Analog Linear Modulation and Demodulation

Goal
The goal of this experiment is to study and analyze the analog linear modulation and demodulation techniques
in communication systems.

Theory
Analog linear modulation
In electronics and telecommunications, modulation is the process of varying one or more properties of a periodic
waveform, called the carrier signal, with a modulating signal that typically contains information to be transmitted.
In telecommunications, modulation is the process of conveying a message signal, for example a digital bit
stream or an analog audio signal, inside another signal that can be physically transmitted. Modulation of a sine
waveform transforms a baseband message signal into a passband signal.
The aim of analog modulation is to transfer an analog baseband (or lowpass) signal, for example an audio signal
or TV signal, over an analog bandpass channel at a different frequency, for example over a limited radio frequency
band or a cable TV network channel.
In linear modulation, the amplitude of the transmitted signal varies linearly with the modulating digital signal,
𝑚(𝑡). In this experiment, the AM, DSBSC and SSB modulation techniques are considered.
Since in all of the mentioned modulation techniques the envelope of the signal is transmitted, first we should
elaborate the definition of the envelope.
Envelope definition
When we talk of the envelopes of signals we are concerned with the appearance of signals in the time domain.
Textbooks are full of drawings of modulated signals, and you already have an idea of what the term “envelope”
means. It will now be given a more formal definition.
Qualitatively, the envelope of a signal 𝑦(𝑡) is that boundary within which the signal is contained, when viewed
in the time domain. It is an imaginary line.
This boundary has an upper and lower part. You will see these are mirror images of each other. In practice,
when speaking of the envelope, it is customary to consider only one of them as “the envelope” (typically the upper
boundary).
Although the envelope is imaginary in the sense described above, it is possible to generate, from 𝑦(𝑡), a signal
𝑒(𝑡), having the same shape as this imaginary line. The circuit which does this is commonly called an envelope
detector.
1. AM
a) AM modulation
In the early days of wireless, communication was carried out by telegraphy, the radiated signal being an
interrupted radio wave. Later, the amplitude of this wave was varied in sympathy with (modulated by) a speech
message (rather than on/off by a telegraph key), and the message was recovered from the envelope of the received
signal. The radio wave was called a ‘carrier’, since it was seen to carry the speech information with it. The process
and the signal were called amplitude modulation, or ‘AM’ for short.
In the context of radio communications, near the end of the 20th century, few modulated signals contain a
significant component at ‘carrier’ frequency. However, despite the fact that a carrier is not radiated, the need for
such a signal at the transmitter (where the modulated signal is generated), and also at the receiver, remains
fundamental to the modulation and demodulation process respectively. The use of the term ‘carrier’ to describe this
signal has continued to the present day.
As distinct from radio communications, present day radio broadcasting transmissions do have a carrier. By
transmitting this carrier the design of the demodulator, at the receiver, is greatly simplified, and this allows
significant cost savings.
The most common method of AM generation uses a ‘class C modulated amplifier’; such an amplifier is not
available in the BASIC TIMS set of modules. It is well documented in text books. This is a ‘high level’ method
of generation, in that the AM signal is generated at a power level ready for radiation. It is still in use in broadcasting
stations around the world, ranging in powers from a few tens of watts to many megawatts.
Unfortunately, text books which describe the operation of the class C modulated amplifier tend to associate
properties of this particular method of generation with those of AM, and AM generators, in general. This gives
rise to many misconceptions. The worst of these is the belief that it is impossible to generate an AM signal with
a depth of modulation exceeding 100% without giving rise to serious RF distortion.
You will see in this experiment that there is no problem in generating an AM signal with a depth of modulation
exceeding 100%, and without any RF distortion whatsoever. But we are getting ahead of ourselves, as we have not
yet even defined what AM is!
The amplitude modulated signal is defined as:
𝐴𝑀 = 𝐸[1 + 𝑚 ∗ 𝑐𝑜𝑠(µ𝑡)] cos(𝜔𝑡) (1)
= 𝐴[1 + 𝑚 ∗ cos(µ𝑡)] ∗ 𝐵𝑐𝑜𝑠(𝜔𝑡) (2)
= [𝑙𝑜𝑤 𝑓𝑟𝑒𝑞𝑢𝑒𝑛𝑐𝑦 𝑡𝑒𝑟𝑚 𝑎(𝑡)] ∗ [ℎ𝑖𝑔ℎ 𝑓𝑟𝑒𝑞𝑢𝑒𝑛𝑐𝑦 𝑡𝑒𝑟𝑚 𝑐(𝑡)] (3)
Here:
‘E’ is the AM signal amplitude from eqn. (1). For modelling convenience eqn. (1) has been written into two
parts in eqn. (2), where (𝐴 ∗ 𝐵) = 𝐸.
‘m’ is a constant, which, as you will soon see, defines the ‘depth of modulation’. Typically m < 1. Depth of
modulation, expressed as a percentage, is 100.m. There is no inherent restriction upon the size of ‘m’ in eqn. (1).
This point will be discussed later.

