draugadrottinn

Lord of the Undead

N.D. BLACKWOOD
BECOME A LIVING GOD
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Author: N.D. Blackwood
Editor-in-Chief: Timothy Donaghue
Copyeditors: Orlee Stewart & A.L. Faust
Publisher: Become A Living God +
 DRAUGADROTTINN
Lord of the Undead

1. Initiation into Vampirism 9

2. Lifeforce 17
3. Preparing Your Tools 25
4. The Art of Life Drain 33
5. The Immortal Body 55
6. Lycanthropy 69
7. The Dark Gods 81
8. Ascended Vampires 99
9. The Path of the Dragon 113
10. The Mysteries of Extraterrestrial Ways 147
11. Physical Immortality 157

N.D. Blackwood 165

Become A Living God 167
 draugaprOttinn 7

Albrecht Durerj “Knight, Death, and the Devil, ” 1513 +

 ■nsidered in its psychic character and we could bring
Vampirism could be co
which often is the issue both in popular belief and
attention to the phenomena
in ethnology. We cannot overlook even whatever there is in the childish fables
as the type of the “werewolf” and which in ethnology is designated as lycan-

thropy. It is about the idea that a human being can in a certain way split in two

and that his double can assume an animal appearance and manifest corre­

sponding behaviors. What can there be in that which is real?

Naturally, in wolfmen and similar creatures, the possible manifestations do not

have the erotic setting that certain “dark” literature often likes to attribute to
the vampire. Through this setting, we have to move into a rather different do­
main, that of an essentially psychic vampirism that can be real that is confirmed

in a not a few traditions, which sometimes even indicate the technique to ac­
tualize it. Moreover, ethnology has recorded the belief that certain shamans
have the power to vampirize living beings to the point of reducing them to a
type of bare nothings.

Regarding properly erotic vampirism it is instead the case when the subtle vital
force of a woman is fed with the goal of strengthening one’s own vitality.
Julius Evola, J7zmpirism & Vampires
 INITIATION INTO VAMPIRISM
Chapter 1

IIY vampirism? This is a legitimate question to be asked by the reader

W who would have opened this book by chance. Why talk about vampir­
ism while we are at the time of aerospace? Do such superstitions still
have their place in our world where rationality is law? To that, I answer th
two ways to see vampirism, rhe first is that of old legends, folklore, as well as fiction.
The second is a set of techniques combining ceremonial magic, blood practices, al­
chemy, trance st ates, shamanism, and necromancy, for the purpose of transcendence
and mutation.
In our modern world, man is subject to daily vital energy expenditure. Who after
a working day, never slumped in his chair, empty-headed, only able to watch the tel­
evision?
This is, sadly, a reality that is lived for the less fortunate among us.
How can we hope to live a spiritual realization when we have just enough strength
left for us to fulfill our daily obligations? The common man is devoured by social ob­
ligations, grueling work, colleagues, and family to be left no more than an empty shell.
The future is already laid out: nervous breakdown, cardiovascular disease, and

Alzheimer’s.
Vampirism, in its esoteric form, proposes an alternative, to act rather than to un­
dergo, and move from the status as a beast to that of an enlightened predator.
Vampiric witchcraft means to the one who practices, to not only take back the pranic
energy which was stolen from him but also to go to much further if he so desires until
he reaches a state of self-divination. Phis vital force will give the adept better health,
a clearer spirit, a stronger will, charisma, and the strength to achieve the goals he has
fixed for his life. The appearance of supernatural powers will follow as the adept
10 N.D. BLACKWOOD

slowly aligns himself on the vampiric archetype, allowing him io drain his targets from
a long distance, move out of his physical body and shapeshift at will.
For the most committed, the final gift is an immortality of consciousness beyond
the grave. But beware, do not believe that all this is simple and without danger; the
path of the vampire is a plunge into darkness and horror, without the possibility of
turning back. It could drive the adept to the pitfalls of madness, schizophrenia, and
even in the most serious cases, suicide.

USE OF THIS BOOK

This manual does not claim to be exhaustive; it must be seen as a plan, giving a series
of key operations linked to the ancient and modern ways of vampirism and lycan-
thropv. This book is a copy of my diary of practices. It contains the teachings and
liturgy of different lodges. I discharge myself in advance of any results from what you
could do with it. If you are forged metal that is made by the black Lords, you could
taste the forbidden pleasures and the drunkenness of being a true Prince of Darkness,
though the price is damnation. If you are reckless, merely curious, and wanting to try
something for fun, you will perish without appeal, your psyche gnawed by the poisons
of dementia and guilt. Your soul will serve as pasture for things you could not imagine
in your worst nightmares.
I am neither your master nor your father, my purpose is certainly not to take you
by the hand. I don't care about your becoming, still, I'd rather warn you. If you choose
to put all this into practice, be sure that you are powerful enough. Neophytes have no
place here. Doing it for fun would be suicidal. You have been warned.
From personal experience, however, I can tell you this: although very powerful,
these techniques should not be perceived as an end in itself. If you use them without
any other external inputs, you will know with no doubt very powerful results that will
give you the impression that "this is it," that you have become superhuman. Unfortu­
nately, the effects will be short-lived and your return to the human state is likely to be
extremely brutal.
Why does this happen? After prolonged reflection, I think the practitioner's lack
of preparation and skill is to blame. This is why this book will advise the practice and
control of other systems before even thinking about approaching the energy fusions
advocated by this grimoire. Study various dark witchcrafts, the Nigromancy and Goe-
tia. Mount an occultum and practice operative systems. It is important to become a
specialist in these disciplines, especially in the areas of evocation, seduction, healing,
exorcism, hatred, and destruction.
 INITIATION INTO VAMPIRISM 11

You must be capable of evoking, conjuring, and invoking energies, especially

forces of demonic and elementary origins. You will also have to forge your ability to
activate and control your own physical and sexual energy. Provided with such skills,
the initiations and techniques described in this work will be more easily assimilated
and provide much better results.
That being said, let's move on to the heart of the matter.

MODERN VAMPYRISM & THE PRINCIPLE OF

SPIRITUAL PREDATION
Modern vampirism draws its roots from gothic culture, black romance, and Chaos
magick. The actors of this new tradition are also inspired by role-playing games such
as Vampires, the Masquerade, by Chivalrous Spirit, or by code of Bushido from Japa­
nese samurais. In this book, I will not deal with this vampirism of the carnival. There
are other kinds of literature and groups that are already doing it. I will deal exclusively
with magical, meditative, shamanic, and alchemical techniques allowing the extrac­
tion and assimilation of various forms of energies, as well as methods of
metamorphosis leading to the path of lycanthropy and vampirism.
Spiritual predation is known very little today in Europe by the wider public, while
in the United States, England, and Scandinavian countries, it was popularized by oc­
cult groups like the Temple of Set, the First Church of Satan, or Ordo Draconis et
Adamantris. In Europe, the phenomenon has remained for the privilege of closed cir­
cles and lodges holding their rituals in Germany, Venice, and even the deep
countryside of Romania.
Having had the chance to have been initiated by masters who participated in cer­
tain activities of these lodges, I can deliver a concise, efficient, and effective synthesis
of these teachings, applicable in the context of the contemporary world.
But what is spiritual predation? This is a point of view typically linked to the so-
called Left-Hand Path, but whose techniques are also hidden in certain forms of Bud­
dhism, Hinduism, and even theurgy.
Considering the laws of nature and Darwinism, this philosophy advocates the laws
of the food chain on the spiritual and magical plane. The Gods, since the dawn of
time, nourish themselves with the vital energy of their followers transmitted through
their prayers, offerings, and sometimes sacrifices. Even the so-called white magic and
religions fall under the guise of this unchanging cosmic law. To embrace spiritual
12 N.D. BLACKWOOD

predation is above all to say, "I live in a world made up of wolves and sheep, of slaves
and masters; I accept that reality, and I choose the predatory role rather than prey.”
Meditations and rituals will allow you to align yourself with powerful archetypes,
and the energy absorption techniques will be needed to feed the transmutation pro­
cess. It is imperative to understand that once a certain cap has been passed, it is
impossible to reverse the machine and that the return to the human state will no
longer be possible.
Be sure of what you want and act accordingly.

VAMPIRIC MORALITY
This section deals with philosophical aspects as the passage required for a proper un­
derstanding of this atypical path, as well as to acquire the necessary mindset to get
tangible results from the magical point of view. The lycanthropic and vampiric paths
are undoubtedly linked to the Left-Hand Path, but even more, in a choice of evolution
such as this, the person engaging in this choice can't keep his old way of life. Here,
the good feelings, the warmth, as well as humanist thoughts, have no place.
Here some essential principles:

Neither God, Nor Master

Renouncing the worship of false idols, gurus, or of any divinity, is obligatory for the
one who chooses spiritual predation as a goal of existence. Once again, I'd like to
warn: the principle of trust cannot exist between people immersed in vampiric path­
ways. More gullible and weaker individuals serve as extraction targets to their so-
called mentors. The way is individualistic, selfish, and based on predatory attitudes.
During my initiations, I knew several masters who were experts in manipulation and
who left many of their disciples like empty shells. I do not, therefore, advise you to
adhere to these cenacles or sects. Remember that the only master of your life should
be yourself.
Exercises and ceremonies in this grimoire will put you in contact with numerous
archetypes and entities that are themselves powerful and dangerous predators of the
astral spheres. You should never address them with an attitude of inferiority, under
penalty of being quickly destroyed.
You will need to do it in a master’s position for some and as an equal for others.
The practical methods to do so will be given in the fnll nwinrr chanters.
 n>i i in 1 1U1N UN 1 u VAMPIRISM 13

Existence of Qi: Vital Energy

Accepting the fact t hat w e are bathing in an ocean of energy, and that the same energy
can be absorbed to grow your strength is a necessity to be able to experience it in the
reality of your daily life.

Self-Control & Atavisms

The siege of vampirism and lycanthropy lies in the unconscious brain, also called the
reptilian brain. By reconnecting with this organ, the vestige of prehistoric times, we
can awaken the beast that sleeps in us, the shadow dear to C.G. Jung. Although this
inner darkness is the pool of our pent-up fears and various neuroses, it is in there that
we will find our hidden powers as well as the wisdom of millions of years of evolution
sleeping in our genes. By externalizing the shadow and nourishing it with energy, the
initiate can transcend into a vampire or werewolf. The difference being that they first
have domesticated it and integrated it, while the second is content to exalt it. It be­
comes evident that perfect control of emotions and a stable psychological state are
essential pre-requisites.

Personal Ethics Over Mass Morality

The adept, unlike the common mortals, prefers forging a personal ethic based on ex­
perimentation. Always look to be an actor and not a spectator. Also, it will be
necessary to approach the world with amorality if you ever want to go beyond the

narrow limits of the human condition.

The Great Vampiric Work

1 he practitioners of modern vampirism are the descendants of followers of vampiric
cults, such as practiced within the Dragon Lineage, particularly the time where Ro­
mania was the bastion of this tradition. In the past, initiates obtained immortality
through the realization of an immortal vampiric body, which survives physical death
by feeding on the vital essences contained in the blood of the living.
As he practices, the adept develops an appearance of eteinal youth, for he has
perfectly integrated two fundamental techniques: the out of body experience and the

drainage of vital essences.

14 N.D. BLACKWOOD

Often during the adept’s sleep, the astral body comes out of the physical envelope.
The process of extracting vital essences starts to load the astral double with etheric
material, which is the life force generated by all living beings.
The astral body will then transfer this vital energy to the carnal envelope, stopping
the aging process, and initiating regeneration. The astral body itself grows in power
with practice. New powers will appear, such as dreamlike lucidity, astral travel, the
power of metamorphoses, channeling, and many others.
The transfer of vital energy from the astral body’s powers to the physical body is
done by the silver rope. It is located in the most active chakras. During the first time,
it may be possible that the transfer is not done directly to the physical body, but that
the astral body stocks extracted vital essences.
It all depends on its power, which is dependent on the quantity of etheric energy
absorbed during vampiric acts. Perfect integration of the techniques requires more
time depending on the individual's abilities. An encouraging sign is when we start
doing it during lucid dreams.
Diligent and regular practice is required to create an astral matrix in resonance
with the initiatic quest. As the astral dimension is the closest to the physical world, it
covers the world as a gigantic ocean made up of all collective thoughts and archetypes.
Moreover, any object in the material world is, after a certain time, assimilated in the
astral dimension. This explains why weapons of power that we used in our ceremo­
nies are commonly found during lucid dreaming. They are extensions of ourselves
and we will find them back in our afterlives.
Similarly, the visualizations of ourselves that are undifferentiated from a deity, a
vampire, or a demon. They become active there in the post-mortem and will unite
with our ordinary appearance.
Sometimes it seems that the things we do, do not bring spectacular results in the
immediate future. The same is not true on the astral plane.
By living with a clear awareness of our objectives and practicing rituals and medi­
tations regularly, we create an astral matrix that will become our home in the afterlife,
and from where we will be able to keep growing in power.

THE VAMPIRIC WAYS

Vampirism is a unique and dark initiatory pathway foreign to the human world. Every
adept, though accompanied by his vampire master or his human initiator, is, however,
alone at the time of passage. His survival will depend on him alone, not on a demon
 1 in 11VJ1N UN 1 u VAMPIRISM 15

or any deity. Nowadays, there are very few valid initiates because it seems that the
main obstacle is embedded in the spirit of modern man, unconscious of its true nature
and of powers that sleep at the bottom of the slumbering regions of his reptilian brain.
Too attached to his human weaknesses, to his ideologies and religions, he can't access
what he truly is.
Vampirism is a path of blood. This blood is not, as you already suppose, ordinary
blood. It is the pranic energy, the lifeforce. Even if it is contained in the blood, you
will not always need to dunk it. But if you are not thirsty for this etheric energy, you
will not be able to find your true nature. Once you have accomplished your first vam­
piric act, the need to do it again will be felt cyclically. This can be every week or every
month, sometimes even every two or three months. It depends on the quality of your
personal egregore. The symptoms of a need for vital energy can include irritability,
nervous tension, obsessions, tremors, sudden bulimia, photosensitivity, skin prob­
lems, fatigue, depression, loss of memory, and a sensation of dissolution. Every time
the initiate vampirizes the vital energy, he awakes his true nature. His consciousness
of himself and his vision of the world changes. The awakening results in transfor­
mations that are both psychological, physical, and spiritual. The adept sees his natural
capacities multiply, a clarification and improvement of the quality of its five senses,
and an increase of parapsychic abilities.
Vampiric initiation can be approached in the following two ways.

VAMPIRIC INITIATION
The Progressive & Solitary Method

I iere, the adept, by training, gradually metamorphosizes into a hybrid human and
vampire. He acquires the ability to manipulate energy, to feed on the essence of life,
and step by step, to master the inner beast to be one with her. Here the adept will
experience contact with the animal of power, lycanthropy, and finally the adept will
soar living in the abyss by a practice of high necromancy that will tiee him from the

fear of death and awaken his immortal vampire body.

I his method will be discussed in detail in the coming chapters.
Practitioners arc spiritual hybrids of humans and vampires. They become vam­
pires only at the end of a process involving the realization of the body of black light.
Unlike the more direct classical method that will be discussed m the next paragraph,
they do not need to be guided by an undead. The initiates have, on one hand, a human

dimension, and on the other a vampiric one.

•r NJ). BLACKWOOD

Although not vampires in the full sense ot the term, v retain a pretty young
appearance all their lives. Ritual after ritual, they gradually access different magical
powers and abilities.
This tvpe of path is, to be perfectly honest, quite modern, a product of 21st cen­
tury practitioners, and built for people that want to keep some freedom and approach
vampirism step by step.
Forthose who are uncertain about their destinies or are looking for vampiric pow­
ers without pledging an eternal oath to the vampiric strain and its undead masters,
this path would be the proper choice.

THE CLASSICAL METHOD

Direct & Immediate
This is the path of the Transylvanian Dragon. It implies a necromantic evocation dur­
ing which the practitioner receives the obscure gift from the hands of an undead
initiator. This path implies a flawless investment and regular practice. The vampire
master will have to be fed with pranic energy during the extraction of vital essences.
Otherwise, he will turn against his mortal disciple and consume him mercilessly. In
exchange for offerings, he will refine the energy of his disciples ’ astral body, changing
his vibratory rate and bringing him to unexpected astral and dreamlike realms.
This path will be discussed in the later chapters of this book.
This method is the original way of practicing vampirism, as it has been done for
centuries. Be sure of what you want before starting any of these rituals. Once a pact
has been passed with the undead strain, there is no turning back. You will have sealed
your fate and become one of them, a destiny that even your physical death will not be
able to change. 4
 LIFEFORCE
Chapter 2

THEORIES ON LIFEFORCE
E are immersed in an ocean of energy called "Qi" by certain traditions.

W However, it is possible to classify energy into various categories accord­

ing to the needs of the practitioner or the rituals that are undertaken.
Let's have a closer look at that topic.

Psychic Energy
It is produced by our thoughts and emotions, that we mobilize during prayers and that
nourishes the archetypes and the egregores. It is also the one that is the first con­
sumed by neuroses, fears, and unconscious vampires, which include bully employers
and professional mourners.

Physical Energy
h is what we spend during intense physical acts. It can easily be picked up in gyms,
nightclubs, and so on.

Pranic Energy
1 he etheric force contained in our blood, that carries menion inaptints and \ital en-
ergy. It dries up if the physical or astral body has a wound, when exhausted, during
Periods of illness, or nervous breakdowns. It is the Blood Soul, the salt ot the great

v empiric work.
18 N.D. BLACKWuom

Ancestral Energy
Well known by acupuncturists, it is present in the body in limited quantity and spent
by every human being throughout his life. This is the purest form of vital energy,
drained only during the deepest rituals of vampirism for rejuvenation purposes.

Sexual Energy
The energy of kundalini, an alchemical fire, transformer, of unequaled power. It can
be drained by the adept during coitus, whether physical or astral, as well as during
hypnotic fascination.

Elemental Energies
Earth, air, water, fire, and akasha—the energy of the elements is in each of us, but
draining specific energy allows the sorcerer to equilibrate himself or to acquire capac­
ities related to the domains of the elemental force absorbed.

Telluric Energy
Also called blood of the earth, it allows the vampire sorcerer, among other things, to
strengthen his astral body during lycanthropic practices. It is also used in the works
of initiatory vampirism.

Cosmic Energy
Also called star blood, it is used in great works of vampirism, like initiation ceremonies.

Planetary Energies
The Moon, Mars, Mercury, Jupiter, Venus, Saturn, and the Sun are celestial bodies
having, according to astrology and traditional esotericism, various influences on the
lives of humans and other living creatures inhabiting the earth. This energy can be
drained by the adept of vampirism and used to serve his purposes. Note that there is
a legendary planet bearing the name of Nibiru on which live the Sumerian Gods, cre­
ators of certain vampiric lineages. This remains the dogma of some schools of
initiatory vampirism and although this is only a speculation, this egregore planet re­
mains a valid connection within the framework of the extraterrestrial mysteries as
well as a formidable power station. The Moon is the astral world, lucid dreaming, and
dream walking. Mars is destruction and strength. Mercury is wisdom. Jupiter is luck
and social success. Venus is love and sexualitv. Saturni-------- -- J — an j death.
fhe Sun is pr< ‘ H r [1- .... . :-’!<»>y NilHiu i>. the
‘Xl’alWS'fia .,,,,
; he (• re3t ( Hd ( h.•

AUTO-INDUCING a state of weakness

Vampirism is somet hing simple and can be easily mastered if you put a little willpower
into it. Il can be done anywhere, on anyone, although some people are more difficult
than others to reach.
First, we must focus on a point sensitive to energy exchanges, and establish con­
tact with it. We will see how to proceed with that particular point in the incoming
chapter. This exercise has been conceived to introduce you to the principle of remov­
ing barriers and locks that could block energetic transfer during the vampinc process.
Most of the locks are mental, but some beginners tend to experience some difficulties
during their first vampiric hunt, as they try to drain from their targets while focusing
on their own bodies, and trying to command the energy to come. It is not rare that
they are unsure if they have drained their targets or if they are just inspiring air and
hyperventilating. To overcome that difficulty, this exercise is built to change your
conception of energetic movements and transfer and transform step by step into a
natural vortex for lifeforce.
By setting the desired point, you must focus to open a path, a channel between
you and the victim. All this is done by visualization and imaginative sensitivity. You
almost have to see the energetic trajectory or be able to feel its presence inside your
target's body.
When you feel that a link has been created between you and the other, either ■with
physical or astral contact, then you have to concentrate to open the channels. raise
the barriers, and unlock the passage of energy. It is important not to try sucking the
energy of the person, just open up to it. The transfer will be done b} itself. Energy
like water and a lot of other things in nature, follows the rule of balance. It a door a;
between something full and something empty is open, the content ot the filled area
will naturally flow into the empty one. By placing yourself into a state ot emptiness

after establishing contact with your target, you will naturally remove any 1ock> arc
barriers and allow the flow of lifeforce to flood your body.
Unlike what you may think, this method is far more powerful and even Harmful
for your target than trying to pull the energy’ out of your target s body.
20 N D. BLACKWOOD

Here is a simple meditation that you need to practice. I i idea is to be able to

place yourself into that state instantly, just by remembering easations you already
know, as you already experienced them in your life.
lust remember each time vou have been in the state in your life. Remember being
a child, sick in vour bed while a parent is holding your hand or at the hospital being
visited bv vour relative. Remember how their presence brought you comfort and
health, and how by touching them, you could feel them alive. You felt the density of
their body, the energy they possessed while you were so tired and empty.
When practicing vampirism, whenever you use physical contact or your astral
hand, recall yourself being in a state of weakness, and fatigue by remembering these
experiences.
This step is easy to learn but is essential to master before attempting any act of
vampirism. The rest of the feeding procedure will be described in the chapter The Art
ofLife Drain.

THE BREATH OF ORGANS

The vampire must be able to breathe at will with every part of the body through the
pores. We start with the feet and finish with the head. The exercise will be done as
follows:
Sit in a comfortable position and close your eyes. Focus your consciousness in one
of your legs. Whether you start with your left or right leg, it does not matter. Imagine
that your leg inspires and expires, like a lung, the life force of the universe as the air
enters the lungs and surrounds it. The life force is therefore inspired and absorbed
from the universe and then expired out of your body. When the lifeforce enters the
organs, feels it’s refreshing and rejuvenating properties. You are not just breathing
air, but the very essence of life that is carried through everything around you.
When you transfer your consciousness into an organ or part of your body, you
must establish a very clear sensory connection with it. For example, when you focus
on your right foot, you should feel each toe, as well as each point on the surface and
inside ofyour foot. Only then should you start breathing inside your skin. This is done
from within the organ or part of the body, and your consciousness will have to be
firmly rooted in it.
Using the exercise Inducing the State of Weakness before practicing this type of
breathing can also be very helpful to let lifeforce flow into the organ you focus on.
 Tfvou have success'*. ■ . c
seven breaths
JS.Continuevuh
v0Ur hands, hm >... . « ■. . en the
Once this « done.i^eo Slav. ■ -f; v:p);ls the genitals, the Imnx theliver the
intestines, the lungs, t-.e > - . the syioen, the heart. and the head rhe PrePu .
*T «t«« « done when you have sucxxs^lly breathed ,, , ct, „ (hc

This w9 be essential during w vampiric prnetkes as it offers the possibility

''capon to drain vour victims.
You will also be able to heal md reinforxx each of your organs using the collected
lifeforce.. This will be rehm eh easy with a foot or .1 hand but will be more difficult
with the internal organs as out sensory connection to them is generally less developed.
The study of anatomical boards will prove ven useful. Establishing a connection with
your internal organs is quite easy with a little effort of imagination and visualization,
I can assure you. If we can achieve this in our own body, we will also be able to achieve
this in other things outside 0' cur bouy where we will have projected our conscious­
ness. This will be quite useful when practicing vampirism, to imagine and feel the
bodv of our target before drainins them.
The following exercise involves the accumulation of vital energy in the whole body
using the same principles. The accumulation differs from the simple breathing of the
previous exercise. Instead of inhaling and exhaling each breath of vital energy, it is
absorbed with several successive inspirations before finally releasing it.
I suggest starring with seven inhalations, increasing each day with one inspiration
until vou have reached a total of thirty. During inhalation, the lifeforce is retained in
your body and while, you are exhaling, onlv air is released into the space around you.
This will create a radiant and dynamic accumulation of Lifeforce. When you have
reached the appropriate number of inspirations, take a moment to teel the radiation
and nature of the accumulated lifeforce. When you are ready, begin to exhale the
lifeforce with every pore of vour skin. This exercise is completed when y ou can accu-
®ulate, in vour bodv, a dvnamic load of thirty inspirations of lifeforce and then to
exhale the same quantity of energy.

DRINKING the blood of the earth

Stad in a pentagram position with vour legs apart, eyes closed, arms perpendicular
t0 Ae bodv and slightly up, and palms facing up. Practice total relaxation for a few
^onds and breathideeply for a minute. Visual arcs of reddish electncty around
22 N D. BLACKWOOD

you that are becoming increasingly dense, and a reddish hale warm energy that is
quietly drawn from the depths of the earth towards you. When the arcs are very dense
and the halo is close to your feet, visualize the aspiration of all this energy, condensed
in the form of a sphere into your root chakra. When breathing in, accumulate the en­
ergy until this sphere is so bright that it could bum your retina. Raise this sphere with
a deep aspiration, and transfer its energy into the sacral chakra.
When the two spheres are incandescent, raise it into the plexus chakra by contin­
uing the external aspiration. When the three spheres are incandescent, you transfer
the energy in the heart chakra. When the four spheres are incandescent, you make the
energy rise in the throat chakra.
When the five spheres are incandescent, you rise the energy up in the third eye
chakra. When the six spheres are incandescent, you raise energy in the crown chakra.
When the seven spheres are incandescent, stop drawing in the energy. Once the pro­
cess is done, visualize the energy spreading from the chakras to the extremities of the
body. This method increases the chthonic energy potential for personal use. It would
be interesting to stock up it for a few days before releasing the energy during rituals.

DRINKING THE BLOOD OF THE STARS

Stand in a pentagram position with your legs apart, eyes closed, arms perpendicular
to the body and slightly up, and palms facing up.
Practice total relaxation for a few seconds and breathe deeply for a minute.
Visualize arcs of reddish electricity around you that becomes increasingly dense
and a bluish halo of warm energy that is quietly drawn from the sky towards you.
When the arcs are very dense and the halo is close to the top of your head, visualize
of all this energy condensed in the form of a sphere into your crown chakra.
When breathing in, accumulate this energy until this sphere is so bright blue that
it could bum your retina.
Bring down this sphere with a deep aspiration and transfer its energy into your
third eye. When the two spheres are incandescent, lower it into the throat chakra by
continuing the external aspiration.
When the three spheres are incandescent, you will transfer the energy into the
heart chakra. When the four spheres are incandescent, you make the energy fall into
the plexus chakra. When the five spheres are incandescent, you lower the energy into
the root chakra. When the seven spheres are incandescent, stop drawing in the en­
ergy.
 Once the process is done ./ .ze . -r .... .. .
extremities of the body. This method increases the criestni c*m
-onal use- It would also be in -erestir z to stock it • - l aJ' -S-7- -j.

during rituals.

the magnetic gaze

The magnetic gaze is the expression of = ~ zg wB zzd nn me
nerves have been progressively developed and which dive reazbed z zezree ~f exc—-
nonal strength. I will say nothing about mental strength. This exercise. z rckwe-
with intelligence and regularity, will considerably increase the mar. st: rcseerces
possessed by each of us. At the same time, you wEl learn how :: resist are ~zzrc r.;
influences of others. Those who engage in it will succeed in dzcmsizmz oezers zu
will be conscious of this domination. Those who diligently prjmcc this tecb.mrce -ii.
not have to wait to see results and fullv
* benefit from :: Thev * .<11 nccce a rcrcicizar
uixietv in their target, with even* word having a physical effect Ev enraaT. :ze target
will drop all resistance and submit fully to the vampire. The idea here is to make me
victim submit before draining him of his kfetbree. This ski . -T. be userid for har.e.m'.
vampirism.
It is, therefore, correct to sav that the magnetic gaze is the most precious resource
ot the vampire and that he must not neglect this technique.
Take a sheet of blank white paper that is about six square meres m sue aim cm -
a small circle with thick black ink in the center. Pin the sr.ee: ot paper or. tr.e a:
about the height of vour eves when vou sit down. Place vour cr.aiv m t .'.e < o.-■ <
room and sit down in front of the paper.
Focus intensely on the blackened circle and hold this gaze tor almost a minute,
fi^en rest and resume the exercise. Repeat this process toe times.
heaving your chair in the same place, move the paper to the right about three, fixt.
S« down again and, while holding your head in its original gAs.tion take a hf ’>
Clique look at the piece of paper; make each of vour movements last a minute, an.
rePeat each movement four times in a row.
Then mm e |rf, Jh,ul ,h,w fc. n.-« «•
«« «»«in *e manner a. Mbm. Then repM the e.|x™« I" e mnes m
•"».Cominne these eee.ei.ea f« three Javs and Sra.hralh Jar.men m et.
» «■» mmmes. After a ............ h««' -*‘ TT1 “

people har e gained ■» l«*

24 N.D. BLACKWOOD

they can hold for twenty to thirty minutes at a time. It is not necessary, however, *•
attain this result to have a magnetic ascendancy. Someone skilled with this gaze
can fixate on their subject for fifteen minutes is sure to overcome and control then
This technique can also be used on animals. They will abandon any hint of resistance
They will surrender themselves without reserve. They will do whatever the pract-
doner wants them to do. Their submission will have something mechanical.
At this particular moment of submission, inducing the state of weakness in your­
self will open every gateway between you and your victim to allow an incredible
amount of lifeforce to flow until he is nothing more than an empty shell.
This exercise does not pass without fatigue and boredom, but whoever is destine:
for vampirism must suffer it; there is no ascent possible wrhere there is no magnetic
gaze.4
 PREPARING YOUR TOOLS
Chapter 3

TOOLS OF POWER
SORCERER will proceed his practice in a place strictly reserved (if possi­

A
ble) to his art. This place is called a sanctuary. The ideal is to devote a room
to this exclusive use so all magical accessories can be installed permanently.
Because of this, no secular activity should ever take place there. Of course, this room
be closed .nd inaccessible » o.bors, 1. esse . would be ,«po s,b fo ,- »
. mom in your home, you can soil work in .n, room ,n yo« boo. ,ta n ,
in, bedroom. In this .I.ern.U.e, you will have „ in- your eqmpmen. each „me,
which will be locked up as soon as the operation is complet dedicated
With the practice of vampirism, it would, ^^^ermonies that J

room, because of the specific and dangerous na particularly pow-

be celebrated dice. The „sk nip—!,
edhl entities is unfortunately unavoidable. The best t mg V a|ld practice
an unfrequented room in your home (like a laun ry roo
cleansing and purification rituals after each use . dows are closed and her-
When permanent, the sanctuary is a room i (natural or artificial.) The
^etically concealed from any penetration of extern . painted in black, floor,
d°Or must be locked from the inside. This room w00(jen table of about 100 by
Walls> and ceiling. Various objects are found the wa^ and always draped in red
6°cm, which will usually be leaning against the w ' a biock in the center, a
fabr*. Two red candles are placed in each upper co awitch
7- container, an incense burner, an inverted pentagram,
(baculum,) and a human skull.
 The black candle, placed above the inverted pentagram, symbolizes the
flame, the vampiric soul, and the body of black light. kt'k

The pentagram is inverted because it symbolizes the forced incarnation of th

substantial, the divine, in matter. What is the vampire if not supernatural e h C

in the flesh after all?

