Ar
tAppr
eci
ati
on(
Educ.005) Art i s not nat ure- Ar t is man’ s
i
nterpr etati
on ofnatur
e,i ti
s man- made
Whati sart? whilenat ureissomething creat
ed bya
Ar ti s a di verse r ange of human power f
ul dei ty which man cannot
acti
v i
ties in cr eating v isual,audi t
ory,or duplicate. Man cannot make summi t
performi ng ar t
ifact s ( art wor ks) cover edwi thsnowl
ikeMt .Ev
erestandthe
expressi ng t he aut hor ’
s i maginative, perfect cone of May on Vol cano is
concept ual i deas or t echnical ski ll
s beaut if
ully made by nat ure. However,
i
ntendedt obeappr eci atedf orthei
rbeaut y naturecanbeenhancedbyman’ sarti
str
y
oremot ionalpower .Itisnotmeantt obe and t he power of his cr eati
vi
ty and
l
ooked f orwhati ti s buti s meantt o i
magi nation.
sti
mul ate thought because i t al l
ows
vi
ewer st odr aw t hei rownemot i
onsand Arti nvol
v esex peri
ence-When someone
pullfrom t heirper sonalexper i
enceswhen woul d claim thathe i s ex perienced in
vi
ewed.I tisv er ypower fulandi tnaturall
y doingsomet hingt hent hosear oundhi m
develops cr iti
caland i nnov ativethinking woul dbelievethathehasex pert
iseont hat
skil
ls. thi
ng.Apai ntercannotcl ai
m howt opaint
Arti s also an ex pression off eeli
ngs, i
fhehasnott ri
edhol di
ngabr ushanda
i
deas,emot ions,exper i
ences,beaut y,and sculptorcannotpr oduceanobr amaest ra
l
ifet hrough dr awing,pai nti
ng,danci ng, i
fachi seli sforeignt ohim.I nor derto
si
ngi ng,et c.Att hesamet i
me,iti st he exper i
encesomet hing,wehav et omake
productofman’ scr eativi
ty,imagi nati
on, useofourf i
vesenses.
andex pression.
Artiscul
tural
-Itisawor kofhumansand
Whati sar tappr eciat i
on? anythi
ngthathasbeencr eatedbyhumans
Itr ef
erst ot he knowl edge oft he i
spar tofcul ture.Artbecomescul tural
gener al and ev er lasti
ng qual i
ti
es t hat when itdepi cts people’
s way s ofl i
fe,
classif yallgreatar tandi nvolvesanalyzing rel
igi
ous pr acti
ces, mor es (customs,
thef or m ofar twor kt ogener alaudiences norms,andbehav i
orsthatar eacceptabl
e
toenhancet hei renj oyment .I ti
sadeep toasocietyorsocialgroup)andt radi
ti
ons
under st andingont hepur poseofar t
wor k andetc.
andr ecogni zet hebeaut yitpossesses.We
need t o appr eciat e ar twork because i t Artisaf or m ofcreation-Ar ti
ssomet hing
teachesmanyi mpor t
antqual iti
essuchas createdwi thimagi nationandski llthatis
l
isteni ng,obser ving and r esponding t o beautiful or t hat ex presses impor t
ant
mul ti
pl e per spect i
ves. Hav ing an i
deasorf eel
ings.Asi tissaid,humani s
appr eciat i
on f orar talso hel ps us t o thecr eatorofar t.Noar tcanbecr eated
dev elopanappr eciat i
onf oreachot herand without human, whi ch in t ur
n, uses
howwear eal luni quei nourownway ,gain creati
v i
tyandi magi nat i
ont oproducear t
.
enjoy ment ,andappr eciatebeaut y. An ar ti
sti ni t
s simpl estdef i
nit
ion isa
personwhocr eatesar t.
Assumpt ionsofAr t
Artisuni versal-Ithasal way sbeen Arti s subjecti
ve-artis somet hing that
every wher eandt i
mel ess.Inev erycountry cannotbemeasur edbyi t
ssi gni
ficanceor
andev erygener ati
on,t herei sar t
.Letus thelevelofskillwit
hwhichi tiscreated.As
take as an exampl et he known and thesay i
nggoes, “
Beautyli
esi ntheey esof
undy ingliterarywor ksofHomer ,I
li
adand the beholder ”
,meani ng ev eryi ndi
vidual
Ody ssey ,Jose Ri zal’s nov els NoliMe has her /his own per ception and
Tanger eandElFi li
bust er
ismo,Fr anci
sco i
nterpretat
ionaboutt hesubj ect
.I twoul d
Balagat as’Fl or
ant eatLaur a,thef amous neverbet hesamef oreveryindiv
idual.
sonnet sofWi l
li
am Shakespear e,andt he
PsalmsofDav idandt hePr overbsint he NatureofAr t
Bibl
e ar ej usta f ew t o ment ion.These Artistheproductofman’s:
ti
mel ess mast erpieces i nvaded our Creati
vit
y-the capacit
yt o gener
ate
surroundi ngsandar ebei ngpassedf rom novel (new and di f
fer
ent)ideas and
gener ati
ont ogener ati
on. creat
ions.Fr om the Lati
n wor d nov
us.
