Cl1 01a September
Cl1 01a September
* P R E FA C E *
A WALDORF DIARY · Copyright 2022 · Fabienne Wolf Tellenbach · waldorfdiary.com · All rights reserved ·
Dear Reader,
This collection was compiled for your convenience from materials that were freely available at our school
in my time. Songs, verses and poems, plays and games are often shared among the teachers of a Waldorf
School, irrespective of authorship, and I am passing on my Morning Circle programmes in that same spirit
of collegial sharing. These examples are intended to give beginners help and detailed guidance until they
have developed the confidence to create meaningful Morning Circles themselves.
The age of multimedia, screens and teenage pop culture is depriving successive generations of much that
has long been part of childhood, and now it falls to class teachers to let children experience folklore rooted
in wisdom, whose use of rhyme, rhythm and humour is enjoyment and nourishment for developing souls.
The daily Morning Circle is now more important than ever, letting young children absorb traditional songs,
poems and verses, finger games, movement- and clapping games which earlier generations learnt from
parents and grandparents. It ought to go without saying that one applies tact in one’s choices and selects
only items that are not offensive from any cultural perspective. Weeding out chaff from wholesome fare,
class teachers play a part in keeping alive and passing on what is best in their nation’s poetic treasury; and
by introducing songs and poems from other nations, through immersion they can help raise awareness of
different cultural styles, preparing the ground for a deeper understanding in later years. Our intention is
to raise children as true citizens of the world, with an openness to all cultures and their achievements.
Waldorf Education is unique in giving speech formation and recitation, music, movement and drama equal
importance to academic subjects, and it follows that class teachers need to have at least basic training in
these fields. From the start of Class 1 they apply a wide range of skills. They read music, play the recorder,
and use Eurythmy’s ensouled gestures to accompany their class’s recitation and singing in the first years.
All of this is as important to their work as knowing the particulars of literacy and numeracy.
In general, our reciting, singing and movements strive to show the human being at its well-rounded and
balanced best; for, as children imitate our gestures and echo our voice, they absorb the modelled qualities
of enjoyment and lightheartedness, of gratitude and reverence, sincerity, devotion and harmony. And as
the Morning Circle’s sequence calls up these emotions day by day, the inner life is informed, shaped and
enriched; nourished with songs, verses and poems, exercises and games that are healthy food for the soul.
In the first year, a Morning Circle programme should take 30 to 40 minutes. This programme is composed
of a sequence of songs, verses and poems, speech exercises and activities that are chosen and combined
with several cornerstones in mind: seasonal nature awareness, at times linked to a religious festival; the
Main Lesson topic; the needs of the group; the training of age-appropriate skills, such as knowing left from
right, skipping and balancing. It also trains social awareness, care and teamwork as essential abilities. The
composition of such a programme moves in a considered sequence through contemplative and exuberant
moods, in a breathing rhythm that supports the processes of the child’s developing organism.
Young children love the repetition of familiar and enjoyable things. In our fast-moving times, the faithfully
repeated sequence of the daily Morning Circle meets their need for a predictability that gives comfort and
safety. Its meaningful and continuous artistic flow focuses the children; it entertains and unites the group
and gives no cause for wilful disturbance. The framework of a Morning Circle programme is linked to the
duration of a Main Lesson, but occasionally new items are added and former ones replaced as appropriate.
The teacher’s enjoyment of her Morning Circle is key, and essential in transmitting this joy to the children.
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This Morning Circle programme is an example from England. Taking up the country’s climate and seasons,
Christian festivals, traditional songs and poems, verses and games, it connects to the spirit of this nation’s
culture as it is expressed in the language, the music and the rhythms of its rhymes for children.
The Morning Circle should immerse us daily in our culture’s local, artistic and spiritual quality. Its purpose
here is to show you how such a programme is built around the topics of the month, connected to what is
happening in nature, mindful of religious feasts, aimed at building children’s skills, and leading over to the
Main Lesson topic of the moment.
This chapter’s layout of building blocks with headers and footnotes makes it easy to adapt its example by
exchanging these poems, verses, songs, games and exercises with loosely corresponding items from the
national folk treasury of another culture. A structured overview makes it possible to replace them without
breaking the essential breathing rhythm or losing the stream of purpose. But, as it stands, this programme
can be used anywhere in the world to teach English as a foreign language, for it shows how to immerse
young children in this idiom’s sounds and expressions in an age-appropriate way that takes into account
their deep-seated need to absorb language by imitation and through meaningful movement.