The water container symbolizes passive, calm, feminine, and fertilizing e
It becomes lustral water, a sorcerer's equivalent of the holy water of Christi
used to sanctify objects or to baptize the dagydes in the vampiric tradition W **
• Watercan

The incense burner corresponds to the element of air. Located between the tellu­
ric world and the cosmic universe, it is he who conveys the vibrations.
The human skull symbolizes the victory of the will over natural elements. It con­
nects us to the world of the dead and the relationship between the world of the living
and the dead. The dagger and the necromantic wand are instruments of power to at­
tract, direct or repel energies.

CONSECRATION OF THE SANCTUARY

Like all things in magical activities, the sanctuary must be consecrated before being
a^^e serve as a P^ce of power to the follower of the vampiric arts. This ceremony
will be celebrated preferably during the ascending moon and after 8:00 PM. The heart
a pig will be placed on the altar. The officiant will first light the red candles on his
and place into the incense burner the incense corresponding to that day. The
black candle will be lit last and the officiant will chant:

Zazas Zazas Nasatanada Zazas (x3)

I open the doors ofthe abyss and summon my double ofblack light.

a drop of blood 1 ’°U' fingert*P> mar^ each wall of the sanctuary with
r u, ana say:

my blood, I dedicate these walls.

while chanting: WeSt and raise the Plate containing the

This evening, all hail toyou, Dracul.

Mayyour blood be in peace, the divine sacrifice.
 PREPARING YOUR TOOLS 27

Glory toyou, black sun, mayyourfire devour the old age

And mark my flesh with the shroud ofregeneration.

Make the passage free between the shadow and the light.
May a new body rise, an incorruptible body, an immortal body.
By the one who is sitting on the mountain offarthest midnight,
In the middle ofthe lands, and whose spirit remains on this earth,
By the one who commands wolves and bats,
May his spirit ofdeath enter this room.

Lord ofDeath and Resurrection,

You desire blood andyou bring terror to mortals,
Receive the blood which gives life and give me the mastery of it!

Take the dagger with the tip pointing up in your hands, and your hands against
the solar plexus. Stand in front of the altar, with a heart of a pig on a plate. Breathe
deeply for five minutes. Visualize the darkness of the night absorbed in the blade. You
can use the breathing of organs technique for this. Think of the blade as the lung that
is breathing and absorbing the dark energy inside your room. Visualize this for five
minutes while continuing the meditation. Block the breathing by tensing all your mus­
cles and in a precise and quick gesture, with the right hand, turn the tip down and stab
the heart. When the blade enters the heart, visualize white energy squirting out of the
heart and lighting the whole room violently. This energy is immediately absorbed by
the walls, which then seem to become phosphorescent and crackling with power.
Turn to the West and point the athame towards the ceiling and say:

Ego. (initiatory name ofofficiant,) ego, ego,

Sum sacerdos Dracula in aeternum!

By the powers that are mi ne,

I devote this place to the Dracul
And all the Blood Gods,
So that it should be the temple of their worship and the laboratory
Where black arcane necromancy will be explored.

I dedicate this place to red magic, to power,

And to the knowledge ofthe Great Black Lords,
Incorruptible links of the immortal strain.
athame
Creation
The ritual dagger is called an athame. Both sides of the blade must be sharp. The
dagger should ideally have a wooden handle and a metal guard. Take one and a half
meters of black cord, brush it with butcher's blood and bury it at the foot of a grave in
the center of a cemetery. Leave it there for a week and then unearth it. Brush off the
dirt without cleaning it. Dry it 24 hours. Wrap the handle of the athame with these
cords. The fixing method is your choice. Personally, I opt to glue the cord to the han­
dle. The important thing is that the hand is only in contact with the rope and totally

isolated from the metal.

Consecration

Place a pig heart on the altar. Operate on a Tuesday night between the new moon and
the full moon. The altar is erected to the West. Light the candles and incense of the
day. Meditate by focusing your thoughts on the usefulness of the athame for ten to
fifteen minutes. The athame is a weapon; it is used to bring death and release the vital
energy of the sacrifice. The athame is also used to repel energies, split them, dissolve
them, and increase control over entities.
Take the dagger with the tip pointing up in your hands, your hands against the
solar plexus. Stand in front of the altar, with a heart of a pig on a plate. Breathe deeply
for five minutes. Visualize the darkness of the night absorbed in the blade. You can
use the “breathing of organs” technique for this. Thinking of the blade as the lung
that is breathing and absorbing the dark energy inside your room. Visualize this for 5
minutes while continuing the meditation. Stop the breathing by tensing all of your
muscles and in a precise and quick gesture with the right hand, turn the tip down and
stab the heart. When the blade enters the heart, visualize white energy squirting out
of the heart and light the whole room violently. This energy is absorbed immediately
by the athame which remains planted in the heart.
Release your muscles and breathe deeply. Remove the athame, wipe it clean, and
keep it in a white cloth. Dispose of the heart. Lay the athame on the altar and extin­
guish the candles.
During the next full moon, plant the athame in the ground—two thirds of the
length of the blade, and let it be exposed to the moon all night. In the morning, recover
and clean the athame.
 PREPARING YOUR TOOLS 29

tHE necromantic wand

Creation
The necromantic wand is a branch (ideally hazel for its soft heart) with a length rang­
ing from 30 to 40 cm and a diameter from three to four cm. Remove its bark and let it
dry for 15 days to a month. Use the same method as the athame and glue the cord in
the opposite part of the pointed side. Then take a human bone that you will grate into
a fine powder and dehydrated animal blood and mix the bone dust with the blood into
a dark red paint. Paint the uncovered part of the wand and let it dry before varnishing.

Consecration
Place a cemetery earthenware vessel on the altar that is set up in the north. Operate
on a Saturday night, between the new moon and the full moon. Light the candles and
the incense. Brush the necromantic stick with your left hand and say:

In the name ofthe Lord Drakul,

I dedicate this wood to the powers of darkness.,
To vampiric art and the work ofblack necromancy.
May this wand be my scepter now^ the symbol of my power,
That allows me to attract and direct any energy or force

And submit them to my will.

May this be!

I consecrate this wood through the grave.

Plant the tip of the stick in the earthenware container five times.

And by the air.

Pass the baculum through the smoke five times.

By death and resurrection.

Touch the front of the skull and the end of the wand fix e times.
Lay the necromantic wand on the altar and extinguish the candles
THE MIRROR OF THE SOUL

Creation
The size of t he mirror is not important but it must be at least 40x40cm. It must have
a small wooden frame around it. If you cannot find one, you will have to stick a frame
of thin wood or strong cardboard, 3 to 5cm wide around the edge of the mirror. The
reflective surface should still be 40x40cm after the frame is added.
Write the sentence "I am who I am, I will be what I want to become,” on each of
the edges. It is ideal to burn it in the wood before inking it.

Consecration
On a quiet night, in absolute solitude, take a bath or shower and dress in loose clothes.
Hang the mirror against a wall at the height of your head. Put a table in front of the
mirror, then place a candle on either side of the mirror so that the flames reach the
height of the mirror. Be in absolute darkness except for these two candles.
Sit in front of the mirror while in the lotus position and meditate on the following:

The mirror is the reflection ofmy soul.

In its image is another aetheric dimension.
The mirror is the direct passage between my physical and astral self

Meditate for 10 to 15 minutes on this thought by imagining scenarios of passage

from one dimension to another by this mirror. In silence and a religious calm, stand
in front of the mirror, legs slightly apart, hands on the wall each next to the minor,
elbows a little bent. The candles must be inside your elbows. The back is not hunched
and slightly leaning forward so that the weight of the body is held by your arms.
At this time, your face should be between 40 to 50 cm away from the mirror. Relax
your muscles, keeping just enough strength in your arms and legs to not fall.
Stare deeply into the reflection of your eyes and focus intently on your soul. Im­
agine your energy emanating from these two chasms, the essence of your life.
Meditate and visualize making contact with your soul in this way for a few minutes.
In principle, you should unconsciously get closer to the mirror. Once your vision gets
cloudy, the color of your eyes and the outline of your face will start to change.
Proceed as follows.
Breathe deeply through the nose and calmly exhale through the mouth while fo­
cusing on the mirror. At each expiration, your Fsca ----- disappears in a
 PREPARING YOUR TOOLS 31

fv^y blur leaving instead the representation of your face in the form of energy (the
color will impose itself to your mind.)
After a dozen expirations, your face is pure energy, and you always fixate on your
eves. Breathe as much air as possible into your lungs before singing the following
throaty mantra:

Orn.
This step should take no longer than five seconds. The deep intonation of the "m"
sound should resonate through your throat and your entire face. At the end of the
breath, the ”m" is transformed into "ahh" externalized in the form of a brief and pow­
erful cry. At the same time as this cry, visualize your face in the form of energy being
projected in the mirror and being absorbed by it.
Step away from the mirror and place a white cloth on it until your next ritual. Blow
out the candles and focus on other things.

THE CIRCLE

This is the perimeter in which the practitioner stands during his magical work. It can
be drawn in chalk, but it must be projected energetically as well. It is common for it
to be considered as a protective enclosure that repels parasitic energies. Even if this
is true, it must also be seen as the place where the power of the magician is concen­
trated and focused during rituals. +
 THE ART OF LIFE DRAIN
Chapter 4

PACT WITH IPOS

O help you learn vampiric abilities, particularly the drain of vital essences,

T
it is possible to form a pact with the demon Ipos. This is not an obligation,
and it is possible to have great results by working alone. Though, making a
pact will save you time and the demon is a great teacher. To perform this ritual, yo
will dress your altar by placing all the instruments mentioned in the previous chapter
upon it. The pact with Ipos will be handwritten on a piece of parchment. You will also
take care to make a dagyde symbolizing the person you offer as a sacrifice to Ipos. It
is a simple statute of clay, on which pig blood will be poured, and in which will be
placed an organic substance of the person. It can be a hair, a nail, or saliva. Anything
that may contain a trace of D.N.A. of the selected person constitutes a marker capable
of linking them to the dagyde.
Once the doll is made, take care to baptize it. Make a few passes over it, and say

By the powers ofmagic, you are (name ofperson.)

Everything thatyou willfeel (name ofperson) willfee(
Everything that will happen toyou will also happen to (name ofperson.)

Let your imagination run wild, the formula is not as important as the command
^at you place in order to create a link between the dagyde and the target.

Said in the introductory chapter of this book, the practice of initiatic \ ampir-
is destined for experienced magicians. The sorcerer who decides to learn it is
Pposed to have solid bases in more traditional magical arts. Evocation is one of the
er^s that it is imperative to have for those who decide to initiate themselv es on this
Path,
34 N.D. BLACKWOOD

There are dozens of methods, ranging from traditional Goetia to theurgy allowing
the evocation of a spirit on the material plane. Most use a complex system of circles,
triangles, and incantatory formulae. To tell the truth, most of them contain useless
elements, even dangerous aspects such as forcing a demon to manifestation by insult­
ing and threatening them with the help of a religious formula.
The method I use was developed a decade ago by the American occultist E.A.
Koetting. It is broken down into a few key points, which if applied, allow the evocation
of any entity, elementary, or demon. If you are new to this, I recommend that you
take an interest in his video program, Mastering Evocation. This is easy to access and
guarantees powerful and effective results.
Next, I will explain the ritual for evoking Ipos. There are many other rituals in this
book using the process of evocation. The method is always the same, and it will be
necessary to take the formula for this one and adapting it to evoke the various demons
and vampires. As I said earlier, evocation works on simple principles. It does not de­
pend on the material, the incense, or a precise incantatory formula, but on your living
imagination and your desire to carry out the ritual.
The first thing to do is to learn everything you can about the entity with which you
come into contact. In most cases, it involves reading various texts and grimoires. This
part of the process is important because it makes the reality of the spirit grow in your
mind. As part of this ritual, here is the description of Ipos:

Ipos, also called Ipes or Ayperos, is a demon from classical Goetia.

He is said to be a Prince and a Count in Hell by the Lemegeton. He is generally
represented as an angel with the head of a lion. He makes men witty and bold.
Evoking him will definitely give a boost of self-confidence and courage.
Like many demons, he is said to know the past, the present, and the future.

THE EVOCATION

Sit in front of your altar. Light the candles and incense. Place the demon’s sigil in
front of you. The sigil is your doorway to the demon. Having the sigil and the name
of an entity makes it possible to get in touch with it, like an astral telephone number.
The incense smoke provides a physical base allowing the entity to solidify its astral
body. Relax for as long as needed. Focus on the flame of the black candle in the center
of the altar, and meditate on the act you are going to perform, in this case, make a pact
with Ipos. When you leave your temple, these powers will be in you.
 While focusing on seconds,
the candle, wi)|with
and °Ut movi try to fm
ginaze back.
front you asaif
ofAfter few you
a transparent screen hhad ng your
' *mpressi body,a ,1L
°n that y°Ur
this screen while focusing on your breath ThcP'aCed in fr°nt of realit/oIT^

mixing before
Your mind hasyour eyes.a frequency
entered You are now and all
h in the tate that al|ows Physical
thema ■ nl
P are
xx L" • * ** :x « f

’ .hesi«».W'»y«l”’"hei"p"S8X
Stay behind the static screen and observe flash) is sign that lt 1S opene
that these contours change, and that the sigi s ^ou just create a
A stable channel is now opened between y ,
, on the other side, and listening
'ows you to speak to him directly. He is jus
36 N.D. Bl.n

to you. Feci his presence behind the sigil. The demon, eager to manifest it self and pl(t
its power into action.
Using your living imaginal ion, and maintaining your gaze on the sigil, it is possible
to focus on two things to allow the manifestation Io happen. The first option is to
focus on the qualities of the demon, what you know about him. Feel the presence of
Ipos grow behind the sigil, but also around you. heel it invade your room, getting
closer to you, becoming denser and more real, until you are able to feel that in a pat
ticular place in your room, that someone or something is present, watching you. Do
not try to find out if it is your imagination, it does not matter. The imagination is
nothing more than the door allowing you to come into contact with the spirit.
The other option is to focus on the goal of the ritual, making a pact with Ipos to
learn the art of lifeforce drain. Feel what it would be like if you already had the result
in your hands, feel your power and your success. Imagine that your pact has been
made and that you have become master in the art of draining lifeforce. Now bring that
feeling back into your present , let it fill the room. What invades the room is none other
than the astral body of the demon.
Either of these met hods can be used to solidify its presence and structure it wit hin
your ritual space.
It is imperative to accompany this step with an incantation which you will pro­
nounce while the demon materializes. The incantation acts as a conduit that allows
for the manifestation. The incantations that you write yourself are the best and are
preferred over the ones that you find in grimoires. Use what you know about Ipos to
write one. It doesn't need to be very long. When the presence becomes more intense,
your state of trance will become deeper, and it will become difficult to pronounce the
incantation. You will then continue by repeating the words:

Ipos come.

Repeat it until the presence of the demon by your side is undeniable.

When this is done, it is common for images to appear on the other side of the static
screen. These images are an interesting bonus for those who want to obtain a com­
plete manifestation of the spirit but do not determine the success of the ritual. It is
important to let them come.
You can now say the command:

Ipos, show meyour physical body and manifest yourselfso that I can see you.

Let the images come and trust your living imagination. If you arc having trouble
with this, the E.A. Koetting video programs should be of great help. It is also possible
 tp^qUesrionsfothedenWn,SUchl)s ‘MtARIUpK„Rain
conies to mmd will always be the best A(V’ C -Vou Tk c
yourself. Leave this type of thought b,.f y ’?Ou ,n»y feel lit / 'answer that
present with you in this room. Let vo,Ir f°U- As part of the riJT “re tS'kin«t0
rry to analyze it. To establish commum^ «
ni,ns for the sptnt, m order to get to know him 7^ P'^ng three , 7 °
makeyourrelationshipeVen2X

stable.
At this part of the ritual, it is time to deliver your cor
should be conducted with an attitude of Godlike authork "' '"d SP'rit This steP
You have created its reality on this plane. You are the^ Y°USUmmonedtheent'ty.
disposal. Here, our command will be made bv readL 777 H*S P°Wer 'S at y°ur
have previously written up. ' ‘ g tne foI1<™ing pact that you will

By powers ofdarkness, I (name ofthe initiate, surname and first name)

Make this pact with you, Ipos, so thatyou lend meyour power
And give me the ability to drain all the lifeforce that I could need,
As well as the skill to control it.
By this pact, I do not sellyou my sold,
But offeryou 20years of (name ofa target) }s life.
In exchange for this, you will respectyour commitments
To this present pact signed with my blood.
In 20years, I will renew this pact with a new life as an offering.

t Somewhere on the contract, generally at the bottom of the page, you will feel Ipos
impose his astral signature. Trace the astral signature left by the demon us a.,a
or an ink pen. Let yourself be guided by your trance state.
Then poke your finger, and drop a drop of blood at the bottom of the contr
a signature. Once the ritual is finished, seal the contract with wax, and h
from everyone. ... , k
Now, thank Ipos, and ask him to leave your ritual area. You can do t is s p. y

• a this pact with me.

I .. .
Remain in silence, and feel the pt
. ^act a de-
you are alone in the ritual space. cnrcessfuHy made yoU ritual, such
The ttoll is complete. You h.« «es ot *
toon. Others will come. I advise you
I
■
38 N.D. BLACKWOOD

as the opening of the sigil, the solidification of the presence, the incantation, the com­
munication of the command, and the dismissal for each of the rituals present in this
book. It is the most systemic and effective method for evocation. However, if you
already have your own paradigm and it works for you, you are free to use it.
20 years later, you will renew the pact hy offering another victim to the demon,
Ipos is now your teacher and will help you develop your skills as a vampire magician.
A ven* positive sign is when the demon manifests in your dreams or sends you a sign
in your life.
Now, mentally cut yourself off from your ritual and return to your daily life. This
is an important step in psychological retraction. Watch a movie, talk to friends, do
something that is not occult related. Forgetting about the ritual is an important part
of all magical operations.

VAMPIRISM WITH PHYSICAL CONTACT

ampirism is a natural phenomenon. Vampirization is the pumping of the vital fluid

, r person. This can be done remotely or nearby, consciously or uncon-
- ithout the victim knowing it. When our vital energy tank is empty, it seeks
. by clugging into someone with more energy. This is the reason why, before
:• is recommended to induce in yourself a state of hunger, as we saw in an
n the previous chapter. The transfer occurs until there is an energy balance
between the two people.
Witiiin the context of initiatic vampirism, we will have to push much further from
. phenomenon, completely emptying the target of its vital energy, in order to gorge
of its energy. I personally had my first experience of vampirism when I was a teen­
ager. I had fasted over several days. After the second or third night without eating,
and drinking very little, I felt a deep discomfort. I had the feeling that my whole bod\
was overcome by vibration and a state of extreme weakness without managing to tall
asleep. A family member came to my bedside and took my hand. In a few seconds, I
had the feeling of the force emanating from his body, the strength of his grip com­
pared to the weakness of mine, but even much more. I could feel his muscular mass
and the static energy that allowed him to stand up, that energy I felt like I was deprived
of. I almost felt it circulating inside him. In the space of a few moments, while he was
holding my hand, I had the impression that this energy passed through his arm, and
entered my body, gradually giving me life and strength again. Little by little, the vi­
brations stopped and I was able to fall asleep. The phenomenon that I just experienced
 was„dteds
ha a basic times, transfer,
ofenergy with many and I havein .
people, able to rep
[n this section, we will focus on the pracf e Powerful ways th,s e Wience

mh: "■« -C**«*<

The vampiric act, whether it takes h
° “ f rms- trough vain-

plane, could be theorized in a few point, °" the P^sical ni

Ifyou respect each of these steps, it is these P°‘nts is of‘°n the astral
will become more and more powerful P°ssib,e to fai], and lmPortance.
The first point is the self-induction of dn*inage

the contact with your target, the third is t^ °f energetic hunger th

interruption of contact with your target s "Sfer °f lifeporce ‘ th' ■' SeC°nd is
- the fifth is the ’U’the‘nunh is tlle
t,ICU'at'onof|ifeforce

When you have selected a prey to drain, the first step in this process is to induce
yourself into a state of hunger, as we saw in the exercise Inducings State of Weakness.
You must feel like an empty receptacle; you must feel your desperate need to be fed
and refilled. You must stimulate your feeling of energetic hunger to its peak. If you
have not yet mastered this process, I suggest that you practice the exercise of the pre-
vious chapter again.
The next step is to establish physical contact with your target. It can be a hand­
shake, a hand on the shoulder or chest, as long as you enter in contact with your
it’s body. When your physical bodies are in contact, so are your energetic bod
Y astral body and that of your target interpenetrate. When you put your hand on
|th ody of your prey, you must forget your physical body for a moment. o it m-
■focus on its own. Feel its muscle mass, feel the density of its tissues and bones, f
its center of gravity. Feel and imagine the swelling of your target’s lungs, feel the
Ipulsation of blood in their veins, and imagine the warm, metallic taste ot this liquid.
■'1' i this body full of vital energy. This can manifest as a tingling sensation that runs
through the body of your target. Kinesthetic or energetic practices, acupuncture, as
Well as certain martial arts greatly help to feel the vital energy of a human being. It is
rccommended that the practitioner of vampirism also practice one of these disci­

plines.
^nce Physical contact with the other, you must then focus on opening the chan
ne s- rising the barriers, unblocking the passage of energy between it and you. You
fake vocal commands to your inner mind such as “redraw all bairicrs between
, f |.nd this Person, now, ” if that helps. The phenomenon ofcommunication betwet n
1 e,ement and an empty element then occurs naturally. Let yourself be tnvaded
40 N.D. BLAck,,

by the energy of this body. It is, at first, advisable to position yourself as a spectator
of the phenomenon. Let the contact take place, feel your partner's body gradually
emptying of this tingling and vital sensation, while it gradually flows through your
hand, your arm, and your torso. Feel its reviving force and its rejuvenating power
invading each of the cells in your body. You can accompany this process with the
support of visualization by imagining a blood-red flow. When you reach the point
where vour two bodies are at an equal energy level, it will then become necessary to
starting draining in a greater amount of energy. With the help of the "organ breathing"
method and all the power of your will, take a deep breath while drawing in the energy
contained in the body of your target, and accumulate it in your arm. Feel these revi­
talizing properties leave your target's body. Feel it becoming more empty and duller,
while the feeling of energy suction increases in your hand, your arm, up to your chest.
Be aware that by this action, you are draining their life. Act with the determination of
a predator. Your life rather than theirs. By stealing their vital essence, you are extend­
ing your own life and increasing your power. You are a predator, and they are nothing.
Empty it and drain it to stay alive and gain power.
Some magicians like to accompany this energetic process with a mantra such as:

By the power ofdarkness., I command that the vital energy

That is present in this person be transferred into my body.

I personally do not use this technique, but it can be a help for those of us who work
with auditory magick more than visualization. It can also be interesting to imagine the
metallic taste of the blood that invades our mouth, or our hand since after all, it is
through the blood that the vital essence is transported.
The next point is to cut off all contact with the target. In the case of physical vam­
pirism, it is simply a matter of removing your hand or the part of the body in contact
with it. Also, cut all mental contact with the prey by no longer thinking about them.
To make it simple, pretend that the person no longer exists. This step is necessary in
order to avoid a return of the energy drained towards the empty shell which, in turn,
has become your target. The last point is to distribute the energy that you have just
drained into your physical body, in order to start the process of regeneration, rejuve­
nation, and empowerment specific to vampirism. If the energy drain is accompanied
by an inwards breath, this process takes place on an expiration. Upon exhalation, feel
the energy you have just drained spread throughout your body. It irrigates your blood
system, your internal organs, your heart, your brain, your bones. Try to feel each of
your cells overwhelmed by this tingling sensation, which pives them a feeling of
 i- ur c DKA1N 41

rejuvenation. Feel this new life invading your body. Through vampirism, you regen­
erate, you increase your life expectancy and your magical abilities.
To start training this practice, you can do it with friends or people who are recep­
tive to energy theories. Take care to conceal your real action by presenting it as a
magnetic pass. When I started, I practiced a lot on this type of target. Most said they
had the feeling of having an empty or heavy arm after my action. In some, it caused a
light feeling of sleep or even a burning sensation where my hand was placed.

SIGNS OF A SUCCESSFUL VAMPIRIC ACTION

You will feel refreshed, full of life, younger, healthier. Your senses become more in­
tense. Colors are more vibrant and you hear the sounds with greater intensity. Your
sense of smell becomes more sensitive. A feeling of excitement or great calm will
overcome you. This can sometimes go as far as a feeling of drunkenness. It actually
depends a lot on the prey you just drained. Also an increased feeling of physical
strength and reflexes, an increase of occult capacities, the ability to feel your astral
boc , the feeling of magical power, a stronger sensation of realism during astral travel,
anc igher skills in divination and evocation.
is, of course, quite possible that you will only feel some of these during each
er hence. It greatly depends on the quality of the prey you have selected and your
re nty in the practice of vampirism.

VAMPIRISM BY SIGHT
Once you have become adept in the practice of vampirism by touch, it is possible to
learn draining lifeforce without it. The first important thing to understand when we
want to succeed with this practice is that space and distance are only a concept made
up by your mind, and that there is actual physical contact between all things. Human
beings mistakenly believe in the existence of a vacuum between all objects. As we
mentioned in the previous chapter, energy follows by the flow of the mind. If we con­
sider that something is impossible to attain because it is far, the flow of lifeforce is
blocked. Vampirism without physical contact, which consists of circulating the vital
essence of prey that we perceive at a certain distance, is in reality as simple as vam­
pirism by touch. It is, therefore, important to understand wrhat the notion of space
and distance really is, in order to break down the mental barrier which makes us con­
ceive it as difficult, to think of it as an easy process.
 \Vc exist in a universe of electromagnetic forces invisible to thc naked eye, but
11C\crtheless real. We swim in an environment of atoms, molecules, and proton,.
What we call space is actually extremely filled by these micro-elements invisible to
thc eve, ail in contact with one another. When we see a thing, the light that the thing
emits comes into contact with our eye. It borrows a bridge made up of millions of
atoms to come ami touch our retina. There is no space between you and all you ur
scc,onh elements that you arc touching all the time. It is necessary that our .errz
perceixc it as a direct experience, so that our mind accepts it.
How IS this physical theory in the field of vampirism applied?
; T fust technique is the simplest. Assume that, through your eye, you can touch
x i hing you arc able to see. If you see a person, it is because the light emitted by
person hits your retina. So, you arc in contact with it, you touch it. You can,
feel this image in your retina, and feel the vital force that emerges from it.
1: mdu<ing an irresistible feeling of hunger, an imperative need to feed. Fee’
adc you. Remind yourself of a feeling you may have experienced
(■- in bed, without any vitality. Feel a desperate need to eat.
' thc much of your target on your retina. You are in contact with it. It
. in.. Through this image, let the vital force flow in the same way as
flow th rough your hand if you were in physical contact. Feel the life
mgli vour eye and invade your body. Feel its rejuvenating, regenerative
> 1 -up on each of your cells. As in the previous practice, when the flow of
-■ L naturally stopped flowing and an energy balance has been reached be-
'u vour target and yourself, you will be able to pump more using the organ
; . ji iiinp technique by draining the energy with a powerful inspiration. Feel that you
completely empty your prey of their remaining energy.
I lien, cut ail contact with the target through the previously described method.
. nc exhale to circulate the energy throughout your body. After each vampiric work,
this step is important because it allows even distribution of the energy drained
through each of your organs.
The second method is more powerful in my opinion. It requires the development
of a more powerful kinesthetic sense and a good experience of vampirism through
physical contact. 11 is easy for massagists, osteopaths, and in general, people who are
used to touching the human body. I advise you to train assiduously because this prac­
tice will serve as the basis for your future experiences of astral vampirism. Some
grimoires give this technique the name of “tendril.” However, this is not a qualifier
that I will use. Indeed, we are not used to the feeling of a tentacle, and Hying to
 THE ART OF LIFE DRAIN 43

recreate the sensation of one could feel difficult. It is much easier to remember the
feeling of our hands, rather than trying to create an imaginary organ. We use our
hands every day; we are familiar with how it feels. We use them in the context of
vampirism with physical contact. To imagine our hands is to use our hands on the
astral plane.
The distance with which you can practice this technique depends on you. It will
be very easy to start using it a few centimeters from your prey because the feeling of
being able to anticipate possible physical contact is very great. Quickly you will be able
to imagine and recreate the physical sensations of a touch several meters away. With
practice, you will no longer need to see your target to be able to imagine their body
and accurately recreate the sensation of touching them. You will then leave the do­
main of vampirism by sight to enter that of vampirism on the astral plane.
As in the previous practice, start by inducing in yourself the feeling of emptiness,
hunger, and the need for a great energy supply.
At a few centimeters or meters from your target, imagine placing a hand on them.
Anticipate the feeling of touch on their skin, on their hair, on their bones. Live this
experience with intensity. Feel the density of their body, feel the muscles and joint
tensions. Also, feel its gravity on the floor. Feel all the energy that animates this body.
Feel the strength and the life that drives it. Feel it radiate from their body, and flow
through their veins. You can imagine the warm, metallic taste of blood that carries t.
Lower any mental barriers that may exist between you and your target. Let the
energy flow through you. Feel the tingling and pulsating sensation leave the :
your target and flow into your own. Feel that as you absorb the energy', your target
becomes empty and weaker. The sensations are exactly the same as when practicing
vampirism through physical contact, but the results are generally much moi : power­
ful. At times, you may have the impression that you are inside your prey's body, as if
you were feeding on it from the inside. This is an effect of extreme empathy. As in
the previous practice, when the flow of lifeforce has naturally stopped, and an energy
balance has been reached, you can drain more by using the organ breathing technique.
Feel their forces abandoning them and entering you.
One of the advantages of this method over that of physical contact, is that it gives
you as much time as you want to practice without being perceived. You are therefore
free to repeat the process with several inspirations if you are not satisfied with the
amount of energy provided by a single one.
As usual, mentally cut off all contact with your target at the end of the process.
 44 N.D. BLACKWOOD

Circulate the vital essence in your body on the exhalation, taking care to distribute
it equally in order to nourish each cell and organ.
When you are more advanced and have some experience in vampirism by sight, it
may be interesting to replace the sensation of the hands with that of your mouth and
to have the sensation of absorbing the blood of your prey through it. You will then
have the sensation that his blood flows in your mouth by a continuous flow. For the
rest, the process is relatively identical to that described above except that the sensa­
tion of taste will be much greater. The throat region will then be a target to focus on
in your victim.
In the chapter The Path ofthe Dragon, there is a method of vampirism through the
gaze used by initiates of the vampiric chain which consists of plunging one's gaze into
that of your own using the principles of the magnetic gaze. The door of the eyes allows
you to connect with the deep self of your target and draw from it.
This methodology mixes vampiric drainage and hypnosis. During ritual initia-
jg^, I saw practitioners being drained of all their strength by mentors using this
i sometimes being forced to sit down or falling on their knees before the end
of the process.

VAMPIRISM BY SYMPATHETIC CONTACT

> me of the simplest methods in this book is sympathetic contact vampirism. It is based
on an assumption well-known by magicians, once in contact, always in contact. We
have previously seen that distance and space is an illusion and that we are in contact
with everything we see.
Vampirism by sympathetic contact starts from the principle that any object that
once belonged to a person has part of their imprint on them. This is a phenomenon
well known to the police who search for D.N.A. traces and fingerprints left at the
crime scene in order to find the culprit.
It is also interesting to mention the Bell Thompson theorems. This Swiss physicist
demonstrated that all subatomic particles continue to have a connection which is both
measurable and instantaneous, no matter how far they might seem to be separated.
Later, Alan Aspect demonstrated the veracity of this theorem and validated that a
change of direct ion on a particle affected the other particles at a speed higher than the

speed of light.
By touching an object that has been touched by a person or that belonged to that
person, it is, therefore, possible to establish contact with th^m regardless ofrr,t
 THE ART OF LIFE DRAIN 45

at Which they are located, ft is this simpIe principle which

>g da^eS ,and Sympathet'C magic th« “ regularly used by the
'dtioners of Voodoo.
1 First) it is necessary to provide you with an object that be)onged to the person you
retargeting. It can be a piece of clothing, jewelry, a pen, etc. Any object that has been
touched by your target or has their D.N.A. on it. This D.N.A. print is still present
thousand of years after their death. Archaeologists are able to identify the D.N.A. of
people who died hundreds of years ago on objects that belonged to them. So, don't
worry about when the object was last touched. Once in contact, always in contact.
Again, induce in yourself the feeling of consuming hunger and the absolute need
to feed on vital energy.
Place your hand on the object and practice the lifeforce drain on the object in the
same way as during an operation by physical contact. The sensations you are looking
for here are exactly the same. Feel that through the object, the lifeforce of your target
travels, invading your hand, your arm, and your chest. Feel these rejuvenating and
revitalizing properties invade you.
I One of the advantages of this method is that it allows a prolonged drain of your
ta t which can be difficult with physical contact. Be careful, though. When you feel
yc victim becoming too weak with few lifeforce left to offer, cut off all contact, and
st your activity to not get intoxicated with dirty energy that could make you sick
hile exhaling, circulate this energy throughout your body to nourish it. Feel the
re enation process taking place in every cell of your body and your occuit pw
st, gthening themselves with the influence of lifeforce.

