Starr 1965 Modular Production - A New Concept
Starr 1965 Modular Production - A New Concept
- A New Concept
. . . which promises to piLt production executives
once again in top management, and to give consumers
wider ranges of choice among products.
"Modular production" is the name Martin K. Starr gives to a newly developing capacity to design
and manufacture parts which can be combined in the maximum number of ways. In this article he
deals with such aspects of modular production as the following:
• Its significance — The production manager and his function will once again assume crucial impor-
tance in top management planning and control.
• What is new — Modular production makes possible the manufacture of a far greater and much
more genuine variety of products.
• Development — The new concept will not come into being overnight, since it poses many practical
difficulties, but industry will surely see more and more of it.
• Implications for marketing — The new produetion capacity eomes at an opportune time, for con-
sumers are demanding more uniqueness and individuality in products.
— The Editors
ties — that is, capacities to design and manu- modify its own position in an environment that
facture parts which can be combined in numer- is undergoing change at an accelerating rate.
ous ways — are required, as well as compatible The problems that must be faced by the next
managerial abilities. generation of production managers are numer-
As has been suggested, the drive toward pro- ous. Once again production managers are likely
ductive variety is being forced by external fac- to be assigned top-management positions. All
tors. It is made possible because of internal industries will not be similarly affected; their
ones. An overview is needed for the trend to be adaptations can be expected to follow different
perceived. We can state that: timetables. How to speed up or slow down the
rate of change will be a subject of interest; but
1. The force for this ehange comes from the in the long run the forces for change are irresist-
marketplace. ible, and the degree of change will be recognized
2. The means for change resides in tlie produc- as having been predetermined and not under
tion management area, speeifieally in production's the manager's control.
use of —
Accordingly, I shall undertake in this article
. . . methodology derived from the management
to describe modular production and to point out
seienees;
where the effects of the developing combina-
. . . teehnology derived from the physical sei-
torial methods are likely to be felt most strongly.
enees ;
I shall try to focus on the kind of managerial
. . . data processing ability obtained from elec-
training that will be required in order to pro-
tronic computers.
vide some assurance of success in meeting new
In other words, the consumer is demanding challenges as they are raised. The evolution of
ever greater variety from which to choose. And equipment, alterations in organizational struc-
new methodologies and technological achieve- ture, changes in managerial methods — these
ments have developed within the production are some of the other issues I shall examine.
area which permit the consumer to force this
issue (albeit with varying degrees of success).
Nature of Aietamorphosis
Irresistible Forces The center of change resides in the produc-
The speed with which such change will oc- tion management area, which has long been a
cur is influenced by competitive factors. If stepchild of industrial drama. However, pro-
there is general management resistance, new duction management cannot swing the change
forms can be expected to grow at the expense by itself. For those companies that will evolve
of the reluctant. In any case, various align- successfully by maintaining or increasing their
ments of industrial power will arise according total share of a growing market, a new form of
to the ability of each organization to assess and effort which will cut across many functional
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Modular Production 135
organizational areas is required. We can call output diversity. "Management science," as it is
this new orientation a "synthesis" to distinguish called, has resolved such basic problems as schedul-
it from "analysis," the euphemism which epito- ing work, providing adequate inventories, and ex-
mizes the traditional production management ercising quahty control, thus permitting splendid
approach. managerial control over an enormous variety of
products in the product mix.
Production managers are heing called on to
Significantly, management science has been eas-
find (within their potential set of tools and con- ily and directly assimilated by only one functional
cepts) the operational and economic means for area of business — production management. This
introducing real diversity in production output, observation has been made frequently; yet its rel-
using a given configuration of plant and equip- evance has been overlooked. Management science
ment. Real diversity means far more than the and tbe production function are natural partners.
illusion of an "adequate" product mix. It signi- And as management science unfolds, the produc-
fies the capability to produce a sequence of items tion function responds.
