L LC
Notice that at resonance, the parallel LC combination acts like an open
circuit, so that the entire current flows through R. The inductor and
capacitor current can be much more than the source current at resonance.
59
Parallel RLC
Series RLC Duality Parallel RLC
1 1 1
Z R j L Y j C
C R L
From the duality, by replacing R, L, and C in the expressions for
the series circuit with 1/R, C, and L respectively, we obtain for
the parallel circuit:
Series RLC Parallel RLC
2 2
R R 1 1 1 1
1 1
2L 2 L LC 2 RC 2 RC LC
2 2
R R 1 1 1 1
2 2
2L 2 L LC 2 RC 2 RC LC
60
Parallel RLC
1
B 2 1
RC
0 R
Q 0 RC
B 0 L
63
Ex. 14.8 (Cont.)
Sol:
1 1 10 5
(a) 0 25 krad/s
LC 3
0.2 10 8 10 6 4
R 8 10 3
Q 1600
0 L 25 10 0.2 10
3 3
0
B 15.625 rad/s
Q
(b) Due to the high value of Q, we can regard this as a high-Q
circuit, Hence,
B
1 0 25000 7.812 24992 rad/s
2
B
2 0 25000 7.812 25008 rad/s
2
64
Ex. 14.8 (Cont.)
(c) At 0 , Y 1/R or Z R 8 k
V 10 90
Io 1.25 90 mA
Z 8000
1 2 1
P I o R (1.25 10 3 ) 2 (8 10 3 ) 6.25 mW
2 2
Vm2 100
or P 6.25 mW
2 R 2 8 10 3
At 1 , 2
Vm2
P 3.125 mW
4R
65
Ex. 14.9
Determine the resonant frequency of the circuit.
1 1 2 j 2
Sol: Y j 0.1 0.1 j 0.1
10 2 j 2 4 4 2
At resonant, Im(Y ) 0, and
20
0 0.1 0 0 2 rad/s
4 40 2
66
14.7 Passive Filters
Filters are the circuits used in radio and TV receivers to allow us to
select one desired signal out of a multitude of broadcast signals in the
environment. As a frequency-selective device, a filter can be used to
limit the frequency spectrum of a signal to some specified band of
frequencies.
Lowpass Bandpass
Highpass Bandstop
67
Passive Filters
68
Lowpass Filter
A lowpass filter is designed to pass only frequencies from dc up
to the cutoff frequency c.
1 1
H (c )
1 c R C
2 2 2
2
1
or c
RC
70
Highpass Filter
A highpass filter is designed to pass all frequencies above its
cutoff frequency c.
1
0
LC
73
Bandstop Filter
A bandstop filter is designed to stop or eliminate all frequencies
within a band of frequencies, 1 < < 2.
Fig. 14.39
75
Ex. 14.10 (Cont.)
Sol:
Vo R 1 / sC
H( s)
Vi sL R 1 / sC
where s j
1 R / sC R
R
sC R 1 / sC 1 sRC
R /(1 sRC ) R
H( s) 2 , s j
sL R /(1 sRC ) s RLC sL R
or
R
H ( )
2 RLC jL R
76
Ex. 14.10 (Cont.)
Since H(0) = 1 and H() = 0, we conclude that the circuit is a
second-order lowpass filter. The magnitude of H is
R 1
H c
( R RLC) L
2 2 2 2
2
2
1 R
H2
2 ( R c2 RLC) 2 c2 L2
2
L
or 2 (1 c2 LC ) 2 c
R
2 (1 c2 4 10 6 ) 2 (c 10 3 ) 2 , let c c 10 3
2 (1 4c2 ) 2 c2 or 16c4 7c2 1 0
c2 0.5509 and 0.1134 c 0.742 krad/s 742 rad/s
77
Ex. 14.11
If the bandstop filter in Fig. 14.37 is to reject a 200 Hz
sinusoid while passing other frequencies, calculus the values
of L and C. Take R = 150 and the bandwidth as 100 Hz.
Sol:
B 2 (100 ) 200 rad/s
R R 150
B L 0.2387 H
L B 200
0 2f 0 2 (200 ) 400
Since 0 1 / LC
1 1
C 2 2.653 F
0 L (400 ) (0.2387 )
2
78
14.8 Active Filters
Passive filters are useful at high frequencies. Three major
limitations to the passive filters:
(1) Cannot generate gain greater than 1
(2) May require bulky and expensive inductors.
