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ARTS10 Lesson - 1 Q1

The document discusses several artistic movements that occurred between the 19th and early 20th centuries, including Realism, Post-Impressionism, Fauvism, Art Nouveau, Cubism, and Futurism. It provides details on the styles, subjects, notable artists, and key differences of each movement.

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0% found this document useful (0 votes)
45 views14 pages

ARTS10 Lesson - 1 Q1

The document discusses several artistic movements that occurred between the 19th and early 20th centuries, including Realism, Post-Impressionism, Fauvism, Art Nouveau, Cubism, and Futurism. It provides details on the styles, subjects, notable artists, and key differences of each movement.

Uploaded by

6ix9ine Soul
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Involved numerous artistic movements.

Essentially, art movements are the collective


titles assigned to works of art that belong to
a certain period and employ similar styles or
techniques and guided by shared ideals
➢ It is recognized as the first movement in
Modern Art, which started in France in
the 1840s. It aimed at the precise
representation of human conditions,
perspective and distance, and detailed
effects of color.
➢ Realist also used source lightning to
recreate the natural lightning of a
scene. Realist also used source lightning
to recreate the natural lightning of a
scene.
➢ The realist art and life bringing everyday
life into their work, they were after
detailed and straightforward portrayal
of the contemporary life. - Realist artist
such as Gustave Courbet, Jean Francois
Millet and Edouard Manet.




➢ The name Postimpressionism
was coined by art critic Roger
Fry referring to the works by
painters such as Paul Cezanne,
Georges Seurat, and Vincent
van Gogh.

➢ Both Impressionist and


George Seurat, Sunday Afternoon on the Postimpressionist painter
Island of La Grande Jatte (1884-1886) depicted real-life subject, and
they used vivid colors,
distinctive brushstrokes, and
thick layers of paint.
➢ The major difference between
these two movements is that the
Postimpressionism attempted to
achieve more form and structure,
they put more emotion and
expression into their works.
Impressionism focused on the
objectives recording of the
momentary effects of light and
George Seurat, Sunday Afternoon on the color, whereas Postimpressionism
Island of La Grande Jatte (1884-1886) preferred a more ambitious
expression.
➢ They want to connect the viewers
with the artwork on a deeper and
more meaningful level.
➢ Is a highly fashionable artistic
movement, succeeded the painting of
Van Gogh, Gaugin and other
Postimpressionist artist. Henri Matisse,
Andre Derain, Georges Rouault, Albert
Marquet, Raoul Dufy and Maurice de
Vlaminck are some of the famous
Fauves.

➢ Artist used non-naturalistic and often


Maurice de Vlaminck, The Chatou brush colors.
Bridge (1906) ➢ The subject matter in Fauvism was
varied but it often consisted of
landscape, still life, portrait and figure
painting, view from the window and
others
➢ Style was not only applied in the fine
arts, but it also found its way in the
interior design and the decorative arts
such as textile, furniture, jewelry,
lightning and household utensils.
➢ The pioneering artists include the
painter Gustav Klimt (Austria), the
architect Antoni Gaudi (Spain), the
illustrator Aubrey Beardsley (England),
the jewelry designer Rene Lalique
(France), and the glassware designer
Gustav Klimt, The Kiss (1907-1908) Louis Comfort Tiffany (United States).
➢ they attempted to put an end to the
traditional view that fine arts such as
painting and sculpture were superior
than decorative or functional arts
(ceramics, textiles, furniture) that were
craft-based.


Cubism (1902-1922)
➢ Describes the revolutionary style of
painting pioneered by Georges Braque
and Pablo Picasso in Paris, France.
➢ Louis Vauxcelles first used the term
Cubism when he describes Braque’s
painting House at l’Estaque (1908) as
being composed cubes
➢ It is usually classified into two stages:
(1) Analytic Cubism (1913-1920s)
showed objects not how the eye
perceived them, but how the mind
George Braque, House at l’ Estaque perceived forms. (2) Synthetic (1913-
(1908), oil on canvas 1920) artist begun using foreign
materials such as newspaper and chair
caning as abstract signs.
Futurism (1909-1920s)
➢ It was an avant-garde movement
started in Italy with the publication of
Filippo Tommaso Marinetti’s The
Manifesto of Futurism )1909
➢ This art movement emphasized
machine and modernization
➢ It condemned the old and celebrated
the machine age, focusing the vitality of
the urban world, especially its advanced
science and technology
➢ They sought to represent modern
Natalia Goncharova, The Cyclist (1913) experience and arouse all kinds of
sensations.
➢ A futurist painting basically brings to
mind the sight, the noise, the heat, the
smell and even the taste of the city.
Thank you!
Credits: Canva.com

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