VAMPIRISM WITH A MIRROR

Th's particular method has been created for a sorcerer who hasn't mastered the out
1 body experience. It will not require you to fully leave your body. The idea is
Attract your target’s presence inside the mirror, and then to extend your astral body

l°uth h before draining them of their lifeforce.

This being said, be careful with it. The effect of this rite is quite powerful an
Ceven be deadiy if d°ne f°r to° *°ng at °ne time-k is not rare t0 see your tarse

sick after a few days of regular practice. r.r,.t

ThUse the consecrated mirror and an image of the person you choose for your urg
include the photo, a piece of clothing, a dagyde, or it could be a drawmg

Uarne written on the paper depending on your ability.

 .wK*** r rt0 specify your working area and burn SOttle
* S? . eirde on the t <*> untll in a state of setni-trance is

w “ "" "n,‘V
SF“‘ ,r <ir* “> medi"" “
a scoi opdor. y * of yo in a calm and detached state.
T^control of y0UrT3‘ relationship with your target. How do you want

®nuKt . v0ur intention and vou romantic? Lustful? Do you want them
* * Do vou want your c°n wouW you like tQ sUy
“Cared and feel oppr^? the nurror. Call them by their name andask

e£. imagine their image forming eyeg your lmaglnation Re.

for their p^nce until jou can^ - herC) in
Xnber what vou would feel m * P just behind the glass of

.^rbeprocessofthesobdtficauon.

ffiiOTr- f htmaer inside yourself, feel the weakness and the desper-
Then induce the state o g a on your targef s body

o dd be like to enter in contact with your victim’s skin. Remem-

hair, of their lips, feel the curve of their body. Imagine yourself
i o and even your mouth on them. Recreate the sensations of the contact
0:. m your mind. Feel the density of their body, imagine the weight of
an^ torso. Feel their blood flow under their skin, and deep into
ettfer-r.Ttk rncU^c taste °f their blood and the enriching and rejuvenating
eftect of their lifeforce.

process with an ink i attracted by your emptiness. You are free to help the

:ar?et is an ern . , drawing lifeforce seven to nine times until you feel that y°ur
* We tuttin8 contact and dissolving the mental image ofy°ur
heel the benefits of
°UMn yonrbreath torr^eStaS ‘heir Iifcforce flows everywhere in your
Auicklv PWf0fm ,he ritual " ■" My place you feel convenient in your bo
more that the intended ^r t,mC'S during a pcriod of fourteen days. You
............ —**:

’"ay become . । "l,|:rHillllK "> note changes in ।11 (()

■y SUbm,8sive or attracted to you, some may
 *^m\i ur urr. ukahn 47

put some space between you. They could also

unconsciously identify you as the
source of their fatigue.
if you have a love interest for your target it ran .
ny . , . 7 Larkct> K can be interesting to use magnetic
passes on their photo to give some of your own life force in return
This phenomenon of filling a weakened vessel with your own essence tends to
create a very disturbing attraction that they won't be able to explain.

VAMPIRISM WITH A CANDLE

This rite is quite similar to that of draining vital essence through a mirror. The differ-
ence being that a candle will be used instead.
It is recommended to use a black candle for this method. These candles have been
used by wizards for generations to cast a variety of negative influence spells.
If you do not have any at your disposal, other flames can be used. During my mag­
ick career, I frequently used this ritual with campfires while I was sleeping in the
forest and performing rituals.
As in the previous ritual, start by relaxing by taking deep breaths until your body
seems perfectly relaxed.
Watch the flame dance in front of you. Focus on it while paying attention to your
breath until you get a pleasant feeling of self-hypnosis. An alternative is to reach the
theta-gamma wave state as described in our first evocation ritual. Whatever the mag­
ick work that you seek to accomplish, reaching this state allows one to reach a
sensation of power where the astral world begins to merge with the physical and
where doubts about the existence of magick no longer exist.
Call your target. Start, if you want, by calling their name. Calling a thing or a per­
son by its name tends to make their presence much more real. Let images of them
c°me to mind. Remember your target, the color of their hair, their eyes, the density
their body, and the type of clothing they wear. Feel their presence becoming dense

and more real.

When you have the feeling that you could almost touch your target or speak to
them as if they were at your side, place them inside the flame. Let images come to
You- Like water, mirrors, and blood, fire is a portal to divination. Through it, you see
target; you are in contact with them. Let your living imagination show it to you.
Understand that this is all very real. . . ,
, ■«»» yourself in .he «... of «*»» - W* — *•
need for energy «ro«, «»»>• -“,h' “”""g
 . n.p.b''aCKW0°D . •
rating and rejuvenating properties. Feel
r victim- F*61 itS ’"/’hat on contact with your target, i |„;ir energy «

that carries it. Fee you can accompany this

fill the immense votd energy )eave yOur target and inv^

Rationan mh^ bec0I7ie more and more empty and that the
When you fee' your v end tbe v.suabzat.on and cut all
encrcv coming to you _ and blowing out the flame of the candle.
bv chasing them from you °
Let even- cell tn you bo , Y
r Hhk newlife that nab juol
Ut The more familiar you become with this ritual, the more you will be able to per-

form powerful draining.

baneful vampirism
Now that we have covered the different ways of draining the energy of a target.::::
time to go further in our practice. There are two main ways to absorb an enormcj
amount of lifeforce in a subject. The first is that of sexual arousal. It can be done on
the physical plane by exciting the target and by seducing them in order to stimulate
sexual energy before draining them. The operation can also be performed in 38*
:-tal projection.

ect It ’ 5 °^Senat^ Mason's Rituals ofPleasure, already deals wtt

refers r f ^dly a methodology that works. The author of this book,
- CUS°nthesecond-

' of lifeforce terror and P^n are great ways to drain considera-
well as the m P*11*011) this is the ultimate method in the practice d

; - P^sent with the va tradltlOnal method) whether it is practiced ontarg^

IU’ Plain or during astral pr^
to eat as ‘ °n his feet known t0 be a seducer or an erotomaniac «

Modern ,f 'he dishes at h,\ h'S 'Unch while attending their agony, s66

beat^terror ^’' A toanyofthtC'lllc vamPirism follow the footsteps of theg^.

LWayCon'Parab|Pa'nWerePartofthere tra'ned kniShts and professional

ifc’*ns,; bom int^"'"dfcrn pra f eir da'ly lives and fueled their magic- Th*
coveT*8 that '-ks like harmless vampirism
 THE ART OF LIFE DRAIN 49

One of the simplest, but nevertheless the most effective methods, is that of astral
flaying- It can cause severe damage to the prey which will manifest itself in the hours,
days, or weeks to come. It can lead to the development of a state of fatigue, chronic
loss of energy, deficiency of the organs attacked, and in certain cases where sufficient
aggressiveness was deployed during the operation, to the death of the victim.
This method uses the same sensory fundamentals as other vampiric practices. As
with the previous ones, begin your action by recreating in you the state of emptiness
allowing you to naturally attract the lifeforce. At this stage of your learning, you must
perfectly master this technique and be able to induce this state quickly.
You must be able to feel in your imagination the body of your victim, imagine the
contact of your hand or your mouth on their skin, the density of their body, the clothes
they wear, and their texture. Imagine the effect you could feel if you passed your hand
on their skin, on their chest, on their torso, in their hair. Feel the energy under this
layer of flesh and bones, fueling each of their organs. Feel the blood flowing through
their veins and the metallic taste it has. Mentally walk the sensation of your hands or
your mouth on their body by feeling the smallest details.
When you are sure of your connection, imagine lacerating their skin, imagine the
cut that it causes. Feel the force that you need to break the bones in their thorax. Feel
and imagine each bone breaking as you pulverize their rib cage like a wolf tearing open
prey.
This should naturally cause true astral bleeding, which will occur without you
even having to imagine it. Your victim's astral body, damaged by your assault, will
have a gaping hole allowing an enormous amount of vital force to escape. Thrust
through to the core and drink deeply whilst they astrally bleed out.
Feel it spring up, absorb it entirely within your astral body. Feel the enormous
quantity of lifeforce that you devour. Empty your prey of all their vital essence before
leaving them as empty as a shell and break the mental and astral bonds that y ou hav e

created.
This method can cause server injuries and can be fatal foi some people. ou must
be able to feel every detail in all its most gruesome reality, the feeling ot forcing the
bones of your victim to explode, the flesh that is torn under your hands and teeth, t e
sound of a body that you dismember, the metallic taste of the blood which gushes out
and the intense sensation which its absorption causes. When it comes to t ‘‘P >
■1» t«g«O to be footed .re th. th™. .nd chest. Th. n«e you «. 1nbie »l,ve
«> experience with intensity, the greater th. benefits for you « well .. th. drag,

inflicted on your target.

50 N.D. BLACK WOUu

THE PUREST FORM OF LIFEFORCE

The concept of ancestral energy is linked to t raditional Chinese medicine. Ancestral

energy is transmitted to us through the family line and determines the existence of ar;
individual. It will induce in their body the processes of growth, life, and death because
this energy is fixed once and for all at birth. Its potential can, therefore, theoretical!’,
onlv decrease, and when it is exhausted, death occurs. The amount of ancestral en
ergv would be different for each of us and would determine our longevity according
to the concepts of Chinese medicine.
Chinese practitioners, therefore, claim that to avoid spending too much of its an­
cestral energy, it is desirable to have a good supply of food energy (balanced nutrition)
and a good supply of universal energy provided in particular by breathing or exercises
like Tai Chi.
Although I do not have any way to validate or invalidate the Chinese theory of an
energy present in limited quantity in the human body, of which quantity would deter­
mine our capacity to keep us alive, certain scientific discoveries seem to indicate that
our longevity is written into our genetic code. We will see in the last chapter which
deals with physical immortality, that some of the best scientists are working hard to­
day to reverse this process.
Until this work is operational, initiatic vampirism presents an alternative. Inorder
to recharge their own ancestral energy, the sorcerer will drain the hearth of the an­
cestral energy of their prey before driving it into their own reservoir in order to
recharge their own.

HE RESERVOIR

ancestral energy, according to ancient Chinese texts, is supposed to bt

- icheys (the left kidney according to some texts.) It is therefore particu-
; to practice vampirism from the back of your prey when you are
■ 4, their reservoir of ancestral energy.
: egiou known to the Chinese as the lower Dantean, also known as the "ocean
c energy," corresponds to the svadhishthana chakra of Hinduism and is said to be
particularly rich in ancestral energy. This place has a high concentration of ancestral
energy. Those of us who are used to working with chakras will find it particularly in­
teresting to target it during our vampiric activities.
There is an acupuncture point used by Chinese doctors to access this energy sup­
ply known as Qihai. It is three finger lenrr*i— v » ’ * research in M
 THE ART OF LIFE DRAIN 51

manual will probably help vou locate n m case of difficulty. Acupunctur-

isK use this point in particular to allow stress and bad energy to he released out of the

XX
TO drain ancestral energy-, it is recon,mended to target between the kidneys of
R prey. Use the method to pierce vour target’s body until you
tttdt their ancestral energy. You must feel it for sure before you greedily drain it. The
vampire a to wishes to attack ancestral energy through the Qihai point must act with
ci-tton as to not be intoxicated with the potential trash it may contain. Imagining a
tater only letting ancestral energy pass and blocking any toxic energy. On exhalation,
leic this energy into your own ancestral energy reservoir between your kidneys. You
must feel certain that the drained energy mixes with yours, increasing its quantity and
vour longevity capital.
Here are other acupuncture points that can be attacked and their precise location
in order to target the ancestral energy of your prey:

* - TU MO: between L2 and L3.

* 22BL: on the horizontal passing between Ll and L2,1.5 fingers across from the
midline.
* 24BL: on the horizontal passing between L2 and L3,1.5 fingers across from the
midline.
* 26BL: on the horizontal passing below L5 at 1.5 fingers across from midline.
* 27BL: on the horizontal passing through the first sacred hole, two fingers’ dis­
tance from the sacral crest.
* 28GB: immediately below and outside the anteroposterior iliac spine.

REGENERATION RITUAL
Ihe following ritual is of great importance. Its purpose is to allow your bodv to regen
erate and rejuvenate. It has been used for hundreds of years by practitioners of
•nitiatjc vampirism in order to recover their strength and youth. 1 he objective he
to seek to draw a significant amount of vital force by reaching out to the a
section made during previous vampiric acts. “Once connected, always connected,
seen in the principles of sympathetic magic. You will use the principle of vampiric
drainage from all the targets with which you have already connected in the past, even
;r I Afihpm It is then a question of making this
” you have not kept conscious memory of the .
. p-u’h oruan, each cell and start the
vital force circulate in yourself in order to no
Process of rcinwnatinn
„ N.P BLAL'‘"" feel andfor
^quisite the astrai
activate ,
_ __ while
the astral body "* U'SCllSsiiitj1
• pthod is a,s0 a prC"
T« will help facilitate the exit process and
next chapter- the astral plane.
This IriCrease

„„«nf -
era My in the dark, and practice controlled b
each muscle in our body in order to |ea
prefect K
Start by lyin? x c ‘ ’ Ve'tasinenas
idea here is to try to re ax c„-^until you feel completely relaxed. Ati
ip
t"*"' retain is to try to relax the facial muscles esped.i,, |fe
«e
” 7'T' „ These muscles have a mirror effect with the rest of the bod,. B,
re-
tX rhe™, you will monuge to affe« the rest of y°ur b°dy.

Then start thinking about each of the vampiric experiences you have had. Remem.
her that there is a channel between you and each of your targets that remains open.

Remember these experiences. Feel the touch of each of them. Remember the sensa­

tions you had when you were in contact with them, feel the vital essences that

emanates from their presence.

Feel a net of thoughts and memories reaching out from your body, spreading out

through space and time, connecting you with all your previous targets.
Lower the mental barriers that separate you from them and let the lifeforce of all
\ our past prey flow gently into your body. Feel it come to you and invade you as you
breathe in.

. a^en^on to your i ight foot and feel the lifeforce entering it. Feel the sensation

Vc'A' \ ;0UI toes and go up to your foot. This sensation then goes up to
hip 5" in’your knee until y°u are able to feel it all over your leg up to}our

mated by

5«Sere X'*'’00"8'
Md tet * —-

*'ZZZ,ldcr- "s Ae ~

'"Z ’“Zlt'"“XX*, ' rour arms Md ,e«s “ *'

hio-hArond nourishes yourlUI1h

 THE ART OF LIFE DRAIN 53

Now, your legs, youi aims, all the organs in your belly and torso are filled with a
feeling of vibrations and tingling.
Now feel this sensation go up through your throat, enter your mouth, feeding all
the muscles of your lace. It goes up to your eyes, your forehead where it awakens the
third eye, before coming to touch the top of your skull.
There’s no need to stop there as you can feel every muscle in your body, from
head to toe, overwhelmed by the tingling sensation. In the space of a few seconds,
observe everything, your legs, your arms, your torso bathing in this soft and fresh
feeling of vital essence.
What you feel is your astral body, the body of the great vampiric work, your vehi­
cle beyond death, your immortal body. It rests inside your skin and around your skin.
It communicates its perfection to your physical body as if your physical body is
lying in the mold of your astral body. To match the perfect form of your immortal
astral body, feel the Lifeforce connecting to every organ in your body, your muscles,
your bones, and your blood system. Feel it penetrate your D.N.A. structure, down to
the smallest molecule in your body, nourishing it, and rebuilding it. Feel a new youth­
fulness invade you while your astral body instructs your physical body to return to
perfection. Do not stop until you get the feeling that your body has returned to its
youthful and healthy state.

FEEDING UPON SPIRITS

The purpose of the following ritual is to allow you to absorb the capacities of an entity
by carrying out an act of predation on it. Here, you will summon the entity as usual,
but instead of placing your command, you will perform an act of vampirism on the
spirit. This ritual will be most useful when you desire abilities specific to a spirit, such
as seduction, divination, physical strength, knowledge of the arts and sciences, etc. It
should be noted that this ritual does not only work using the entities leferenced in
griinoires such as angels, demons, elementals, and other pagan deities but can also be
used with archetypes present in the collective consciousness (It is then a work by
Kaos Magick) or with celebrities who have particular tiaits 01 talents you would like
t0 appropriate.
It should be noted that you will not destroy the entity in this way, but simply con-
su™e its manifestation in your ritual space. Some spirits will not appreciate it and will
S()inetimes try to defend themselves. It is therefore important to maintain an iron will
54 N.D. BLACKWOOD
and the entity was evoked and
’ You arc the magician,
d”g t-XXyour will. You, therefore, have a considerable «h«hger»
P "".he-ePr«CSs tlut we described at the ^ginning of the
the entity of veer choice until a tangible presence ts felt, or even a comp|ete '
iration in your ritual space. You must be able to sense the presence of the emi[y^

particular point in your room. Being able to see it is ideal.

When vou call on the entity to materialize, it is important that vou fociu a .
VU!> on the
powers of that entity. For example, if you are going to evoke the demon Sitri faq.
on its ability to charm or provoke debauchery. Feel this presence invade the room ■ ■
the spirit approaches your ritual space and materializes there. *

When you have no doubt about its presence, imagine a spine or tentacle comina
out of your astral body and biting the entity in the center.
Breathe in powerfully from the mouth and nose, draw the energy of this entity to
cm until you consume it entirely. Feel a flood of energy invade you. Be sure that you
d‘e draining into v ourself, not only its essence, but also its skills. Continue the opera-
until ou hav e completely consumed it and no presence of the spirit is perceptible
in your ritual area. r
 THE IMMORTAL BODY 55

THE IMMORTAL BODY

Chapters

THE ASTRAL PLANE & THE DARK ASTRAL

HE astral plane topic has been the subject of many discussions over the cen­

T
turies. Defining it with precision is difficult. The astral plane acts as a
parallel dimension composed of all the thoughts of living creatures. So,
even' place, every object, every person, and even every epoch exists on the astra
plane. This plane, therefore, acts as a mirror communicating with our physical reality
a d has an influence on it. We could say that our reality is a materialization of the
astral plane which makes your reality a materialization of thoughts. Thus, the rituals
c actions that take place on the astral plane have a creative (or destructh e) influence
c-i the reality of the physical plane. This is the domain of thought and energy; time
i d space have no value there.
The astral plane is, contrary to popular belief, fairly easy to access. W hen we sleep,
we are, without realizing it, on the astral plane. When v. e think ot something or
we are having a davdream about it, imagining the details 01 this place or this obje
we partially project ourselves on the astral plane to it. It is, therefore, an activity,
most of us have carried out without realizing it hundreds or e\ en thousands of ti
in our life.
What differentiates an out of body experience (OBE) from simple daydreaming is
the degree of intensity with which we feel being present in another p ace.
°BE> we recreate with such intensity a place that we forget °ur ph? sic 5
‘b'e to imagine ourselves in this place, to touch the objects and the persons
And, of course, this has an effect on the physical plane.
Th. creative i„ae™«„ la d®"“ "Z
 - N P BLACKW00U , people trying to project themselves into the astral.
•ences will be. Many P P as a parallel dimension, trying t0 Op(. S

„ .<«<> i» ""ie" ”' , ’ mMhods ™EW by grtmoires and audio*r °rtWt «J.
Th, fcl is tb.t "»■ “ for ,he success ofthis practice, however si„p>

'«fW*“’ ” °f Pla" Where ’*

demonstrates, thoughts are energy. Ou, astral b„dy
" t,” i" P«“>" by ”r ,h°“Sl"S ”<l *
" «.
>
To ll the Lull powers that «e accumulate. Movmg you, .stt.l body tm|J

' 7"■ mean m.™« >™ “d ““8-v “ «"™“>»» «e a,

rtatrfi The astral plane has no notion of time and space. It easts both„
vou, behind every millimeter of the physical plane, but also entirely, within you. So
astral traveling is not so much to get out of your body, as to relocate your attention
away from your body in order to reach an area, which exists at the same time outside

of you and within you.

All people with a certain level of the practice of astral travel will come to validate
- Indian theory of Atman, of the universe who is one, inside and outside of each of
us.
in the context of vampirism, being able to get out of your body and occupy your
i couble is an absolute necessity for those who want to ensure immortality.
fir st act on our astral body, make it autonomous, force it away from the
- > sical bod\, to wander in the astral plane, and teach it to live without depending on
’ J ' n L^e astral body is perfectly mastered, then consciousness can leave
P . cal body and come to inhabit its etheric double. After death, the astral bod}
,., r r v, aildet in this ocean of collective thoughts, but it has become conscious
liver Or 50^1' mechanisms now inhabit it. So, we no longer need the heart.
hve, consciouSCOrthe bra‘n may rot in the skulL The astral body becomes ae

carries the body withal mechanisms of organic life. It begins to live *

deprived of life SU(j , ’. a suhhe gas that inflates a canvas balloon. The inert®
his astral body, who realf ShaPC liSeS the air> The man Wh° '
In the event that the iLfVeSlnb'SaStra"’ody’never<iies- r-oiU
°dy, I advise you t0 ' Uctlons in this manual do not allow you to get out 0
*h’d “ »> I. X “ ,id“ rmgmm « Tra.el by E.A- *

l0support|ban thjs l: ll: help those of you that are more indme
°lres’ lnstructions.
 In this chapter, the dark astral will be di 'MM0RTAL B0Dy s?
jerstand that the astral plane is by nature XX^d to un-

physical reahty. There is, nevertheless, a level of th ’ Perfect ™rn>r of our

closest, called the "real-time zone," which is the one ' P'a"e Which co^ the
astra) body to be able to observe, in real-time, the reaU When we our
remaining invisible. This possibility will also be dealt \ Physical world while
ever, important to consider that everything on the a tT, Chapter-!t is> how-
thought and imagination. ral Plane is modifiable through
It is precisely this rule which the Undead Lords use to
plane. In Bram Stoker's initiatic novel, Dracula it i rea' 'alrs °n the astral
the Count as one of his domains. The place seems toP°SSlb,e tOCOnceive the castle of
and all the creatures, up to the building itself T* °UtS‘de °f time and sPace>
oftheplace. The castle could, therefore benerceiv d ° ^ythethought°fthe master
vampire. This type of sphere exists on’the astral nl “"Jthe astral matr« of the

nightmares, from thought, collective archetypes, and from th

dead Masters, who use it as a hunting ground. ’ e creative will of the Un-
Later in this chapter, you will learn how to open a door m th
”.he ..deed.„d „„e m "d"

PACT WITH GAAP

To encourage astral travel, I

recommend sealing a pact with
the demon Gaap. Gaap is an ex­
cellent teacher, and bonding
with him will greatly facilitate
your work.
The assistance of the demon
will be precious to clarify your
perceptions during the astral
exit, but he will also help to dis­
pel the fears, misconceptions,
and blockages separating you
from mastery.
Gaap, or Tap, is a demon
from The Goetia mentioned by
 58 N.D. BLACKWOOD of demons. The Manual ofDemonic y,

»f P*«- G“P “ d““ “f

*■" „,„spor, people .. W8h >P"0- T»e gnmo,e spKifa
since he has the power t medica] care to women. He inspires dev
this demon incites love . „ He makes his victlms lnsensitive to the Wor|d
astating hatred, deliver the demons imprisoned by the exorcists. His
around them. His func ’o to push insubordination. This demon J

second functioni is as Byleth,

enemy When he appears, he takes the form of a gigantic and hideous demon
"th bat wings. His ears are huge. On the forehead, he wears two spiral horns, hi8
finsers are hooked. Sometimes it can show itself tn human orm.
The pact will be celebrated as a classic evocation ritual with Gaap. I recommend
the evocation method described in the previous chapter, but you are free to use the

one with which you have the best results.

In addition to the traditional offering (bowl of blood, incense,) a human soul in the
form of dagyde will also be offered. Take care, when making the dagyde, to include a
piece of the person you offer as a sacrifice to the demon. It could be a lock of hair, a
fingernail, a piece of skin, a piece of clothing, or a cigarette butt that was consumed
by the person.
The pacts will be drafted in the following terms:

-z z ofdarkness., I, (name ofthe initiate., surname andfirst name)

Make this pact withyou, Gaap, so thatyou will lend meyourpower
And develop my projection capacities to theirfullest,
Allowing me to have easy astral projections.
P. tr a By this PMt>1 d° not sellyou my soul,
fry[U20yearsof(n^eandfirstnameofatarget)’slife.

n£efor this, you will respectyour commitments

In 20years °^edwith my blood.

Use the same proced a new life as an

tangible within y0Ur rjtu . 0ne f°r Ipos. Once Gaap's presence has becom
'tn, and read your contract h'"1 ^now ^our intention to make a pact"’
. therein thecontr .
or an??18 aS'ral siSna'ure Trac CT‘'lly at the b°ttom of the page, you will feel Ga«P
'“* u, TOnr(elr„"' *..».! ,ig„„„re left by thpe sd;„n usi„,. p*11

BUldedby your trance State.

 THE IMMORTAL BODY 59
Then poke your finger and drip a drop of blood at the bottom of the contraet as a

'' Once the ritual is finished, seal the contract with wax, and hide it away from eve
,yOne. Twenty years later, you w.ll renew the pact by offering another victim to the

demon-
There are two major methods for successful out-of-body travel, each with its ad
vantages and disadvantages. The first is to go out directly by stimulating bilocation
wth the support of visualization, breath, and astral senses. This is the method used
by shamans. It has the advantage of allowing easy projection into an area of the astral
plane very close to the physical plane, which some authors like Robert Bruce calls the
"Real Time Zone, where the density seems similar to that of the physical plane
The second is that of the lucid dream. By recognizing certain strange elements of
their dream, the magician manages to realize that they are dreaming. They then man­
age to take control of their dream and use it to go wherever they want. Some scientists
have recently shown that in a lucid dream, time flows in the same way as time on the
material plane. Within the framework of initiatic vampirism, it seems good to me to
not put this method aside, because it will allow us to remain lucid after our eventual

r S OUT OF BODY EXPERIENCE

I’, order to achieve suitable astral travel, there are several prerequisites. The first is
sufficiently rested. For this reason, it is easier to project yourseh in the morning,
a or a night of sleep. The second is to have a sufficient amount of energy in your
a -tai body. For this, it is essential to practice the draining lifeforce on a regular basis.
P^fore any astral travel, it is therefore recommended to practice the Regenerate,, rit

ual.
1 rom my experience, I consider that we can project ourselves easily to the as
P'ane by using the most developed of our senses. My personal projection method is
based on touch, since it is my dominant sense. When I want to project myself m a
Part’cular place, or near a particular object, I start imagining that I touch this object
rrecreate its structure, its texture, its weight. Quickly, a very clear image o J
> •> appear I then replace i. mentally in its environment, rhe r«m or the place

« belongs. Images of the whole environment impose themselves on me

‘Mb in 5 i-i kndv find to feel in the room where
the ’ came to lose all notions of my physical body an
iect is. The astral journey then begins.
60 N D' _ have sight or hearing as therr dommant sense, it
For other people, who ba of jmages or sounds of
easier to project themse ves forgetting about thelr physical
where they want to trave, “ yourself with the theory develop .
One of the keys to succ ■ p|ane is made of thoughts. When you
the beginning of the chap „ essence is in contact with R
Of a place or an object, a ■ tQ be able to recreate it or feel it through the
think strongly enough o jn contact with it. You then experience a phe.
imagination more t. ou^ at same

nomenon of bHo , to ,ose consciousness of your

Z you am in a total out of body experience. It is therefore simply a question of

manufacturing this state with your creative spirit. Some people prefer to travel with
their eyes open, while others close them completely. Again, it is personal preference,

and it is up to you to choose.

Lie down or sit in a chair, and start performing the Regeneration ritual until you are
able to feel your astral body enveloping your physical body. This ritual will allow you
to recharge before your astral journey. It is important that you can feel the tingling
and vibrations all around and inside your body.
Focus on your breathing. Identify yourself with it, feel that on exhalation, you ad­
vance a few centimeters or even few meters in front of your body, and that upon an
inward breathe, you return inside of it. Do this until you have the sensation of travel­
ing easily with >our breath. If you can do that, you have nearly succeeded. The rest
will be pretty simple.
gine yourself in the place where you would like to be. This place may be some-

°°™ w^ere y°u are, a few hundred meters away, or thousands of

to project voir7 If n Pkne’the distance does n°t exist. However, it is easier
bo « Z’"yfro"y”b“**‘»™theroomwhereyouare.ThtPby»'
LX,XX"’ “eki”8 » bri"S b-k •» it

Focus on a particula A env^ronment> try to see it without your eyes.

tG the observation of your b - v'* °^ect’ a tree> a panel, a door latch, and return
breath. Then use a long exh 1 • ^eeP *n mind that your conscious body is in J°L
ther than you've ever been str m°Vement to bring your consciousness much tur
bserve it under different t0 e^ernent of scenery you have chosen.

«»« lhe LX “T “ « N» ,magl„ that y.u »b

'■ UK of your imaR”,ary h„L m f«l <
 I HE IMMORTAL BODY 61
flUndingS. Observe the places through your living imagination. Feel the around
underyOur feet- The texture of the grass, stone, or surface you are on.
You hove succeeded. Yon arc out of your body.
To there, you just have to keep paying attention to the scenery around vou
1 avoid thinking about your physical body. y
Thinking about your physical body tends to bring you back to it. Focus your senses
on thc place you observe, touch the environment, try to hear the noises there Feel
the gravity anchor you there. As long as your attention will be there, you will be there.
It is just a mattei of clai ifying your sensations to make the experience deeper and

deeper.
A good tip is also to be aware of where you are. For example, if you decide to
project youiself in Norway or Italy, be aware of the distance that separates you from
your family or your work. This awareness of distance will tend to make you increase
the realism of the experience, by making you feel the immensity of the environment
around you.
When you want to move again, all you have to do is imagine that you are exhaling
again, no longer from your physical body, but from the location where you are on the
! plane. Move to new elements of decoration that will serve as an anchor for your
i. step. A moment will come quickly when you will be able to do so without this
nd to walk, run and even fly in astral. Remember that this is all a matter of staying
l sed on the elements around you.
s a practitioner of vampiric arts, you may use a person or their chamber as the
aecnor to project into by using this same process.
Another interesting trick to lose the notion of your physical body is to imagine that
• °u are motionless in a rotating bed. It is neither more nor less than recreating the
f-'iing that we can have when we return home after drinking too much and the im-
P1 cssion that everything revolves around us. If you have already had this experience,
the best is to try to remember it, and try to recreate it until you get dizzy. It is also
I °ssible to do this by turning yourself a dozen times until you feel dizzy, before lying
your bed or sitting in your chair. We then use the method described above to pro-
J ourselves to a particular object which will serve as an anchoi within the p
* ere *e want to go. This little trick will allow you to lose proprioception.
Yet another method is to visualize yourself outside of your body. Imagining you
’bree feet away from yOur j,ody; lying on the bed or sitting in a chair. I yo .
ij.lhis visualization in your mind for long enough, you may suddenly find yourself
hls Position and be able to observe your own body. At this precise moment, if you
« «DBRl au—. . y0uwihhaveto awaytoo
fn move uare from
close. physical
yourThis body
method as that
was

Wish to remain Pr0’e ds t0 pull you bac curricuium of a vampiric Lodge that
as possible because s pa prefer easier methods
of the magwian 1 • -t difficult, recommend that you turn to this

1 haVe TtW by E-A- dieted success using the explanations givenhere.

for lucid dreaming

three principals for
Vol.OT S'“1' then ,oi„8 back to sleep a few mmotes te,

Bv „k»8 .P.»» f“ ° X . phase where dreams are most irsq.su S.

