Classification of Mexican Folk Dance
Classification of Mexican Folk Dance
Folk Dance
Aluminum
Name
603M
School cycle
2021-A
Native Dances
They are those dances that are practiced by some communities in different places around the
world, which are the descendants of ancient cultures and civilizations; they are dances
Rituals and religious contain fundamental ingredients to detect social and economictheelements in
situations
which they arise. They have been preserved through: the centuries,
Choreographic strokes their
degEE
• Steps
• Rhythms
Assembly and interpretation routines
Auxiliary accessories
• Displacements
• Attitudes
• Outfit
• Music
• Makeup
Scenography
• Space treatments
• Etc.
This type of dance has served as a basis for other types and modalities of dance, whether popular or theatrical. They can also be called
traditional dances. The term traditional dances, however, can distort their aesthetic and social qualities, making one believe that they are
conventional pieces when they are works of great cultural and artistic development that must be studied in their own terms and peculiarities.
Many of the indigenous dances of Mexico have a high degree of:
• Ritual complexity
08
• Dance practices can become suprastructural links, in a single term it could be called the culture of the
Ma
°r
00r '-06 08C
body.
• It directly expresses the most recent existential attitudes, ways of life and organization.
• Through folk dance, the characteristics of the country's culture, the culture of the body, are represented.
and other aspects of the “way of being” of its inhabitants.
°r
06 08 1
• They tend to be danced by the community.
• They are dances that infect their forms and executions in the direction of all members of the
community and also in the direction of foreigners who see them. 3 e Al. —-
• As far as regional dances are concerned, they help in the process of transferring direct forms of
narration, the (literal) languages of elaboration
Popular Urban Dances
• They are those that, born in the cities, have emerged from the collective impulses of sectors
social origins of urban living systems
• They are less elemental and direct than dances regional. /1IIlllli 00 '-q6
08 "
• They have clear influences of musical rhythms and dance routines prior to the different types of
dance.
• They have a lot of individuality content or, at least, of a personal nature in
• The appreciation of popular urban dance, on the other hand, can be slow: one rhythm does not finish becoming
fashionable when another appears; prolongation or frank contrast of the previous
Thank you for
your attention
■