‘’ and ’’ are angular frequencies in rad/s, where µ⁄2𝜋 is a low, or message frequency, say in the range 300
Hz to 3000 Hz; and 𝜔⁄2𝜋 is a radio, or relatively high, ‘carrier’ frequency. In TIMS the carrier frequency is
generally 100 kHz.
Notice that the term 𝑎(𝑡) in eqn. (3) contains both a DC component and an AC component. As will be seen, it
is the DC component which gives rise to the term at - the ‘carrier’ - in the AM signal. The AC term ‘𝑚 ∗
𝑐𝑜𝑠(µ𝑡)’ is generally thought of as the message, and is sometimes written as 𝑚(𝑡). But strictly speaking, to be
compatible with other mathematical derivations, the whole of the low frequency term 𝑎(𝑡) should be considered
the message. Thus:
𝑎(𝑡) = 𝐷𝐶 + 𝑚(𝑡) (4)
Figure 1 below illustrates what the oscilloscope will show if displaying the AM signal. A block diagram
representation of eqn. (2) is shown in Figure 6 below. In the experiment you will model eqn. (2) by the arrangement
of Figure 2. The depth of modulation will be set to exactly 100% (m = 1). You will gain an appreciation of the
meaning of ‘depth of modulation’, and you will learn how to set other values of ‘m’, including cases where m > 1.
The signals in eqn. (2) are expressed as voltages in the time domain. You will model them in two parts, as
written in eqn. (3).

Figure 1- AM, with m = 1, as seen on the oscilloscope

Figure 2: Generation of eqn. (2)

Depth of modulation
100% amplitude modulation is defined as the condition when 𝑚 = 1. Just what this means will soon become
apparent. It requires that the amplitude of the DC (= 𝐴) part of 𝑎(𝑡) is equal to the amplitude of the AC part
(= 𝐴 ∗ 𝑚). This means that their ratio is unity at the output of the ADDER, which forces ‘m’ to a magnitude of
exactly unity.

By aiming for a ratio of unity it is thus not necessary to know the

absolute magnitude of A at all.

 The magnitude of ‘m’ can be measured directly from the AM display itself. Thus,
(𝑃 − 𝑄) (5)
𝑚=
(𝑃 + 𝑄)
where P and Q are as defined in Figure 3.

Figure 3 : Oscilloscope display for the case m = 0.5

Figure 4 : AM with m = 1

Figure 5 : AM with m = 1.5

b) AM demodulation
Envelope detector
Although the envelope is imaginary in the sense described above, it is possible to generate, from y(t), a signal
e(t), having the same shape as this imaginary line. The circuit which does this is commonly called an envelope
detector. A better word for envelope detector would be envelope generator, since that is what these circuits do.
In this experiment, you will model circuits which will generate these envelope signals.
Diode detector
The ubiquitous diode detector is the prime example of an envelope generator. It is well documented in most
textbooks on analog modulation. It is synonymous with the term ‘envelope demodulator’ in this context. But
remember: the diode detector is an approximation to the ideal. We will first examine the ideal circuit.
Ideal envelope detector
The ideal envelope detector is a circuit which takes the absolute value of its input, and then passes the result
through a low pass filter. The output from this low pass filter is the required envelope signal. See Figure 6.