>-Tte'p *
place an alarm clock yy

The Reality Test

Getting into the habit of checking that you are not dreaming. No need to pinch your­
self, just ask yourself the question several times a day, so you gradually get used to
doing the same when you dream. Do as much as possible in your daily life in order to
condition your brain to recognize the unrealistic and whimsical elements that only
occur in dreams. This command will become automatic, so when faced with a dream-
Hke phenomenon, you will be able to recognize it and take control of your dream.

Self-Induction

It consists of stubbornly repeating this mantra:

In my next dream, I will remember that I am dreaming-

Recite it before falling asleep. You also have to imagine swtnunin at
■
of a lucid dream. When falling asleep at night, focus on your intentiona in the raiu

the end of each of your dreams and remember them. chosen aS a

When you wake up from your dreams, repeat the key phrase you ha
mantra. For example:

/ he next time I dream, I want to remember to recognize that I am dre

As you continue to focus on this intention to remember that you a ' retnen^cl
imagine that you are back in the dream you just woke up from. If yoU d°n thr°u^
it, you can imagine a new scenario, like walking in the city or shopping-
 '"“''WWjWAM'/JbY 63
, dl.eil,n for something incon^uous or unexpected, which prove, to you that it is a
. iind imagine I hat you suddenly realize that it is a dream. Forexamr l<- h -I
JlC-'"1-
fu|| V()|ume “bill it’s a dream! ” Then continue your fantasy as if it were a lurid
inuilt I-
dream.
Bepcl, the l.s. two stops until you Ml .sleep. If y„„ fcd
hi„8 else, start again so that the last thought in you, mind when fel
is vour intention to become lucid. ' ep

’ when you manage to become lucid, a simple tip is to look at your hands and put
them on the floor. This will help you to anchor yourself in the dream and to avoid

waking up.

densification of the astral body

The most notable benefit to the densification of the astral body is that it provides more
realistic experiences when traveling outside of your body. Your sensations will be­
come sharper, and the sounds, taste, and feeling will become closer to that which vou
know on the physical level. The operations of sex or violence on the astral plane will
also be all the more powerful. It is through this process that we seek to obtain the
per cct out of body experience, where we would have the sensation of having pro-
jected ourselves with our physical body in a new location. There are many accounts
of practitioners from past centuries who possessed the ability to solidify tneir astral
bodies to the point of being seen, at least for a few seconds, by their relatives, and to
ha e conversations with them.
It would also be poignant to mention the many stories about werew oh e>, w ho>e
^tral bodies could appear in the form of a beast to villagers, who would ev entuallv tn
shoot them with arrows or firearms. In more ancient times, the Norse sa^as tv 11
I ^at the berserks of the God, Wotan, who were able to go to the battlefield in the form
| *bears and fight there while their physical bodies slept in places protected by then
"r°thers in arms.
, Although it is personally a level of practice that I have never had the opportunity
See in contemporary practitioners, the stories ot oui pu.deits. oi. j .
r°Urce inspiration to push us always further in our practices and our seau <
resuits

IL?" * —
,
wfeh “«»» ““even“
judicious in order » obtain
T' 'V' M“'”S
more fo.rerlol results.
64 N ’ncine elements to help the densification of the astral,
One of the most con vi attention to the feeling of touch. The tactJ

during an out of body expen environment. To bring your density clOset

sense allows greater co you have ]eft yOur body, spend a long time with the
that of the materia p a shapeSj their densities, touch
first objects you c^we you feel able to interact with them, bein„

X'rf.he p’hy«»l Pr’nc'P'es “d “”“OnS "f'h' Pl,"e' 'he *‘'r

octral bodv will be to it.

The extraction of vital essence also helps to remvigorate your astral body. The
re energy it receives, the more it will solidify. This is also one of the fundamental
principles in the practice of vampirism. Indeed, the astral body permanently transmits
its energy to the physical body. The more energy your physical body needs, due to
fatigue or illness, the more your astral body will have to give to survive, and will,
therefore, be less dense. On the other hand, the more you gorge your astral body with
the energy drained to your prey, the more your astral body will be able to conserve
this energy for its own needs, which will make it a strong, dense and powerful vehicle.
During each of your astral travels, vampirize as much as you can by going to sleeping
targets.
The element of fire is also known to followers of oriental practices such as yoga
and qigong, as a factor of densification. There are several methods of using it. The
simplest is to imagine that you let yourself be invaded from head to toe by a feeling of
heat until the intensity of it makes you feel you are in a state of total glow. You can
also accompany this practice by vibrating "Ram." This mantra is linked to the element
re. A final tip is to perform the Surya Mudra with your hands (placing the thumb
tact with the top of the ring finger, while keeping the other fingers separate),

tained t0 *ncrease the fire energy within your body as long as it is main-
astral bod'™ ? 'eaVing ** aU°WS y°U t0 °btain an °BE “ *

Sexi 1
Masturbation can be uscdh S^mU^ate^ before projection and be used as a condenser-
peating the process sev - 1^ aP^roac^ or6asm without ever reaching it- re
sensation, you will be able ^meS) stoPping as soon as you approach the pleas*

jecting it out on the astral °Ver^ea^n8 °f the energetic body before p

yourself on the astral plane t met^°dology is ideal if you plan to pr°J
gelose to that ofaLcn^:6^^ sleeping targets. Your aura will then
Mason gives many methods ” 'nCubus'The book Rituals ofPleasures by AseI,a
use ln this context.
 '' 1 AL BODY 65
.»! hatred « „„fc.
.*« durtou » ease « mental ivean,^.
a*

lillO. P.hhyou>ol»« .he target. This„„u•

».*■ order.« »»' - ■■ donngdeadly eisna.i,.,,,.,,,, rhc ,m(' ’
<a| tins h.r.her. 1. ,s suld bv ,„,ll|ias Ri P
,he new go eo oB by demons » heavy and dense. In ,h„ „f <d„Ti
Khp, v hid. toms out... be hjhtet. This Is due to the amount „f „ viota
condensed in the astral bodies of the beings that populate the dark astral

LAIRS of the undead lords

As presented in the introduction to this chapter, there is a dark facade on the astral
plane in which we will be particularly interested. The astral plane is, above all, an
ocean of thoughts. There is a whole frequency created from nightmares and the most
obscure fragments of human consciousness. Undead Lords create domains from
which they operate on this part of the astral plane, which serves as their hum inc.

On this level, there exists a real society, with these clans and houses, whose laws
|nd customs are completely foreign to human conscience. Some of these occupants
were -ormerly human beings, who have since risen to be much more; others have no
co: n past with our species and would fall into the category of Lovecrattian hor-
■ors- ae worlds created by the Undead Lords are an integral part of themselves, so
■fi| "hen they descend on the material plane to hunt or manifest to their terrestrial sei \
| ants, they bring with them their entire courts.
i he sigil in the next chapter allows you to go to these areas in ordet to \ Lit them.
"ill be able to commune with the Undead Lords, pledge allegiances to them, and
• to learn more about the societies and cultures that are theiis. 1 ake caie, howev
ese kingdoms are their hunting grounds. An iron will be necessan tot your
7 have to deal with assurance and determination with those you meet to win
* Place among them. Be sure that submission will make you prey. If you want

°f them, behave like one. , n ora

tnirr 'S lecomtnended to paint this sigil on a hard surface, such as a roc , ’
*- use it asa portaltoprojectyourself th^.he.s.h
bussed. Upon expir.L, travel » ’
 ;hich •*.
r„s through the d ,t Ki|| |eid you Each mitine who his ft
in front of you- 0 of dar|< realms.
has a different expenencbody> take notes on the p)aces yQu
vXXnd the meetings you had. Some entities may give you a name,

CREATION OF YOUR ASTRAL TEMPLE

When vou have become familiar with the dark astral and how it works, the time will
come to create an area that will be yours on this plane. You will then begin the build

your astral temple.

Regular use of an astral temple can increase the effectiveness of your magic.
Once undead, your astral temple will become your residence or at least one of your
post-mortem bases. The purpose of this ritual is to build the foundation of your own
astral matrix. During your lifetime, you can go to your temple as much as possible to
practice meditation. The more you visit it, the more its reality on the astral plane will
become permanently anchored. At the time of writing, many people had visions of my
own temple through dreams or shamanic trances.
m order to anchor the temple in reality, it may be useful to draw it or draw up
plans in order to establish precise lairs there that you will find on each of your visits.
Some 3D creation software with thousands of pre-established elements can help you
create real virtual reproductions of your temple.
y relaxing and lighting candles and incense if needed, then close your eyes

by grad™ 11 Per^ecttv relaxed. When you reach that state, start to mediWe
-------- ; them pass and observe the-
you will reach a very deep meditation stage which is essential to the
construction of your astral
merg" Y’’ At tWs Stage of ?our meditation, the material an
the immaterial r
r mind is awake but your body is asleep.
( At this stage of med
be Plains, a forest, a deserf0"’ t0 Vlsualize the P^ce around your temple-
reflects your own aesth ' EverVthing is possible. Create some
s and mirror your ambitions.
 'H f EIMMORTAL EOf>Y 67

Then imagine its exterior appearance, the door, the height, its shape, the material
rwhich y<’ur temp,e 1S made' ” Can be a real fortress perched on a rocky mountain,
cabin lost in the middle of a huge forest, a gothic cathedral, or a Venetian palace. '
’C When yon have visualized all of this (which usually takes a long time,) imagine
( you PaSS thr0U^h the d°°r an<J enter y°Ur temPle-
^Again, imagine the interior as you see fit. Put an altar, carpets, curtains, statues,

frcs-oes, or candles. Absolutely everything you want. You must feel comfortable in
it but keep in mind that it will help you to work. Using the same process, you will be
able to further expand your domain by later adding rooms to the temple. It is even
possible to develop all the surroundings by adding vast wilderness, forests, swamps,

or rocky caves.
Your temple will then become your place. You can go there simply to relax or to
practice your rituals. The temple is particularly useful in the context of evocation.
The evoked entity generally does not take more than a few seconds to manifest there.
Once your temple is created, you can use your artistic talents to create a sigil. You
can take inspiration from the medieval heraldry, combine runes from the ancient
Norse Futhark, or the demonic seals contained in ancient grimoires. This seal must
be one of a kind and will allow you to go directly to your temple.
When you want to use it, you will use the astral projection method using tee < -
as gateway. By projecting yourself through the sigil with your breath, \ ou will • ideal­

ize landing directly in front of the door of your temple.

 LyCANTHROPY 69

LYCANTHROPY
Chapter 6

s THE Middle Ages, what was called a werewolf was the astral body of a black

I magician having adopted a bestial form. He gave a frightening form to his

etheric body which he partially filled with a dense matter in order to do harm
-HOse he wanted to reach. In the old legends, we remember that it was useless to
- • werewolves, but if we managed to pierce them with a knife or some other sharp
instrument, they began to bleed the blood of their victims and fled quickly to their
home, screaming. There, one could find the magician who had taken the form of a
olf suffering from an injury at the very place where the animal had been struck.
J**„ ,erfythe veracltythe |egeni
• reopracw of between the physfal tody «>d the estol tody shoe
e werewolf attacks take place while the victim is asleep.
of sha- ?^T°men°n °f lycanthr°Py could be defined as a particularly powerful form
ofbod- The magician adoPts a particularly frightening form during his out
’ Perience. This may be that of his Fylgia an "animal spirit" in Norse beliefs,
blown 1 a^° sPec^lc t0 initiatory bloodline to which they belong. I have
rh - order which most of the members adopted the form of a bat-man
^bich th^ H W0^^at when they astral traveled. But it can also be a personal form

qh e maglcian is attached for symbolic or emotional reasons.

the fan, Cerer seeks here to align their own instincts with those of the inner beast,
faiB0Us shad ow PeciJliar to° Karl Jung, causing anger and savagery buried deep
within
reached l 5 ^Us lowing the densification of their astral body. Once this state is
Panicu] °n astral plane and will drain the vital essence of their pre}
^’sicaj • • ¥ v*°lent circumstances, causing nightmares, night terrors, and ev en

njuries in their path.

 70 N.D. BLACKWOOD

PACT WITH EURYNOMOS

nlishment
'l'hc aCCf0,,x in fivcanthroP*
’P°rt’nt ,of if
°"n,dshaPthe techwq
eshift fo order
uire
’n6’’ and kto
s prior
some encourage
t0other
learning rapid
enterdemons
a pact W)th
ofastral learning
thethe
deh
travel,
from
istbCrCC i It an obligatron, and H

assistance
. ..re will save y

Earth- BeT°S IS 3 SUper’or dem '°fEurOnym°us

C/>ronos r ? ^ciem . en,On- Prince of H

refltt^X?eus^
Pornos H,a ’ 8e°graphe ' ,e Greefa Wor . . ° °gy Scribes as older than

kft °^y th bl ancients said h ^P'^'on, sittl- 'a temple in Delphia'

e ^°nes. Tl. *lat this dei ’ °n a vu^ure skin and
IS dern°n causes d°n deV°Ured the of buried
Sc‘,Ses\ fatal accidents, bloody
 ars massacres, and murders. In addition, he is a master in the practices of
C(>ctS’Wa vampirism, lycanthropy, necrophilia, and necrophagia. Eurynomos
necf0,11‘in ]\Jecrophages. It is also said that in Hell, Eurynomos consumes
(•cif!llS 0 cause attacks of lycanthropy, vampirism, or aggressive trances in the
Lp*eSinvokes him. He often appears to his victim, as if to taunt her, a few

$orcereI W f rc jcath. This demon has the ability to take control of his victims in order
fliinutch K their homes at night to kill them. We recognize his victims because
togetthem°ut0t
• green eyes-
ofthetf b eXperiments, Eurynomos arose in the form of a terrifying man. His
Purin^ j with bloody sores. A wolf or fox’s skin covers his shoulders. He
v skin is covered wuu - -- j --
bbcK S t horns fox ears, and sharp wolf’s teeth. His mouth is always full of blood,
v’nteTs surrounded by corpses.

0K ’ will be celebrated as a classic evocation ritual with Eurynomos. I recom-

Xe evocation method described in the previous chapter, but you are free to use

Tone with which you have the best results.

I addition to the traditional offering of a bowl of blood and incense a h liman

in the form of dagyde will be offered as well. Take care when making the dagyde,
to include a marker of the person you offer as a sacrifice to the demon. It could be a
strand of hair, a fingernail, a piece of skin, a piece of clothing, or a cigarette butt that
had been discarded by the person.
The pacts will be drafted in the following terms:

By the power ofdarkness,

7, (name ofthe initiate, surname andfirst name)

Make a pact with you, Eurynomos,

thatyou may grant meyour help in all my operations ofnecromancy
And give me the powers ofvampirism and lycanthropy,
For the extraction ofvital essences and the transformation
Ofthe astral body into an animal.
By this pact, I do not sellyou my soul,
But offeryou 20years of (name andfirst name ofa target) s life.

In exchange for this, you will respectyour commitments

To this present pact, signed with my blood.
*Selfthe Same procedure as for Ipos and Gaap. Once Eurynomos has manifested
^ton y°Ur ritual space, declare your intention to make a pact with him and
°ntract.
 >st" ' oree|fbe guided by your trance state. »<l

.b.i°“iti
"s r X” >»■' ,i,e paa wi"” xp °fany°“hide
Then prick you, t" 6 contract wlth waX) d away from

none. Twenty years latei,V ntotlle

demon.

SHAPESHIFTING ON THE PHYSICAL PLANE

At the beginning of the 20th century, Moshe Feldenkrais, founder of a postural

construction method which bears his name, theorized that thoughts had an influeiT
on the body and that consequently, the more you thought of positioning yourselfin'

particular way, the more our body would naturally adopt that posture
The following vety simple ritual is inspired by this principle and constitutes one

,
Youcanstartby simplychangingthecolorofwnlirev
J es the build ofinyour torso,
front of theor
ickness of your arms. You can start would t0 see
r sitting on your bed. Visualize myour body^th^^r^usclemaSSisrnuch
n until you feel it happen. Imagine, orexampe, er colorthat you like,
•r that your eyes are increasingly green, ue.or dthey will have to take
. hy, this is how people will perceive you at first, an y
..oser look to get you up to date. , ^aS on
What we are talking about here is the influence that the astra . in a t°ta^
physical body, and the fact that the astral elements are often Perce ege e|ements
unconscious way when we take a first look, often distracted by things.
will fade as you stop visualizing and feeling them yourself. fusion
1 his is an interesting shifting ability because it creates an optical $ddi'
-an be very useful to impress, produce a threatening effect, 01 se the
> this method allows you to develop your physical body, over a lonP
direction that you like.

SHAPESHlFTlNn nKT „

MN°Wth«y0Uaref THE ASTRAL plane

on _ drt i ai
Practice^sr '’i'8'" elements of shapeshifting, it« is^

1 apeshifting on the astral plane, or lycant

 I-YCAN'I IlkOPY 73

............... -
^SSquires pafect UMStery of bilocation, or even lull astra| prXXn ea^
L stan by projecting one S consctousncss into inanimate objects, in order to

to adopt the form and parttculant.es before moving on to animal forms where it will
be necessary to be able to mutate the bodily mechanisms and instincts proper to the
be* while moving on the astral plane. I advise you to give importance to the first
exercise and to practice it on a regular basis before moving on to the second

SHAPESHIFTING into an object

Place a few objects in front of you. Focus on one of the objects for a moment. Now
visualize that you are transforming into this object. You must feel that you are this
object and that you assimilate all its properties. In addition, you must feel that you are
bound to it in the place where it was placed and that you can also leave this place only
bv an external influence. Imagine you have become the very function of this object,
what it is used for. By concentrating intensely, you should even be able to observe,
from within it, its immediate environment and grasp the relationship it has with other
things. If, for example, the object in question is posed on the table, feel the relation
which it establishes not only with this table but also with all the objects present and
the whole room.
If you succeed in this exercise by projecting yourself into a given object, then do it
in others. The goal of this experience is reached when you can unite through the con­
sciousness with each chosen object, take its shape and size, and finally identify
yourself with its properties. You must be able to maintain yourself in it for at least fix e
minutes. When doing this exercise, you should not pay attention to your body, it must
be completely forgotten.
It is possible to practice this exercise with various trees and plants, by posit’ g
yourself inside the tree, by feeling its roots anchor deep in the gi ound, by * g

Vlsualizing nature around you.

SHAPESHIFTING into an animal

as one succeeds in this projection of the consciousness in various objects, one

approach the experiences with animals.

 74 ND- BLACKWOOD
i ■ already mentioned, consciousness is timeless and infinite
. l. ...“ «■> *
" ;T Tr“"T ’°“r
„rf.■ »<* b»’ """■ be,r; v” '<«»« m, r *•
of rrCy or other animals. You must first vtsuahze the animal, then its ntOv ’b,rd
how it runs, «awls, flies, or swims according to its nature. As in the case of
a preparatory immersion phase will considerably help to get to know the ani | 0"’
beginning the exercise. Learn as much as possible about it, its muscles and 3
habits, instincts, way of hunting and eating, social habits, and natural habitat anat°my>

details will greatly help your practice. When you are in the form of the "
should see the way it sees, move the way it moves, feel its hunter instinct
your mind. You must feel the ground under its legs or the wind under its ’ Wtl1
its fur, its claws, and every detail that characterizes it. Wlngs. Sense

The sorcerer must be able to metamorphose into each animal chosen a

this form for at least five minutes without disruption. After this n ■ a
is considered to be fully successful.
ma tain
Peno > this exercise
“
The initiates, who have trained in this nroiectinn r
animal and tame it by their will. °F years’ can understand any
Once familiar with this type of exercise ;<■ 11 c
E"r consci°» into the animal that befitsIh 6 6387 magician t0 pro'ect

and capacities on the astral plane n J" * ** to - * aP’

' -'«tral travelers, as well as to sleepy dre they wiU W
,;a ^Piric action. amers, especially if they use this form to

FYLGIA&KJNFXLGIA which links the

According to the Nordic tradition, the Fylgia is an particular^’ t a
manifestation of an individual with other dimensions^of that rep^e
plane. It usually takes the form of an animal from t e
person's inner nature. ? . ia rePreseOt yS,it
The characteristics of the animal form that make up sot^e
pects ofallthe animal species representedby the anima
refers to Jung s shadow self/' the buried and animalistic p rfiemberS 0
1 here is also a secondFylgia, known as Kinfylgia, common t fatuityt0 aS
Lrtofthehu^^ood-
line, a family, or a clan. It is generally transmitted by the elders o
heirs. The Kinfylgia is at the origin of totemic clans of Europe^
 LYCANTHROPY 75

bear chins or " oil t Ians. 1 he bvisci kers and Ulfhednars of Scandinavia shared a par­
ticular Kinfxlgia ot which they assume the form during their astral voyages or when
they went to combat. Vampiric bloodlines also share this principle. Each of them has
its own form w hkh is transmitted by the initiation of the novice into the chain by the
undead members. The form pioper to initiates of the Path of the Dragon is that of a
hvbrid of man and bat.
For those ot w horn this is an entirely new concept, it may be necessary to empha­
size that the Fylgia is a reality which influences and assists an individual from another
dimension. It does not exist in our world as such, but only in such a way that it influ­
ences its host. However, it is very useful to study the characteristics of the animal or
bird that represents their Fylgia. Study its habits and try to know as much as possible
about it, as this will strengthen your relationship with your own power animal.
In the context of vampirism, Fylgia and Kinfylgia can be particularly useful in the
context of lycanthropic rituals. The sorcerer invokes their animal spirit, accepting in
a certain way to be possessed by it. They exalt its characteristics in order to become
one with it. It is in its form that they will travel the astral plane and will be perceived
in their dreams by those to whom they will visit. It is possible to adopt a form other
than that of Fylgia and Kinfylgia when practicing shapeshifting. The only limits being
that of your imagination. Nevertheless, it is a form with which there is an unconscious
affinity and which proves particularly powerful on the magical level.

MEETING YOUR FYLGIA

Relax yourself, close your eyes, and focus on your breathing. You may talk to your
Fylgia if you like and inform it of your desire to meet it.
Imagine yourself inside a cave. A small fire burns in front of you. Feel the warmth
on your face, smell the smoke, and hear the sounds of wood burning. When your eyes
get used to the light, you can see the bare rock walls inside the cave and the dirt floor
under your feet. You can use an astral projection technique, such as blowing your
consciousness out in a breath to project yourself into this setting.
Beside you there is a lit lantern, 'l ake it and explore what surrounds you. Feel the
cold walls and the humid air. As you continue your exploration, you find a crack large
enough to allow you to slip into. The crack leads to a tunnel, large and wide enough
to let you follow it. The tunnel slopes gently. Follow the tunnel guided by the light of

your lantern.
 iCKWOOD
* ND , there is a door. It is an old, wide, wooden door w-
At the end of the tunne examine the door, you * ith ,

black metal ring that ae s Rune as the Tiwaz

is en^ved in -ts cei> door. Behind it is another n,.
formation. Grab ti thelightofthe moonshiningnr,
one leads to an opt towards the light. 1
down your lan need t0 let your eyes adjust t0

AS V°Z e adjusted, you find that you have emerged from the side of a mountain
V°Xe now standing in front of a meadow. Observe the meadow, look at the
n At the other end of the meadow, there are woods. Walk towards the
Sod/and while walking, hear and smell the nature around you.

You are now at the edge of the woods; the trees are young and very scattered.
There is a path in front of you. Follow the path through the quiet woods. As you fol-
low the path, you realize that the trees are older, taking up more space and their leaves
are letting in much less light. You enter a clearing. At the other end of the clearing
there is an old felled tree. You cross the clearing and sit on the fallen tree.
Look around the clearing. Observe the different types of plants. Observe the
trunks. Look up and watch the canopy blocking the sun's rays.
You hear a noise at the other end of the clearing. You look in that direction and
: to see what made it. Do you keep looking and see an animal? As you continue to
- ok, vou see it clearly, and it sees you. You look at each other for a little while before
turns around and disappears in the undergrowth.
- ou get up. You take the path that led you back into the woods. You are heading
' 6 of the wood, where the trees are smaller and more scattered. You
j-u’te direction across the meadow in direction of the sideofthenioun
to it. Yr i U,CntCr the tunnel- You go towards the wooden door with your lantern next
You go back i t J ^antern and go through the door. You close the door behind} <-

ar>d find yourself- T™6' g° Up t0Wards the crack- You Pass thr0Ugh <t
by the fire, focus on 1 'le Plre's dead> nothing remains but glowing ash63"

You have found yourself f1111"8’ °Pen Y°Ur eyes slowly‘ -here

find it. You can travel H t0 ^'Ce W'^ your Fylgia an^ now You kn°W "
ere again whenever you want.
 LYCANTHROFY 77

DANCING with your fylgia

The purpose of this exercise is to strengthen the bond that exists between you and
y0ur Fylgia through a dance on the physical plane. It may be a good idea to equip
yourself with a shamanic drum or booze to give rhythm to your movements You are
also free to use a recorded tape if this is preferable to you and if you want to keep the
use of your hands.
The following rite takes place as an invocation where you would partially leave the
control of your body to the Fylgia. Under these exotic airs, this ritual allows you to
familiarize yourself with the tiansformation process by getting your physical body
connected with your Fylgia. This ritual is preferably performed outdoors but you are
free to do it in your usual ritual space.
Start with this practice by relaxing, breathing deeply for several minutes, and med­
itating on the intention to contact your Fylgia.
Allow yourself to be open to its powers and start calling your Fylgia in your mind.
Imagine the Fylgia in the center of your torso, whose presence grows more and
more as you meditate.
Let its skin becomes your skin; its fur becomes your fur. Feel your teeth grow into
fangs and your snout grow longer. Your face becomes its head. Your legs become its
legs. Feel its scales or its wings if it has any. See the world through his eyes. Become
the beast. Feel your whole body take the shape of your Fylgia.
Then naturally let your body move the way the animal moves. Do not try to ana­
lyze what you are doing. Let the beast move. Jump, claw, spit, hit. Let the sound of
music take your conscience away. Let your Fylgia growl and howl through your
mouth. Let your consciousness be overtaken as the possession by your animal spirit
becomes more intense. Leave it in control of your body and trust it. Feel its joy, its

fury, its predatory instinct, its animalistic senses.

When the beast calms down, sit on the ground or lie down. Feel your body return
to itself, as the animal enters your chest again, before completely disappearing. Its
power is yours, and you can use it whenever you want during your rituals. Repeat this

experience regularly to nourish contact with youi Fylgia.

After such an experience, it is advisable to ground yourself by having a meal, a
drink, or anything that will bring your conscience back to this plane by giving it the

Uste of materiality.
 ,s n D. BLACKS

Tms'‘
' , ,(1 lifeforce drain, we have already addressed the iSSUeof
In the chapter dm.oh3 sjmi|ar principles while adding * ■
,UI ‘operation is nothing more than a powerful ritual of destruction Usi
di,”enS,On' mnirism to hurt or kill your target. Unlike the previous method, it ■
the |X'"'e,Sr '.'th't the victim is asleep while you operate.
in1|H'W"Ve 1 ■ houses here to assume a lycanthropic form which suits them best
‘ 'l' *X bit a form highly prized by members of the Dragon tradition, or that
ofXerewolf, or a draconic creature. The only limits being that of your nighty

One of my colleagues particularly appreciated the shape of a spectral black knight,

, symbol in his eyes of mastery and power, while another liked to play on the wide-
spread phobia of snakes and spiders by adopting sometimes the shape of one or the
other of these creatures to terrorize their prey during their sleep.
The ritual will plunge the sleeping victim into a nightmare state, in many cases
causing sleep paralysis and night terrors. In this state of fear, their body will be emp­
tied of all their vital force, causing a state of weakness which can sometimes be
extreme.
Build your altar as usual and favor an incense from Mars, a planet associated with
violence and war. Place an inverted pentagram in the center of it.
Focus on your breathing for a few minutes while meditating on the action you are
going to take. Then start to feel your astral body, surrounding your physical body.
Feel the tingling sensation that characterizes it. You can use the method describedin
Lfietatiou Ritual to achieve this. At this point in your studies of the vampiric
arts, you should already be familiar with it and practice it regularly.
Another, fastei appi oach is to brush your fingers together for a few minutes before
1 eadin t your hands apart, while trying to feel the magnetic pulse between
\ str°nge 1 w hen y our hands move closer to each other and gradually fadinu
roundino v 1 ° 3Wa^' You should feel a form of magnetism
this sensation ’ S’31 mS’and then your wtlole body. Become aware of it, stud}
icnsauon in detail J kvc-
ical body is your astral t § magnetlC enve^°Pe that you feel, surrounding youi p .

No ' '
Feel the transformat' b°d'V sl°wly ta^ng the form you have previously cho*
<0^ >»,X” ” “h “ Wy. n. sbU of the f«. th.

aS any’the new shape of the eyes and jaw, and the p°

 I.YCAHTHEOpy 79

of the astral muscles. Appreciate the power of your lycanthropic body and the might
it offers. Feel the savagery of this form. Let it invade your mind. He one with it. It is
this that your victim will see in their nightmares.
Then visualize the person that you are going to target in the center of the penta­
gram. With your eyes open, see them moving in t he cent er of the pentagram.
Feel your werewolf body turn black and red; feel your anger, your hatred, your
desire to dtain their energy. While keeping your eyes open, feel one and then two
tendrils coming out of your astral body and see at the end of each is a snake head with
sharp and venomous fangs. It is advisable to bring these tendrils out of your solar
plexus, where the third chakra lies. The feeling of drainage will be considerably
greater. Launch the tendrils in the center of the pentagram. Feel the snakes bite your
prey. Then with your rage and your will, mentally suck all the energy through the
tendrils. It is necessary to simultaneously launch the tendrils to attack, to feel the vital
energy flowing in you, and to see the image of the target becoming pale and shrivel
up. During the breaths that follow, visualize and feel all of the energy pass from the
victim in you. During the expiration, bring back the tendril, cut all mental ties with
the victim, and circulate its essence throughout your body. Feel it flooding each of
your organs, muscles, your blood system, lungs, digestive system, heart, and brain.
Feel its reviving force and its rejuvenating power.
Be sure of yourself and your desire. Live the experience with intensity. The slight­
est doubt will wipe out any possibility of success.
Once you are familiar with this ritual, it will be easy for you to replicate it while
out of your body. In this case, you won’t need a pentagram anymore. Simply by pro­
jecting in your target’s bedroom after your transformation into a lycanthrope, you will
be able to perform each step of this ritual. This requires, of course, to have mastered

astral projection.
 THE DARK GODS
Chapter 7

VAMPIRIC CULTS IN EUROPE

W y AMPIRIC Gods have existed since the dawn of European civilization. The
W/ traditional folk-vampirology of Slavic Eastern Europe and the mysteries of
▼ werewolf cults of Scandinavia or from the Middle Ages have always been

presided over by dark deities.