(or small batch of items), each of which can (3) Because of consumers' attraction to diversity,
differ markedly from preceding and subsequent the ability to produce a real variety oflFers the kind
items (or batches). To achieve differentiation, of high leverage that attracts top management at-
there will be small batches of units with sep- tention. The change represents a fundamental de-
arate setup charges. And yet, because of the parture from prior conditions in the sense that
technology and methodology employed, the total previously one company's ability to mass-produce
charges, including those for setup, can be sig- identical items could be eopied by other firms. But
nificantly less than the total revenue obtained for modular production there are no patterns avail-
able with which to model and manage the produc-
in the marketplace. tion system. A great deal of innovation and cre-
ativity is called for, and with these will be found
Spotlight on Production the inevitable partners, risk and uncertainty, and
It is not difficult to see why production man- real vulnerability to astute eompedtive practices.
agement decisions must be at the core of this
activity. Three reasons stand out: Control of Variability
(1) The essence of the depicted capability is Our understanding of the production of real
technological. The notion of high-volume, low- variety can be improved by taking a brief his-
cost, automated mass production will eventually torical excursion. In the early 1900's, students
give way to adaj^tive automation capable of prodLic- of production management began to learn how
ing a seqLience of unique outputs at no sacrifice of to combine many different input elements in a
volume and at no significant increase in cost. Al- transformation system so as to produce a stream
ready, in fact, this trend is in evidence. Thus: of output units that were sufficiently similar to
• In the automobile industry, a large and still be interchangeable in every important detail. In
increasing number of ordering options for a new effect, to acbieve mass production it had been
car are readily available to the consumer. necessary to learn how to remove or control the
• A major petroleum company has designed inherent variabilities of the inputs and the pro-
a gasoline pump that permits the consumer to cess. This accomplishment can be illustrated as
mix his own blend. shown in EXHIBIT I.
• Self-fitting clothing, such as stretch socks, Outputs from such a production system could
has a kind of built-in diversity. be mixed together in a bin and withdrawn in
any order for assembly with other parts that had
• Increases are occurring in the available va- been similarly produced. This gigantic step for-
riety of soap colors, type faces for typewriters,
and shades, styles, and scents for lipsticks, nail- ward in concept revolutionized the production
polish, perfumes, sun lotions, and other cos- process. In retrospect, the step seems to have
metics. been inevitable. For instance, while Eli Whit-
ney was developing the notion of interchange-
• There is increased diversity in the size and
able parts in the United States, Leblanc was al-
type of TV sets now available.
so making the concept operational in France —
In all of these cases, it is growth in technological but neither man was aware of the other's work.
capability that has permitted such diversity to occur. (It may be noted as well that the growth of
(2) The new methodology of production man- modular production partakes of the same sense
agement is capable of providing controls for high of inevitability.)
136 HBR Nov.-Dec.
EXHIBIT I. CONTROL WITH MASS PRODUCTION
The effective realization of the relationship the managerial ability to control the production
shown in EXHIBIT I was the result in no small of diverse outputs. So the marketing function,
measure of the efforts of such men as Frederick aimed at diversity, began where mass production
W. Taylor, Henry L. Gantt, and Frank Gil- (indicated by the single output line in EX-
breth. Few managers, no matter what their HIBIT II) left off, and its success is amply illus-
functional area, are unaware of the objectives trated by the important status of marketing in
and achievements of these early pioneers. Some- management in recent years.
what less well known, but totally appropriate to In general, marketing activities directed to-
this discussion, is the fact that when it was re- ward creating variety have represented an in-
alized that some variability in the outputs must creasing proportion of the total costs of an item.
always exist, Walter Shewhart and his colleagues The consumer has not been reluctant to accept
developed the function of statistical quality con- these services.
trol, whereby the level of fundamental or inher-
ent variability could be described and brought Increasing Expectations
under management direction. Initially, the marketing operation was most
As a final step, Henry Ford helped to com- effective when the diversity of production was
plete production's conquest over variability by minimal. Each firm established some unique
providing an operational instance of coordinat- qualities for its brands. The consumer was able
ed assembly for mass production. The result was to contrast these attributes with those of other
that the multiple inputs could be transformed brands. Differentiation was based on many
in both space and time to afford a controlled subtleties, not the least of which were the name,
stream of output. the package, and the image associations that
With this background in mind, let us turn were created. One basic chemical mixture could
from developments in the factory to trends in be positioned in the marketplace in sever-
the marketplace. al totally different ways. Even a single brand
might appear to possess quite diverse qualities
to different demographic segments of the popu-
Demand for Variety lation if the advertising and promotion could be
We know that the demand for variety origi- properly controlled.
