AMEB 3.4 - Intervals
AMEB 3.4 - Intervals
LESSON 4
Intervals
• Always work from the major scale based on the bottom note of the interval. Never work from the
minor scale.
• A minor interval is a semitone less than the major.
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We imagine the major scale of A and go as far as the sixth degree, F#. A to F# is a major sixth. If we take
off a semitone, we’re left with A to F, which is therefore a minor sixth.
Let’s have a look at some examples from the new scales that we have learnt.
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We start with the major scale of E and go as far as the third degree, which is G#. Thus, E to G# is a major
third.
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Work from the scale of Eb major. The fourth degree is Ab, so Eb to Ab is a perfect fourth.
Which are the perfect intervals within major and minor scales?
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page 1
These intervals are all examples of perfect fourths:
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These intervals are all examples of perfect octaves:
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These intervals are ‘perfect’ because they don’t exist in major or minor forms. All the other intervals
within the octave - seconds, thirds, sixths and sevenths exist in major and minor forms.
Let’s have a look at how we answer interval questions that give us the lower note but not the upper note.
A: Refer to the scale of Ab major. Seven notes above Ab is G, so the major seventh above Ab is G.
bb œ œ œ œ œ
&b b œ œ œ
1 2 3 4 5 6 7
# œ œ œ œ
& œ œ œ œ
1 2 3
If we take off a semitone we get Bb. So, the minor third above G is Bb.
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b w
&b b
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A: Refer to the major scale of C. The seventh note of the scale is B. Noting that the key signature specifies
Bb, we must cancel that with a natural sign:
b nw
&b b w
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