The exact nature of these entities is hard to define. Vampirism and lycanthropy
exist in the European subconscious since a time before the arrival of the Celts and
some of these deities too. They simply changed their name, depending on the times
and tribal groups that incorporated them into their own pantheons.
Personally, I distinguish the vampiric divinities in three major categories, which
we find on the whole of the European pantheon. It is up to the reader to establish their
own truth and experiences.
A Terrifying Sovereign was seen during antiquity as the source of power for many
groups that would today be considered on the sinister path. He represents the God of
the aristocratic warrior priests and sorcerers that were present in each ethnic group
in Europe, the Master of Mysteries who rules through magical power. He has the
traits of a sovereign with shamanic power and he is the ferocious and sinister Lord of
Storms and Shapeshifting. He has many aspects, both creative and destructive.
Thought to be the master of the world order, he also possessed the secrets of the dead,
being a shapeshifter and a wizard, traveling between worlds.
The Terrifying Sovereign of the Celtic religion was represented by the God, Lugh,
°r Lugus, known by modern practitioners as the Horned God of the Forest. To the
Germanic neighbors, he assumed the figure of Wotan, oi Odhin in the far north while

arn°ng Slavic nations, he is known as Patollo, Velina, or Volkhv.

82 ND. BLACKWOOD
Then comes .he case of dark Goddesses. In most cases, a dark and
. ... from the other Gods in a ret.red place or the underworld. This r
"Zems -he primordial power of magick and witchcraft. In Greece, it is
dc,s Hecate that we find behind that mask. 'God.

We can also consider Morrigan among the Celt.c tribes, also a multi-fac.,
dess, later Christianized as Morgan le Faye, that served as the main antagonist

Arthurian mythos.
In medieval times, after the Christianization of Europe, this figure was e h
by Lilith, the first wife of Adam, now a powerful demoness particularly active'

domain of sexual magick.

The last category of Gods is the unknowns. This category is probably th
difficult to deal with, as little is actually known about them due to the lack of h'
references. It is difficult to discern the origin of these deities. Some of them
deities of a specific pantheon, others could very well be former adepts havin^
the status of Immortal and revered as Gods by the following generation^??

pies. There
** is alsoby
.. God. the possibility
.He of beings
The case ofnot ,^ to the terrestrial c k
belonging
Noetu|
... ,mo„5 ,he neighbonng popnIap |fe _ *»« -

«' c“w ”"s w“ " “ ™

available about an entity th h' k T t0 Vampirism’ the less information that is
and malevolent. ’ ’S f e chances are t0 encounter something sinister

WORKING WITH THE DARK GODS

Evoking Gods for your personal ascent is quite different than evoking dem
angels from classical grimoires. Most of the time, they won't materialize in a
form that you can see or interact with. Most of the time, they will manifest
-iements around you when conducting your ritual such as winds, tenp
ehanges, or birds and other animals. All of this should be observed as a poten

presence in the area of operation. They will manifest through}01-1 ates

so it ls lmportant for you tQ yQU speak re^
XZZ' The Gods hear ,ou when yo»

However U 'S UPt0 you t0 a^e t0 discern their words. jense,

and threatening. For??! be felt aTOUnd y°u> as something “"^glway5
People in need of a stable manifestation, there
 THE DARK GODS 83

possibility to make a demand. I have noticed that some Gods such as Wotan do not
decide to take on one if they are asked.
I also suggest taking particular attention to their voices resonating in your head
and around you. Do not reject anything you hear by reducing it to your imagination.
On the contrary, let your thoughts emerge, and let it come gradually as soon as a men­
tal dialogue takes place between you and the deity. The first answer that goes through
vour head is to be considered as always being the right one.
It is indeed through these internal channels that the Gods communicate with men.
Always addressing them with respect and reverence is advised, especially during
first contact. These entities possess a power often much greater than any demon.
You can choose to dedicate yourself to one of these Gods for a period, entering a
pact with them. In this case, constructing an altar of dedication in your home, fre­
quent offerings of drops of blood, incense, etc. They help to attract their favors and
accelerate the process of evolution. A positive sign of working with such a tutelary
deity is to see it appear in your dreams.
I suggest if you choose this way to light a black candle on your altar, facing the sigil
or a drawing representing the tutelary deity every night before going to bed. During
the evocation or prayer, it can be wise to repeat the name of the God, as it is the main
and most powerful key to enter in contact with them.
Talk to them about what you desire and about your need to be taught, then prick
your finger with a needle and pour a drop of blood on the candle. Those you are calling
for vampiric works enjoy blood and sacrifice, and these elements tend to solidify their
presence dramatically.

WOTAN: THE FURIOUS ONE

Both warrior and a sorcerer, All-Father and Lord of the Night, few Gods have such
ambivalent traits as Wotan, Wodhanaz, and Odhin. For long, Wotan has been consid­
ered to be the supreme God of the Germanic people, but in regards history, this may
have been a quite recent promotion. During antiquity, this role would have been the
one of Tius, the God of War, and Germanic equivalent to Ares as refetenced in Tac­
itus's Germania.
Wotan, at the time, was considered to have more sinister functions than the ones
attributed to him today by most modern Asatru practitioners. Tacitus evoked a tribe
of men devoted to the God of Night and Storms and elevating violence to a form of
art- The Roman scholars described them as wearing black shields and painting their
” “ w ,hc ** >0r»““'The ° '•»-
,•*- b'“k d., quite uncle®,» theV ™ld h' tl" * the „,lh

Odhin’s army, the tW screams int0 the storm. He runs into th

W°tan the thunder with him, followed by his two wolves, Geri and Freki,

night sky, bringing horse He carries a giant spear> the

XhGeOccultist Guido von List related to the Rune of Turisaz, the bearer of

dea;'\n in a later period, during the Viking golden age where he assumed the fUnc.

tions'of the sovereign of the Gods, his dark aspect can be revealed by some of his
hidden names. The Ynglinga Saga mentioned him as Draugadrottinn, the Lord of the
Undead. It is a current idea in Germany that Wotan is the leader of the Wild Hunt, as
shown in The Blessing of Munich, where he is said to appear in the sky, followed by

armies of Alps (vampires.)

He is also called Ginnarr, the Deceiver; Grimnir, the Hidden One; Bolverk,
Bringer of Evil; and Ygrr, The Terrible. He is the God of Magick, singing Runes to
modify the shape and textures of reality. It has to be mentioned that Norse Gods, as
Greeks, are often mixed with their enemies, the Giants or Jotuns. Wotan makes no
exception to that, being the son of Mannus, the God of ancient times, and the Giant­
ess Bestla.
His name Fjallgeigudr, Lord of Shapeshifting, reveals an interesting connection
between this God and the practice of lycanthropy. As a wanderer, Wotan often adopts
. ' °f an animal to travel across the nine worlds referenced by the Norse tradi­
tion. He is said to preside over the werewolf cult of the Ulfedhnar, or Wolf Coat. The

when going to makes mention of these warriors as wearing a wolf belt

Sigmund^dhXn t^’ T “ interesting tale about that. A man named

en'ng through various tl?nSel?S “ °rder t0 King Si8geir and

Grange hall in which twc °Ut ^orest an^ come acr°S

son took the wolfskins a 1 ” beneath two wolfskins. Sigmund and
werewolves. " put them unto their shoulders, turning themselves m10

rheY spoke with the •

pbey stay out in the wiu a Wo'p> and yet each understood what was utteieT
wrought many infamous de’8°'n8 his own waY-In these shaPes’
edl 10 kingdom „fKTsiggeir.
 THE DARK GODS 85
In his saga, Snorri Sturluson described Odhin as annrri,. v i u
ing raids all over Europe and Russia. Even if this saga could be d Tt
• 4.- L 1 • 1 t H,ssaga could be considered a later text,
witten by a Christian scholar, it let the door be opened to the theory of a once-mortal
Wotan. An important number of European figures, like King Arthur, are supposed to
have been inspired by the life of historical figures, passed since to the status of mvth.
It is thought by some that Wotan could be amongst them.

RITUAL FOR WOTAN

Seen left, the Ansuz Rune is probably the best sigil you could find
to connect to Wotan or Odhin. This rune incarnates the power of
the Ases inside the universe. Runic practitioners use it to awaken
latent magical faculties, as well as magnetism and personal cha­
risma. I suggest carving it on a piece of wood and placing it on your
altar.

Location

When calling to Wotan, you should perform the ritual in the wilder­
ness. Forests with tall trees are ideal, as the God is said to wander
there in many German tales.

Incense
I suggest using an incense of yew to enter in contact with Wotan. In Norse mythology',
the world tree Yggdrasil is said to be a giant yew. Wotan is deeply linked to A ggdrasil,

being the one that travels between worlds.

Offering
As most deities from this book, a bowl of blood will be a perfect offering, you can also
fumigate, or offer a galdr if you have some knowledge ot this art.

An Incantation:
Wotan, all-father, I callyou to receiveyour teaching;.
Wotan, Lord ofthe Undead,

o». M, m. um ufiMJ.;. ■
86 N.D- 1 . . cross the Bifrost andjoin me in this sacred place
Wotan, Bearer of tin / ride „ Yggdrasil.
let your presence be felt, so I can seeyou and talk toy^
Wotan, the ’j,'ddenOne, revealyourself andjoin me now.
W0'an’ Wotan, Bringer ofEvil, do not deny me.
Wotan, Master of the Runes, enter my circle.
Wotan, the many shaped, come.
Wotan, come, Wotan come, Wotan come, Wotan come.

VOLKHV: MASTER OF THE WOLVES

In the pantheon of the Slav nations, the Lord of Vampires has many names. In Russia,
he was known as Volosu or Volkhv, Lord of the Beasts. He was the one called by
sorcerers during lycanthropic practices in order to receive the wolfs form.
In Lithuania, he is known as Velinas and is described as a night flying wraith.
As Wotan, he is described as a one-eyed God, ruling over ghost riders, very similar
the furious army of his Germanic counterpart. He shares a particular connection
with murder by hanging and with dark magical arts.
An interesting thing to note, Volkhv was said to have been sired by a dragon. This
: unique origin in Europe makes him different from many other deities such as
Wotan, Odhin, or Jupiter who themselves were fathered by the supreme God
.;.ous cycle, before killing him. It also brings him closer to the classical myth
the vampire, as seen in the beliefs of the Green Order.
arj age, Volkhv learned the languages of animals and was renowned for
' ' ^thr°pic powers as King of Werewolves.

the pagan er was a^so the name used by the cast priests durii..
the old Norse <(^VJCp^Op^e^tcou^ he interesting to note that this name resent

shapeshifters onid j u Seers an^ seidr practitioners, known fo1 •

anbero'
vampiric lineages in F - °Plnion, for this God to be at the origin of a nun
uJarly active at the end of h ^Urope an^ Russia, where the phenomenon was p
1 found Volkhv verv • G ^^dle Ages and during the Renaissance.
11,1 linked ,0 '^restlnS Works of lycanihropy and astral y
one of these fo ' W°^Ves an^ birds of prey, hawks in particular
e orm of an old man v^8 manifest himself during rituals. He may als° '*!
y similar to Odhin under his wanderer clothes-
 THE DARK GODS 87

ritual for volhkv

Locati0”

Volhkv is probably the wildest of the deities present on this list. His worship rests
essentially on a shamanic practice during which the states of trance and projection are
sought in order to facilitate the transformation into a werewolf. It is advisable to evoke
him in the heart of a forest or in the wilderness, preferably at night. Volhkv is deeply
tied to winter, and I have noticed that his manifestations are much more powerful
during this time of the year.

Incense

I haven't found a particular incense that would please this Dark God more than an­
other. Though, cypress is recommended, as it is deeply linked to the realm of the
dead.

Offering

Bones. Wearing a wolf skin is particularly appreciated by Volhkv as a mark of recog­

nition among his followers.

Incantation

Volhkv. I call upon you to enter this sacred place.

Volhkv. who has only one eye. be with me and do notforsake me.
Volhkv. whose name is feared, makeyour presence known.
Volhkv. Lord of Winter, descend upon this circle.
Volhkv. give me the strength of VMak.
Volhkv. give me the vision of the seer.
Volhkv. master ofthe Wild Hunt, join with me now.
Volhkv. who rules over lycanthropes. I inviteyou into my body.
Volhkv. awake the wolfinside this body.
Volhkv. let me hunt among the children of the night.
Volhkv. whose name is Velina, come.
Volhkv. whose father is a dragon, come.
Volhkv. who speaks the language of the beasts, come.
Volhkv come. Volhkv come. Volhkv come.
TtirH- THE BLACK
L I- mre of the Terrifying Sovereign of the Celtic PantheOn
Lugh embodies the ig Gcrmanic figure of Wotan, pushing

He ShaT if I ugh is not the Celtic interpretation of Wotan. Both are

™nS W deities with shapeshifter characteristics. Both use a spear as thcir *
a'ld SOrCe'd horses to explore the world, and are portrayed as the leaders of the Wi|
weapon
„ , A dus Germanic counterpart, he also likes to travel in the form of a crow. Wo.
has one eve whereas Lugh needs to close one eye to use his magick.
t4n] ’ 2h is also half Fomorian, a race of giants in the Celtic mythology.
That being said, Lugh also has some particular specificities. Several interpret
tions of his names could be made. One of them being the grammatical proximity t0
the word "Leug," meaning "the Black." Another brings it closer to the word "Leuk,"
meaning "Light" which makes Lugh a rather ambivalent entity similar to Lucifer. His
spear is called “Slaughterer,” and his sword is called the “Answerer.”
It is up to the magician to choose to see Lugh as the Celtic face of Wotan or as a
totally different entity. It is only through experimentation that it will be possible to

form one's own idea of the subject.

Lugh is of great assistance when performing shapeshifting. As a God deeply linked
to forests, animals, and hunting, he will help the sorcerer in taking the forms of many
beasts and deepen the connections with wolves, hounds, and birds. Being a wild God,
Lugh is better evoked or invoked in nature rather than in a chamber.
During my work with Lugh, I have never seen him appear in a perceptible form.
His presence is, however, felt in a powerful way. It is not uncommon that it is mani­
fested with a stiong wind, a sudden activity of the animals and birds, or the
densification of a dark presence all around the circle.
ast I can say is that this deity loves blood. A blood offering in a bowl can h-
a good idea for the practitioner who wants to attract his favors.

probablv r u P°puPdI to most neo-druidic currents today, Celtic ritual* * J

A«eX ’ C bl°°dieSt in hi^y, surpassed only in violence by the Mayan

going so far as to7" 7"'rSh°WS the Gauls had a real cult of severcd b<7.'
fore exposing the Zls °PP°nentS who died °“ ‘

in particular, is in their im t .* " °l °un^ a bridge or village. Their divinity s

and commitment before P1CSence oI a brutal God, who will test you1
demonstrations of phvs:c, i >V°U in Vour quest. Lugh particularly itpP11
?trength and courage in the face of adversity-
 Ifwork with Lughk desired,
face. These me both iniendcd t(, h.;.( „ "'' "> ym,
as mud! UHa way to harden youiSC|| 'i h'J
-c-.... ..
ness and give birth ton wan l(ll p,.,,
.„iz
Lugb is linked to ihemonihol A
Lughnwadh or Council GaNiarum. Fo r people
JntofFebruary i. eon.idered an equf v»le„t. * **

RITUAL FOR LUGH

Sigil ofLugh
L°C8tiOn Woods and clearings are ideal places for Lugh to manifest
ln t],e wilderness.

Incense
icularly receptive to yew, maybe because that tree was particu|ar)
, in the forest of the Celtic world. It is also said that Lugh only had to savt, [
Pr7C" for his magical weapon known as the Spear of Assal to hit the target “

Offering
Different types of seeds, according to your own preference. The Celts used to honor
Lugh by offering him the fruits of the yew tree.

Incantation
I never used an incantation to work with Lugh. Of course, you are free to create your
own. I found the God to be particularly sensitive to drum and shamanic types of mu­
sic. To call upon him, I would vibrate his name in the same way I would vibrate a yogic
mantra while feeling the approach of Lugh around me. I recommend that you try this
approach, as I received particularly powerful results using it.

HECATE: GODDESS OF SORCERY

he ] hracian Goddess of the Dead and Chthonic forces, Hecate, is also a deity ot
vampirism, sleep paralysis, and nightmares. The Greeks attribute to her witchcraft
anc^ c^an' v °yant abilities because of her link with the lunar celestial body.
mythology, Hecate is perceived as the founding mother of certain lines
h k 5 among wh°m we find Medea or Circe. She is the magician par excels
She is l iStreSS in sorcery t0 whom all magicians appealed in ancient Gre ,
«X""“* “ b”eel’“ “

the Greeks as ** eSpeciaby active at the crossroads, which are Pertel

Hecate was betWeen our w°Hd and the underworld. and
poisons, especiall assoc’ated with plants and the concoction of medic

r(digious sense wnr k- e mcanin8s t0 the crossroads. It is possible that j$.

’ ”tothe Goddess on the crossing
 THE DAR K GODS 91
HoWever, this designation can also be used to d
night meet. As demonstrated by E.A. Koetting ilT’" daW" W dusk’ when daY and
a state of mind between the normal waking state and Symb°Hzes’above ah,
state of lucidity within one's own trance that the T*.6 State of trance. It is in this
forms around him, and that magical operation b '°'< Cr'' 'S able t0 Perceive the astral
the Goddess of Witchcraft, it is logical that she prTd* P°SS'b,e' With Hecate being
ice practitioner having difficulty reaching this state ’ Cr°SSroads' For tbe n°v-
Hecate can be of great help. A formula for getting heln' e™"8 physical body>
of-body experience. Hecate is very sensitive to sacrifice °" °Ut’
cats, black dogs, and sheep were sacrificed to honor her ”'nganclenttlmes>female
be the black poplar. Using poplar incense during your invocaLXXl Z

,he »- -

!n classical lore, Hecate has several appearances. She may choose to show herself
as a three-headed creature, with a woman’s body with three heads, one being a lion
the second a dog, and the third a mare. She is also sometimes represented as three
women holding hands. She is represented holding torches, vases, and cups for liba­
tions, as well as sometimes fruit, especially apples. Her head is generally surmounted
by a high round tiara. She sometimes has keys, daggers, swords, and snakes.
In my personal experience with this Goddess, she first appears in the form of an
animal, sometimes a bat, before taking the form of a woman with dark hair. The pres­
ence of Hecate is particularly dense during rituals conducted at dusk.
Hecate is excellent for assisting in astral travel work. Regular work with her can
be a good idea to facilitate the process of separation between the astral body and the
physical body. Hecate will refine the astral body of the evocator, favoring the loss oi
proprioception and the awareness of the physical body, thus favoring projection.
Hecate can also be called for operations of scrying. She will assist the sorcerer by
responding to answers about the future and teach methods of divination. For people
interested in plants, Hecate can be a great teacher, giving advice tor mixing and dos­

age.
 N.P _
_IAl FOR HECATE
RITUAL r

Sigil ofHecate

Location

1 'ssroads were used during ancient times for rituals related to I leciu I
' "'cun meaning and interpretation of the word “crossroads” would work tine

Incense

A■ ‘ garhe, am| p(lplar can be uscd (() (

Offering

A...... "n>’"w,,.V used to honor 1 locate, Site is still very " *

can also use »li|',.r,„. ' C^.Ct 1 1 it you choose to use the iraditi'’”' n,tn'
« M'cnfice, but utilizing the same methodology «s ’nv’1’"
 the DARK GODS 93
Ijjcantation

I call the Triple Goddess to enter this circle ofpower.

Hecate, Hecate, Noctulia, Mother ofSorcery come to me
Goddess ofthe Crossroads, do not deny me.
Hecate, Hecate, Noctulia, you who teach the art of dreams, come close to me.
Goddess ofthe Night, take my hand a guide my travel into the realm ofshadow.
Hecate, Hecate, Noctulia, be with me tonight and empower my actions.
Goddess ofVampirism^ bless me with your kiss
Hecate, Hecate., Noctulia, bring me with you into the night.

ZALMOXIS: THE IMPALER

Very little is actually known about Zalmoxis. He was the God of the Dacians, ances­
tors of the Romanian people, and is highly vampiric in nature. According to some, he
could be the source of the famous Transylvanian bloodline, the main object of wor­
ship of the Green Order.
The Greek scholar Herodotus wrote about him:

The Getae are the bravest of the Thracians and the most just. They believe
they are immortal in the following sense: they think they do not die and that
the one who dies joins Zalmoxis, a divine being; some call this same divine
being Gebeleizis. Every four years, they send a messenger to Zalmoxis, who is
chosen by chance. They ask him to tell Zalmoxis what they want on that occa­
sion. The mission is performed in the following way: men standing there for
that purpose hold three spears; other people take the one who is sent to
Zalmoxis by his hands and feet and fling him in the air on the spears. If he dies
pierced, they think that the divinity is going to help them; it he does not die, it

is he who is accused and they declare that he is a bad peison.

The word “Zalmoxis” is close to the Sanskrit “Moksha” meaning eternal life

Several authors propose to see in Zalmoxis a shamanic or totemic figure,

 94 N.D. BLACKWOOD

or bearskin God. As with previously seen Gods, this indicat

-/.
nature of .
this deity.
i i th e

a Pitied f.in’ °r Strabo ^alrn°xis was

that 2almoXPh°Phet- Accordinat“‘S3PrinceoraKin11^"8’31' S°me

iab°rate details^ i f° ^Octuiius. The chapter The HT

ovv to work with Zahnoxis.

 THE DARK GODS 95
NOCTULIUS: LORD OF THE NIGHT
Very few things are actually known about Noctulius M™.
from literature of the Order of the Nine Angles, as one of thH^'k C^l ^7 J'"1
the Moon in the Sinister Pathways. G°ds related t0

An interesting point, however, is that unlike most the other Dark Gods from the
pantheon, traces of Noctulius can be found in Roman mythology
Archeologists identify Noctulius as the God of Night. A statue found in Brescia in
Northern Italy represents him accompanied by an owl, an animal that we find in a
number of myths related to “Great Old Ones,” especially Sumer. Some could see in
this a connection to vampirism since the owl is frequently seen near Lilith or Astarte.
In Roman culture, the owl was a symbol of malevolence. Ovide even said the owl’s
presence was an evil omen and was supposed to kill children if they were not watched.
The statues we have of Noctulius represents him extinguishing a torch, thus portray­
ing him as an opponent of the light.
A theory exists among the Latinists to link Noctulius to another deity, Nyktelius.
The latter being none other than Bacchus’ nocturnal aspect. However, the majority
of his modern followers consider this theory to be false and a misleading interpreta­
tion.
Amongst the rank of the O.N.A. it also has been considered that Noctulius is the
predatory and dark aspect of Lucifer and frequently calls him Deofel.
In the Sinister Tradition, Noctulius is considered an earth-based deity of night.
He presides over enchantments, death magick, and vampirism. To the sorcerer, he
will be a guide through initiation and rites of self-transformation, assisting during
trance states and predatory workings. Like many vampiric Gods, he is also said to rule
over winds and storms and can assist the sorcerer in mastering these elements.
Noctulius represents the primal awareness of the vibrance of life. He is the Wild
God, impaled on a throne, the terror of the uninitiated, the laughter of the savage, the
°ne that provokes acts that challenge the existence of the sacred, and the crone.
Few deities or archetypes have a connection to vampirism as pov-eiful as Nc
tulius. Although this has never been raised by the literatuie of the Nine Angles,
n°t exclude the hypothesis that Noctulius may have been a mortal, having achieved
Godhood by the practice of vampirism. After all, the Roman statue depicts him with
clothes of Atys, the man who the Goddess Cybel had fallen in love with. Moreo-
v«> his aspect of being an earth-based deity could be the sign of a terrestna origin,
Un'ike certain deities of the pantheon of the O.N.A. which seem to be of extraurres-
trial origins. In my personal experience, Noctulius always seemed to be very
* N ” Bl'ACK'V00D , ,, nie, during my rites. Most seemed eager to offer th

^nnunvdemons^ wit,, Noctulius I always had the imp

vices. When 1 earn and mdependent, something that di(J 'f

’ something that, unlike many archetypes, was not intere8ted*

need to haps lotr food. ill-

„w With the Dark God, 1 W the tmpress™ of bti„e „
p,“', L, .<«. w*"s 1 d“ **■ “’2I* ’** * *»

PT 1 LL u’iikc oih" such “ “ ',h°M >

ttotening face and a paternal face, Noctulius always exudes a tremendous sense of

strength and terror. .

Approach him with caution and courtesy because the privileges of working with
r m are immense. Noctulius will indeed feed upon you, but he will also transmit the

Dark Gift that few can offer outside him.

The Dark God is a master in the art of refining the bodies of his disciples, greatly
-heir ability to feed themselves, to cause night terrors, and even death to
their victims.
specific ritual exists amongst followers of Noctulius, calling themselves by the
)ctuiians, ” where the initiated have to spend three months in the wilderness,
sical trials, consuming nothing but meat or animal products, plants, and
1 ce a permanent state of gnosis, breaking their sleeping rhythm with pray-
7 he may seem extreme, this type of ritual seems to be a great way to get
noctulius and seems to particularly attract these favors.

^Ual"0RN0ctuuus
Dark pIaces suet,
nected tnrt> alSo
h as caves' nw°^d also suggestJ°°d Ch°ice> as these are deeply C°"'
a Go(J
many U"dead sorc erv , " graveVards are
1 e wHderness eep and dark woods, as Noctulius,

mcense is an„, •
P°ate for this ritual with Nnrtulins.
 the DARK GODS 97

Offering

Blood is the best offering you can bring to Noctulius. The more, the better AddinS
drops of your own blood to the cup will be particularly appreciated by this God.

Sigil ofNoctulius

Incantation

The traditional incantation for the evocation or invocation of NoC^“s^ ®

You can chant the words “Agios O’Noctulius,” again and again until the raptu^
state takes you. You can do it in the way of Gregorian c ants o
simply vibrate it if you don't feel comfortable with W”1®youj, attention On
In the end, you can simply vibrate his name alone w
the sigil while in the theta-gamma state. u feel
* «... unorthodox ide. would bo to write » '
more confident with this type of approach. ^se usual with Gods, it is
For those who prefer an invocation, here is one directly invite the
always best to write your own or even to let the wor s co
G°d to join you.

Agios O Noctulius, Terror ofthe Uninitiated come.

Agios O Noctulius, Lord ofthe Night, come.
Agios O Noctulius, the Savage God, come.
98 N'D A( ’KWOOl) , • t wh0 challenges the existence ofthe sacred, come.

LordoftheBrixians, come.
A ■ n^Noctulius, apex predator ofthe vampiric strain, come.

A&U>S 0 ’Noctulius, the Impaled God, come.

Agios O ’Noctulius, laughter ofthe savage, come. |

Noctulius come, Noctulius come, Noctulius come, Noctulius come.

For those brave enough, I suggest using the sigil as a gateway for astral proje^
Simply focus on the sigil before closing your eyes, see and sense it in the air, at ,he
center of your room, or even formed in your mirror, radiating his dark power, before

projecting through it with the usual method.

Be careful as Noctulius waits beyond, in his own eyrie, waiting to initiate or devour

vou. *
 ASCENDED VAMPIRES
Chapter 8

HE Vampiric Tradition in Europe dates back to the dawn of time. As we

T
saw in the previous chapter, through the figure of the Terrible Sovereign,
many deities of Celtic, Roman, Greek, Slavic, or Germanic civilizations pos­
sessed vampiric characteristics.
Here, I draw the reader’s attention to the fact that our reading concerning the
different types of spirits is heavily influenced by our need to categorize them. It is a
heritage of Christian and medieval thought of which the man of the 21st century
sometimes finds himself the heir. For the man of antiquity, the borders between cat­
egories of spirit were much more porous, if there were any. Many ancient Gods have
blood ties to the Jotun, Titans, or Fomoires, as we have seen especially in the case of
Wotan or Lugh. The same goes for some Scandinavian Kings, described as elves after
their death, before being reincarnated in the body of a new king.
Thus, a number of mythical beings present in ancient myths present overtly vam­
piric characteristics. In the myth of Siegfried, magnified by Wagner’s opera, the hero
kills the dragon Fafnir. By drinking his blood, he sees his strength increase tenfold.
He also inherits certain abilities from the dragon, such as hearing the language of
beasts.
In the Odyssey, Ulysses uses the sacrifice of an animal to attract and interrogate
the ghost of Tiresias to him. It was commonly accepted that the life force contained
'n the blood made it possible to make the presence of the dead tangible by revita g
*'• The story tells that the spirit of Achilles appeared to the Greeks, asking for t e
Sacrifice of Polyxena, whose throat was sliced at the her o s gr ave so that
°n bis blood. Warriors paying homage to his grave used to practice bloo
wo N d nf Medea were said to have a habit after their de­
In Corinth, 'he ch,'p’X,niaS) and Aellian tell the story of Temesa, the de *
killing infant;Strabo, ■ the population of this city after his death- th
8 "’Hed Pythi adecI Jed that it was necessary to offer the most beautiful virgin *

the City to the he™°n^nac7^ical myths, many examples of similar phenomena,^

ThC "* ^current practice of vampirism in antiquity.

neSS'ng “ th the Christianization of Europe that these ntes passed from the stage
f "Zt'and commonly accepted practice, to that of demonic sciences, alongside
manev divination, and the whole of magical practices of ancient paganism.
"“itJas during the medieval period in Eastern Europe that vampirism experienced

a revival. .
It is a well-known fact that the Slavic countries were the theater during the previ­
ous centuries of a real epidemic of vampirism, especially Serbia, Moldova, Hungary,
and Romania. In hindsight, it is difficult to have a clear mind on the veracity of each
case, as there are so many of them, some having been set up by Christian authorities
in order to fuel psychosis. Dozens, even hundreds, of testimonies exist of people in
this era claiming to have seen their loved ones come back from the dead to drink their
olood, taking with them the lives of neighbors, friends, or relatives.
It is nevertheless difficult to rely on these cases, mostly being testimonies of rural
and popular persons, to speak of initiatic vampirism as a tradition. The vast majority
avic peasants who became vampires probably had no notion of occultism, and
anshi°n t0 condition, or should I say, their post-mortem use of vampiric
■ ghosts after the death of their physical bodies, was probably very
v . ? considering they attacked their families as well. It is possible to assume that
j i , ,^e Presence of a classic haunting phenomenon where the spirit of the
its relatives i d t0 *tS neW con^ti°n, returns to its place of life and

they would unkn ‘ °^ten repeating loops of certain events. At times?

ing so far as to we k S*art lining the lifeforce of their relatives, sometimes go
new specters. or even kill them, thus promoting the creation

chapter is aristocratic ^^enornenon) the vampiric tradition discussed in t

known as the Order of the°riginates from occult and chivalrous socie)
h is fundamental /i DraSon-

><■ p„ctiti„en Jthigy be„u« th. »

Vavhisi and Kabbalislic treatise I |)r,
’^’vr-rtbrh ,-.
xpM'-es present in Hu, I..... k. ft would he im^cf^eto^ J*

.laim« by Wioito,« , hat the i<,ii..... .. „, (he VampHam^,^

and blasphemous vanant of a holy practice as claimed hy th- K^lrt-
What is certain is that this magic has terrifying effectiveness and that
■>r ■:/.-.
arc ancient.
The author of the book known as the /Ihremclin is a disciple of a Je-*feh rr.agfcfa-,
When the latter arrived in Venice, he wrote down everything he had learned so
that he could, in turn, teach this knowledge to his future disciples, ft wa-; - Venice
that he practiced his science of the dead in an effective and terrifying wav
Some young people, more daring than others, gathered around him and forme-i
the first link in this European strain of vampires. This teaching came from E zmu He
would have been Cainite, a current ofJudaism which holds Cain, the first murder in
high esteem. It should be noted that certain vampiric rites, like Michael Ford’s 5-z?
of Cain, consider the figure of Cain as one of the first vampiric archetypes
Abramelin’s disciple left Venice after having stayed there for several years, zv -
ing there a significant number of followers who settled on the Lagoon Islands, riz
same islands where the first Venetians worshiped the Water Dragon; whirr mu.
that no place is chosen by chance.
He went to Hungary where he became the occult adviser to Emperor Sigismunc
He introduced his sovereign to the practices of Abramelin, but with great caution,
seems. Conscious of the existence of a new reality, the Emperor of Hungary became
a passionate disciple on the advice of his spiritual master that he founded the Order
of the Dragon, an initiatory order.
Vlad the Devil, Prince of Wallachia and father of Dracula, belonged to this Order
where he was initiated according to the rites of Abramelin. When Vlad died, Dracula,
>” turn, became Prince of Wallachia. Sigismund gave him new land, the strongholds

nf Amias and Faragas, located on the other side of the Caipathians.

