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Classification of Mexican Folk Dance

This document classifies and describes various types of Mexican folk dances. It describes indigenous dances as those practiced by indigenous communities that preserve cultural elements of ancient civilizations. It explains that popular dances represent widely practiced traditions and that folk or regional dances express the cultural characteristics of a region. Finally, it defines urban popular dances as those that emerged in cities that have musical and cultural influences.
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0% found this document useful (0 votes)
23 views11 pages

Classification of Mexican Folk Dance

This document classifies and describes various types of Mexican folk dances. It describes indigenous dances as those practiced by indigenous communities that preserve cultural elements of ancient civilizations. It explains that popular dances represent widely practiced traditions and that folk or regional dances express the cultural characteristics of a region. Finally, it defines urban popular dances as those that emerged in cities that have musical and cultural influences.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as DOCX, PDF, TXT or read online on Scribd
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Lasification of Mexican

Folk Dance
Aluminum
Name

603M
School cycle
2021-A
Native Dances
They are those dances that are practiced by some communities in different places around the
world, which are the descendants of ancient cultures and civilizations; they are dances
Rituals and religious contain fundamental ingredients to detect social and economictheelements in
situations
which they arise. They have been preserved through: the centuries,
Choreographic strokes their
degEE
• Steps
• Rhythms
Assembly and interpretation routines
Auxiliary accessories
• Displacements
• Attitudes
• Outfit
• Music
• Makeup
Scenography

• Space treatments
• Etc.
This type of dance has served as a basis for other types and modalities of dance, whether popular or theatrical. They can also be called
traditional dances. The term traditional dances, however, can distort their aesthetic and social qualities, making one believe that they are
conventional pieces when they are works of great cultural and artistic development that must be studied in their own terms and peculiarities.
Many of the indigenous dances of Mexico have a high degree of:

• Ritual complexity

• A large number of abstract shapes meanings and symbols


Its persistence in historical time indicates the profound achievements achieved by our ancestors in ritual
practices, in the management of spaces, in the mastery of forms and aesthetic and theological relationships.
The interpreters are owners of attitudes that border on mystery, esotericism, witchcraft, mystical rapture, theology. reason why it was
simpler and more immediate to observe this dance
It requires respect for a minimal but basic investigation on the part of lay viewers regarding the social and cultural circumstances that gave it
life.
An example of a native dance would be the Bromco Indians, in Nuevo León, Guanajuato.
Popular Dances
• They represent the broadest, most lively and repetitive sector of dance.

08

instinct, almost like an instinct to dance.


It narrates the facts of its existence through the movements of the body in space.
Dance activity can become a point of social convergence, where members seek to come together to
display talents and aptitudes, including an evolution in individual personalities.

• Dance practices can become suprastructural links, in a single term it could be called the culture of the
Ma

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00r '-06 08C

body.
• It directly expresses the most recent existential attitudes, ways of life and organization.

• Through folk dance, the characteristics of the country's culture, the culture of the body, are represented.
and other aspects of the “way of being” of its inhabitants.
°r
06 08 1
• They tend to be danced by the community.
• They are dances that infect their forms and executions in the direction of all members of the
community and also in the direction of foreigners who see them. 3 e Al. —-

• As far as regional dances are concerned, they help in the process of transferring direct forms of
narration, the (literal) languages of elaboration
Popular Urban Dances
• They are those that, born in the cities, have emerged from the collective impulses of sectors
social origins of urban living systems

• They are less elemental and direct than dances regional. /1IIlllli 00 '-q6
08 "

• They have clear influences of musical rhythms and dance routines prior to the different types of
dance.
• They have a lot of individuality content or, at least, of a personal nature in

• The appreciation of popular urban dance, on the other hand, can be slow: one rhythm does not finish becoming
fashionable when another appears; prolongation or frank contrast of the previous
Thank you for
your attention

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