When can we say t hat somethi
ng is Juliet
creati
v e?Whenitcannotbecompar edto 8. Theat er - uses l iv e per formance t o
anything seen bef ore, when i t is present account s or i magi nary ev ents
extraordinar
y,and when i
ti s ori
ginal
l
y bef or eal ive audi ence usi ng a scr i
pt .
created. Element s ar e act i
ng,gest ure,l ighti
ng,
soundef f ect s,musi c,scener y,andpr ops.
I
maginati
on-t he abili
tytof orm a Genr es ar e dr ama, musi cal ,t ragedy ,
pict
ureinthemi ndsomet hi
ngnotseenor comedy ,
andi mpr ovisat i
on
experi
enced.The power of f ormi ng a 9.Appl i
edar ts-incor por atingel ement sof
mentalimageofsomet hingnotpr esentto styleanddesi gnt oev er yitem wi tht heaim
the senses ornev erbef ore perceived. ofi ncr easi ngt hei
raest het i
cv alues.Ar ti
sts
Accordi
ngt oAl ber
tEinstei
n,imagi nati
on i
nt hi sf iel d br i
ng beaut y,char m,and
i
smor eimportantthanknowl edgef orit comf or ti nto many t hings usef ul in
embracestheent i
reworl
d. ever y dayl ife.I tincludesi ndust rialdesign,
i
nt erior desi gn, f ashi on desi gn, and
Expr essi on- ar ti s meant t o be graphi cdesi gn.
expressedandcr eatesomet hingbeaut iful. Repr esent ation of r eality- ar t of ten
Thet ypesar e: repr esent swhati sseen,depi ctingobj ects
1.Visualar ts-appealt ot hesenseofsi ght andscenesf rom t hewor l
dsuchasacaf é
and ar e mai nlyv isibl e/tangi ble ( ot her orr est aur ant ,a gar den f ulloff l
ower s,
arti
sticdi scipl i
neundert his:per f ormance beachesandmanymor e.
arts, t heat er , appl i
ed ar ts) and t he Ar tmat ter s-i tmat ter sbecausei tal l
ows
medi ums ar e: pai nt ings, dr awi ngs, ust oex pr essour selv esandi ll
ustratet he
l
et t
erings, pr inti
ngs, scul pting, di gi tal wor ld ar ound us and hel p us t o gai n
i
magi ng under standi ngofpeopl eandsoci etyand
2.Fi l
m-t hear tofput ting t oget herst il
l giveushopewhi leliv i
ngi nt hiswor l
d.I t
i
magest ocr eat eani ll
usi onofmov ement mat ters because i ti llustrates human
using t echni ques l i
ke mot ion- pict ure exper iences.
camer a,ani mat i
on,comput er-gener at ed
i
mager y
3.Per f ormance Ar ts-a l i
v e ar tusi ng
humanbodyast hemai nmedi um whi ch
anar ti
stusest o per for m butmayal so
empl oy v isualar t
s,pr ops,and sound.
Element s ar et i
me,v enue,per for mer ’
s
body ,and t he r elati
onshi p bet ween t he
audienceandt heper former ’sbody
4.Poet ryPer f
or mance-anar tusedbyan
arti
stt oexpr esshi semot ionsnotbyusi ng
paint,char coal ,orcamer abutbywor ds
carefully sel ect ed to ex hibitcl arity and
beaut yt ost imul atest rongemot ionsofj oy,
anger ,lov e,andsor row
5.Ar chi tect ure-i st he ar t of maki ng
beaut i
ful bui ldings.Theel ement sar e: plan,
const ruct i
on, anddesi gn
6.Dance-i saser i
esofmov ement st hat
foll
ow the r
hythm of musi c
accompani mentand acr eat i
v ear tf or m
that al lows peopl e t o f r
eel y ex press
themsel ves
7.Liter aryAr t-f ocusesonwr iti
ngusi nga
unique st yle not f ol l
owi ng a speci fi
c
formatonor m whi chi ncl udesbot hf i
ct ion
and non- fiction such as nov els,
biographi es, and poems l ike Wi l
liam
Shakespear e’ sgr eatestpl ayRomeo and