(3) Perform poorly at frequencies below the audio frequency
range (300 Hz < f < 3 kHz).
Fig. 14.41
Vo Zf 1 R f / jC f Rf
H( ) , where Z i Ri and Z f R f
V1 Zi jC f R f 1 / jC f 1 jC f R f
Rf 1 1 At low frequencies (0) the gain
H( ) , c
Ri 1 jC f R f Rf C f tends to -Rf/Ri.
80
First-Order Highpass Filter
Figure 14.43 shows a typical highpass filter. For this filter,
the transfer function is
Figure 14.43
Vo Zf
H( )
V1 Zi
where Z i Ri 1 / jCi and Z f R f
Rf jCi R f
H( )
Ri 1 / jCi 1 jCi Ri
1
c
Ri Ci
81
Bandpass Filter
By cascading a unity-gain lowpass filter, a unity-gain highpass filter, and an
inverter with gain –Rf/Ri, we can construct a bandpass filter.
82
Bandpass Filter (Cont.)
The composite transfer function is obtained by multiplying the transfer
functions of lowpass and highpass filters with the gain of the inverter; that is,
Vo 1 jC2 R R f R 1 jC2 R
H( )
f
Vi 1 jC1 R 1 jC2 R Ri Ri 1 jC1 R 1 jC2 R
The lowpass section sets the upper corner frequency 2 and the highpass
section sets the lower corner frequency 1.
1 1 0
2 , 1 , 0 1 2 , B 2 1 , Q
RC1 RC2 B
To find the passband gain K ,
Rf j / 1 Rf j2
H( )
Ri (1 j / 1 )(1 j / 2 ) Ri (1 j )(2 j )
At the center frequency 0 12 ,
Rf j02 R f 2 R f 2
H(0 ) K
Ri (1 j0 )(2 j0 ) Ri 1 2 Ri 1 2
Passband gain 83
Bandreject Filter
A bandreject filter may be constructed by parallel combination of
a lowpass filter and a highpass filter and a summing amplifier.
Rf
Ri 397 .5
4
86
Ex. 14.13
Design a bandpass filter in the form of Fig. 14.45 to pass
frequencies between 250 Hz and 3,000 Hz and with K = 10.
Select R = 20 k.
Sol:
1 1
C2
R1 R 2f1
1
31.83 nF
20 10 2 250
3
1 1 1
C1 2.65 nF
R2 R 2f 2 20 10 2 3000
3
Rf 1 2 f f 10(3250 )
K K 1 2 10.83
Ri 2 f2 3000
If Ri 10 k, then R f 108 .3 k.
87
14.9 Scaling
In designing and analyzing filters and resonant
circuits or in circuit analysis in general, it is
sometimes convenient to work with element
values of 1 , 1 H, or 1 F, and then transform the
values to realistic values by scaling.
There are two ways of scaling a circuit:
magnitude or impedance scaling, and frequency
scaling.
88
Element Values for Butterworth LPF
89
Magnitude Scaling
Magnitude scaling is the process of increasing all impedances in
a network by a factor, the frequency response remaining
unchanged.
The impedances of individual elements R, L, and C are
1
Z R R, Z L jL, Z C
jC
Multiply the impedance of each circuit element by a factor Km
and let the frequency remain constant,
Z R K m Z R K m R, Z L K m Z L jK m L,
1
Z C K m Z C
jC / K m
90
Magnitude Scaling (Cont.)
Thus, in magnitude scaling, the new values of the elements
and frequency are
C
R K m R, L K m L, C ,
Km
The primed variables are the new values and the unprimed
variables are the old values.
1 1 1
0 0
LC K m LC / K m LC
The resonant frequency has not changed. Similarly, the quality
factor and the bandwidth are not affected by magnitude scaling.
91
Frequency Scaling
Frequency scaling is the process of shifting the frequency
response of a network up or down the frequency axis while
leaving the impedance the same.
92
Frequency Scaling (Cont.)