Figure 6 : Ideal envelope recovery arrangement

The absolute value operation, being non-linear, must generate some new frequency components. Among them
are those of the wanted envelope. Presumably, since the arrangement actually works, the unwanted components lie
above those wanted components of the envelope.
It is the purpose of the low pass filter to separate the wanted from the unwanted components generated by the
absolute value operation.
The analysis of the ideal envelope recovery circuit, for the case of a general input signal, is not a trivial
mathematical exercise, the operation being non-linear. So it is not easy to define beforehand where the unwanted
components lie.
Ideal rectifier
A circuit which takes an absolute value is a full wave rectifier. Note carefully that the operation of rectification
is non-linear. The so-called ideal rectifier is a precision realization of a rectifier, using an operational amplifier and
a diode in a negative feedback arrangement. It is described in text books dealing with the applications of operational
amplifiers to analog circuits. An extension of the principle produces an ideal full wave rectifier.
You will find a half wave rectifier is generally adequate for use in an envelope recovery circuit.
Envelope bandwidth
You know what a low pass filter is, but what should be its cut-off frequency in this application? The answer:
‘the cut-off frequency of the low pass filter should be high enough to pass all the wanted frequencies in the envelope,
but no more’. So you need to know the envelope bandwidth.
In a particular case, you can determine the expression for the envelope from the definition given before, and the
bandwidth by Fourier series analysis. Alternatively, you can estimate the bandwidth, by inspecting its shape on an
oscilloscope, and then applying rules of thumb which give quick approximations.
An envelope will always include a constant, or DC, term.
This is inevitable from the definition of an envelope - which includes the operation of taking the absolute value.
It is inevitable also in the output of a practical circuit, by the very nature of rectification.
The presence of this DC term is often forgotten. For the case of an AM signal, modulated with music, the DC
term is of little interest to the listener. But it is a direct measure of the strength of the carrier term, and so is used as
an automatic gain control signal in receivers.
 It is important to note that it is possible for the bandwidth of the envelope to be much wider than that of the
signal of which it is the envelope. In fact, except for the special case of the envelope modulated signal, this is
generally so. An obvious example is that of the DSBSC signal derived from a single tone message.

2. DSBSC
a) DSBSC modulation
Consider two sinusoids, or cosinusoids, cos(µ𝑡) and cos(𝜔𝑡). A double sideband suppressed carrier signal, or
DSBSC, is defined as their product, namely
𝐷𝑆𝐵𝑆𝐶 = 𝐸 cos(µ𝑡) cos(𝜔𝑡) (6)
Generally, and in the context of this experiment, it is understood that
𝜔≫µ (7)
Eqn. (6) can be expanded to give:
𝐸 𝐸 (8)
𝐸 cos(𝜔𝑡) cos(µ𝑡) = cos(𝜔 − µ) 𝑡 + cos(𝜔 + µ)𝑡
2 2
Eqn. (8) shows that the product is represented by two new signals, one on the sum frequency (𝜔 + 𝜇), and one
on the difference frequency (𝜔 − µ). See Figure 7.

Figure 7: Spectral components

Remembering the inequality of eqn. (7). the two new components are located close to the frequency rad/s,
one just below, and the other just above it. These are referred to as the lower and upper sidebands respectively.
These two components were derived from a ‘carrier’ term on rad/s, and a message on rad/s. Because there
is no term at carrier frequency in the product signal it is described as a double sideband suppressed carrier
(DSBSC) signal.
The term ‘carrier’ comes from the context of ‘double sideband amplitude modulation' (commonly abbreviated
to just AM). AM is introduced later (although, historically, AM preceded DSBSC).
The time domain appearance of a DSBSC, eqn. (6), in a text book is generally as shown in Figure 8.
Notice the waveform of the DSBSC in Figure 8, especially near the times when the message amplitude is
zero. The fine detail differs from period to period of the message. This is because the ratio of the two frequencies
and has been made non-integral.
Although the message and the carrier are periodic waveforms (sinusoids), the DSBSC itself need not necessarily
be periodic.
 Figure 8: eqn. (6) – a DSBSC – seen in the time domain

A block diagram, showing how eqn. (6) could be modeled with hardware, is shown in Figure 9 below.