Dracula was sworn into the Grand Master of the Ordei of the Dragon, and it wa
un<ier the banner of the Reversed Dragon that he fought against the Turkish invaders
It was at this time that Sigismund attempted the gieat woik of the bio ' .
mulin. He was in love with a young girl who had just died. Barbara de Clh became the
Public face of the Order of the Dragon. He used the ritual to resuscitate the dead girl,

J^^ring the vampiric strain a new member.

 Centuries later, the Wri
Brain Stoker, a follower of
Golden 1 >awn, one of the m<>stSc
cret English occult groups, Was
also initiated by the Grandmaster
Samuel Mathers, who discovered
the manuscript of Abramelin the
Mage in a Parisian library. During
their rituals, the followers of the
Golden Dawn were connected
with what they called the Un­
known Superiors.
One of these Superiors was
named Drakul. It was after various
experiments that Bram Stoker
Order of the Dragon
wrote his masterpiece, Dracula,
:'• ctionalized form that hides esoteric teaching wonderfully. The same goes for Le
who wrote Camilla, the female Dracula, after discovering the existence of Bar­
bara de Cilli.
sea called^**Thule^ Th™ P*^ °f knowledSe t0 a Genmn

ro'ein die rise ofnat'ional'socialism.’8 kn°Wn

1«st for vampirism at theF^ St°ker’the hero, Jonathan, begins his

Ior his long journey in s eaS°nS ^ote^ *n Munich. This is where he prepares
that the Thule company i 0 ^racu^a- In 1918, it was in this same Munich hotel

Sebottendorf, had met Bra V headcluarters- The grandmaster of the sect, Von
°f'he vampiric chain. " W and fathers in London, and became a memt*4

After lhe end of the S

fetUP,i:^>P^edtheirZ ^°rld the su™g members of the Thule

for m”’ WlSS’and Slavic- This i - k On t0 a new Seneration of occultists, Germ311’

®‘hisb^° 2°years assu"ied theTrant °rder

smission of the initiatory knowledge pr
 ASCENDED VAMPIRES 103

VLAD ID: DRACULA

I he voivode Vlad III Tepes was
known as Dracula, in Romanian,
“Son of the Devil.” Vlad is the em­
bodiment of the Green Order’s
ideal, a warrior occultist, having
achieved immortality through per­
sonal willpower and mastery of the
dark arts.
Vlad comes from the Basarabi
family, from which we know a num­
ber of historical figures in Wallachia
and Transylvania, and whose first
outstanding representative is Basa­
rabi cel Mare.
The nickname with which he is known in Western chronicles, written long after
his death, is Tepe$, “Impaler” in Romanian, which means the one who leads to the
pal, by the name of his favorite method of execution. The Turkish chroniclers them­
selves called him Kaziglu Bey, which means he “Prince Impaler. ” This nickname was
never used by Vlad's contemporaries and appeared for the first time in 1550 in a

chronicle of Wallachia, a century after his death.

His life .nd his actions are pan of ths extremely turbulent context ot the mid-.
century for Eastern Europe. The Holy Roman Empire and the Chnsu.ncounnte. o
Western Europe, in particular, the kingdom, of Austria,
seriously threatened by the push of the Ottoman Empire, which tad,us.keen
down the Byzantine Empire with the fall of Constantinop e on a' ’ ,Catholic
regions between the two empires constitute the last bulwar o ns^
and Orthodox) against the Muslims and were g’Balkans until they
consolidated their control over Constantinop e . Serbiaj Hungary,
took control of most of this region, the future mo e of-yjenna.
Romania, Bulgaria, Armenia, and Greece, only to be st°ppe the Draculea,
Vlad was also nicknamed Dracula. I his name is • fatber, yiaJ n, the
from the Basarabi dynasty. The first to beat this tkeDragon” or “the Devil.”
Dragon. In Romanian, “Dracul” translates dnect y to family’s mem-
The Draculea coat of arms bears the figure of a dragon because
 . ECKWOOD1
104 N D' " , , .1S an important celebrity during his lifetime withh.
Vlad TeP^ was know. . merchants of Transylvania. He is p-
utation spread espec.a Hc js said t0 have impaled hundreds of th0USan .’
sovereign who impale ^man merchants of Transylvania, members ofthj,

°fmen’t 'sa'ts who stood against him, as well as Turkish prisoners. By bei
nobility, the pe _ made it posslb)e t0 lnslnuate the
eVeTCrU Ottomans as for their warlike superiority in the war which they w
'h XChristians of the Balkans. During his childhood, Vlad was given as ahOs.
Tto the Turks by his father. He had a profound understanding of Ottoman warfare
and was able to use this knowledge as an advance to battle one of the most powerful
military forces of his time with a lesser army. He was an absolute master of psycho.
logical warfare even against enemies reputed for the cruelty.
One of the most famous feats of arms is to have pushed back the army of Sultan
Mehmet without even having fought a fight. Mehmet planned to enter Transylvania
and depose Vlad III who had just broken his commitments to the Turks, and to install
on the throne his younger brother, Radu. On entering the prince's lands, his army was
struck with terror, with the life of a thousand bodies impaled on stakes forming a ver­
itable forest served as a warning from Vlad who would have preferred to kill his
subjects rather than to see them serving the enemy. At the sight of this forest of
corpses, the Sultan made these troops turn back. Mehmet was a man of war with an
on will, though against Dracula, he had found his superior.
Most historians explain the practice of impaling by Prince Vlad as a mark of sadism
and madness, or by an exaggeration of the chroniclers eager to demonize it with his
mporaries. There is, however, another explanation for this act, which can only
be understood through occult knowledge.

of Tran i 0 tbe ^reen Order lore, the first inhabitants of Romania, particularly
tals.ThevZhhPrtCtrd CUk of Undead- The Dacians affirmed being immor-
the air and interact P°Wei t0 chan^e into a wolf or a bat and to travel through
built on rocky peaks ’1 j G°ds tOp of tbe mountains. Ritual places were also

the Dacians, who held ti ° CaVes as tbeV were difficult to access. The high priest
vama, on top of a mount ‘ deatb’ Pve^ above the forests of Tiansy
historians that this momT-’ WhlCh he had built a temple. It is now suppose^ ;

level on the borders of RlnW°Uld be M°Unt CuSu> which rises three mileS
be vitiated into the dark m 1 ransylvania- It is there that the brave man coo
yS enes’ confr°nting his own death to gain immortality'
 ASCENDED VAMPIRES 105
Zalrnoxis presided over their initiations. But between him and men existed a whole
hierarchy of other beings acting as intermediaries between man and divinity. These
, . -s were the vampires who had conquered death and had the power to return
among men according to their wishes because to communicate with their Lord, the
Dacians needed messengers. They chose the most advanced of them in the field of
uh this task. Those chosen were then sacrificed. The Dacians threw them on
magic fnr
i tins of their javelins. But seven days later, the pierced bodies came out of their
Traves and came back among their brothers through visions and spontaneous appari­
tions They had become immortal and served as links between the Dacians and
Zalmoxis.
It is possible that the Pal, often evoked in the folklore of vampirism, is a simple
evolution of this tradition. An interesting anecdote on this subject exists about Vlad
III “the Impaler. ” In 1962, while a prisoner in Hungary in the Solomon Tower of the
Visegrad palace, he had established excellent relations with his guardians.

According to Kurystsin, a Russian

diplomat present at the palace, Vlad
had made a curious request to his jail­
ers: he wanted to be supplied with rats,
mice, small birds, and other small ani­
mals.
Kurystsin reports that Vlad im­
paled these critters on sharp twigs that
he had arranged in a circle in his cell.
The chroniclers spoke of an atrocious
distraction and an extreme form of
sadism.
Given what we know about the cult
of Zalmoxis, it is quite possible that
Vlad was seeking to communicate with
the Lord of Vampires and to practice

House Draculesti rituals of communion.

To my readers, I must admit that
((^re Was a controversy within the Green Order on the nature of the entity known as
e Drakul” that was central to their rituals. This term meaning “Devil” and
rag°n” in Romanian.
i06 ND BLACKWOOD
Some claim that it is Prince Vlad III himself, having achieved vampiric •
itv while others say that it is an older force. On this questton, I do not have a definit
answer, but it is clear that the entity in question appears regularly in the guise Qf 'Ve

Prince and seems to have a very particular attachment to the region over whi k

reigned during his lifetime.

BARBARA OF CILLI
Barbara of Cilli was the Holy Roman Empress and
Queen of Hungary and Bohemia by marriage to
Holy Roman Emperor Sigismund. She was ac­
tively involved in the politics and economy of her
time, independently administering large feudal
fiefdoms and taxes, and was instrumental in cre­
ating the famous royal Order of the Dragon.
Emperor Sigismund was deeply in love with Bar­
bara of Cilli, making her the public face of the
Order of the Dragon. After her death, the Em­
peror and his personal occultist used Abramelin's
ritual to resurrect the dead girl. She then became
a member of the vampiric strain like many others
before her.
arbara of Cilli had been buried at the Herdody
tie in Varazdin, on the edge of the Carpathian
^ountains. She died in Graz in upper Styria. Like
rakul, the exact location of her grave has
never been discovered.
was in the town of Varazdin that cases of
vampirism were detected in 1936. The astral body
bara de Cilli appeared and caused the death

ofsix young people.

was she who inspired one of the master-
De Cilei Coat ofArms ()f vampiric literature in the nineteenth

century: Carmtlla by Sheridan Le Fanu.

erly person for those int • Barbara has always been a welcoming and mot
ed in learning the dark arts, even in death.
 ASCENDED VAMPIRES 107

For people who would feel more comfortable with a feminine figure than with a
warrior as a teacher, I strongly recommend calling upon her in your rituals ofcom-
reunion.

the barbaro family

'rhe Barbaro is a patrician and noble family
from Venice who came from Trieste in the
ninth century. They occupied public posts such
as procurators of Saint-Marc, senators, ambas­
sadors, and generals. They joined the nobility
by cooptation in 1310 at the end of the Genoa
War.
Behind this facade of respectability, many
members of this family were eminent members
of a vampiric cult having their seat in the heart
of the Serenissima.
The lakeside city is indeed one of the high
places of the vampiric tradition in Europe since
antiquity when the inhabitants practiced human sacrifices in order to implore the pro
tection of the Water Dragon. Even today, a number of details hidden in Venetian
architecture, such as lion heads with bat wings, reveal the many occult filiations that
have followed one another within the city.
The family coat of arms is a blood-red circle on a white background.
The coat of arms was given to them to reward Admiral Barbaro for a terrifying act
of war. He cut off the hand of a Moor during a fight in the twelfth century, tore the
turban from the head of the unfortunate infidel, drew a triumphal red circle with the
bloody stump of his arm and made it float on top of the mast of his ship as a sign of
victory. This circle recalls the bloody imprint of the arm torn off by the count.
The last of the Barbaro have their tomb in a chapel of the church of San F rancesco
della Vigna. The same coat of arms is carved above the altar.
For the modern practitioner, vampires of the Barbaro line will be excellent initia
tors- Some of them have preserved their conscience and their power for more than
five hundred years.
108 N.D. BLACKWOOD

COMMUNION WITH THE UNDEAD

i, one of .he of 'ho “ 'V”k' "" P'“"“
” “ I.h. "W™ ch“" mJ» promote one", "™
The process is simple. After the undead have been evoked to manifestation, the
adept will sacrifice, by breath, a part of the vital essence that they will have previous|y
drained from their human victims through vampiric rituals. This essence will nourish
the undead, thus entraining the principle of the vampiric chain.
In exchange, the entities will donate to the follower a little of their essence, thus
promoting their progressive transformation into one of them. 7 heir powers in the art
of vampirism, out of body experience, as well as their ability to communicate with
them, will be considerably increased. As the followei transforms, other tangible ef­
fects such as charm, vigor, and an aspect of astonishing youth will soon appear.
It is important to note that to maintain the effects and continue to progress, this
ritual must be practiced as regularly as possible. It constitutes a formidable accelerator
in the evolution of the sorcerer towards the status of true Undead.
If your ritual aims to evoke the presence of one of the members of the chain in
particular, it is advisable to place their sigil on the altar during the ritual. After the
four incantations have been pronounced, and once a state of trance installed, call upon
them, and ask them to appear in the room wThere you operate before placing your sac­
rifice. It is advisable to seek a deep relationship with your initiators.

RITUAL OF COMMUNION
ro(^mPU?>0SC th** t0 attract the Presence of one or more vampires in the
looks lik • d r LUCni0U> takcs place< The layout of this ritual is quite classic and
from thc four °* Ceremonial magic. The operator will first make a call
before making a 10 direction> North> East>South’ WeS’’
act because it will f ■ ■ i V'. ' ”' eSSence‘Ttlis sacrifice is to be conceived as a sacred
this creates a state off Vam^’res Present in the room. It is perfectly natural that
Set up your altar as usual 'tak^ PraCtlt'°ner that can extreme.
If you wish to contact • Care t0 pklce -your soul mirror in the center o. 1 •
t0 place their seal on the ih mernber of the Vampiric Chain, it is advi^e
incense upon d/ .7 pUcm8the of the Order of the Dragon.
are to perform, on its ‘ ^e^itate for ten minutes on the rite that you
U)nh°l it. Let vourself b. i * ltdnce and its sacredness. Focus on vour breath
 ASCENDED VAMPIRES 109

As the smoke rises from the censor, gaze into the sigil on your altar. Feel the con-
nection you have with it. Feel the presence of the Undead growing into vour ritual
area. Let yourself be invaded by the sensation of being in the presence of beings that
live for centuries and hold immense knowledge and powers in the dark arts.
Allow your inner senses to hear their voices, behold their appearances, or feel their
touch. Do not dismiss anything as being y our imagination and accept everything hap­
pening during the ritual.
Then, still gazing at the sigil, speak to it. Be certain that you are using it as a gate­
way to talk to something behind the veil, something that is growing inside your room
or area. Present yourself to the members of the Vampiric Chain:

My name is (your name)

In this circle, I summon tonight the presence of the Undead Elders.
Dread Lord ofDeath and Resurrection,
Come down into the servant who celebratesyour cult!

Turn to the North, pointing your wand forward and say:

From their graves buried in the distant island of Thule, I call on my ancestors.
Draugar! On whom Hel has no power, I callyou.
Come and enjoy the offerings that I broughtyou!
From the depths ofthe Black Forest,
I summon those from my blood. Nachttoter! Nachzehrer! Neuntoter! Alp!
You, who have transcended humanity, I begyou to appear into this circle.
Denn die todten reiten schnell!
Join me quickly, for the dead travelfast!

Facing East:

From the mountain ofthe farthest Midnight,

Through the high valley oftheArgens,
I call to the oldest ofEastern lineage.
Varcolacci, may the moon awaken you and guideyou to me.
Strigoi, letyour wings carryyou to this circle through the night.
Vukodlak run to me on the wolf trad!

Come to me, Vlad the third, ofhouse Draculesti.

Son ofDragon, heir to Mircea the Elder,
Defender of Wallachia, Icallyou, and allyour descendants
To walk among us tonight.
 N 0. BLACKWOOD
/ njvc you my blood!
Give meyour strength so that lean enter immortality!

Facing South:
Black Lords ofthe Lagoon, /call upon you.
Spirits ofthe shadows,
You who sleep on the island oj the Seven Snakes,
Come to me withyour love, your suffering, andyour sacrifice.
Let your old pain come into me and speak through my mouth.
Show meyour reality, so that I can believe in the power of the will over death!
Prom the island ofSan Michele,
I evoke the sons ofthe Great Water Dragons!
Join me in this room now!

Facing West:
Noctulius, Lord ofthe Night.
Noctulius the Savage God.
Noctulius the Impaled God.
Terror ofthe Uninitiated,
I sawyou in my dreams.
I askyou to come to me now!
Gaze again at the sigil. Contact the presence of every spirit moving inside the
room. Sense their power growing around you, surrounding you. Sense the mass of
their astral bodies gaining in density and becoming more and more physical. Sense
them occupying a particular area of your ritual chamber, sometimes seeing them and

structuring their body into materialization.

To the beginners, this feeling might be similar to the sensation of recreating 2
unting something everyone has been familiar with when we were kids, looking f°r
shadows in the dark.
When you are certain that you are not alone, and that you definitely feel the pres­
ence of your guests, address them.

asters, I appear beforeyou as a servant and as a son.

B ,lS ^00(!/ °f those I tracked down. I offer it toyou.
ewith your gifts, transform my flesh, make me intoyour image-
j you desire blood and bring terror to mortals.
eceive again the blood that gives life.
 ascended vampires 111

Once this is done, you may proceed to the sacrifice.

Gaze at the mirror and start exhaling slowly. With each breath you pump the
lifeforce from your body and project it out inside the Soul Mirror, inhaling deeply
through the nostrils and exhaling through the mouth.
The effort must continue with no thoughts of personal survival until you feel com­
pletely exhausted and find yourself physically impossible to continue your action.
Remember the law of emptiness and fullness. The more you put yourself in the
situation of being an empty shell, the more you will be filled with the lifeforce of the
Strain in return. The more you give to the undead, the more you will receive of their
essence into your body.
The undead are watching you, and judging the quality of your sacrifice. Be careful
and do not disappoint them. To their worthy student, they will return a flow of higher
energy, accelerating their personal evolution and transformation into one of them.
For that transfer to occur, you must be an empty vessel first.
Once it happens, simply observe it and enjoy it. Do not interrupt the flow of vital­
ity and power coming back to you and pulsating into your body. You will experience
a regaining of vitality and energy.
It is not uncommon to experience out of body experiences or receive manifesta­
tions of the undead during this process. Once you are sure that the resto: .: < ■
power is over, raise the cup to your lips, and say:

Blood is life.
On my blood, I devote my entire existence
To the services of the Undead Lords.
May they guide me ifI lose myself
May I be stricken ifI betray them.
From the depths of the grave,
I willfind a way to return from my own death to walk to amongst me n.
By their blood, 1 would livefor eternity.
Beyond the will of the idols which men kneel hefinc.
Immortalis I li J oluntatis
Drink the cup once again to seal your pact with the eldcis ot the \ anq iric
Once this is done, thank them for coming into your ritual and close it.
The more you practice this ritual, the more natural it will become. \\ uh practice
'he presence of the undead will become stronger and stronger, mam esting insu«.
^Our room as soon as you open the ritual. The more you become familiar with your
eldets in the Strain, the easier communication with them will become. > ou will u a.
 112 N.D. BLACKWOOD

their voices clearly in your head, with all the different intonations and
they possess. CCents thaf

It is highly suggested that once you've become familiar with this ’

pare three or five questions that you want to ask your elders. ntUal’ pre.

Ask (hem after you received the flow of lifeforce into your body Q
of any thoughts and allow yourself to hear their voices in your head 'n'nc
thought that will come to your mind. Do not dismiss anything as bein CCCPt
tion and write the answer down. It is one of the best-known g‘°Uriniagina.
communication with the Undead Lords. ■¥■ a-VS to estabhsh
 the path of the dragon
Chapter 9

HE following practice is more ceremonial but also openly Draculean and

T
Goetic. Many keys will be given but sustained work with demons is neces­
sary. These rituals were part of the curriculum of the Green Order, who
celebrated the mysteries of the Undeath in the 70’s. Mainly active around the Medi
terranean area, with lodges in Venice, Romania, and Germany, this order was the
main representative of initiatory vampirism in Europe for two decades.
The Green Order refers to a tradition stemming from the Order of the Dragon
founded in 1408 by Emperor Sigismund which we discussed in the previous chapter.
The members of the Green Order, like their predecessors, drew their teachings and
powers from the Holy Magic of Abramelin the Mage.
Immortality and entry into the vampire strain were assured by a pact with undead
adepts of past centuries, one of the most famous amongst them being Vlad III, Drac­
ula.
In this chapter, I retransmit all the rituals of this Order. I must, however, caution
the reader. The rituals presented in this chapter are extremely dangerous. It is neces­
sary to be aware of this before considering undertaking them. For those who embark
°n the path of the vampiric pact, there is no way back. The pact will align the vibratory
rate °f the practitioner with that of the undead members of this Strain of vampires,
gradually transforming him into one of their own. The astral and mental bodies of the
dept then undergo a process of crystallization, thus provoking a phenomenon of de
nhive rupture with their superior bodies—assimilated to the soul by cei tain U estern
P^ritualists. No one is able to say precisely what happens to it. Some occultists have
to the conclusion that they are simply dissolved 01 destroyed. For the adept
VinS their body of Black Light, the process of reincarnation and transmigration is
t|.| N I) .BLACKWOOD

ddlnitely stopped, httit.ut.nt within the Strato sea! r destiny forever. AfterW
death von will live through the living followers of the Dragon Path. You win
I|R'.„ ;youth) take pleasure by their body, and will be eternal forever. Your

body will continue its existence on the astral plane, strengthening its will and
over the course of years. The oldest vampires, although remembenng their e^
existences, are today entities not limited to our planetary sphere.
For those who have entered the vampiric Strain, the psychic powers of witchcraft
quickly become natural. The pact greatly helps their development, although sustained
work is necessary to obtain a perfect mastery. One specificity of the vampinc Strsin
is a power known within the Green Order under the name of Black Fire.” To be
honest, I do not know the origin of this name or if it was used before the foundation
of the order. It is a unique phenomenon which can only be transmitted during an ini­
tiation ceremony (or self-initiation) during which a pact is concluded with the
vampiric Strain. Some solitary practitioners have tried to reproduce this without
reaching conclusive results. It is certain, in my opinion, that the appearance of this
phenomenon is a consequence of the sorcerer's vibratory rate alignments on that of
the Strain. It is important to prepare for nine months in advance by extracting lifeforce
from human victims and practicing astral travel. To this will be added The
with Lilith, also called the Blood Prayer, which will be celebrate monthlv.

THE BLOOD PRAYER

This votive practice will require male followers to obtain menstrual blood once 2
month, which may belong to a wife, concubine, mistress, or even a prostitute. The
altar will be dressed as usual, with a cup containing blood placed on the inverted pen­
tagram. The seal of Lilith will be drawn or engraved on the container.
On a Friday, at midnight, bum Venusian incense. When lighting the black
say:

Zazas Zazas Nasatanada Zazas.

From infernal darkness, Iperceive rny double oflight,
So I may receive the forbidden, arcane blood, force, and sex.

meditaf UrSeIf in l°tus Position and practice controlled breathing and reUv--
jx?* r?*1 "d **• ,h“- v.,u. 1

,0 ,l"”k •'»“ else. You need build . m.aul uW

 THE PATH OF THE DRAGON 115
live your desires and your most unbridled fantasies without worrying about the barri
ers of time and space. When the meditation is over, rise up and say:

Lilith, Goddess of Vampirism, you know my darkest desires.

On this night, my will is to link myself toyour current,
And receive the unification ofdragons.

Visualize Lilith as the most beautiful woman, her skin is dark, her hair long and
black. She is naked, and her bright white smile lets you see pointed canines, like snake
fangs.

Seal ofLilith

f-^raw an inverted pentagram in the direction of the altar and say.

Lilith, Master ofall Pleasures!

Dark Queen ofdemons and vampires,
You who teach the art ofstrigois, ofsabbath,
And how to travel between the worlds.
 He X P Bl ACKWOOP
I I other ofprostitutes and abominations.
) <>// who arc wauderiugyct informed,
) our voice is alone in the abyss,
Lilith you who vomit upon Jehovah and massacre his children,
Under the bloody moon.
You who hare wandered on lands without forms.
Your voice is screaming in the abyss!
By the language ofthe moon, I callyou forth!

Visualize a black smoke rising from (he cup of blood and coagulating little by |jU|(,
under the appearance of Lilith. Her eyes look like burning embers.
Take the cup of blood and wit h your fingers, anoint each chakra point. Be aware
of receiving inside yourself a part of the divine essence of Lilith and to make a pact of
eternity with her. Visualize your chakras radiating a red glow, shrouded in emerald
green. Allow a state of trance to gradually settle before saying:

I summon inside me the essence ofLilith.

The Mother ofall Demons,
Succubi, and incubi,
The Great Prostitute,
Master ofall Pleasures,
That teaches the secrets oftomb.
W? are one, tonight andforever! Nema!
Close the ceremony and go to bed without washing yourself. No doubt your night
will be the scene of demonic visits and initiatic contacts. You can shower the next day
when you wake up.
This ceremony will be done nine times during your preparation.

THE DARK GIFT

Take the Soul Mirror and ha '
reflection. The ritual always tak / Wl11 thc West so that Vou can see v°ur
^^atthe four cardina| in evening. Light four red candles ar-
t st a lack cord, having stayed in tk ' ° C"Cle’ A*S°’,ight a Fu"crary tyPe ofincense.
°™ the Clrcuinference of the circle * CemeteiT durin8 a Ful1 ,unar mon,h’
 ' n^l'ATH OF THE DRAGON 117

Also, take a heart of lamb or

pork, the necromantic wand, and the
athame with you. The chalice of Lil-
ith filled with menstrual blood
mixed with your own blood is an of­
fering in the triangle of
manifestation and will be placed on
the seal of Dracula.
The heart is placed on a small
plate on the altar in the middle of the
sanctuary, facing West. When the
candles and incense are lit, the offer­
ing and mirror placed, and the circle
laid out, put yourself in the lotus po­
sition and practice controlled breathing and relaxation, meditating on the success of
the ritual.
After ten minutes, stand up and build the protection circle around you. Channel
the blood of the stars to charge the seven chakras. Then grab the necromantic wand
with the right hand and project the energy through the wand. You need to adci
conviction of creating an impenetrable and inviolable limit to this projected energy.
You will see a very powerful blue fluid coming out of the wand. While tracing me
circle clockwise, visualize this blue fluid crackling with bluish energy emanating from

this circle.
From my experience, the creation of this type of circle has more a mental eLeu
than a practical one. For no tricks or fancy protections could protect you from
is coming during this ritual. The purpose of this circle is to cieate a mental lim

the ritual space.

Once this is done, it is time to summon the Foui Gatekeepei s that wi
US N.D. BLACKWOOD
SUMMONNING THE FOUR GATEKEEPERS

Facing West:
From the West, I summon Leviathan,
The Lord of Water,
Guardian ofthe doors ofthe abyss,
The Dragon ofAstral Light,
The master ofarcane magick, ofsleep, and dreams.

Facing North:
From the North, I summon Belial,
The Lord ofthe Earth,
Mighty power over the terrestrial realities,
The immortality of the body offlesh.

Facing East:
From the East I summon Lucifer,
Bearer of the black flame ofknowledge,
The awakening ofconsciousness.

Facing South:

From the South, I summon Satan,

The Lord ofFire, the Red Dragon,
Prince of all demons. Regent ofHell.

Turn towards the triangle of manifestation and necromantic wand towards the cup
before addressing your prayer to the Goddess Lilith.

Lilith, you master all the pleasures!

You, Dark Queen ofdemons and vampires,
Who teaches the art ofstrigois, ofsabbath
And how to travel between the worlds.
By the language ofthe moon,
Ipray you make this blood the portal,
By which will come the Dracul!
dualize the blood shinewi..
and arteries the Earth Pukatine a”™’Then f°CUS your conscioUS'
and visuali, rrying a ,1(lu>d fire. Dive v Wthem’ Vlsua,ize it as a set of veins
e 3 ^11, dark-skinned man C°nsciousness to the center of the earth
■ Grounded by magma. On his back is a huge
 ™E PATH OF THE DRAGON 119
pair of bat wings. His head is that of a dragon. From his coccvx han .
ilar t0 that of a snake. His feet and his hands are clawed and he sn"ts f 8 tai'’
Say aloud: F lre-

By the door ofblack light, O 'Zalmoxis!

Hear my request, eternalfather.
I callyou with the language ofdragons.
May I be initiated to the wisdom ofthe moon.
I callyou in my soul!
Rise now, black star, so I may see what has never been known.
I callyou from the shadow where I belong
Andfrom the darkness that I have nourished.
Your light exists in the darkness!
Your will gives birth to the realm of vampires
Andyou nourish their desires for the blood of mortals!
Eclipse the face of God now.,
So I can become God myself!
Immortality in the flesh!
From the darkness of the Scholomance,
Send me the Dracula yourfavorite son,
The primordial link of the chain ofeternity!

Then draw the blood of the earth directly into Zalmoxis and see that inside the red
telluric energy, a black light rises.
Load your chakras and project the energy by your wand inside Lilith s chalice.
Now, with your hands above the heart, magnetize the vital energy that you ha\ e
vampirized from your prey during the nine-month preparatory cycle. Charge it with
their life. Visualize it shining more and more intensely and gorging with energy. Im
agine that this heart begins to beat again. Throughout this process sing the mantra

PEGER ETIAE GISIG EAITE REGEP.

Take the athame and visualize Dracula strongly, feeling his presence

around you, while calling him.

O’ Dracula, Lord ofBeasts,

Lord ofSorcery ofBlood and Fire,
Master ofvampires and shapeshifters.
You who hold the book ofdreams,
The original verbs ofdragons.
120 N.D. BLACKWOOD
pr this obscure gift, mayyourfire illuminate my spirit and myflesh
And so the eye ofthc dragon opens itselfinside ofme.
O' Dracula, from the infernal shadows that nourish my soul and my body
I call you by the power ofthe bloody come to me!

Take the dagger pointing upward in your hands, with your hands against the
plexus and vour arms straight. Stand in front of the altar with the heart on a plat
Breathe deeply for five minutes. Visualize the darkness of the night, present'

your room and being absorbed in the blade.

Block your breathing and tense all your muscles, then in a precise and quick
tune *ith the right hand, turn the tip of the dagger down and stab the heart Whe
blade enters the heart, visualize white energy squirting out of the heart and vio^

illuminating the entire room before being fully absorbed by the blood inside th
Once this is done, make your command by saying:

Dracula, you love the bloody

Andi have offered the blood that gives life.
Give me now the Dark Gift and all its virtues.
Thc magical and alchemical powers ofblood
From the venerable ancients ofthe dragon’s bloodline.
I now drink life beyond death, for death comes to release life!

zzZiZ”, rine",h' ind "’8ui”ins ”

West Close vour ' Sn>und *' Position of the star, with your head fidaj
est. Close your eyes and say in a low voice: '

Dracula, you are the incarnation ofthe spirit ofZalmoxis.

' ou, the Father ofthe Vampires,

Master ofBlood Sorcery,

You said that !i"“ltat'0>ls and tfte metamorphosis,

mllhm a„„l Uft

D'ut my desire be,your desire.

G,ve me the Dark Gift!

powt rs ofthe immortal blood!

 THE PATH of the dragon 12!
Watch Dracula floating above you, his face a few inches from
w,th «»<! ““llic of M“d ^mating from his m„h V°“rS F“‘ hi‘

Snddenly, b. Wb onto y.n and penettatea your n„h|y

own body of energy. Thta expenenee .a likely to be diatnrting, even L'

ing consciousness is common, as well as forced out of body experiences

Once back to your body, send back the Gatekeepers, open the circle, and leave the

sanctuary.
From now on and forever, your double carries the vampiric essence within it.

awakening of demonic powers

This ritual will take place a day after the initiation of the Dark Gift. Its objective is to
awaken in yourself the latent powers of the shadow, which are symbolized here by the
main Archdemons of the High Infernal Hierarchy. The objective will be to reintegrate
in yourself fundamental powers generally considered external by absorbing their ar­
chetypal representations. To make it simple, we can say that, as a vampire, you are
going to eat the demons to appropriate their essence. Use the methods described in
the chapter The Art ofLife Drain. When you absorb the essence of each of the demons,
be certain that you are absorbing their abilities at the same time. This process or ap­
propriation must be lived with intensity and realism.
In order to carry out the evocations, you can use the process that we a^scub^d
when evoking Ipos. As always, it is advisable that you take a long preparatory immer
sion period in order to familiarize yourself with each Archdemon before proceeding.
!t is important to obtain a feeling of presence and strong manifestation for each Arch-
demon so that you can subsequently absorb them. 1 his ritual is exhausting
demands the evocation and materialization of Nine Great Princes and

ftfanal Hierarchy, but the benefits will be immense.

