Antonio Gramsci
Antonio Gramsci
3. Prison Writings
Gramsci’s Prison Notebooks (or Quaderni del carcere) comprise around three thousand
pages of thematically organized essays, observations and comments, written between 1929
and 1935 (see QC). A number of his notes were revised over time, which indicates they were
not written randomly but conformed, in part, to a plan. Recent research offers some clue as to
the logic and chronology of their drafting (see Francioni 1984). Nonetheless,
the Notebooks were not written for publication and, as a whole, they remain fragmentary
with no explicit guide as to how, or in even what order, the contents might be read.
In his earliest letters from detention, Gramsci indicated various themes that he hoped to
explore, including Italian intellectuals, comparative linguistics, the plays of Pirandello,
newspapers and other forms of “popular literature” (GPL: 45–6). Later he listed more
topics—including historiography, the development of the Italian bourgeoisie, the southern
question, common sense, and folklore.
These cultural and historical headings may appear uncontroversial. But they permitted
Gramsci to develop his wider thoughts on the practical and intellectual problems that had
preoccupied him prior to his arrest. That included: historical features of the Italian state;
theoretical concepts for analyzing the cultural and political conditions of class domination;
and the organizing principles and character of a revolutionary strategy. Freed from the
immediate constraints of tactical decisions and their repercussions, Gramsci drew on his
humanistic training to extend and deepen his understanding of these problems (see
Schwarzmantel 2015).
3.1 Hegemony
The concept often regarded as the locus of innovation in the Notebooks—and hence their
philosophical linchpin—is “hegemony” (egemonia), signifying both leadership and
domination.
Hegemony had been a common term in debates among Russian Marxists and usually
described the leading (or “hegemonic”) role of the working class over its allies in a political
coalition. But it had also been employed by Italian political thinkers in the nineteenth century
to imagine gradually building consent across the nation for the new state—“making
Italians”—rather than relying exclusively on the exercise of force. Gramsci fused these
meanings to present hegemony as the general hypothesis that a social class aims to achieve
consensual domination for its rule by progressively expanding its leadership across society
(see Femia 1981).
This idea—with its potential for variation in empirical focus and application—was developed
across different notes and topics, sometimes as a methodological device to analyze historical
situations, at other times alongside different concepts to make strategic observations. But it
also functioned more broadly as a philosophical horizon highlighting the inseparability of
thought and action, signaling that all intellectual enquiries were unavoidably implicated in
the formation of an integral “way of life”. Focusing on hegemony permits us to appreciate
the Notebooks as a unified intellectual project, despite their disparate themes and contrasting
accents.
The major themes of Gramsci’s ideas concerning hegemony are explored below, starting
with his “sociological” observations on the state, intellectuals, and ideology (§3.2–4), and
then looking at his theoretical reconstruction of Marxist philosophy (§3.5), and his
observations concerning the revolutionary party (§3.6).