Figure 9: Block Error! Reference source not found.diagram to generate eqn. (6) with
hardware.

Multi-tone message
The DSBSC has been defined in eqn. (1), with the message identified as the low frequency term. Thus:
𝑚𝑒𝑠𝑠𝑎𝑔𝑒 = cos(µ𝑡) (9)
For the case of a multi-tone message, 𝑚(𝑡), where

𝑚 (𝑡) = ∑ 𝑎𝑖 cos(µ𝑖 𝑡) (10)

𝑖

then the corresponding DSBSC signal consists of a band of frequencies below ω, and a band of frequencies
above ω. Each of these bands is of width equal to the bandwidth of 𝑚(𝑡). The individual spectral components in
these sidebands are often called side frequencies.
If the frequency of each term in the expansion is expressed in terms of its difference from ω, and the terms are
grouped in pairs of sum and difference frequencies, then there will be ‘n’ terms of the form of the right hand side
of eqn. (8).
 Note it is assumed here that there is no DC term in 𝑚(𝑡). The presence of a DC term in 𝑚(𝑡) will result in a
term at ω in the DSB signal; that is, a term at ‘carrier’ frequency. It will no longer be a double sideband suppressed
carrier signal. A special case of a DSB with a significant term at carrier frequency is an amplitude modulated signal,
which will be examined later.
A more general definition still, of a DSBSC, would be:
𝐷𝑆𝐵𝑆𝐶 = 𝐸 ∗ 𝑚(𝑡)cos(𝜔𝑡) (11)
where 𝑚(𝑡) is any (low frequency) message. By convention 𝑚(𝑡) is generally understood to have a peak
amplitude of unity (and typically no DC component).
b) DSBSC demodulation
Productive demodulation
All of the modulated signals you have seen so far may be defined as narrow band. They carry message
information. Since they have the capability of being based on a radio frequency carrier (suppressed or otherwise)
they are suitable for radiation to a remote location. Upon receipt, the object is to recover -demodulate - the message
from which they were derived.
In the discussion to follow the explanations will be based on narrow band signals. But the findings are in no way
restricted to narrow band signals; they happen to be more convenient for purposes of illustration.
Frequency translation

When a narrow band signal 𝑦(𝑡) is multiplied with a sine wave, two new signals are created –on the ‘sum and
difference’ frequencies.
Figure 10 illustrates the action for a signal 𝑦(𝑡), based on a carrier 𝑓𝑐 , and a sinusoidal oscillator on frequency
𝑓0 .

Figure 10: ‘sum and difference frequencies’

Each of the components of 𝑦(𝑡) was moved up an amount fo in frequency, and down by the same amount, and
appear at the output of the multiplier.
Remember, neither 𝑦(𝑡), nor the oscillator signal, appears at the multiplier output. This is not necessarily the
case with a ‘modulator’.
A filter can be used to select the new components at either the sum frequency (BPF preferred, or an HPF) or
difference frequency (LPF preferred, or a BPF).
 The combination of MULTIPLIER, OSCILLATOR, and FILTER is called a frequency translator.
Synchronous demodulator
When the frequency translation is down to baseband the frequency translator becomes a demodulator.
Synchronous demodulator 𝑓0 = 𝑓𝑐 :
For successful demodulation of DSBSC and AM the synchronous demodulator requires a ‘local carrier’ of
exactly the same frequency as the carrier from which the modulated signal was derived, and of fixed relative phase,
which can then be adjusted, as required, by the phase changer shown.