I.-.' N.D. HI ACK WOOD

THE ARCHDEMONS

Lucifuge Rofocale
He is the first seal of this pact. Lucifuge kof<x.a!e
grants material success, the riches of the earth, s<
well as the knowledge and control over your own
vices in order to no longer be fooled by them He
also gives the power to awaken the r.
other demons. We visualize him as a colossus
with goat’s feet, black skin, and a bald head with
three horns. He wears a copper jacket and his
eyes are swollen with anger and fury.

Satanachia
Satanachia is the second seal and the primal and
sexual force of man. He awakens the virile and an­
imal force of the one who incorporates him. It
causes an increase in male hormones and modi­
fies the muscular and hormonal structure m order
to restructure the subject into a dominant male,
emitting pheromones to attract all women and v
pable of commanding respect oxer .
humans or animal males. He will offer the s
shapeshifting into a wolf on the astral plan
the ability to communicate with animals. We visualize him as a colossal man wi
j * t his ex’es
skin, covered with thick black and brown hairs. He has feet of a Billy-g°a , -
are blood red, and his face is a sort of snout with two curved boar s teem,
i risinafrom
tho ----
 THE PATH OF THE DRAGON 123

Agaliarept is the third seal, the one who gives the

secrets of the earth, whether political, personal,
or occult.
He will grant power over all leaders and
statesmen. This demon chooses to appear in any
form that suits him.

Fleurety
Fleurety is the fourth seal. He gives the power
to predict and control the natural elements and
he also has abilities to raise storms, fog, and
thunderstorms.
Fleurety will transmit the gift of lucid
dreams as well as he will perform all types c
magick related to the night in general.
We visualize Fleurety in the form of a hybrid
of man and leopard.

Sargatanas
Sargatanas is the fifth seal. He grants the gift of
astral travel, of out of body experiences, ot tele­
portation, and the power to magically open all

doors and locks.

He will make the one who incorporates him
untouchable because their enemies will never be

able to find them or lock them UP-

We visualize him like a black hooded coat,
has two red eyes with yellow irises.
Nebiros
Nebiros is the sixth seal and he grants the
knowledge of the necromancers.
We visualize him as a man with a black skull
a crow's body, and a white coat. The eyes of Ne­
biros are phosphorescent green.

Astaroth
Astaroth is the seventh seal and grants
knowledge of the past, present, and future and
innate knowledge of science and technology. He
will modify the practitioner's brain and neural
structure to make him a genius in the mathemat­
ical and scientific fields. We will visualize him as
a very ugly, bald angel, with black eyes, a skeletal
body, and a pale complexion. He is holding a vi­
per in his hand.

Beelzebub

He is the eighth seal. He is the Great Dragon,

the power to act on materiality. He will develop

a great power of influence at a distance, parapsy-

chological faculties, and the full potential

offered by witchcraft. We will visualize him as a

huge red dragon.
Satan
-J Satan is the ninth Seal. He embodies the shadow. Absorbing
X // him into yourself will activate the 72 forms and powers of

\\ /f
\\Z /
dem°nS °f the Lemegeton and wil1 make them active He
W111 also activate in yourself the powers and energies of all
Legions listed by Western demonology.

C/CfO THE RITUAL

Set up an altar dressed in black with two black candles in the

back corners. In the center, there will be an inverted pentagram with the sigil of Drac­
ula in its center. The nine seals will be arranged in a circle. In front of each sigil, place
a manifestation base for allowing the densification of the demons ’ astral bodies during
their manifestations. It can be a perfume burner containing incense or a blood cup.
The practitioner should preferably be naked.
In front of the altar, you will shapeshift into a hybrid of man and bat before starting
the ritual and open it by declaring:

Even ifI don 7 know how, on this day, I, (initiatory name)

Take up and reactivate in me the powers that were once
Delegated to demonic archetypes.
Ileave the condition ofweakness and dependence
In which I dive into the illusion ofduality.
I recognize, accept, and state that these parapsychological powers and skills
Have always been inside myself
I command the activation of this process.
Evoke Lucifuge Rofocale by the usual method and place a drop of blood on his seal
while saying:

Even ifI don't know how, I enable my material success ptogr am.
I delete poverty programs and replace those with wealth.
I also awaken lucidity on my own vices so tha t I will ne i t r be foolet g

I command the process’ activation now.

 126 N.D. BLACKWOOD

Eat Lucifuge who becomes a red energy which coagulates in your heart in the
of his seal, which in turn is absorbed into your body by turning into bright light.
Turn to the sigil of Satanachia and evoke him.
Speak thc following evocation while placing a (hop of blood on his seal;

Even ifI don 7 know how, / awaken in my blood,

Humanity \ primal virial and animalforce program.
Vfy hormonal and genetic system is modifying without harming me m any way
For the purpose of restructuring me into a dominant male,
Emitting strong pheromones, attracting all women
And capable of no longer being dominated by all other human or animal males.
I also activate inside myselfthe understanding and practice
Ofthe language ofanimals, as well as that ofshapeshifting
Into a wolfon the astral plane.
I now command the activation of these processes.

Eat Satanachia as they become a red energy which coagulates in your heart under
the form of its seal, which in turn is absorbed into your body by turning into a clear
light.
Turn to the sigil of Agaliarept, then proceed to evoke him.
Put a drop of blood on his seal while saying:

Even ifI don't know how, I awaken in my blood,

The program that will activate inside myself.
The knowledge of the secrets ofthe earth,
Whether personal, occult or political.
As soon as I will meet someone,
I have intuitive knowledge of what he hides.
I will be able to read his mind with ease.
I now command the activation ofthese processes.
Eat Agaliarept as he becomes a red energy which coagulates in your heart in the
m of his seal, which in turn is absorbed into your body by turning into clear light,
w ike 1 leurety and pronounce his incantation while placing a drop of blood on hi'
sigil.

Even ifI don l know how, I awaken in my blood,

The program that will activate in me.
The power to predict and control natural elements
And to raise storms, fog, and thunderstorms.
 THE PATH OF THE DRAGON 127

I also activate the skill oflucid dreams

And mil be allowed to travel freely
And to act in my dreams and in those ofothers.
I now command the activation of this process.

Eat Fleurety and he becomes a red energy which coagulates in your heart in the
form of his seal, which in turn is absoibed into your body by turning into clear light
Evoke Sargatanas by the usual method and place a drop of blood on his seal while

saying:
Even ifI don't know how, I awaken in my blood,
The program that will activate in me.
The gift ofinvisibility, that of metamorphosis and teleportation
As well as the power to magically open all doors and locks.
I now command the activation of this process.

Eat Sargatanas as he becomes a red energy which coagulates in vour heart in the
form of his seal, which in turn is absorbed into your body by turning into clear light.
Once this is done, evoke Nebiros. Put a drop of blood on his seal while saying

Even ifI don't know how, I awaken in my blood,

The program that will activate in me.
All the powers related to the art ofnecromancy.
I now command the activation ofthis process.

Eat Nebiros as he becomes a red energy which coagulates in your heart in the tot nt
of his seal, which in turn is absorbed into vour body by turning into bright light
Turn to the sigil of Astaroth and evoke him in your ritual space, then place a drop
of blood on his seal saying:

Even ifI don't know how, I awaken tn my blood,

The program that will give me knowledge of the past,
The present, and thefuture, although I know that temporal linearity is an illusion.
I also activate the program which will give me intuitive knowledge of mathematic
And all other scientific areas that could be used in my icali^itton.
I now command the activation of this piihcss.
Eat Astaroth as he becomes a red energy which coagulates in your heart in the
t0r* his seal, which in turn is absorbed into your body by turning into clear light.
Evoke Beelzebub in front of his sigil. Place a drop of blood on his seal while say mg:
128 N.D. BLACKWOOD

Even ifI don't know how, / awaken in my blood,

The program which will allow me to actually command materiality.
I also activate inside myselfthe power to influence others
Without any matter ofdistance, every parapsychological,faculty,
As well as thefull potentialities offered by witchcraft.
I now command the activation ofthis process.

Eat Beelzebub as he becomes a red energy which coagulates in your heart in the
form of his seal, which in turn is absorbed into your body by turning into clear light.
Evoke Satan into manifestation, pronounce his evocation and place a drop of blood

on his seal while saying:

Even ifI don't know how, I awaken in my blood,
The program that will activate the 72 forms and powers of
The Lemegeton }s demons and make them active.
It will also activate inside myselfall powers and energies
Ofevery Legion listed by Western demonology.
I now command the activation ofthis process.

Eat Satan as he becomes a red energy which coagulates in your heart in the form
of his seal, which in turn is absorbed into your body by turning into clear light.
Then visualize that you have absorbed in your heart all the sigils of the Leme­
geton’s demons that activate your latent powers.
Pronounce the final incantation:

Even ifI don't know how, lam awakening in my blood,

The powers ofBael, Aquares, Vassago, Gamigin, Marbas, Valefor, Amon,
Barbatos, Paimon, Buer, Gusion, Sitri, Beleth, Leraje, Eligos, Zepar, Boris,
Bathm, Sallos, Purson, Marax, Ipos, Aim, Naberius, Glasya-Labolas, Bune,
Remove, Berith, Astaroth, Forneus, Foras, Asmoday, Gaap, Furfur, Marchosias,
Stolas, Phenex, Halphas, Railm, Focalor, Vepar, Sabnock, Shax, Vine, Bifron,
all, Haagentt, Crocell, Fucas, Balam, Alloces, Cairn, Murmur, Orobas,
'amort, Ose, Amy, Ortax, Viapula, Zagan, Volac, Andras, Flauros,
phus, Ctmejes, Amdustas, Belial, Seere, Dantalion, Andromalius
And those ofall legtons and infernal hierarchies.
Mw, these powers are mine, as they have always been and arefully awakened-

They do not require the visualisation ofentities

t C0mP^ex rituals to be active and useful.

command the activation ofall the processes setforth in this ritual-
 —-■-'•n UM HE DRAGON 129
extraction of vital essences
^er Receiving the Dark Gift

Ftom here, we enter into advanced vampirism techniques which are reserved for
those who have a pact with undead members of the vampiric strain through the pre
rious ritual. Applying them tmplies that you share the essence of the Drakul in order
to tape the magic of the Black Fire, which is specific to initiates of the Order of the
Reversed Dragon.
His essence in your veins should greatly simplify the processes of visualization, of
feeling vital energies and dramatically facilitate the necessary state for the accom­
plishment of vampirism. It is therefore imperative that you have completed the
previous rituals described in this chapter before trying to make this work.
From here, my explanations on certain principles such as contacting your astral
body, shapeshifting, or evocation will be simplified. These are procedures that have
already been described in previous chapters. If you are still struggling with some of
them, receiving the Dark Gift will act as a catalyst to boost your powers.
Do not hesitate to regularly refer to the previous chapters and build on your own
experience to go deeper in each of these practices.
In the practice of psychic vampirism, visualization and a state of relaxation are
important. It is essential to feel the contact with the target and to consider that you
actually ingest its blood through your mouth, visualizing it as a red light. Otherwise,
you will only achieve mental masturbation.
From the viewpoint of quantum theory, if you can feel sometning, you are in con­
tact with this thing. So, if you can feel the contact from a distance with your target
and their blood in your mouth, be certain then that it is very real.
That said, it is likely that you will only get there by regular and assiduous practice.
Regarding psychic vampirism, be aware that emotional states such as fear ,
anger, and sexual desire make a target more vulnerable to astral \ ampirurn o
'arnpirism. In physical proximity vampirism, two techniques are partic

^Ve, especially on targets suffering from sexual frustration.

vampirism through fascination

Th« »«h«l of foeo.ses o„ .
sists of monopolizing the attention and desire of the target on yours .
130 N.D. BLACKWOOD
Visualize a fire of black light in the middle of your chest, representing your
lean essence, while you consider yourself tn the form of a bat-man using

qhaneshifting methodology. .
ntmerse your gaze in the center of the target s bra.n or thetr left eye. Smile at
them so that your smile ignites their sexual destre for you. Don t change your |ook.
Doing so drain its energy, considered as blood, by your w, 11 and the support of the
breath Direct it in the middle of your chest as fuel to the black fire.
Never give satisfaction to their desire. In this way, the target will be invaded by
erotic dreams which will make them vulnerable.
If you wish to continue this action at a distance, dram the targe using the astral
extraction ritual. Once you have established contact with your target, imagine that
you are uniting sexually with them, drawing their blood energy through your genitals,
and driving it to the center of your chest.

ASTRAL VAMPIRISM
Sitting in the lotus position, drain the telluric energy through the root chakra and the
cosmic energy through the crown chakra. Merge the two types of energy at the solar
plexus, thus feeding the black flame which you will visualize turning into a vampire
bat. Continue draining the energy in order to feed this creature which is the primor­
dial form of the predatory consciousness that inhabits you. Focus on yourself in the
soul mirror and meditate on the act of predation that you are going to perform, focus
firmly on your target with the intention of feeding on the vital essences contained in
their blood.
At the peak of this concentration vibrate three times:

Zazas Zazas Nasatanada Zazas.

Close your eyes while keeping the image of your target on the screen of your eye
lids, visualize their body surrounded by a pulsating red aura of life. Focus on the bat
in your heart. On the inspiration, make it rise in the center of your skull and during
the expiration project it towards the target by your third eye. . .

• i K j V°Ur consc‘ousness placed in the winged beast, fly towards your targetw h|C
is placed in the center of a vortex.
Go to your target. When entering into contact, grab your prey between your w»>Js
Xn wm te? " thrOat'The idea here *use the baneful vampinsm
odology. While inhaling, greedily suck its energy under the aspect of a red light, and
 ip
^^^e.d^rimy^heanAsynufe^^

feverishly until « a no ***

tp|). and plunged into a trance before enterir. g h. ' • ’** tt
Open yaw eyes before rennr.kj to your dv ' ■.- yye

WITCHCRAFT on the path of the dragon

Like all spiritual traditions, the Patil of the Drago- has • range of techniques u-ed to
help you control your own destiny. At first, these may seem classic because the-. re
enchantments, divination, and other spells
However, to my knowledge, there are no hooks or lodges on ie srree: ±2: offer
lessons of this type. This an uses seals of the Lemege-on. the palindromes of Ab~-
melin, demonic seals traced accorcmg to the tecnzique of magic squires. s:zr.imres
of demons, and even symbols from modem sigils. I he magic of the Drzcm has 2 e~'
simple operating mode, it is me acdvgnon or the bhck me symbc mm r t :
essence, its exaltation, and its use to load support aiming to cam' ore -
caer. I want to warn the reader of one thins,
w- - this marie is inter Ct t ■*-: -
controlled madness in the mind ot the magician or to brine 2 mc.em mm: m:
in that of their victim. The results are always violent.

CHARGE BY BLACK FIRE

Dragon Method
The altar is erected as usual, and the support rests on ~e x • erred pentagrain
1 ourself in the Egyptian position, standing with your feet oined and '
Cr°ssed upon chest. Close vour eyes. Practice total relaxation \ en qw It,-, 4
Sec°nds and deep breathing for a minute. \ isualize your bod} >mroun ,
d'sh halo and feel the seven chakras pulsating gently like t-hek sphere* at turn
*d before quickly returning to black. Continue this visualization and .eel ail the

f°rce ot -vour body emanating from your skin more *tron Jy ->
After a few minutes of this visualization, all at once, co p emanating
C'« of your body by blocking your breathing and risuahze all *- -

Otn your body being absorbed in the seven chakras.

 N....... is no longer a halo emanating from your body,
After about fifteen ^^’our red chakras burning like embers. Stay in this state

i v the muscles an
for a minute or two. lyzing the muscles, transfer this energy inside the
Bv blocking, brcath.ng.ane Bring it crackling to the palm of your hands.
black foe to stir it up, to >nah2 p project the insid(, im.
Take the support betwee y maneuver is exhausting and requires being
printing it with the force of yow _ c as we„ as a having daily prac.
' depositary of the obscure Gift andi^

foe Of draining lifeforce. Doing. form of plans. The essentials are

The practices which will to c()mplete them with the information given be-
g,„ but it is =«» «»“” “P “ r f„|iogs, your magical ««*> “d *•
fore. Trusting your seusaouns, you

of the undead is essential.

TO MAKE A TARGETED PERSON REPULSIVE

With the Power ofAsmodeus & Squares ofAbramelm

This practice makes a young person look old and decayed, their beauty thus faded in
the eyes of others will lead to isolation. It can be done to punish an overly narcissistic
companion or any other person who has harmed the magician.
Start by creating a dagyde with organic piece of your target.
 THE PATH OF THE DRAGON 133

Activate the palindrome 21-1 if the target is a man, and 21-2 if it is a woman, using
black fire method. The dag\de will be placed on the seal of Asmodeus and the
f Abramelin in the middle of the manifestation triangle.

Seal ofAsmodeus
Morn, the ritual of summoning Asmodeus using the d.ssie method of evooe-

tion. When the time comes to place your command sa\.

Asmodeus, give me thepover to deform the astral body

d -‘th deformities and almost

dualize the target becoming monstrously age , . ar cycle, then
flesh. Repeat the ov„«»o ritual during a complete .

k"'" 'he Seal of Asmodeus during the last session.

134 N.D. BLACKWOOD

The spell will be reactivated each month with the Abramelin palindrome.

The dagyde will be placed in the center of the inverted pentagram. The 21 square
will be placed on it. While visualizing Dracula within the black fire in your chest, place
your hands above the dagyde and recite the square formula while visualizing the target
becoming awfully old.
Cut yourself off from the target by pushing the word “Al” and leave everything
in place in total darkness for part of the night.
Set the dagyde aside, ensuring that it remains in contact with the square.

PRACTICAL NOTES
If we want to give the target a youthful appearance, we will evoke Asmodeus and as

him to restore the target's astral body to its original form.

I he square of Abramelin will also be used for this.
If you want the effects of the punishment to be permanent, bury the dag} de
foot of a strong tree with the Abramelin square wrapped around it.
With each full moon, the charge will be released and will accentuate the
phosis of the astral body of the target person. This ritual will be more effect’
the awakening ofthe demonic powers.
 THE PATH OF THE DRAGON
135
practice going out of the body
This practice uses squares of
by a metamorphosis 1, 2the
, and 5 o^17
astra| f .1 of
t.h0Sen form. Thts can be accomplished J/° an out of body ? ^-d
lifeforce ofa prey, sexual union with a tar^t c S PUrPoses like a ^r'ence in a
olaces, espionage, and obsession. S ('ncub,'Succubi)) traveli d'a'nin8 the
lng to all kin(js of

(1) (2)
A N A N
N
A
N A
(W N l». |l|.ACKW<H>n
...... <,......... chnrgc the nquarc of Ahramelin by using the 1^,
As "s"“ ' V'",' " ,|Wm your «<ml, ‘ledure your intent,on ,,y "aym*
method. While vHUiih/ing y*" K
le,u„lheVamf>^^
1 ,/ the square of /Ihramelin
And by ihr power ot
this task in theform of (slate the chosen form.)
/ will perform....
Att uh the Abramelin square to your forehead with a band, so that it covers the
.... eve the written side up. Right after the words arc recited, start repeating the
^uk. ’fthc square until the installation of a hypnotic state of trance
Visualize the opening of a tunnel, in front of it stands the square of Abratneiin.
Right after the words are recited, start repeating the formula of Abratneiin.
When you exhale, visualize the red energy coining out through the third eye and
passing through the Abratneiin square before spreading outside the body.
Project yourself in the form of the red globe as usual. In this shape, hang on to
your will to transform yourself and take the shape provided by the square of Abra-

melin.
Take flight and rush towards your target or to the place you want to travel to with
the intention of accomplishing the planned task.
Let yourself fall into sleep, Abramelin's square still fixed on your forehead.

PROCEDURES TO AWAKEN LYCANTHROPIC CAPACITIES

(5) This procedure aims to develop the skills

linked to lycanthropy such as the acquisi­
tion of the wolf’s qualities (increase in
physical strength, agility, an awakening of
atavistic forces, understanding of the lan­
guage of wolves) and the ability to transform
other persons into werewolves.
It is essential to accomplish the ritual of

Awakening the Demonic Powers before start

ing this practice. The following actions are

required beforehand:
Get a pig’s heart which will be sacrifice^

in tribute to the demon during the thua

in by the Dragon method.

 the PATH OF THE DRAGON 137

ke Eurynome with the usual methodology, taking care to place in the center of
triable of manifestation its seal and the square of Abramelin
' "once demon has manifested inside your ritual area, place your command by

Eurynome, by the powers ofthe square ofAbramelin,

I command thatyou develop in me the powers oflycanthropia.
Give me the qualities ofthe wolfby increasing my physical strength,
Afj agility, and the sharpness of my senses,
As well as understanding the language of wolves.
Awaken the atavicforces in me and strengthen my powers
To create lycanthropes and have control over them.

Proceed to sacrifice the pig's heart by stabbing it with your athame and shedding
its blood on the square. Visualize the energy entering it while saying:

May this blood awaken the beast inside me.

Speak the formula of Abramelin's square until drunkenness and visualize your
transformation into a colossal wolf using the usual shapeshifting method.
Maintain this visualization and recitation until you reach a complete state of

trance.
Once the ritual is over, thank the demon and ask him to leave.
Collect the square and place it covered with red fabric.

HOW TO USE THE SQUARE

Bring the square to the level of the solar plexus and practice the black fire rinr 1 ’
scribed earlier in this chapter. Speak the formula from the square to the p°
intoxication while transforming yourself into a wolf. It i^> e^ential

shapeshifting process to feel the rise of atavistic forces.

. When you want the lycanthropic state to stop, you have to visualize yourself. a -

wolf form to recover a human shape.

^his practice should be done in relative obscurity.
notes
A cr time this practice will strengthen the physical body of the adept, incrcase
XiN.itv, and the acuity of the senses. It will also develop the predatory *

X t bv gradually abolishing the remnants of hutnan.st thoughts that could persist in

the mind of the magician and present a brake in its evolut.on. Finally, it will be a nec.
,n <UT for the sorcerer seeking the ability to turn other persons into werewo|Ves

RITUAL of creation of a lycanthrope

1'he purpose of this ritual is to grow the reality of the werewolf inside the body of a
chosen target. This type of practice will result in the creation of a programmed killer
with brutal force and savagery who can perform several tasks for its creator (destruc-
non of a target, protection of a place or a person, fight, etc.). The demons that can be
used for this work will be either Lykas or Eurynome.

PROCEDURE
Start by creating a dagyde with organic
(5)
pieces of your target. Charge it magnetically
K A L T P H
] E and baptize it to create a permanent link be­
A P I E 1 I P tween it and the target. The sigil of the
demon will be engraved on the dagyde.
Ll ! I L M 0 R E In the triangle of manifestation will be
T E M U Jvl E placed the sigil of the demon, the dagyde,
E R 0 M ]L I and the square of Abramelin, chapter 9,

P I E R I P A number 5.
The square will be activated and loaded
H P F T A K
beforehand.
The evocation of the demon will be peI
ed on Tuesday and Saturday during a period to be determined. A symbol!'

e c' ' heart; will be made at least every month to the chosen demon.
During this period, the goal will be to hatch and develop the reality of the ly^'
thrope in the body ofthe chosen subject.
, 7 'b' b Uhen the werewolf program will be determined. The following are exam
Pies of what to include:
* The werewolf’s name.
 Yhe werewolf's activation words.
>
The activation sign. A simple hand gesture, or somethin, m
¥ ^fer. ng more comPl«, as you

Its mode of feeding. This would ideally be a symbolic sacrifice t< th

*
**................................................ rzz
coniferous needles. sduons ot
Its functions and the definition of its reality.
¥
The words that will send it back to its normal habits.
4
* Its lifespan.
> The words that can destroy the werewolf spirit inside the person

At the end of the creation period, the sigil of the demon will be burned in the in­
cense burner. To awaken the lycanthrope, the dagyde and the square of Abramelin
will be placed in the center of the inverted pentagram. The words and activation signs
will be made. Then the formula of the square will be declared while visualizing the
individual metamorphosing into a werewolf.
The result you want to obtain will then be visualized, and you will speak a
mand to the werewolf, as you would do for any demon or entity durin
ritual. Werewolves are particularly efficient servants went it come - to ? n ,
Some of them will act in the astral, without the person noticing its trans h’Zin re­
actions, while others will brutally act in the physical world.
The dagyde will be left on the pentagram for part of the night in total darkness.
When you want the individual to go back to their normal human behavior, ju^t
pronounce the words that put them to rest and shelter the dagyde from the light.

rite of destruction
This procedure makes it possible to totally destroy a tai get ot simply t T da
ous injuries. It takes place over a 28-day cycle like a classic spell, °
a”d Saturday. It requires the use of squares 3, 5, and 6 of chapter 22 of Abramelin
PROCEDURE
'he vita)
Load theessence of the target
square by the Dr wh^ch Sh°Uld PreferablY beIoaded witb

be a^- and takefrom

dKe a dagycje care to includ"318 y°U are most suitabie (cIaV’ C'Oth'
Then t ir’.a ofclothinB a? to link it to your target. It csn
The3?"'6 the dagyde m the na " SmaU P’6Ce °f an ob)ect that beIonSed t0

p,he da»'de will be Placp , name ofyour target.

nn on the dagyde.
 After a time of relaxation and meditafion, r '......... ””««««/« w
the shapeshifting technique to transform your, ir **
this state, fix the square of Ahramdin by recj.. """,he hybrid of ,J

state Of trance where your mind unites with tl//’" UntiI

visualize your target in its en vironment. ’ 3nd ietten. While Lr •

Take the dagyde in hand and the athame in th

mentioned visualizations. *hile maintaining

Prick the dagyde with the athame at the pIace of th u •

Use the astral projection technique to project v ' ' * be'*itch-
towards the target and push either a dagger or vr/ fwm of nire
body targeted by the square. Let your hatred, your 2^ “T

Live each sequence with intensity, being aware that ■- ’ to free

ingyour target. >ou are or seriously injur

Mentally cut any link with the target.

Leave the dagyde and the square in the center of the pentagram for part of ±e
night. In the morning, store everything away from light. It is imperative that the.-::
melin square remains in contact with the dagyde.
Once the cycle is finished, the dagyde will be rolled up in the sqn .
thing will be buried at the foot of a strong tree.

CREATION OF A ZOMBIE SERVITOR

This ritual allows the creation of a sen ant
taken out of the tomb, programmed to obev
the operator and perform certain tasks for
them, such as labor work (construction,
transport, handling, etc.) or protection to a
place or a person. This being will have a max­
imum lifespan of seven years but it can be
returned earlier to the grave if this is the wish

of the operator.
 142 N.D. BLACK

PRELIMINARY PROCEDURES
Obtain an item with a connection to the deceased before burial. Creat
these pieces and baptize it in the name of the deceased. Engrave the « whh
nnila on the chest of the dagyde. Activate square 3 of chapter 13 of the ^°r'
the Dragon method. C ^rarr>clin

the ritual
Place the dagyde in the center of the triangle of manifestation. The square of Abra
melin and the seal of Niantiel, guardian of the 24th tunnel of Set, will be placed upon
it. Evoke Eurynome with the method we know and make the command.

Eurynomej by your power influence the illusion of life in this body

Make (name ofperson) a zombie, fully subject to my will.
This is now so in this reality.

Speak the word of the Abramelin square and visualize a vortex opening above the
body of the deceased person. A shadow comes out and melts into the corpse. Visual­
ize it coming back to life.
Carry out a symbolic sacrifice by cutting yourself with the athame and let the blood
flow on the dagyde, the seal, and the square. Visualize them bursting with energy.

DEFINING THE REALITY OF THE ZOMBIE

4 The zombie ’ s word of awakening.
* The zombie ’ s activation signs.
* Its feeding mode.
4 Its functions, roles and what is prohibited.
* The sign that can put it back to rest.
4 The word that can cause it to restructure.
* Its lifespan.
* Its word of destruction.

’'■"»e/in ai)d
Saish the ■
e fhe dagyde in the „ ext ntual, at least twice a week to make
"'"L'nness whije f ° N,ar>tiel. Speafc e' °f the Pentagram with the square of
V,SUal'2i"8 the corp t W°rd the square ofAbr^n to

he°Pen'ngitSeyes
 Make the c a offering,
food fr • a ,l.ttle
. water, milk, or incen A OF THE DRAGON )«
. L PATH
ri,F

be made every month on the dagyde. Project yourself on the wili

Cfhe vampire, and practice an extraction of vital P’ane>in the sbape
„0ur body and project the vital essences into the dagyde with th. °me Ck *
zombie and to reactivate this organism. Define the reality of.,
dagyde away from light. e zomble- Store the

After six months, the zombie can leave its grave and move like a living beitw „ a
the control of the operator. *ng bemS ™der

HOW TO CONTROL THE ZOMBIE

Place the dagyde in the center of the pentagram. Use the usual method of shapeshift­
ing to perceive yourself as the hybrid of man and bat while pronouncing the term
activation of the zombie and making the activation sign.
Place your command and visualize the zombie accomplishing its task. Leave the
dagyde in the dark while the task is completed.
Once the objective is reached, send the zombie back to its lethargy by saving the
formula that puts it to rest, performing the associated sign, and visualizing the zombie
falling asleep in its grave.
The zombie will be fed twice a week with the planetary incense of the do
offering of spring water and honeyed milk. All these operations will be carried out on
the dagyde. The bloody sacrifice will be made once a month. Once even’ three
months, the dagyde will be recharged with vital essences extracted tiom a target bv

the operator.

IMPORTANT notes
When you are near the zombie, always shapeshift yourself in the form of t P

Mter the creation of the zombie, it is possible to evoke Malphas to conv

huiider. It is not advisable to let the zombie exist for seven years ecat
the older it becomes, the more it will want to free itself from
1 s better to return it to the grave when its task is complete unambiguous
^hen programming the zombie’s reality, give ony n we(jtodo.
'*• » i. J LoJ.etol, « »u, rhe thing, it» - ‘"»“d
144
THE BLACK MIRROR
The Black Mirror is a ceremonial
ment that is intimately linked to
number 1 of chapter 4 of Abramelin which
allows one to have visions in mirrors M
crystal balls.
The Black Mirror has multiple uses
and here are the most common. Knowing
the secrets of a person or others hy the
squares of chapter 12 of Abramelin. Having
visions of relatives by the squares of chap-
dllu 5 of Abramelin. Receiving
ters sa and
divinatory visions by using the squares of
chapters land 2 of Abramelin. Having di-
vinatory visions by demonic entities and contact with them through the black mirror.
Contacts with the Tunnels of Set and visions emerging from these dimensions. Nec­
romancy and visons of the elementary and planetary spheres. Contact with the Great
Old Ones. The Black Mirror generally allows access to ecstatic states and visions
emerging from the black light of chaos.