The value of R is not affected, since its impedance does not
depend on frequency. Thus, in frequency scaling, the new
values of the elements and frequency are
L C
R R , L
, C , K f
Kf Kf
93
Magnitude and Frequency Scaling
If a circuit is scaled in magnitude and frequency at the
same time, then
Km 1
R K m R, L L, C C
Kf Km K f
K f
94
Ex. 14.14
A fourth-order Butterworth lowpass filters is shown in
Fig. 14.48(a). The filters is designed such that the cutoff
frequency c = 1 rad/s. Scale the circuit for a cutoff
frequency of 50 kHz using 10-k resistors.
Fig. 14.48(a)
95
14.14 (Cont.)
Sol:
mH
C1 0.765 C2 1.848
C1 243 .5 pF, C 588 .2 pF
K m K f 10 K m K f 10
9 2 9
96
Ex. 14.14
97
14.12 Applications
Resonant circuits and filters are widely used, particularly in
electronics, power systems, and communications systems.
For example, a Notch filter with a cutoff frequency at 60 Hz
may be used to eliminate the 60-Hz power line noise in
various communications electronics.
Filtering of signals in communications systems is necessary
in order to select the desired signal from a host of others in
the same range and also to minimize the effects of noise and
interference on the desired signal.
Applications: Radio Receiver, Touch-Tone Telephone, and
Crossover Network
98
Radio Receiver
Modern receivers use a frequency mixer circuit, which always produces the
same IF signal but retains the audio frequencies carried on the incoming signal.
A local oscillator produces an signal that is combined with the incoming wave
by the frequency mixer to produce an output signal that contains the difference
frequency of the two signals.
If the resonant circuit is tuned to receive an 800-kHz incoming signal, the LO
must produce a 1255-kHz signal, so that the difference (1255-800 = 455 kHz)
of frequency is available at the output of the mixer. The original audio signal is
extracted in the detector stage. The detector removes the IF signal, leaving the
audio signal. The audio signal is amplified to drive the loudspeaker.
99
Ex. 14.17
The resonant or turner circuit of an AM radio is portrayed in
Fig. 14.63. Given that L = 1 H, what must be the range of
C to have the resonant frequency adjustable from one end of
the AM band to another? (AM: 540~1600 kHz)
Fig. 14.63
100
Sol:
Ex. 14.17 (Cont.)
Since the resonant circuit is a parallel type,
1 1
0 2f 0 or C 2 2
LC 4 f 0 L
For the high end of the AM band, f0 = 1600 kHz, and the
corresponding C is
1
C1 9.9 nF
4 1600 10 10
2 2 6 6
For the low end of the AM band, f0 = 540 kHz, and the
corresponding C is
1
C2 86.9 nF
4 540 10 10
2 2 6 6
102
Touch-Tone Telephone (Cont.)
The signals are first amplified and separated into their respective groups by
the lowpass and highpass filters. The limiters (L) are used to convert the
separated tones into square waves. The individual tones are identified using
seven bandpass filters, each filter passing one tone and rejecting other tones.
Each filter is followed by a detector (D). The outputs of the detectors provide
the required dc signals needed by the switching system to connect the caller to
the party being called.
Fig 14.65
103
Ex. 14.18
Using the standard 600- resistor used in telephone circuits and
a series RLC circuit, design the bandpass filter BP2 (697~852Hz)
in Fig 14.65.
Sol:
Since BP2 passes frequencies 697 Hz to 852 Hz and is centered
at f0 = 770 Hz, its bandwidth is
104
Crossover Network
The crossover network couples an audio amplifier to woofer and tweeter
speakers, which consists of one highpass RC filter and one lowpass RL filter. It
routes frequencies higher than a prescribed crossover frequency fc to the
tweeter (high-frequency loudspeaker) and frequencies below fc into the woofer
(low-frequency loudspeaker). A woofer is designed to reproduce the lower part
of the frequency range, up to about 3 kHz. A tweeter can reproduce audio
frequencies from about 3 kHz to about 20 kHz. The two speaker types can be
combined to provide the optimum in frequency response.
Equivalent model
高音: high pass
105
Crossover Network (Cont.)
1 1 1
c 2f c C 10.61 F
R1C 2f c R1 2 2.5 10 6
3
R2 R2 6
c 2f c L 382 H
L 2f c 2 2.5 10 3
107
108