nates at the consumer level. But how much But such differentiation was not to be enough.
variety does the consumer want? How much is Pressure exerted by the consumer for greater
he willing to pay for it? variety began to appear in several different
In the past, operating under a production forms. For instance, the consumer began to
configuration of the type illustrated in EXHIBIT question the "truth" of apparent variety. As a
I, marketing management stepped into the result, marketing, advertising, and promotion
breach and accepted the challenge to supply operations have come under the critical surveil-
the consumer with apparent variety. Production lance of consumer groups and the government.
facilities could not generate as much real vari- It appears, however, that disillusionment about
ety as the market was able to absorb, for the brand marketing, to the extent that it exists, has
technological capability was lacking, and so was not been connected with the purpose of market-
Modular Production 137
EXHIBIT II. PRODUCT VARIETY WITH MASS PRODUCTION
Marketing management
supplies the consumer
with apparent variety
even though the pro-
duction output is based
on the concepts of
mass production.
ing or with the concept of apparent variety, but random affair but is based on some personal pre-
with the lack of a commensurate measure of real disposition. "Keeping up with the Joneses," if it
vai'iety. The consumer is simply asking for a has any meaning, must be interpreted as being ae-
more significant choice. eeptably different from tbe Joneses where the dif-
Pressure for variety also helps to explain the ference ean be explained in terms of a purely per-
sonal and individual philosophy.
severe contraction in product life that has been
experienced in recent years, and the unusually Production Meets the Need
high failure rate for many new products which
require acceptance by a large market segment Marketing managers have succeeded to some
for economic success, yet are not sufficiently extent in presenting the consumer with a choice
unique to warrant such acceptance. It is also so that he can exercise his individuality. In
significant that the demand for variety appears part, this has been achieved by stressing non-
to follow a cyclical pattern. The oscillations are functional factors of quality which can serve to
distinguish one product from another. But the
correlated with production capabilities and the
consumer's drive for uniqueness appears to be
various phases of technological maturity. The
insatiable. For instance, the novelty of Euro-
consumer's expectations appear to be entirely in
pean cars led to an unexpected degree of accept-
keeping with the state of the art:
ance by U.S. consumers. The capricious affair
e As technology advances, the first reaction of of the U.S. consumer with compact cars has
the marketplace is to adopt the prototype model been of tlie same type. And the great increase
of the new technology as widely as possible. Only in consumer spending for such services as trav-
minimum brand differentiation and almost no vari- el and entertainment can also be accounted for
ety within a single brand are found. The issue of as another way to further one's individuality.
primary imiJortance to the consumer is the owner-
ship of the car, radio, or other product. What makes all this so significant is the tim-
ing. The drive toward highly personalized pos-
e Then, as soon as the prototype models are sessions conies at a time when the production
broadly distributed among consumers, a shift be- manager begins to find himself in a position to
gins to take place. Various market segments ap- deliver this real diversity without violating rea-
pear, and tbe aceumulation process proceeds in sonable economic bounds. The degree of per-
terms of particular brand names and special model sonalization that is required is more than that
numbers. delivered by monogrammed luggage, shirts, ties,
e Finally, the marketplace begins to diseard the and automobiles. It is more than what "key
notion of "keeping up with tbe Joneses" and em- clubs," unique shapes and colors of telephones,
phasizes instead the uniqueness of the individual's or antique household furnishings can provide.
possessions.^ This trend is based on the fact that It is embodied in the growing success of mail-
tbe quality of difference bas value for the con- order variety, in the concept of "do it yourself"
sumer. Acceptable difference is not, of course, a (with a great many options to do it "in your own
' See Ernest Dicliter, "Discovering the 'Inner Jones' " way"), and in other iforms which we shall men-
(Thinking Ahead), HBR May-June 1965, p. 6. tion presently.
138 HBR Nov.-Dec. 1965
EXHIBIT III. CONCEPT OF MODULAR PRODUCTION
COMBINATORIAL OUTPUTS
Management designs, develops, and pro-
duces those parts which can be combined O
in the maximum number of ways.
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