5Wp°«wMANUF4f,
* AwoCkglaSS12cinin ^ACTURinq ITEMs

’ Whi“-»d±PlTOwP«d

dra*an equ-!t°Ckand 6o X15 biock, the saUSed t0make thesupport'

the
natt)e ofLil'!teraitrianglei6°Plateinred n dlameter as clock glass. Paint

base of thtriangle *ill be ,Kht’ that °f DrakT- left ofthe trianS,e

1 Pi3<Xdint,langle wj]] t aWn s9Uare numf ^aP>yl°nian alphabet. In

raculae The clock glass will^^'

c0NskratION of TO the eoue e,'
Trace square number 1 of chapter 4 ofA ''^MENTS
using it the Dragon method P^ °n a Piece of „ L
in tCharge
he center of the support triangle V ■ the Square on it hn,ent-
Transfer the energy into the support °f sq^eT'0" dra»"
Acttvate the support and the black mirror h'he ^a of th PardUnent-
OfDracula. Wash the glass, painted black i tbem in cont ' ^a*’
lunartime. > nthe menstrual blOod W,tb the *gil
takenonaMonday>

USE OF THE BLACK MIRROR

The mirror can be used with an Abramelin square from chapters 1, 2, and 12. Vitali-
zation of the square by the Dragon method. Place the square under the glass at the
location of the painted square and replace the glass.

OPENING THE GATES OF THE ABYSS

Light the black candle in honor of Dracula and speak the words:

Zazas Zazas Nasatanata Zazas (3x)

Followed by:
QUIXAL UDINKAK

Make a fumigation offering to Dracula.

Visualize him in front of you while vibrating.

aa aatxb abaros ’za*°zl

samil bamlazazzomozzcms
zamoaszamozzamoazaaol
azazil anzal DR aka IA-
Then, pronounce the call:

Descend intoyour secant.

Visualize Dracula entering you. . urselfundifferent’ated^

^Se the shapeshifting method to visualiz y
That being done, say:
 w \ P Bl V'K'VtXW’

# is
M wwqfa# '■■■■- -■■
H-- -///•■ '■ '•■ •>/../ /„ ,w.
;'•.. 'u/'Oi’il ,WC I'l'cllln^
;,', A A'»V' <’/ “/"‘"r
<.', AV < : >Mi : . ■■•"< H*»‘ (•’■'■ A"*' lltf /*«*/««'' "/ H" operation )

X'.^casv'.aM* sacrifice utui let youi Wood How onio the glass,
Dheitio the htedjiniwor and recite the formula for square 1 nf chapter 4 ofAt^
,, - ■ ..... •,.,.> iiKf.'iniul.i-I the.•»!».«<• dele, g f)1(: pu,...
. v . • ■ • ;h;S - ;hc pemt ofuitoxic.ilion while continuing io on thefcj^
. e' '?.e come. I i\e this expetience in the ptesence by not atternpefj
-■ -’e -ri dsborarion. Once the experience is over, absorb the form of Dracula in
voir he^n nd remain in his presence.

A Practical Note
- rc r squares or seals aimed at obtaining secrets from people, it is better to add
n ::err. irom this person to the square placed under the glass.
in me case of a using your mirror to contact a particular entity or demon, just
rer.acc the square v. ith their sigil, and use your intention to contact them as the pur­
pose or the operation. +
 THE MYSTERIES OF
EXTRATERRESTRIAL WAYS
Chapter 10

WILL discuss here a vampiric evolutionary pathway linked to extraterrestrial

1 mysteries. Again, I strongly advise against putting this part in practice because
the requested entities are totally unaffordable by the human reason that will
quickly capsize in their presence. I'm not going to get into big theories about th
origins and nature because, honestly, I don't have any clear idea on that n .
only thing that is proven is that this kind of ritual works and brings \ e: 'a
astating results.
From what I can tell, they are not part of the Green Order c: .
been transmitted to me by a friend and longtime practitioner ot me vantpu k arts.
The man in question was an experimental sorcerer who spent rears studying ar-
ous magical paths, such as Goetia and Martinism, as well as vampirism. Years ago,
e tried exploring the type of ritual I am going to give here. After what I can call a
jurant ascent, he renounced everything occult. Haunted hr a growing madness, he
ore and more hideous visions, slowly became asocial and tried to protect him­
self by returning to the Christian faith. ..
t i . > i^mpd that he had taken his own
1 lost contact with him for years and recently k.
life. , i
. of beliefs. 1 haven t used
As an author, I don't take responsibility tot t tese yi > Anyway, these
thls system, and 1 haven't investigated the cosmogonymodem Left-Hand
^tuals have proven to be highly dangerous and rat ely Pn . * moral duty. I
practitioners. The passing of knowledge to au n
148 * ° . -e two rituals to the puonv. u » up to my readers
„cmit the®
to tran-^11
^rice or not- -f yoU from the chthonic demons, human d
in PTheft* ritua' ^“X'trial cosmic energies. You then become visibleSj

to extraterrc- Under its angellc exterior, i(.

’’honored your P’^^’^ ^lnerable to those of the Outside. Howevet^>
ritual *at can make you .nitjator not belonging to our planetary sphere. ’

THE CALL TO THOSE OF THE OUTSIDE

,t wl| be done on the first day of the full moon. The place of the ritual will be in
hamber of the sorcerer, that will have been previously purified and fumigated
incense peculiar to meditation. You will have taken care to refrain from alcohol w
sexual relation at least three days before initiation. On the day of the ritual, a f« is
strongly recommended as well as a bath. A small altar will be set, including a green
candle in its center on which will have been engraved a spiral, and a censer. The ob­
jects will have been previously charged by the five elements.
Why a green candle? Because green is the symbol of initiation and femininity. It is
: a recurring color during initiatic dreams involving extraterrestrial or Sumerian
ies This is the color of the awakening of primordial waters.
spiral is a symbol received during a dream and confirmed during a meditation
■' ants. It symbolizes the wheel of life and the links with the Nephilim and re-
• to the primordial knowledge.

. u ement of Intent

f (name ofthe sorcerer) living on planet Earth,

Decide today to break the chains ofobscurity
That my species was once hindered with by the false Gods w o sOlirce-
To receive the teaching and wisdom of the emissaries of the or g

By the ignored power called KINSAG,

I invite inside me, the egregore of the Order
Andi launch a call to the ancestors? people-
May they sleep in the ABZU or sit on the borders ofthe uni

That those who recognize me as a son, ^ledff-

Accept me as a disciple andfather me on this difficult path to

That my will be done.

 ...... v"'v'eriesoffxt»a

The Hame ofknowledge illuminates

Maf this fire be charged with wisdom and power off'
Gu„rdians ofdivine knowledge, and immortality ofthe

Valise * ”cautiful WOman]' She is dressed « white, a

she wears a gold tiara at the center of which is a rhombus in ,Ver'nghersh°ul-
Her, lozengy quartz crystal. Her long hair is black and thick J 'k “ ^shrined
;*g, linle, „d her eyes ™ . deep thc pnpil'X* "» *

J places her hands on both sides ofthe candle and infuses an energy ofT^'

rn. The flame takes on the magnitude of a white light, incandescent, bright' torch

suffused green.
Take the candle and present it at each cardinal point and say:

The torch ofwisdom banishes and dissolves the enemies ofevolution

Thosefrom lower dimensions working on the destruction of mankind.
I work for the light and the beauty ofspirituality.
Step away from my false God’s path and begone with you allyour lies,
From this day on, your place is no longer in my heart, nor in my mind.
You have no more hold on me!

Once this is accomplished raise the candle above your head and visualize the sa­
cred flames consume all the negative entities floating around you. Then place the

candle on your altar, and face it, saying:

As above, so below, the microcosm is the reflection ofthe macrocosm.

May the sacredfire ofthe Lady’s serpents burn in my heart,
And that glowing love, the guarantor ofmy immortality,
Consumes the parasites ofthe spirit and other vampiric entities inh
And preventing my evolution in true spirituality
v. P v „ each expiration and
dualize the sacred fire burning in your heart, exten in y0U
*nvading your entire body destroying every ps> chic f this
editate on this initiation. On the motivations that ha P -ce visuali-
thi* is done, blow out the candle, lie down in the dark, and P

0Uhe next sequence. . ■ njght and a multitude

stars °.? are c°mpletely naked in the middle of a desert. sound of the w
is y ' Uminate the black sky. Everything is calm and qut
Companion. '
 1W N.D. BLACKWOOD

Mentally pronounce:
/ am here tofulfill my destiny.

Then extend yourselfinto the sand and contemplate the immensity of

your body witheve.yinhalat.on you take. Understand th 'Sfe,
this energy for the travel you are go.ng to accomplish during yOur |u^ ’red­

out of body experience. %Or

Raise your arms with your two index fingers forming a cross in an «x„ .
rection of the sky and pronounce mentally: 'n the

Iposition myselfat the crossroads ofuniversesj

0 ’Divine Lady’s serpents, emissaries the original source
Take my hand and educate me to the mysteries ofthe Wheel ofExist

The stars change positions to form a gigantic spiral of incande^^

AAMCdcent i- .
light
Get out of your body and let your consciousness be absorbed in the *
spiral. Don't resist any hypnotic images that may come during rhk m °f
Fall asleep. 5 “ts moment.

Allunusual
sible that can happen
events willduring this night
be carefully is of prime importance All d™mS and. pos‘
noted.

CALL NERGAL
^„gp.lkrofcmaln ^lc£lmdlaa

-burner, to some
Qrdjngthe legends,
Annunaki, thethe w ru
Great a&011 or*g*nates from the dragon serpents
These Old Ones would be at th W^° Sett^ec^ Earth thousands of years
and of the first great mw. e °nS,ns of the creation of Homosapiens, ofcivi-

eed> Dr«akeSX ' «mankind.

from Gy35' Dragons> flyingsnakes PreSent in the history or mythology of*
more na t0 India’ Egypt Do ’ Or Serpent
S°-Gods appeared
h America, in every mythotogv
Central^

led by ftJ the Cflanes or the "L’ be,‘eVed that the first inhabitants of u
fixation ’’S Serpent God whf SerPent>" who crossed the eastern-*1

^mna (Ka them cult of divinities and

^r0;^«actUallyEnJiJ and^'
Edition of the An ’ L°'d °f the Order> son of AnU
Annunaki on Earth.
 c'k,EsoffXTr
ile Tlaloc, God of rain among the Aztecs P , RR^wAy,
the feathered snake of the Aztecs is fcj ’ 'nk' Brother .. ( ' 151

is the Goddess of Ho Earth, wMe in »«

Uniig
olnWr* . . . . "",,,!nei
r,dlIi.... sk« i ’called
«. could still cite many d«,es, slld, „ Mictl
Al„s known US Nerg.l by Ptoto-Sn^ ’■ ,hl „
^hkigal are also known amongst the Annunaki. "S M,ctl*ncihuatl
and
' In all mythologies, the serpent has always been the symbf, f,
generation, and immortality. After the flood, the Great Old 0 6 iln&
healin g,
^men, giving birth to a race of half-humans, half-serpents This/ bT *“* the
served as an intermediary between the Annunaki and the human species C
member of this aristocracy, as the son of Eve spawned by a dragon semen/"1
divine. Abel was only a man, son of Adam and Eva. Cain and his offspring are the
sources of many vampiric lines. Many others came from semi-divine beines also nJ
sessing hybrid characteristics.
This is how amongst all the great civilizations of antiquity, specific vampiric
bloodlines appeared, distinct from the descendants of Cain. Among the Aztecs, the
Annunaki Nergal and Ereshkigal, known as Mictlantecuhtli and Mictlancihuatl are
the origi of the vampiric lineages. The previous ritual comes from a lodge that main­
tained th e kinds of beliefs. The purpose here is to join one of the original vampiric
strains, Nergal's.
Then are no steps here, no protection and the risk of ending up absorb ^ense
nous. Sc be sure to live up to your ambitions and to have extracted
aNount of energy during your practices. The ritual wilt be done
fall moon. — that they will have pre
I The place of practice will be the chamber of the sorce ’’ • .ion. They will have
I^tsly purified and fumigated with incense peculiar to . _ .iaVs before imtia-
*» ,« reWn tam alcohol or sexual relation ar le«
°r> the day Of the ritual, a fast is strongly recoin men
x„._ indie on charged by
. rwill be set, including in its center a gteen cal
will have been
fivo . sPlral> and a censer. The objects . -
'dements.
 ]52 N.P.BLACKWOOO .

Statement of Intent r) living on planet Earth,

-<>• 'w"-;
D So that he would recognize me as a son,
n disciple and guide me on the hard path ofknimledze
Accept me as a a f and become a dragon-snake '
^irS^ality strain of the Great Old Ones, the Vatnpi
fhat willpoint' That my will be done.

Light the candle and say.

The Flame of knowledge illuminates my path.
Ma this fire be charged with wisdom and power ofthe Dragon QueenSi
Guardians ofdivine knowledge and immortality of the body and the spirit.

Visualize a beautiful woman. She is dressed in white, a tunic uncovering her shoul-
ders, she wears a gold tiara at the center of which is a rhombus in which is enshrined
2 smaller lozengy quartz crystal. Her long hair is black and thick, her skin is very pa|ti
a little glistening, and her eyes are a deep green, the pupil split like that of snakes. She
places her hands on both sides of the candle and infuses an energy in a green color.
The flame takes on the magnitude of a white light, incandescent, bright, torch suf-

fused green.
Take the candle and present it at each cardinal point and say:

The torch of wisdom banishes and dissolves the enemies ofevolution)

Those from lower dimensions working on the destruction ofmankind.
I work for the light and the beauty ofspirituality.
Diep away from my false God’s path and be gone with you allyour bet)
From this dayyour place is no longer in my heart) nor in my mind.

You have no more hold on me!

. n S *S accornplished, raise the candle above your head and visualize the
cad] consume all the negative entities floating around you. Then place

10 below, the microcosm is the reflection ofthe macrocosm'

Jthe sacredfire ofthe LadyJs serpents bum in my heart)

Consumes th * ^()Wln^ovei the guarantor of my immortality)

6 fnfteS °fthe stirit and other vampiric entities inhabit1,1

P eventing my evolution in true spirituality-

 -^-E^oPKmATERR
visualize the sacred fire burning in your heartiexten " ^.,.WA¥S %
,K light invading your ent.re body destroying every 8 each expiration
,b yfeditate on this initiation, on the motivations that have n in
OnCe this is done, blow out the candle, lie down in theT^ this
^ualization of the next sequence. Uark> and pra^ fte
'1S you are completely naked in the middle of a desert It is ni h
<tarsilluminate the black sky. Everything is calm and quiet and'th’Z™°f

■■ vour only companion. Mentally pronounce: a ot the w'nd

I am here to fulfill my destiny.

Then extend yourself into the sand and contemplate the immensity of the skv k]
the energy fill your body with every inspiration you take. Understand that you X
storing this energy for the travel you are going to accomplish during your lucid dream
or out of body experience.
Raise your arms with your two index fingers forming a cross in the direction of the
sky and pronounce mentally:

Iposition myselfat the crossroads of universes,

O3Divine Lady 3s serpents, emissaries the oriynal sou ce,
Take my hand and educate me to the mysteries ofthe Wh istences.

The stars change positions to form a gigantic spiral of i.b.csndescent light.

Get out of your body and let your consciousness be absorbed in the center of the
spiral. A green light blinds you, and you find yourself naked in a temple made of onyx.
Nergal is there, sitting on a throne. He's a colossal dragon-serpent, staring at \ou

"ith his reptilian eyes.

Open your eyes and approach the second stage of the ritual.

Prel“ninary Practice serpents

or this practice to operate, it is necessary to feel the ptesenc U awaken

* W«lf, eager to ga out of the human Tl“ rep,,1“" ?

gradually take over the mammalian genes. turned to the sky> niak-
’e on your back, arms along the body, palms of the an s tensions.
S ‘ ee contracting and relaxation breaths, mentally c asi in> you
ttiuJ?1116 deeply and then hyperventilate for a few m ^aficn, it i etracts
ave the sensation of your body ex panding and dunmgf ent.
^boyp, *z>«r Nergal as a c
e die top of the skull, in space, view Merg
 i ackwood
' ..... .
hl,* °"ire ”” “ 1”'her **'■'■*«

»«»««”” •I,ile h0'dine *'

Pronounce
Lord ofthe Underworld, acting swiftly in all things,
Whose terrifying wrath strikes the bad,
Nergal that grinds with his hands,
Which tortures the disobedient,
Terror andfear ofthe Earth,
Respected Lord and Hero,
Established offspring ofNumamnir.

Nergal that sprinkles with fresh water

The angry heart ofthe Great Lord Enlil.
Nergal standing ready for battle,
Dominating all evil as a Lord.
Nergal, similar to a lion, reluctant to retreat.

Nergal, great battle netfor attackers, covering all enemies.

Warrior, you are a great andfurious storm on Earth
That has disobeyedyourfather.
Nergal, you terrify fortified cities
And theirfoundations when you stand in your way,
Like a wild bull, hitting all with your big, great horns.

ergal,you have consumed their brickworks as ifit were glitters m the sky.
When you showyourfurious face, none can watch you.
When you are among the people,
. Hergal} you pour Lfi00^ ra'n gutters.
evd peoples with boredom andyou deprive them of their lit'&•
g n covered with scales, drinking the blood ofliving creatures-
Hergalj powerful in heaven and on earth.

& Reviver °fthe Dead, Keeper ofthe Abyss Gate,

Powerful dr ^Uts^e an<^ Great Old Vampires,

serPent, wrapped in the red light ofAldebarau,
And U iny°ur right hand the spear,
onyour left the secret book ofdeath and life.

our reign is coming again!

 THE Series of Ex
^^bodyby^^ A"'RRESWwAYS15s
A”d Renames oftheAnnuff^

Give me the power to perpetual re

Drainage oflifeforce, and vital essences in all reignsT^

So that I receive a long life and the

Ofthe glorious body ofthe Black Sun^^

And all the powers that areyours

Breathe consciously. On the inhalations, the top of our hu

and more. While at the exhalations, Nergal pulls the dragon sT" °PenS more
,vards him. Repeat this visualization until the dragon-sem™P6nt ” y°Ur body
merges with Nergal. ... olw,

Then, floating in the space before Nergal, contemplate the around a

Wy. Finally, always focusing Nergd, brathe B « >«»■

4, energies of human blood as they penemte you and e„ dissolved into ,b,
of your chest, and as you exhale, they come from the center of your chest to fill your

entire body.
Pronounce the incantation:

I am Nergal, the Prophet of Vengeance,

Pm nourished by the energies oflife ofall the reigns ofnature,
The manifestation, the chaos, the degeneration ofsocieties, fears, greed, deviance,
Enjoyment, fantasies, suffering wars, madness, dementia,
And death which free their essences.
Beyond space, beyond time,
I reign over the legions ofthe living and the dead,
They are my instruments and the Great Old vampires are myfollowers.

^t yourself be carried away by the state of gnosis.

C°nclusion

hereextraterrestrial-ways are concerned, I will not say moreW g0 far.

I shall °Ws who know how to interpret signs an a aP Wants to trade with
thOs *n Say*n8 that, as in Lovecraft's stories, the hum teryt And whoever
^°«* .anally finished either in rhe asylum « “ *

Lis does not remain a human creature lot i°n£

 157

physical immort

AMPIRISM has always existed. We find traces of it in all ancient cultures.

V Archeology and myths find traces of it in most major civilizations. As long

as human beings have sought to overcome death, there have been men with
enough courage to seek to transcend their own nature through the practice of necro­
mantic arts, thus giving birth to the first vampiric chains. ‘ < ugh this work focuses
on the tradition of the Order of the Dragon and the pre vampirism in Europe,
it is present throughout the world, and its adepts
Among them, and in addition to the occult capaciu. - —alt with exten-
sivdy in this book, is the post-mortem conservation of ci
We saw in the chapter linked to the astral exit, that the physical body was always
occupied by the essence of the operator who projects himself. I he American spe ‘
^Robert Bruce also theorizes that the physical body is also partly occupied b

of the dead. During a near death experience, the intensity °^t ^eastral
^plained by the fact that a greater quantity of essence is pre erjences
/ than in the inert physical body, contrary to more classic out o
"■’'*01 the essence stays in the physical, while *=

J^tt’lrough the astral plane. . dthofal°ve(lone’ltlS

MVk 11 ^elan traditi°n, moreover, affirms that afterr prayers because
tlit * * t0 Watch over the body during 40 days and eepj can be guided b- th°?
t'rn °f the dead is still (partially at least) in the bo y, correspon

l°Wards a favorable reincarnation.

c ^composition of a human body.
 N D. BLACKWOOD
p . lining rhe techniques of vampirism and conversation of the bodys
' 1 I therefore be perfectly possible to maintain a presence in the deCete '
XXbecom^^^

n order to maintain their presence on this plane for hundreds, even thousands of
the undead Lords have always had access to the phenomenon of anchor points
Bv mummifying their bodies and preserving it as much as possible from degradation,
the can be used the latter as anchors in this reality. From this necessity arises a num­
ber of stories such as that of the Grand Initiates of Venetian Masonry whose bodies
no longer decompose, or that of perfectly preserved mummies from older cultures,
notably in Egypt or certain Asian countries. Preserving one's body seems to be an
absolute necessity on the path to vampiric immortality, and our predecessors have
used all the methods at their disposal to achieve it.
It seems important to note that the role of the extraction of vital essence plays an
important role in a post-mortem way. The astral body of the vampire, always linked
to its physical anchor, supplies it with vital force by means of draining and regular
hunting, thus allowing its conservation in an optimal state. The vampiric chain phe­
nomenon also serves as an anchor on a vibratory level, thus allowing the undead
vampire to benefit from the vital essence drained by living adepts, as we saw in the
chapter relating to the Way of the Dragon.
At the dawn of the third millennium, new possibilities are emerging on the horizon
for humankind. The practitioner of the black arts, depositary of a millennial tradition,
• use the technological and scientific advances of their time to their advantage to
push further the work of these predecessors.
- oday s science can be the tool of choice for the vampire magician.
If believe the work of certain researchers and Nobel laureates like Ray Rur
or Aubrey de Gray, it is quite likely that within a few decades, we will be able to
the knowledge contained in our brains into new bodies in order to increase
ah a Xpectancy ^un^rec^s> even thousands of years. Transhumanist literature
would 'nterest'ng Ueas, which alone deserve to be the subject of a book-
in it in orde t reCOmmend t0 the f0110wer °f ‘he vampiric tradition to be interest^

arts if they wish fmodern skills with the timeless practice ot the h *
° one day overcome physical death itself.

Here are some a Path °f Physical Immortality f

Physical immortality- $ W'1> a"°W the vamP>ric initiate to embark on the 1
 • * • I oj( Al
.irfl about daily habits (food, sports) to incr ... ''MMt*
£d out about dietary supplements and supplemen^tancy.
* ,„a extending i,fe «P„„,

Have vour genetic card analyzed by a specialized eon

IF
Hsks that are specific to you according to your D.N A A7 'n the
Ihe results obtained in order to prevent the development 7 Wd on
there are high-risk factors. Patho|ogies fw
Store your D.N. A. (skin, nails, hair, a packet of your own blood) in dff
to refrigerated devices. See transhumanist companies special^ ntplac«
vation of D.N.A. The more you take care of storing your D N k ?
the better the D.N. A. you have will result in good quality sample
used for medical purposes.
Closely follow the work of scientists favorable to transhumanism such - v
zweil, De Gray, or Alexander. Pay particular attention to technologies such as
"brain copying" and other technologies aimed at preserving and transferring con­
sciousness. Also take an interest in themes such as cell rejuvenation, gene
therapies, or cloning.
Subscribe to a contract with a cryogenics company to allow the freezing of your
body in case of death. Although it may seem expense e there is a trick to make
this practice pretty affordable by taking out death insurance and designating the
cryogenics company as the beneficiary. Cryogenics is the most advanced method
for preserving the physical body. If the transhumanist hypotheses prove to be cor­
rect, it would be perfectly possible to bring the bodies preserved by these means
back to life. The last pages of this book, dealing with the phenomenon
sion and transfer of essences, are intended to allow the sorcerer to find th
Maintained in a state of conservation, and to use it as an anchor in
a hypothetical day or it can be reinstated. . The sorcerer
* KeeP one or more diaries, ideally stored on various digital de™-^ of amnesia if
■11 store elements allowing them to remember w ho the. & text journal,
* ey had to reintegrate their physical body. Keep it m th t0 retnem-
! ot°s, or newspapers, all the elements of your Me th . ^rformance-
er when you wake up. The tutorial videos on magic or sp > llfe are
nd y°ur notes, daily, monthly or weekly reports of}o ou can
* .Ilo™g .0 6„a

p different versions in case some are lost by

160 N.D. BLACKWUUM
¥ It is quite probable that after such a long stay in the astral kingdom, that your ter
restnal memories have been lost and need to be reactivated. The consultation of
this type of archive will then be of great help. It is also possible that this SUpport
necessary to repair certain degradations caused by the process of brain conse^
tion and prolonged non-use of it. We are swimming here in full speculation and
must prepare ourselves for all eventualities.
4 Practice the transfer of essences described later in this chapter, in order to be able
to re-enter your body, or take strength and control of another.
¥ If transhumanist scientists have skills far beyond our area of expertise, they do not,
however, have the knowledge of those who practice dark arts.
* It is quite possible that tomorrow, their knowledge will be among the best weapons
in the service of the practitioner of vampiric magick. With their tools and our
knowledge, our generations may well be the first to realize the dream of this good
old Gilgamesh. Armed with our evocative know-how, new cloning or robotics pro­
cesses, we could perhaps even offer new physical envelopes to the most undead
adepts by introducing their minds into the empty envelope.

THE BLACK RITE OF ESSENCE TRANSFER

This ritual is about taking possession of a physical body once disembodied, before
oeing able, in some ways, to come back from the dead. There are several options for
this. In a way, it is possible to say that the pact with the Vampiric Chain functions as
a form of voluntary possession. Without you necessarily being aware of it, the undead
members of the Chain live through you, breathe, eat, and enjoy through you. The vital
essence that you drain on the physical plane is equally distributed to them. By accept-
mg the Dark Gift, your vibratory rate is united to theirs. Your astral body is now part
of their chain, but your physical body is also an anchor for them on the material plane,
t would nevertheless be wrong to believe that the undead solely exist through living
P We have seen, the notions of localities, time, and space do not exist on th
p ane, and the undead master the phenomena of bilocation at the highest level
eir existence, therefore, continues on the astral plane, while maintaining a constant
whThtb TT eaCh f0110Wer Of the Path of‘he Dragon and of the physical bodies
For thY 6 1 rtheir tOmbS' °nCe disemb°died, the same will be true for you-
the greatest6 ° ‘ntereSted in Physical immortality, the following ritual will e
bility of being ‘mpl'eS the success of transhumanist theories and the po-
y being able t0 retum tQ m _ned a of ^ect
 reservation by modem cryogenic techniques. fn M!
Jbility,can als0imagineanenvel^SUch* ,*”****
which the data conta.ned in your brain would
In this air of ease, this method is relatively diff> (t Z '
reality well known to astral travelers: thinking ^>w
make you reenter it immediately. During the follow^ r f
be necessary to be able to position yourself from you'r astral
observe your physical body for quite a time, before returning to ****°
based on the assumption of the success of the techniques 3
body conversation. Its success also presupposes that vou will clXJ ” ** *

a cryogenic company m order to preserve your body, '

Why is this meditation so necessary? The acts that we perform on a reguiar
especially on the astral plane, tend to become automatic, eve- afte- 3ur v.v
could say that it creates a kind of astral matrix, conditioning us to cenaic acts
drainage of lifeforce is a good example. So, if we condition curse.
to be able to return to our physical body, this maneuver wU ot : . - . - - ssk . -:
to wake up as soon as this will be made possible b. v - -
memories, skills, and identities preserved.
The following astral journey is here narrated in t? j :i
my personal work and the process that I use myself. b ..
different way and to explore other possibilities, such as a synthetic:■:<
brain would have been copied, or a robotic body. Use the most likep s--.cn-----
potheses and your own plans to help diversify your experiences It seems inu.esriiK
to me to work with a wide range of possibilities in order to ensure our ^-p-dty

t^gain control of a physical body whatever the circumstances.

PRACTICE
by projecting astrally, using the method w ith w hich)
jr of the institute of cryogenics with which v ou ha\ e c visited die pl^e
Go through the doors of the main building, h you h‘n e. Jderaiis that you know.
^;Vou have seen photographs, help yourself. Retogm
^es> the wall decoration. . room where the troz
t .. ° °ne ky one through the corridors and head tov eXCitement of joy-
dayare keP'> waiting for the hour of resu"'ei'^physical body-
come back to life, vou regain contro o .
 162 N.D. BLACKWOOD
Go through the door of the conservation room. Dozens of cryogenic boXes

stored there, in a row. .

' All over the room, you see scientists and doctors. They are busy, taking
ments connecting all kinds of devices, and taking care of the maintenance of the tanJ'
containing their pensionaries. A large number are gathered around a particular bo,
The doors of this box open, giving way to a glass tank from which frozen mi
escapes. Inside these mists, you can feel the presence of your physical body.
Observe it in all its mortuary splendor, kept intact for years in the glass of the tank
Stay in this state of observation for several minutes. See the technicians come and g0
into the room while keeping your attention on your physical body. It has lost none of
its splendor and functionality. Look at every detail of it carefully. Watch your face
torso, arms, and legs. Stroke it with your hands, feel the icy skin of your physical body
slowly warm up in contact with your astral hands. After several minutes of contem­
plation, dive into your third eye, your forehead, and enter your brain.
Feel yourself coming back into contact with your physical body, feel the muscles
come back to life one by one. Feel the life force contained in your astral body give life
to each of the cells of your physical body. See all the important elements of vour life
parade like a film before your eyes as you remember them. You know who you are;
you remember each of your physical skills and each of your magical techniques. You
ha\ e this body, and it is yours. You have triumphed over death and have retained each
of \ our memories, all of your knowledge, and each of your powers.
Slowly, your extremities begin to move again, and in a gesture of triumph, you
open your eyes and contemplate this new era that awaits you.
You are alive and immortal.

resurrection
There is a way—a necromantic ritual that is kept secret by the High Pries
Dragon and which aims to bring your body back to life and make the flesh
I’ll give you what I know about it.
After
mark your death
Xith'™ h
ln Sumerian ch«aaers Th^ and “DRAKUL”°n
in clav vo. k °n °Veryour heart. YOI, u / SQUare of Ahramelin “PEGEK ” will be

Pit ^SOrth’fiVe de^sE^ed “ °Pen gr°Und’nOt t0°

’the eanh thus ^ptized^^, ‘mpaled, virgin black piglet on a solid silver
and suffering. Before covering yours^tf
 VIIVOV M VWlM.I! I IM

xVlth^'9 .|VCV
, (UVin v ’v seven
J,r't\.l»' ,IV 1.rmwM your
years,hione ihroat
Ot molt to prolrut
'Serious lollnw.-is <4 ti,< bragr/u
Miin the
®*c'' , t() C0IUC to let a little oltheit Wood inside your throat while intoning

th^-' ..pfGEK " and strongly visualizing your « turn < )n Fridays of thr bh
will be perfonued mul mens!i uni blood will Mimilnrly lx potir‘H
y°ur tbV03v thc rcst of this vitual—iI may exist. (Inc of my imtiaton told
! do not know resu,.rection of an adept during the 50...........
aiV about having wi had abf(olutely n()hurnanit
8* White w, '4
.heet.he assured me that t b
 N.D. BLACKWOOD
Author

.D. BLACKWOOD is a lifelong black magician and occult author

N
who resides in Centra] Europe. He has specialized in the vampiric
arts for nearly two decades, while studying in private underground
lodges of the forbidden discipline. He assumes the pen name N.D. Blackwood
to honor his patron spirits, Noctulius and Dracul, and Blackwood refers to a
neighboring forest where he hikes to perform rituals with the ancient gods of
nr. motherland.
f .D. has innovated new advanced forms of vampiri m ■ it ■
of ceremonial magic, Lovecraftian magic, and Nordic Sb -
drives to perfect the science of extracting vital force to regenera
increase health and longevity, and raise psychic power. Apart r e -
pirism, he concentrates on astral decoration, lycanthropy, demonology , and

necromancy,
Remarkably, during his magick studies, he came into contact with the final,
r'Gaining, living members of the Green Order, who safeguard the last depos
>rf of knowledge from the Societas Draconistarum, founded by E 4
^Amund. 4