Figure 11: Synchronous demodulator

3. SSB
a) SSB modulation
There are three well known methods of SSB generation using analog techniques, namely the filter method, the
phasing method, and Weaver’s method. This experiment will study the phasing method.
Filter method
We have already modeled a DSBSC signal. An SSB signal may be derived from this by the use of a suitable
bandpass filter –commonly called, in this application, an SSB sideband filter. This, the filter method, is probably
the most common method of SSB generation. Mass production has given rise to low cost, yet high performance,
filters. But these filters are generally only available at ‘standard’ frequencies (for example 455 kHz, 10.7 MHz) and
SSB generation by the filter method at other frequencies can be expensive. For this reason, TIMS no longer has a
100 kHz SSB filter module, although a decade ago these were in mass production and relatively inexpensive.
Phasing method
The phasing method of SSB generation, which is the subject of this experiment, does not require an expensive
filter, but instead an accurate phasing network, or quadrature phase splitter (QPS). It is capable of acceptable
performance in many applications. The QPS operates at baseband, no matter what the carrier frequency (either
intermediate or final), in contrast to the filter of the filter method.
SSB signal
Recall that, for a single tone message cos(𝜇𝑡), a DSBSC signal is defined by:
𝐷𝑆𝐵𝑆𝐶 = 𝐴 ∗ cos(𝜇𝑡) cos(𝜔𝑡) (12)
𝐴 𝐴 (13)
= cos(𝜔 − µ) 𝑡 + cos(𝜔 + µ) 𝑡
2 2 (14)
 = 𝑙𝑜𝑤𝑒𝑟 𝑠𝑖𝑑𝑒𝑏𝑎𝑛𝑑 + 𝑢𝑝𝑝𝑒𝑟 𝑠𝑖𝑑𝑒𝑏𝑎𝑛𝑑
When, say, the lower sideband (LSB) is removed, by whatever method, then the upper sideband (USB) remains.
𝐴 (15)
𝑈𝑆𝐵 = cos(𝜔 + µ) 𝑡
2
This is a single frequency component at frequency (𝜔 + µ)⁄(2𝜋) Hz. It is a (co)sine wave. Viewed on an
oscilloscope, with the time base set to a few periods of , it looks like any other sine wave. What is its envelope?
The USB signal of eqn. (15) can be written in the following form:
𝑈𝑆𝐵 = 𝑎(𝑡) cos[(𝜔 + 𝜇)𝑡 + 𝑝(𝑡)] (16)
The envelope has been defined as:
𝑒𝑛𝑣𝑒𝑙𝑜𝑝𝑒 = |𝑎(𝑡)| = 𝐴/2 (17)
Thus, the envelope is a constant (ie., a straight line) and the oscilloscope, correctly set up, will show a rectangular
band of color across the screen.
This result may seem at first confusing. One tends to ask: ‘where is the message information’?
Answer: the message amplitude information is contained in the amplitude of the SSB, and the message frequency
information is contained in the frequency offset, from w, of the SSB.
An SSB derived from a single tone message is a very simple example. When the message contains more
components the SSB envelope is no longer a straight line. Here is an important finding!
An ideal SSB generator, with a single tone message, should have a straight line for an envelope.
Any deviation from this suggests extra components in the SSB itself. If there is only one extra component, say
some ‘leaking’ carrier, or an unwanted sideband not completely suppressed, then the amplitude and frequency of
the envelope will identify the amplitude and frequency of the unwanted component.
A most important characteristic of any SSB generator is the amount of out-of-band energy it produces, relative
to the wanted output. In most cases this is determined by the degree to which the unwanted sideband is suppressed.
A ratio of wanted-to-unwanted output power of 40 dB was once considered acceptable commercial performance;
but current practice is likely to call for a suppression of 60 dB or more, which is not a trivial result to achieve.
Phasing generator
The phasing method of SSB generation is based on the addition of two DSBSC signals, so phased that their
upper sidebands (say) are identical in phase and amplitude, whilst their lower sidebands are of similar amplitude
but opposite phase.
The two out-of-phase sidebands will cancel if added; alternatively, the in-phase sidebands will cancel if
subtracted. The principle of the SSB phasing generator is illustrated in Figure 12.
Notice that there are two 90° phase changers. One operates at carrier frequency, the other at message frequencies.
The carrier phase changer operates at a single, fixed frequency, 𝜔 rad/s.
 The message is shown as a single tone at frequency μ rad/s. But this can lie anywhere within the frequency range
of speech, which covers several octaves. A network providing a constant 90° phase shift over this frequency range
is very difficult to design. This would be a wideband phase shifter, or Hilbert transformer.
In practice a wideband phase splitter is used. This is shown in the arrangement of Figure 13.