The activities of a Morning Circle programme strive to centre children in themselves, mind, body and soul.
Wholehearted recitation captures their imagination through the poem’s word-pictures. Acting out certain
characters with purposeful gestures engages the children in moral activity, and miming a part at the centre
of the circle is a popular activity that naturally supports dramatic expression. Singing fills the soul with
harmony as it reflects the changing seasons and a variety of topics that range from practical to spiritual,
from reflective to exuberant. Through the Morning Circle’s programme, clear speech, tuneful singing and
a sense of rhythm are trained from the first day, complemented by exercises in balancing and skipping,
social awareness and teamwork. Mental maths and spelling exercises may at times be integrated as well,
alongside other items that arise from a Main Lesson topic or the current situation.
It is my particular wish to show how Morning Circle programmes develop with the class through the years,
and how their variable format takes changes into account that are happening as the children grow up. It
is not right to continue the Morning Circle of the early years beyond age 8/9. A teacher’s sensitive insight
will strive to adapt and develop the first part of the morning in step with the needs of her group.
Although the copyright to the format in which these Morning Circle programmes are published is mine,
the copyright of songs, poems and verses remains of course with their authors. I am sharing them in the
spirit of ‘fair use’ as free bonus material with people who purchase chapters of my own publication. Much
of this free content, including musical scores, can nowadays be found on the internet. But since my aim is
to save busy class teachers as much time as possible, I am publishing these Morning Circle examples for
your convenience. It means, however, that you have to respect everyone’s copyright and cannot use this
material in ways that exceed the concept of fair use. So, no copying and distributing of any part at all! Just
use these chapters as templates to be adapted to your own needs, or to learn their programmes by heart.
Thank you for respecting the copyright!
As far as they are known to me, all sources, authors and origins are attributed at the end of each chapter.
Should you be able to fill any remaining gaps, please write to [email protected] and let me know
the particulars. Such help would be greatly appreciated.
Fabienne Wolf Tellenbach
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MEDITATIVE BEGINNING
SITTING AT THE DESK PENTATONIC MORN. SONG – OVER THE EARTH THROUGHOUT THE ML
STANDING AT THE DESK MORNING VERSE – THE SUN WITH LOVING LIGHT THROUGHOUT THE YEAR
MOVING AS A CIRCLE IMITATION GAME – I TRAVELLED OVER LAND AND SEA FIRST DAYS ONLY
STANDING AS A CIRCLE SEASONAL SONG – AUTUMN NOW HAS COME AGAIN THROUGHOUT THE ML
ACTING PARTS AS A CIRCLE SEASONAL POEM – AUTUMN’S ON ITS WAY ADDED IN WEEK 3
STANDING AS A CIRCLE HUMOROUS POEM – MISS POLLY HAD A DOLLY DROPPED IN WEEK 2
MOVING AS A CIRCLE ACTION SONG – SALLY GO ROUND THE SUN THROUGHOUT THE ML
STANDING AS A CIRCLE CLAPPING GAME – A SAILOR WENT TO SEA , SEA, SEA DROPPED IN WEEK 2
O T H E R VE R S E S
SEATED AROUND THE TABLE GRACE – EARTH, WHO GAVE TO US THROUGHOUT THE YEAR
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This Morning Verse is spoken daily, from the first day of Class 1 until the final day of Class 4.
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* IMITATION GAME
Moving as a circle, everyone imitates the action of the leader: walking, skipping, hopping, running,
twirling, pointing, clapping, tiptoeing … The children enjoy thinking up new ways of moving.
* SEASONAL SONG
* HUMOROUS POEM
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* ACTION SONG
* ACTION POEM
* FINGER GAME
Two stout gentlemen met in the lane (thumbs) Two lovely ladies … (index fingers)
Bowed most politely, bowed once again Two tall policemen … (middle fingers)
Said, How do you do? Two old farmers … (ring fingers)
And, How do you do? Two little babies … (little fingers)
And, How do you do? again All the people … (all fingers)
Make fists and let the fingers bow to each other repeatedly, beginning with the thumbs.