Figure 12: Principle of the SSB Phasing Generator

Figure 13: Practical realization of the SSB Phasing Generator

The wideband phase splitter consists of two complementary networks -say I (in-phase) and Q (quadrature).
When each network is fed from the same input signal the phase difference between the two outputs is maintained
at 90°.
Note that the phase difference between the common input and either of the outputs is not specified; it is not
independent of frequency. Study Figure 8 and Figure 9 to ensure that you appreciate the difference.
At the single frequency μ rad/s the arrangements of Figure 12 and Figure 13 will generate two DSBSC. These
are of such relative phases as to achieve the cancellation of one sideband, and the reinforcement of the other, at the
summing output.
You should be able to confirm this. You could use graphical methods (phasors) or trigonometrical analysis.
 The QPS may be realized as either an active or passive circuit, and depends for its performance on the accuracy
of the components used. Over a wide band of audio frequencies, and for a common input, it maintains a phase
difference between the two outputs of 90 degrees, with a small frequency-dependent error (typically equiripple).
Performance Criteria
As stated earlier, one of the most important measures of performance of an SSB generator is its ability to eliminate
(suppress) the unwanted sideband. To measure the ratio of wanted-to-unwanted sideband suppression directly
requires a SPECTRUM ANALYSER. In commercial practice these instruments are very expensive, and their
purchase cannot always be justified merely to measure an SSB generator performance.
As always, there are indirect methods of measurement. One such method depends upon a measurement of the SSB
envelope, as already hinted.
Suppose that the output of an SSB generator, when the message is a single tone of frequency μ rad/s, consists only
of the wanted sideband W and a small amount of the unwanted sideband U.
It may be shown that, for U << W, the envelope is nearly sinusoidal and of a frequency equal to the frequency
difference of the two components. Thus, the envelope frequency is 2μ rad/s.

Figure 14: Measuring sideband suppression via the envelope

It is a simple matter to measure the peak-to-peak and the trough-to-trough amplitudes, giving twice P, and twice
Q, respectively. Then:
𝑃 = 𝑊+𝑈 (18)
𝑄 = 𝑊−𝑈 (19)
as seen from the phasor diagram. This leads directly to
𝑃+𝑄
𝑠𝑖𝑑𝑒𝑏𝑎𝑛𝑑 𝑠𝑢𝑝𝑝𝑟𝑒𝑠𝑠𝑖𝑜𝑛 = 20 log10 [ ] (𝑑𝐵) (20)
𝑃−𝑄
U is in fact the sum of several small components then an estimate of the wanted to unwanted power ratio can
still be made. Note that it would be greater (better) than for the case where U is a single component.
A third possibility, the most likely in a good design, is that the envelope becomes quite complex, with little or
no stationary component at either μ or μ/2; in this case the unwanted component(s) are most likely system noise.
 Make a rough estimate of the envelope magnitude, complex in shape though it may well be, and from this can
be estimated the wanted to unwanted suppression ratio. This should turn out to be better than 26 dB in TIMS, in
which case the system is working within specification. The TIMS QPS module does not use precision components,
nor is it aligned during manufacture. It gives only moderate sideband suppression, but it is ideal for demonstration
purposes.
Within the ‘working frequency range’ of the QPS the phase error from 90 between the two outputs will vary
with frequency (theoretically in an equi-ripple manner).
SSB demodulation
The demodulation types of SSB are the same as DSBSC demodulation.