* CLAPPING GAME
A sailor went to sea, sea, sea 2) A sailor went to chop, chop, chop …
To see what he could see, see, see 3) A sailor went to knee, knee, knee …
But all that he could see, see, see 4) A sailor went to sea, chop, knee …
Was the bottom of the deep blue sea, sea, sea
Clapping games put us in touch with our body. Clap your hands once, then clap right hands with
your partner, clap hands once, then clap left hands with your partner, clap your hands once, clap
both hands with your partner three times, and repeat this to the end of the verse. On the second
verse slap your elbows, on the third your knees, then combine all these actions in one sequence.
* NARRATIVE POEM
* MOVEMENT SONG
As everyone sings this song, individuals
Walk, walk, in a ring take turns at walking around the outside
In a ring together of the circle to notice how it feels different
And when you meet from walking a straight line. This simple
And when you meet exercise builds on the Form Drawing
You clap your hands together experiences of the Main Lesson block.
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* SEASONAL POEM
The rabbit twitched his long brown ears The squirrel ran along the branch
On a lovely September day On a lovely September day
He heard the north wind whistle He found a nut, all golden brown
And scampered off to say And scurried off to say
Hurry, hurry! Hurry, hurry! Hurry, hurry! Hurry, hurry!
Autumn’s on its way! Autumn’s on its way!
The bee was buzzing round some flowers A hedgehog sniffed her little snout
On a lovely September day On a lovely September day
She saw the roses’ petals fall She smelt the leaves all damp and brown
And she flew off to say And scampered off to say
Hurry, hurry! Hurry, hurry! Hurry, hurry! Hurry, hurry!
Autumn’s on its way! Autumn’s on its way!
Building vocabulary, and perfect for acting out the animals within the circle.
Unüberwindlich starker Held Groß ist dein Macht, groß ist dein Heer
Sankt Michael! Sankt Michael!
Komm uns zu Hilf, zieh mit ins Feld Groß auf dem Land, groß auf dem Meer
Hilf uns hie kämpfen Hilf uns hie ringen
die Feinde dämpfen die Feind bezwingen
Sankt Michael! Sankt Michael!
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* HARVEST SONG
This song for the school’s harvest festival is learnt well in advance with Class 1.
Throughout the year, the following verses begin snack time and end the school day:
* GRACE
Fold your hands and bow your head in an
Earth, who gave to us this food attitude of sincere reverence and gratitude.
Sun, who made it ripe and good Afterwards, all join hands around the table
Dear Sun, dear Earth, by you we live to say, “Blessings on the meal and peace on
Our loving thanks to you we give the Earth!”
* FINISHING VERSE
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OVER THE EARTH – traditional Scottish melody; Anglican hymn by Ruth Brown; Oxford University Press
MORNING VERSE – by Rudolf Steiner, Stuttgart 1919 for the first Waldorf School; translated by Roland Everett
UNÜBERWINDLICH STARKER HELD – old German sacral melody; the lyrics by Friedrich Spee were published 1621
I LIFT MY ARMS –
I TRAVELLED OVER LAND AND SEA – translated from the Scandinavian ‘Jeg gikk meg over sjø og land’
AUTUMN’S ON ITS WAY – by the English poet, actor, musician and class teacher Trevor T. Smith (1945-2017)
MISS POLLY HAD A DOLLY – published 1969 in ‘This Little Puffin’, Penguin Books; compiled by E. Matterson
SALLY GO ROUND THE SUN – published 1969 in ‘This Little Puffin’, Penguin Books; compiled by E. Matterson
TWO STOUT GENTLEMEN – published 1969 in ‘This Little Puffin’, Penguin Books; compiled by E. Matterson
THIS IS THE KEY OF THE KINGDOM – British nursery rhyme of unknown origin, probably late 19th century
A SAILOR WENT TO SEA , SEA, SEA – published 1969 in ‘This Little Puffin’, Penguin Books; Elizabeth Matterson
GRACE – translation of ‘Spruch vor Tisch’ by the German poet Christian Morgenstern (1871-1914)
Can you attribute any item listed here as of unknown origin? Please share the info with [email protected]
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